The Lambton Worm is a legend from County Durham in North-East England in the United Kingdom. The story takes place around the River Wear, and is one of the area's most famous pieces of folklore, having been adapted from written and oral tradition into pantomime and song formats.
The story revolves around John Lambton, an heir of the Lambton Estate, County Durham (in ceremonial Tyne and Wear), and his battle with a giant worm (dragon) that had been terrorising the local villages.
The story states that the young John Lambton was a rebellious character who missed church one Sunday to go fishing in the River Wear. In many versions of the story, while walking to the river, or setting up his equipment, John receives warnings from an old man (or a witch – depending on who tells the story) that no good can come from missing church.
John Lambton does not catch anything until the church service finishes, at which point he fishes out a small eel- or lamprey-like creature with nine holes on each side of its salamander-like head. Depending on the version of the story, the worm is no bigger than a thumb, or about 3 feet (90 centimetres) long. In some renditions it has legs, while in others it is said to more closely resemble a snake. [1]
At this point, the old man returns, although in some versions it is a different character. John declares that he has "catched [caught] the devil" [2] and decides to dispose of his catch by discarding it down a nearby well. [3] The old man then issues further warnings about the nature of the beast. [2]
John then forgets about the creature and eventually grows up. As a penance for his rebellious early years, he joins the Crusades.
Eventually, the worm grows extremely large and the well becomes poisonous. The villagers start to notice livestock going missing and discover that the fully-grown worm has emerged from the well and coiled itself around a local hill. [2]
Earlier, and local, versions of the legend associate the hill with Worm Hill, in Fatfield. In most versions of the story, the worm is large enough to wrap itself around the hill seven times. It is said that one can still see the marks of the worm on Worm Hill. [4] [2] However, in the later song the hill is Penshaw Hill on which the Penshaw Monument now stands.
The worm terrorises the nearby villages, eating sheep, preventing cows from producing milk, and snatching away small children. [2] It then heads towards Lambton Castle, where the Lord (John Lambton's aged father) manages to sedate the creature in what becomes a daily ritual of offering the worm the milk of nine good cows – twenty gallons, or a filled trough. [5]
A number of brave villagers try to kill the beast, but are quickly dispatched. When a chunk is cut off the worm, it simply reattaches the missing piece. Visiting knights also try to assault the beast, but none survive. When annoyed, the worm uproots trees by coiling its tail around them, then creates devastation by waving around the uprooted trees like a club. [6]
After seven years, John Lambton returns from the Crusades to find his father's estates almost destitute because of the worm. John decides to fight it, but first seeks the guidance of a wise woman or witch near Durham. [7]
The witch hardens John's resolve to kill the beast by explaining his responsibility for the worm. She tells him to cover his armour in spearheads and fight the worm in the River Wear, where it now spends its days wrapped around a great rock. The witch also tells John that after killing the worm he must then kill the first living thing he sees, or else his family will be cursed for nine generations and will not die in their beds. [8]
John prepares his armour according to the witch's instructions and arranges with his father that, when he has killed the worm, he will sound his hunting horn three times. On this signal, his father is to release his favourite hound so that it will run to John, who can then kill the dog and thus avoid the curse. [9]
John Lambton then fights the worm by the river. The worm tries to crush him, wrapping him in its coils, but it cuts itself on his armour's spikes; the pieces of the worm fall into the river, and are washed away before they can join up again. Eventually, the worm is dead and John sounds his hunting horn three times. [10]
Unfortunately, John's father is so excited that the beast is dead that he forgets to release the hound and rushes out to congratulate his son. John cannot bear to kill his father and so, after they meet, the hound is released and dutifully dispatched. But it is too late and nine generations of Lambtons are cursed so they shall not die peacefully in their beds. Thus, the story ends. [11]
This curse seems to have held true for at least three generations, possibly helping to contribute to the popularity of the story.[ citation needed ]
(One of Henry Lambton's brothers, described as "[h]is succeeding brother, the General", is said to have kept a horse whip by his bedside to ward off violent assaults. He died in his bed at an old age. [12] )
The story was made into a song (Roud #2337), written in 1867 by C. M. Leumane, which passed into oral tradition and has several slightly different variants (most notably the use of "goggly" or "googly" eyes meaning bulging and searching, a term formerly widely used on Wearside). It features several words only found in Northumbrian dialect.
