Peter Brewis

Last updated

Peter Brewis is a composer and instrumentalist who has been active in several spheres of music from ballet and modern dance to music theatre and rock music. Although he was classically trained, studying under the famous French music educator Nadia Boulanger, he has also written for comedy shows such as Spitting Image , for which he composed "I've Never Met a Nice South African."

Contents

Career

Brewis studied composition at the Royal College of Music where he won the Cobbett Prize for composition. After graduation he took lessons in composition from Nadia Boulanger, studied electronic music with Lawrence Casserly and Javanese Gamelan with Alec Roth.

Brewis spent a period as composer-in-residence with Scottish Ballet's Movable Workshop. He composed the music for the company's joint production with Traverse Theatre of C. P. Taylor's Columba . Stuart Hopps was the choreographer. Other dance projects includes Finale for Charlie composed for Charles Augins and Endangered Species created for the Kosh Theatre Company.

He has composed several musicals. Some of these were for educational projects. However, his Don Quixote was composed for the husband and wife team of Reg Bolton and Annie Stainer and the Traverse Theatre. Mel Smith and Bob Goody were working on a two-man show at the same venue. Brewis teamed up with them and together they created three black comedy musicals, including Irony in Dorking which won a Fringe First Award and The Gambler whose 1986 revival at the Hampstead Theatre was nominated for an Olivier Award and was also recorded by the specialist musical theatre label First Night Records. [1] [2] Brewis's other musicals include Hansel and Gretel, put on at the Lyric Theatre, Hammersmith in 1999 and Rat's Ahoy, co-written with Ruby Wax but as yet unperformed though Brewis has provided music for other stage shows of hers. Another revue that won the Fringe First Award in which Brewis was involved was White Collar Club.

Brewis has collaborated on several of Smith's other projects. These include the television shows, Smith and Goody , Not the Nine O'clock News and Alas Smith and Jones , for the last two of which Brewis provided music and lyrics, the films Morons from Outer Space and The Tall Guy and the stage show Not in Front of the Audience in which the cast of Not the Nine'O'clock News performed Brewis's short musical Laker! as well as material from the television show, including several of Brewis's songs.

Other television shows on which Brewis has worked include the comedy programmes Three of a Kind , A Kick Up the Eighties , The Lenny Henry Show , Carrott's Lib , Lenny Beige and Spitting Image . Although he provided lyrics for all of these shows, Brewis also composed music for other people's lines, for example in the song I've Never Met a Nice South African which was the B-side for the chart-topping The Chicken Song . He has music credits for the shows The Strangerers , The History of the World, Filthy, Rich and Catflap , Hardwicke House , Friday Night Live , The Smell of Reeves and Mortimer , Hale and Pace , Comic Relief , The Young Ones , Angus Deayton's End of the Year Show and Too Much Sun . Brewis has also provided music for documentaries, children's programmes and commercials.

Film credits include About a Boy , for which Brewis wrote and composed "Santa's Super Sleigh", Staggered and several films by Vera Neubauer, Phil Mulloy and Claire Barwell. Brewis has also composed music for several stage plays, including a production of As You Like It which he himself directed at the Battersea Arts Centre. [3]

Brewis has not only played his own music but he has also performed or recorded with a number of bands. These include;

He has also been musical director for many shows, including:

Related Research Articles

George Gershwin American composer and pianist (1898–1937)

George Gershwin was an American pianist and composer, whose compositions spanned both popular and classical genres. Among his best-known works are the orchestral compositions Rhapsody in Blue (1924) and An American in Paris (1928), the songs "Swanee" (1919) and "Fascinating Rhythm" (1924), the jazz standards "Embraceable You" (1928) and "I Got Rhythm" (1930), and the opera Porgy and Bess (1935), which included the hit "Summertime".

Philip Glass American composer (born 1937)

Philip Morris Glass is an American composer and pianist. He is widely regarded as one of the most influential composers of the late 20th century. Glass's work has been associated with minimalism, being built up from repetitive phrases and shifting layers. Glass describes himself as a composer of "music with repetitive structures", which he has helped evolve stylistically.

Aaron Copland American composer and conductor (1900–1990)

Aaron Copland was an American composer, composition teacher, writer, and later a conductor of his own and other American music. Copland was referred to by his peers and critics as "the Dean of American Composers". The open, slowly changing harmonies in much of his music are typical of what many people consider to be the sound of American music, evoking the vast American landscape and pioneer spirit. He is best known for the works he wrote in the 1930s and 1940s in a deliberately accessible style often referred to as "populist" and which the composer labeled his "vernacular" style. Works in this vein include the ballets Appalachian Spring, Billy the Kid and Rodeo, his Fanfare for the Common Man and Third Symphony. In addition to his ballets and orchestral works, he produced music in many other genres, including chamber music, vocal works, opera and film scores.

Victor Herbert Irish-American composer

Victor August Herbert was an American composer, cellist and conductor of English and Irish ancestry and German training. Although Herbert enjoyed important careers as a cello soloist and conductor, he is best known for composing many successful operettas that premiered on Broadway from the 1890s to World War I. He was also prominent among the Tin Pan Alley composers and was later a founder of the American Society of Composers, Authors, and Publishers (ASCAP). A prolific composer, Herbert produced two operas, a cantata, 43 operettas, incidental music to 10 plays, 31 compositions for orchestra, nine band compositions, nine cello compositions, five violin compositions with piano or orchestra, 22 piano compositions and numerous songs, choral compositions and orchestrations of works by other composers, among other music.

