The Judgement of Paris is a story from Greek mythology, which was one of the events that led up to the Trojan War, and in later versions to the foundation of Rome.[1]
Eris, the goddess of discord, was not invited to the wedding of Peleus and Thetis. In revenge, she brought a golden apple, inscribed, "To the fairest one," which she threw into the wedding. Three guests, Hera, Athena and Aphrodite, after some disputation, agreed to have Paris of Troy choose the fairest one. Paris chose Aphrodite, she having bribed him with the most beautiful mortal woman in the world, Helen of Sparta, wife of Menelaus. Whereupon Paris carried Helen off to Troy, and the Greeks invaded Troy for Helen's return. Eris' Apple of Discord was thus the instrumental casus belli (or her not being invited to the wedding in the first place) of the Trojan War.
As with many mythological tales, details vary depending on the source. The brief allusion to the Judgement in the Iliad (24.25–30) shows that the episode initiating all the subsequent action was already familiar to its audience; a fuller version was told in the Cypria, a lost work of the Epic Cycle, of which only fragments (and a reliable summary[2]) remain. The later writers Ovid (Heroides 16.71ff, 149–152 and 5.35f), Lucian (Dialogues of the Gods 20), Pseudo-Apollodorus (Bibliotheca, E.3.2) and Hyginus (Fabulae 92), retell the story with skeptical, ironic or popularizing agendas. It appeared wordlessly on the ivory and gold votive chest of the 7th-century BC tyrant Cypselus at Olympia, which was described by Pausanias as showing:
... Hermes bringing to Alexander [i.e. Paris] the son of Priam the goddesses of whose beauty he is to judge, the inscription on them being: 'Here is Hermes, who is showing to Alexander, that he may arbitrate concerning their beauty, Hera, Athena and Aphrodite.[3]
The subject was favoured by ancient Greek vase painters as early as the sixth century BC,[4] and remained popular in Greek and Roman art, before enjoying a significant revival as an opportunity to show three female nudes, in the Renaissance.
It is recounted[5] that Zeus held a banquet in celebration of the marriage of Peleus and Thetis (parents of Achilles). However, Eris, goddess of discord, was not invited, for it was believed she would have made the party unpleasant for everyone. Angered by this snub, Eris arrived at the celebration with a golden apple from the Garden of the Hesperides, which she threw into the proceedings as a prize of beauty.[6] According to some later versions, upon the apple was the inscription καλλίστῃ (kallistēi, "To/for the fairest one").[7]
Three goddesses claimed the apple: Hera, Athena and Aphrodite. They asked Zeus to judge which of them was fairest, and eventually he, reluctant to favour any claim himself, declared that Paris, a Trojan mortal, would judge their cases, for he had recently shown his exemplary fairness in a contest in which Ares in bull form had bested Paris's own prize bull, and the shepherd-prince had unhesitatingly awarded the prize to the god.[8]
With Hermes as their guide, the three candidates bathed in the spring of Ida, then met Paris on Mount Ida. While Paris inspected them, each attempted with her powers to bribe him; Hera offered to make him king of Europe and Asia, Athena offered wisdom and skill in war, and Aphrodite, who had the Charites and the Horai to enhance her charms with flowers and song (according to a fragment of the Cypria quoted by Athenagoras of Athens), offered the world's most beautiful woman (Euripides, Andromache, l.284, Helena l. 676). This was Helen of Sparta, wife of the Greek king Menelaus. Paris accepted Aphrodite's gift and awarded the apple to her, receiving Helen as well as the enmity of the Greeks and especially of Hera. The Greeks' expedition to retrieve Helen from Paris in Troy is the mythological basis of the Trojan War. According to some stories, Helen of Troy was kidnapped by Paris and group of Trojans; in others, she simply followed Paris willingly because she felt affection for him, too.
