Imbolc or Imbolg, also called Saint Brigid's Day, is a Gaelic traditional festival. It marks the beginning of spring, and for Christians, it is the feast day of Saint Brigid, Ireland's patroness saint. It is held on 1 February, which is about halfway between the winter solstice and the spring equinox. Historically, its traditions were widely observed throughout Ireland, Scotland and the Isle of Man. Imbolc is one of the four Gaelic seasonal festivals, along with: Beltane, Lughnasadh and Samhain.
Irish mythology is the body of myths native to the island of Ireland. It was originally passed down orally in the prehistoric era, being part of ancient Celtic religion. Many myths were later written down in the early medieval era by Christian scribes, who modified and Christianized them to some extent. This body of myths is the largest and best preserved of all the branches of Celtic mythology. The tales and themes continued to be developed over time, and the oral tradition continued in Irish folklore alongside the written tradition, but the main themes and characters remained largely consistent.
Lugh or Lug is a figure in Irish mythology. A member of the Tuatha Dé Danann, a group of supernatural beings, Lugh is portrayed as a warrior, a king, a master craftsman and a savior. He is associated with skill and mastery in multiple disciplines, including the arts. Lugh also has associations with oaths, truth and the law, and therefore with rightful kingship. Lugh is linked with the harvest festival of Lughnasadh, which bears his name. His most common epithets are Lámfada and Samildánach.
The Morrígan or Mórrígan, also known as Morrígu, is a figure from Irish mythology. The name is Mór-ríoghan in modern Irish before the spelling reform, and it has been translated as "great queen" or "phantom queen".
In Celtic cultures, a bard is a professional story teller, verse-maker, music composer, oral historian and genealogist, employed by a patron to commemorate one or more of the patron's ancestors and to praise the patron's own activities.
In Irish mythology, *Danu is an obscure figure of Irish mythology, whose sole attestation is in the genitive in the name of the Tuatha dé Danann. Though primarily seen as an ancestral figure, some Victorian sources also associate her with the land.
Ogma is a god from Irish and Scottish mythology. A member of the Tuatha Dé Danann, he is often considered a deity and may be related to the Gallic god Ogmios. According to the Ogam Tract, he is the inventor of Ogham, the script in which Irish Gaelic was first written.
Medb, later spelled Meadhbh, Méabh(a) and Méibh, and often anglicised as Maeve, is queen of Connacht in the Ulster Cycle of Irish mythology. Her husband in the core stories of the cycle is Ailill mac Máta, although she had several husbands before him who were also kings of Connacht. She rules from Cruachan. She is the enemy of Conchobar mac Nessa, king of Ulster, and is best known for starting the Táin Bó Cúailnge to steal Ulster's prize stud bull Donn Cúailnge.
Irish literature is literature written in the Irish, Latin, English and Scots languages on the island of Ireland. The earliest recorded Irish writing dates from back in the 7th century and was produced by monks writing in both Latin and Early Irish, including religious texts, poetry and mythological tales. There is a large surviving body of Irish mythological writing, including tales such as The Táin and Mad King Sweeny.
Táin Bó Cúailnge, commonly known as The Táin or less commonly as The Cattle Raid of Cooley, is an epic from Irish mythology. It is often called "The Irish Iliad", although like most other early Irish literature, the Táin is written in prosimetrum, i.e. prose with periodic additions of verse composed by the characters. The Táin tells of a war against Ulster by Queen Medb of Connacht and her husband King Ailill, who intend to steal the stud bull Donn Cuailnge. Due to a curse upon the king and warriors of Ulster, the invaders are opposed only by the young demigod, Cú Chulainn.
The filí were members of an elite class of poets in Ireland and Scotland, up until the Renaissance.
Caladbolg is the sword of Fergus mac Róich from the Ulster Cycle of Irish mythology.
Navan Fort is an ancient ceremonial monument near Armagh, Northern Ireland. According to tradition it was one of the great royal sites of pre-Christian Gaelic Ireland and the capital of the Ulaidh. It is a large circular hilltop enclosure—marked by a bank and ditch—inside which is a circular mound and the remains of a ring barrow. Archeological investigations show that there were once buildings on the site, including a huge roundhouse-like structure that has been likened to a temple. In a ritual act, this timber structure was filled with stones, deliberately burnt down and then covered with earth to create the mound which stands today. It is believed that Navan was a pagan ceremonial site and was regarded as a sacred space. It features prominently in Irish mythology, especially in the tales of the Ulster Cycle. According to the Oxford Dictionary of Celtic Mythology, "the [Eamhain Mhacha] of myth and legend is a far grander and mysterious place than archeological excavation supports".
Ancient Celtic religion, commonly known as Celtic paganism, was the religion of the ancient Celtic peoples of Europe. Because there are no extant native records of their beliefs, evidence about their religion is gleaned from archaeology, Greco-Roman accounts, and literature from the early Christian period. Celtic paganism was one of a larger group of polytheistic Indo-European religions of Iron Age Europe.
In early Irish folklore, the bánánach were preternatural beings, described as spectres which haunted battlefields.
Celtic neopaganism refers to any type of modern paganism or contemporary pagan movements based on the ancient Celtic religion. One approach is Celtic Reconstructionism (CR), which emphasizes historical accuracy in reviving Celtic traditions. CR practitioners rely on historical sources and archaeology for their rituals and beliefs, including offerings to spirits and deities. Language study and preservation are essential, and daily life often incorporates ritual elements. While distinct from eclectic pagan and neopagan witchcraft traditions, there is some overlap with Neo-druidism.
Fedelm is a female prophet and fili, or learned poet, in the Ulster Cycle of Irish mythology. She appears in the great epic Táin Bó Cuailnge, in which she foretells the armies of Medb and Ailill mac Máta will face against the Ulaid and their greatest champion, Cú Chulainn. A prophetess of the same name appears in another tale, which associates her with Cú Chulainn.
The Oxford Companion to Irish Literature is a 1996 book edited by Robert Welch.
Celtic mythology is the body of myths belonging to the Celtic peoples. Like other Iron Age Europeans, Celtic peoples followed a polytheistic religion, having many gods and goddesses. The mythologies of continental Celtic peoples, such as the Gauls and Celtiberians, did not survive their conquest by the Roman Empire, the loss of their Celtic languages and their subsequent conversion to Christianity. Only remnants are found in Greco-Roman sources and archaeology. Most surviving Celtic mythology belongs to the Insular Celtic peoples. They preserved some of their myths in oral lore, which were eventually written down by Christian scribes in the Middle Ages. Irish mythology has the largest written body of myths, followed by Welsh mythology.
Innti was a literary movement of poets writing Modern literature in Irish, associated with a journal of the same name founded in 1970 by Michael Davitt, Nuala Ní Dhomhnaill, Gabriel Rosenstock, Louis de Paor and Liam Ó Muirthile. These writers were students of University College Cork, drawing inspiration from Seán Ó Ríordáin and Seán Ó Riada, as well as American influences such as the Beat movement and counterculture. Their reception was mixed, with Gaelic-traditionalists resenting their urbanism, social liberalism and Anglo-American influences.