Steve Brown is a British composer, lyricist, record producer, and arranger.

Nadia Boulanger French musician and teacher (1887–1979)

Juliette Nadia Boulanger was a French music teacher and conductor. She taught many of the leading composers and musicians of the 20th century, and also performed occasionally as a pianist and organist.

Douglas Moore American composer

Douglas Stuart Moore was an American composer, songwriter, organist, pianist, conductor, educator, actor, and author. A composer who mainly wrote works with an American subject, his music is generally characterized by lyricism in a popular or conservative style which generally eschewed the more experimental progressive trends of musical modernism. Composer Virgil Thomson described Moore as a neoromantic composer who was influenced by American folk music. While several of his works enjoyed popularity during his lifetime, only his folk opera The Ballad of Baby Doe (1956) has remained well known into the 21st century.

Lili Boulanger French composer

Marie-Juliette Olga "Lili" Boulanger was a French composer and the first female winner of the Prix de Rome composition prize. Her older sister was the noted composer and composition teacher Nadia Boulanger.

Louise Juliette Talma was an American composer, academic, and pianist. After studies in New York and in France, piano with Isidor Philipp and composition with Nadia Boulanger, she focused on composition from 1935. She taught at the American Conservatory in Fontainebleau, and at Hunter College. Her opera The Alcestiad was the first full-scale opera by an American woman staged in Europe. She was the first women in the National Institute of Arts and Letters and being awarded the Sibelius Medal for Composition.

Karel Husa was a Czech-born classical composer and conductor, winner of the 1969 Pulitzer Prize for Music and 1993 University of Louisville Grawemeyer Award for Music Composition. In 1954, he emigrated to the United States and became an American citizen in 1959.

Joe Raposo American composer (1937-1989)

Joseph Guilherme Raposo, OIH was an American composer, songwriter, pianist, singer and lyricist, best known for his work on the children's television series Sesame Street, for which he wrote the theme song, as well as classic songs such as "Bein' Green", "C Is For Cookie" and "Sing". He also wrote music for television shows such as The Electric Company, Shining Time Station and the sitcoms Three's Company and The Ropers, including their theme songs. In addition to these works, Raposo also composed extensively for three Dr. Seuss TV specials in collaboration with the DePatie-Freleng Enterprises: Halloween Is Grinch Night (1977), Pontoffel Pock, Where Are You? (1980), and The Grinch Grinches the Cat in the Hat (1982).

Robert Sherlaw Johnson

Robert Sherlaw Johnson, was a British composer, pianist and music scholar. Sherlaw Johnson was one of that group of post-war British musicians whose work reflected wider European interests in new ideas, techniques and aesthetics. While his work and influence were wide-ranging, he is particularly noted for his advocacy and performance of the music of Olivier Messiaen.

Héctor Campos Parsi was a Puerto Rican composer. He studied at the New England Conservatory with Francis Judd Cooke, he also studied with Paul Hindemith. In Tanglewood he studied with Olivier Messiaen and Aaron Copland and in France with Nadia Boulanger.

Douglas Allanbrook was an American composer, concert pianist and harpsichordist. He was associated with a group of mid-twentieth century Boston composers who were students of Nadia Boulanger. His compositions are described by the Kennedy Center as "smooth, showing astute sense, assertiveness, and originality."

Carlos Claudio Spies was a Chilean-American composer.

Francisco Zumaqué Gómez is a Colombian musician and composer of rich Colombo-Caribbean rhythms. Defined as a contemporary musician with great part of his compositions oriented to Electroacoustic music, doing important research that contributed in the creation of new rhythms mixing traditional Colombian music with orchestral compositions. His music is considered avant-garde and refreshing, bright, flexible and with a personal worrisome of his cultural mark, all of these are reflected in several compositions that were a hit and are part of Colombian musical history. His compositions include symphonies, chamber music, vocals and works for non-conventional musical groups.

Ernest Boulanger (composer) French composer and conductor

Ernest Henri Alexandre Boulanger was a French composer of comic operas and a conductor. He was more known, however, for being a choral music composer, choral group director, voice teacher, and vocal contest jury member.

Bob Goody

Robert Goody is a British actor, librettist, writer and former member of the Royal Shakespeare Company.

<i>Ave Maria</i> (Stravinsky)

Ave Maria is a short motet for SATB chorus by Russian composer Igor Stravinsky.

Lee Erwin was an American theatre organist who played an important part in a revival of interest in the silent film era. His career began as an organist accompanying first-run silent films in the 1920s. He received classical training in Cincinnati and France, and then began a career as organist and arranger for radio, significantly at WLW and CBS Radio, the latter in association with Arthur Godfrey, that lasted through the mid-1960s. When his radio career ended he was commissioned to provide complete new scores for silent films exceeding seventy in number, and in this capacity and as an organist for silent film tours and exhibitions he received widespread critical acclaim. Erwin was active into his early 90s.

References

  1. "Oliviers: Olivier Winners 1986" Archived 11 January 2012 at the Wayback Machine , The Society of London Theatre
  2. "Gambler, The – Original London Cast" First Night Records
  3. Rathbone, Niky "Professional Shakespeare productions in the British Isles, January–December 1996" in: Stanley Wells (ed.) The Shakespeare Survey 51, (1998, 2003,) Cambridge, Cambridge University Press, p.257 ISBN   0-521-54184-0.

Sources