The La Tène culture was a European Iron Age culture. It developed and flourished during the late Iron Age, succeeding the early Iron Age Hallstatt culture without any definite cultural break, under considerable Mediterranean influence from the Greeks in pre-Roman Gaul, the Etruscans, and the Golasecca culture, but whose artistic style nevertheless did not depend on those Mediterranean influences.
A torc, also spelled torq or torque, is a large rigid or stiff neck ring in metal, made either as a single piece or from strands twisted together. The great majority are open at the front, although some have hook and ring closures and a few have mortice and tenon locking catches to close them. Many seem designed for near-permanent wear and would have been difficult to remove.
A brooch is a decorative jewellery item designed to be attached to garments, often to fasten them together. It is usually made of metal, often silver or gold or some other material. Brooches are frequently decorated with enamel or with gemstones and may be solely for ornament or serve a practical function as a clothes fastener. The earliest known brooches are from the Bronze Age. As fashions in brooches changed rather quickly, they are important chronological indicators. In archaeology, ancient European brooches are usually referred to by the Latin term fibula.
The Tara Brooch is an Irish Celtic brooch, dated to the late-7th or early-8th century, of the pseudo-penannular type. It is made from bronze, silver and gold, with a head formed from a circular ornate ring that is intricately decorated on both sides. Its upper half is hollow while the lower half is solid with fused terminals. The brooch was constructed from numerous individually made pieces, and its front and reverse sides are both decorated with around 50 inserted cast panels containing highly ornate filigree. The borders and terminals contain multiple panels holding multi-coloured studs, interlace patterns, filigree and Celtic spirals. It is widely considered the most complex and ornate of its kind, and would have been commissioned as a fastener for the cloak of a high ranking cleric or as ceremonial insignia of high office for a High King of Ireland.
Celtic art is associated with the peoples known as Celts; those who spoke the Celtic languages in Europe from pre-history through to the modern period, as well as the art of ancient peoples whose language is uncertain, but have cultural and stylistic similarities with speakers of Celtic languages.
The ancient carnyx was a wind instrument of the Iron Age Celts, used between c. 200 BCE and c. CE 200. It was a type of bronze trumpet with an elongated S shape, held so that the long straight central portion was vertical and the short mouthpiece end section and the much wider bell were horizontal in opposed directions. The bell was styled in the shape of the head of an open-mouthed boar or other animal.
A fibula is a brooch or pin for fastening garments, typically at the right shoulder. The fibula developed in a variety of shapes, but all were based on the safety-pin principle. Unlike most modern brooches, fibulae were not only decorative; they originally served a practical function: to fasten clothing for both sexes, such as dresses and cloaks.
An armilla was an armband awarded as a military decoration to soldiers of ancient Rome for conspicuous gallantry. Legionary (citizen) soldiers and non-commissioned officers below the rank of centurion were eligible for this award, but non-citizen soldiers were not. Unlike legionaries, auxiliary common soldiers did not receive individual decorations, though auxiliary officers did. However, a whole auxiliary regiment could be honoured by a title as an equivalent award, which in this case would be armillata, or be granted Roman citizenship en masse as a reward. This entitled an auxiliary regiment to add the appellation civium Romanorum to its list of honours.
Insular art, also known as Hiberno-Saxon art, was produced in the post-Roman era of Great Britain and Ireland. The term derives from insula, the Latin term for "island"; in this period Britain and Ireland shared a largely common style different from that of the rest of Europe. Art historians usually group Insular art as part of the Migration Period art movement as well as Early Medieval Western art, and it is the combination of these two traditions that gives the style its special character.
The Broighter Gold or more correctly, the Broighter Hoard, is a hoard of gold artefacts from the Iron Age of the 1st century BC that were found in 1896 by Tom Nicholl and James Morrow on farmland near Limavady, Ireland. The hoard includes a 7-inch-long (18 cm) gold boat, a gold torc and bowl and some other jewellery.
The Winchester Hoard is a hoard of Iron Age gold found in a field in the Winchester area of Hampshire, England, in 2000, by a retired florist and amateur metal detectorist, Kevan Halls. It was declared treasure and valued at £350,000—the highest reward granted under the Treasure Act 1996 at that time.
The Celtic brooch, more properly called the penannular brooch, and its closely related type, the pseudo-penannular brooch, are types of brooch clothes fasteners, often rather large; penannular means formed as an incomplete ring. They are especially associated with the beginning of the Early Medieval period in Ireland and Britain, although they are found in other times and places—for example, forming part of traditional female dress in areas in modern North Africa.
The Waterloo Helmet is a pre-Roman Celtic bronze ceremonial horned helmet with repoussé decoration in the La Tène style, dating to circa 150–50 BC, that was found in 1868 in the River Thames by Waterloo Bridge in London, England. It is now on display at the British Museum in London.
The Meyrick Helmet is an Iron Age bronze peaked helmet, with La Tène style decoration, that is held at the British Museum in London. It is one of only four Iron Age helmets to have been discovered in Britain, the other three being the more famous Waterloo Helmet, the Canterbury Helmet and the North Bersted Warrior helmet. Unlike the Waterloo Helmet, which bears two cone-shaped horns, the Meyrick Helmet is hornless and appears to be based on a Roman model. Vincent Megaw, emeritus professor of archaeology at the University of Leicester, has conjectured that the helmet may have belonged to a British auxiliary fighting in the Roman army during the campaigns against the Brigantes in AD 71–74.
In the early Middle Ages, there were distinct material cultures evident in the different federations and kingdoms within what is now Scotland. Pictish art was the only uniquely Scottish medieval style; it can be seen in the extensive survival of carved stones, particularly in the north and east of the country, which hold a variety of recurring images and patterns. It can also be seen in elaborate metal work that largely survives in buried hoards. Irish-Scots art from the kingdom of Dál Riata suggests that it was one of the places, as a crossroads between cultures, where the Insular style developed.
Prehistoric art in Scotland is visual art created or found within the modern borders of Scotland, before the departure of the Romans from southern and central Britain in the early fifth century CE, which is usually seen as the beginning of the early historic or Medieval era. There is no clear definition of prehistoric art among scholars and objects that may involve creativity often lack a context that would allow them to be understood.
The Cordoba Treasure, or Tesoro de Córdoba in Spanish, is the name of a major Iron Age silver hoard found on the outskirts of the city of Córdoba, Spain in 1915. The entire treasure was purchased by the British Museum in 1932, where it has been on public display ever since.
Scottish jewellery is jewellery created in Scotland or in a style associated with Scotland, which today often takes the form of the Celtic style. It is often characterised by being inspired by nature, Scandinavian mythology, and Celtic knot patterns. Jewellery has a history in Scotland dating back to at least the Iron Age.
Anglo-Saxon brooches are a large group of decorative brooches found in England from the fifth to the eleventh centuries. In the early Anglo-Saxon era, there were two main categories of brooch: the long (bow) brooch and the circular (disc) brooch. The long brooch category includes cruciform, square-headed, radiate-headed, and small-long brooch brooches. The long brooches went out of fashion by the end of the sixth century.
The Kilmainham Brooch is a late 8th- or early 9th-century Celtic brooch of the "penannular" type. With a diameter of 9.67 cm, it is a relatively large example, and is made from silver, gold and glass, with filigree and interlace decorations. Like other high-quality brooches of its class, it was probably intended to fasten copes and other vestments rather than for everyday wear, as its precious metal content would have made it a status symbol for its owner; less expensive Viking-style brooches were typically worn in pairs on women's clothing.
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