Tune from Tyne Pantomime 1867 [13]
One Sunda morn young Lambton went | |
A-fishing in the Wear; | |
An' catched a fish upon he's heuk | (=caught) (=his hook) |
He thowt leuk't vary queer. | (=thought looked very strange) |
But whatt'n a kind ov fish it was | (=what kind of) |
Young Lambton cudden't tell- | |
He waddn't fash te carry'd hyem, | (=could not be bothered to carry it home) |
So he hoyed it doon a well | (=threw it down) |
(Chorus) | |
Whisht! lads, haad yor gobs, | (=Hush boys, hold your mouths) |
An' aa'll tell ye aall an aaful story, | (=I'll tell you all an awful) |
Whisht! lads, haad yor gobs, | |
An' Aa'll tel ye 'boot the worm. | (=about) |
Noo Lambton felt inclined te gan | (=go) |
An' fight i' foreign wars. | |
He joined a troop ov Knights that cared | |
For nowther woonds nor scars, | (=neither wounds) |
An' off he went te Palestine | |
Where queer things him befel, | |
An varry seun forgat aboot | (=very soon forgot about) |
The queer worm i' tha well. | |
(Chorus) | |
But the worm got fat an' grewed an' grewed, | |
An' grewed an aaful size; | |
He'd greet big teeth, a greet big gob, | |
An greet big goggly eyes. | |
An' when at neets he craaled aboot | (=nights) (=crawled around) |
Te pick up bits o' news, | |
If he felt dry upon the road, | |
He'd milk a dozen coos. | (=cows) |
(Chorus) | |
This feorful worm would often feed | (=fearful) |
On caalves an' lambs an' sheep, | |
An' swally little bairns alive | (=swallow) (=children) |
When they laid doon te sleep. | |
An when he'd eaten aall he cud | (=all he could) |
An' he'd had he's fill, | |
He craaled away an' lapped he's tail | (=wrapped) |
Ten times roond Pensha Hill. | (=Penshaw Hill, a local landmark) |
(Chorus) | |
The news ov this myest aaful worm | (=most) |
An' his queer gannins on | (=goings-on) |
Seun crossed the seas, gat te the ears | (=soon) (=got to) |
Ov brave an' bowld Sor John. | (=bold) |
So hyem he cam an' catched the beast, | (=home he came and caught) |
An' cut 'im in three halves, [14] | |
An' that seun stopped hes eatin' bairns | |
An' sheep an' lambs an' caalves. | |
(Chorus) | |
So noo ye knaa hoo aall the foaks | (=now you know how all the folk) |
On byeth sides ov the Wear | (=both) |
Lost lots o' sheep an' lots o' sleep | |
An leeved i' mortal feor. | (=And lived in mortal fear) |
So let's hev one te brave Sor John | (=let's drink to brave Sir John) |
That kept the bairns frae harm, | (=from) |
Saved coos an' calves by myekin' haalves | (=making halves) |
O' the famis Lambton Worm. | (=famous) |
(Final Chorus) | |
Noo lads, Aa’ll haad me gob, | (=I'll hold my mouth. Stop speaking) |
That's aall Aa knaa aboot the story | (=All I know about) |
Of Sir John's clivvor job | (=clever) |
Wi' the aaful Lambton Worm. |
The Lambton Worm (1978) is an opera in two acts by the composer Robert Sherlaw Johnson with a libretto by the Oxford poet Anne Ridler. There are eleven solo roles (four of them major), a chorus and orchestra. [23]
Abraham "Bram" Stoker was an Irish author who is best known for writing the 1897 Gothic horror novel Dracula. During his lifetime, he was better known as the personal assistant of actor Sir Henry Irving and business manager of the West End's Lyceum Theatre, which Irving owned.
The Wicker Man is a 1973 British folk horror film directed by Robin Hardy and starring Edward Woodward, Britt Ekland, Diane Cilento, Ingrid Pitt and Christopher Lee. The screenplay is by Anthony Shaffer, inspired by David Pinner's 1967 novel Ritual, and Paul Giovanni composed the film score.
The lindworm, also spelled lindwyrm or lindwurm, is a mythical creature in Northern, Western and Central European folklore that traditionally has the shape of a giant serpent monster and lives deep in the forest. It can be seen as a sort of dragon.
A cockatrice is a mythical beast, essentially a two-legged dragon, wyvern, or serpent-like creature with a rooster's head. Described by Laurence Breiner as "an ornament in the drama and poetry of the Elizabethans", it was featured prominently in English thought and myth for centuries. They are created by a chicken egg hatched by a toad or snake.