The story of the Judgement of Paris naturally offered artists the opportunity to depict a sort of beauty contest between three beautiful female nudes, but the myth, at least since Euripides, rather concerns a choice among the gifts that each goddess embodies. The bribery involved is ironic and a late ingredient.[9]
According to a tradition suggested by Alfred J. Van Windekens,[10] "cow-eyed" Hera was indeed the most beautiful, before Aphrodite showed up. However, Hera was the goddess of the marital order and of cuckolded wives, amongst other things. She was often portrayed as the shrewish, jealous wife of Zeus, who himself often escaped from her controlling ways by cheating on her with other women, mortal and immortal. She had fidelity and chastity in mind and was careful to be modest when Paris was inspecting her. Aphrodite was the goddess of sexuality, and was effortlessly more sexual and charming than any goddess. Thus, she was able to sway Paris into judging her as the fairest. Athena's beauty is rarely commented on in the myths, perhaps because Greeks held her up as an asexual being, able to "overcome" her "womanly weaknesses" to become both wise and talented in war (both considered male domains by the Greeks). Her rage at losing makes her join the Greeks in the battle against Paris's Trojans, a key event in the turning point of the war.
The subject became popular in art from the late Middle Ages onwards. All three goddesses were usually shown nude, though in ancient art only Aphrodite is ever unclothed, and not always.[11] The opportunity for three female nudes was a large part of the attraction of the subject. It appeared in illuminated manuscripts and was popular in decorative art, including 15th-century Italian inkstands and other works in maiolica, and cassoni.[12] As a subject for easel paintings, it was more common in Northern Europe, although Marcantonio Raimondi's engraving of c. 1515, probably based on a drawing by Raphael, and using a composition derived from a Roman sarcophagus, was a highly influential treatment, which made Paris's Phrygian cap an attribute in most later versions.[13]
The story is the basis of an earlier opera, Il pomo d'oro, in a prologue and five acts by the Italian composer Antonio Cesti, with a libretto by Francesco Sbarra (1611–1668).
Aphrodite taunts Hera and Athena with the Apple, relief in the Achilleion, Corfu.
In Discordianism
Kallistēi is the word of the ancient Greek language inscribed on Eris' Apple of Discord. In Greek, the word is καλλίστῃ (the dativesingular of the femininesuperlative of καλος, beautiful). Its meaning can be rendered "to the fairest one". Calliste (Καλλίστη; Mod. Gk. Kallisti) is also an ancient name for the isle of Thera.
The word Kallisti (Modern Greek) written on a golden apple, has become a principal symbol of Discordianism, a post-modernist religion. In non-philological texts (such as Discordian ones) the word is usually spelled as καλλιστι. Most versions of Principia Discordia actually spell it as καλλιχτι, but this is definitely incorrect; in the afterword of the 1979 Loompanics edition of Principia, Gregory Hill says that was because on the IBM typewriter he used, not all Greek letters coincided with Latin ones, and he didn't know enough of the letters to spot the mistake. Zeus' failure to invite Eris is referred to as The Original Snub in Discordian mythology.[15]
Classical literature sources
Storage Jar with the Judgement of Paris (Athens, c. 360 BC)
Chronological listing of classical literature sources for The Judgement of Paris, including the Apple of Discord:
↑ The outline of Proclus, summarized by Photius, found in English translation in Hesiod, the Homeric Hymns, and Homerica, ed. Evelyn-White, London and Cambridge, Massachusetts (Loeb series), new and revised edition 1936.
Ares is the Greek god of war and courage. He is one of the Twelve Olympians, and the son of Zeus and Hera. The Greeks were ambivalent towards him. He embodies the physical valor necessary for success in war but can also personify sheer brutality and bloodlust, in contrast to his sister Athena, whose martial functions include military strategy and generalship. An association with Ares endows places, objects, and other deities with a savage, dangerous, or militarized quality.
The Trojan War was a legendary conflict in Greek mythology that took place around the 12th or 13th century BC. The war was waged by the Achaeans (Greeks) against the city of Troy after Paris of Troy took Helen from her husband Menelaus, king of Sparta. The war is one of the most important events in Greek mythology, and it has been narrated through many works of Greek literature, most notably Homer's Iliad. The core of the Iliad describes a period of four days and two nights in the tenth year of the decade-long siege of Troy; the Odyssey describes the journey home of Odysseus, one of the war's heroes. Other parts of the war are described in a cycle of epic poems, which have survived through fragments. Episodes from the war provided material for Greek tragedy and other works of Greek literature, and for Roman poets including Virgil and Ovid.