Professor Abraham Van Helsing is a fictional character from the 1897 gothic horror novel Dracula written by Bram Stoker. Van Helsing is a Dutch polymath doctor with a wide range of interests and accomplishments, partly attested by the string of letters that follows his name: "MD, D.Ph., D.Litt., etc.", indicating a wealth of experience, education and expertise. He is a doctor, professor, lawyer, philosopher, scientist, and metaphysician. The character is best known through many adaptations of the story as a vampire slayer, monster hunter and the arch-nemesis of Count Dracula, and the prototypical and the archetypal parapsychologist in subsequent works of paranormal fiction. Some later works tell new stories about Van Helsing, while others, such as Dracula (2020) and I Woke Up a Vampire (2023) have characters that are his descendants.
The Penshaw Monument is a memorial in the style of an ancient Greek temple on Penshaw Hill in the metropolitan borough of the City of Sunderland, North East England. It is located near the village of Penshaw, between the towns of Washington and Houghton-le-Spring in historic County Durham. The monument was built between 1844 and 1845 to commemorate John Lambton, 1st Earl of Durham (1792–1840), Governor-General of British North America and author of the Durham Report on the future governance of the American territories. Owned by the National Trust since 1939, it is a Grade I listed structure.
The Lair of the White Worm is a horror novel by the Irish writer Bram Stoker. It was first published by Rider and Son of London in 1911 – the year before Stoker's death – with colour illustrations by Pamela Colman Smith. The story is based on the legend of the Lambton Worm. It has also been issued as The Garden of Evil.
Jonathan Harker is a fictional character and one of the main protagonists of Bram Stoker's 1897 Gothic horror novel Dracula. An English solicitor, his journey to Transylvania and encounter with the vampire Count Dracula and his Brides at Castle Dracula constitutes the dramatic opening scenes in the novel and most of the film adaptations.
Alice in Sunderland: An Entertainment is a 2007 graphic novel by comics writer and artist Bryan Talbot. It explores the links between Lewis Carroll and the Sunderland area, with wider themes of history, myth and storytelling. It was described in a review by Michel Faber as a "gloriously ambitious mix of myth, history and autobiography", and by Rachel Cooke as "one the most exhilarating books read in years" and "a minor masterpiece".
Rose is an American comics miniseries, the prequel to the comic book Bone. It was written by Bone creator Jeff Smith and illustrated by Charles Vess, who earned an Eisner nomination for his work on it. The story was originally published as a three-issue miniseries and was later included in both trade paperback and hardcover collections. It takes place when Rose Harvestar was a young woman, before her rise to the Atheian throne.
Arthur "Art" Holmwood is a fictional character in Bram Stoker's 1897 novel Dracula.
The Lair of the White Worm is a 1988 supernatural comedy horror film written, produced and directed by Ken Russell, and starring Amanda Donohoe, Hugh Grant, Catherine Oxenberg and Peter Capaldi. Loosely based on the 1911 Bram Stoker novel of the same name, it follows the residents in and around a rural English manor that are tormented by an ancient priestess after the skull of a serpent that she worships is unearthed by an archaeologist.
Fatfield is an area of Washington, in the City of Sunderland metropolitan borough in Tyne and Wear, England.
The Linton Worm is a mythical beast referred to in a Scottish Borders legend dating back to the 12th century. "Wyrm" is the Old Norse for serpent. A 12th-century writer believed it to be "In length three Scots yards and bigger than an ordinary man’s leg – in form and callour to our common muir edders." The myth is similar to that of the more famous Lambton Worm.
In European bestiaries and legends, a basilisk is a legendary reptile reputed to be a serpent king, who causes death to those who look into its eyes. According to the Naturalis Historia of Pliny the Elder, the basilisk of Cyrene is a small snake, "being not more than twelve inches in length", that is so venomous, it leaves a wide trail of deadly venom in its wake, and its gaze is likewise lethal.
Worms have played major roles in world mythology and its associated literatures. The word was often used to describe creatures now classified as snakes, lindworms, serpents and dragons. Its symbolic meaning is divided between death and renewal.
Petrifaction, or petrification, defined as turning people into solid stone, is a common theme in folklore and mythology, as well as in some works of modern literature. Amos Brown noted that "Fossils are to be found all over the world, a clear evidence to human beings from earliest times that living beings can indeed turn into stone (...) Previous to the modern scientific accounts of how fossils are formed, the idea of magicians or gods turning living creatures into stone seemed completely plausible in terms of these cultures".
Charles Jamrach was a leading dealer in wildlife, birds and shells in 19th-century London. He owned an exotic pet store on the Ratcliffe Highway in east London – at the time the largest such shop in the world. Jamrach's nearest rival was Edward Cross, who ran a menagerie at Exeter Exchange on the Strand.
C. Dean Andersson was an American writer of fantasy fiction and horror novels since 1981, both under his own name and under the pseudonym Asa Drake.
{{cite book}}
: CS1 maint: location missing publisher (link)