In Greek mythology, Menelaus was a Greek king of Mycenaean (pre-Dorian) Sparta. According to the Iliad, the Trojan war began as a result of Menelaus's wife, Helen, fleeing to Troy with the Trojan prince Paris. Menelaus was a central figure in the Trojan War, leading the Spartan contingent of the Greek army, under his elder brother Agamemnon, king of Mycenae. Prominent in both the Iliad and Odyssey, Menelaus was also popular in Greek vase painting and Greek tragedy, the latter more as a hero of the Trojan War than as a member of the doomed House of Atreus.
Aegle is the name of several different figures in Greek mythology:
In Greek mythology, Hippolyta, or Hippolyte, was a daughter of Ares and Otrera, queen of the Amazons, and a sister of Antiope and Melanippe. She wore her father Ares' zoster, the Greek word found in the Iliad and elsewhere meaning "war belt". Some English translations prefer "girdle". Hippolyta figures prominently in the myths of both Heracles and Theseus. The myths about her are so varied it is thought that they may be about different women. The name Hippolyta translates as "she who unleashes the horses", deriving from two Greek roots meaning "horse" and "let loose".
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In Greek mythology, Psamathe is a Nereid, one of the fifty daughters of the sea god Nereus and the Oceanid Doris. By Aeacus, the king of Aegina, she is the mother of a son, Phocus. When Phocus is killed by his half-brothers Peleus and Telamon, Psamathe sends a giant wolf at Peleus' herd.
In Greek mythology, Pelops was king of Pisa in the Peloponnesus region. He was the son of Tantalus and the father of Atreus.
In Greek mythology, the Ceryneian hind, was a creature that lived in Ceryneia, Greece and took the form of an enormous female deer, larger than a bull, with golden antlers like a stag, hooves of bronze or brass, and a "dappled hide", that "excelled in swiftness of foot", and snorted fire. To bring it back alive to Eurystheus in Mycenae was the third labour of Heracles.
In Greek mythology, the Cretan Bull was the bull Pasiphaë fell in love with, giving birth to the Minotaur.
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The Lernaean Hydra or Hydra of Lerna, more often known simply as the Hydra, is a serpentine lake monster in Greek mythology and Roman mythology. Its lair was the lake of Lerna in the Argolid, which was also the site of the myth of the Danaïdes. Lerna was reputed to be an entrance to the Underworld, and archaeology has established it as a sacred site older than Mycenaean Argos. In the canonical Hydra myth, the monster is killed by Heracles (Hercules) as the second of his Twelve Labors.
The Mares of Diomedes, also called the Mares of Thrace, were a herd of man-eating horses in Greek mythology. Magnificent, wild, and uncontrollable, they belonged to Diomedes of Thrace, king of Thrace, son of Ares and Cyrene who lived on the shores of the Black Sea. Bucephalus, Alexander the Great's horse, was said to be descended from these mares.
The Apple of Discord was a golden apple dropped by Eris, the goddess of strife, at the wedding of Peleus and Thetis in the Greek myth of the Judgement of Paris. It sparked a vanity-fueled dispute among Hera, Athena, and Aphrodite that eventually led to the Trojan War.
The Erythraean Sea was a former maritime designation that always included the Gulf of Aden, and at times other seas between Arabia Felix and the Horn of Africa. Originally an ancient Greek geographical designation, the term was used throughout Europe until the 18th and 19th centuries. The area referred to by this name frequently extended beyond the Gulf of Aden—as in the famous 1st-century Periplus of the Erythraean Sea—to designate all of the present-day Red Sea, Arabian Sea, Persian Gulf, and Indian Ocean as a single maritime area.
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References
Apollodorus, Apollodorus, The Library, with an English Translation by Sir James George Frazer, F.B.A., F.R.S. in 2 Volumes. Cambridge, Massachusetts, Harvard University Press; London, William Heinemann Ltd. 1921. Online version at the Perseus Digital Library.
Bull, Malcolm, The Mirror of the Gods, How Renaissance Artists Rediscovered the Pagan Gods, Oxford UP, 2005, ISBN0-19-521923-6.
Pausanias, Pausanias Description of Greece with an English Translation by W.H.S. Jones, Litt.D., and H.A. Ormerod, M.A., in 4 Volumes. Cambridge, Massachusetts, Harvard University Press; London, William Heinemann Ltd. 1918. Online version at the Perseus Digital Library.
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