Formation | 2006 |
---|---|
Type | Theatre group |
Artistic director(s) | Jackie Wylie (2017–present) |
Website | www.nationaltheatrescotland.com |
The National Theatre of Scotland, established in 2006, is the national theatre company of Scotland. The company has no theatre building of its own; instead it tours work to theatres, village halls, schools and site-specific locations, both at home and internationally.
The company has created over 200 productions and collaborates with other theatre companies, local authorities, and individual artists to create a variety of performances, from large-scale productions through to theatre specifically made for the smallest venues.
Many different spaces have been used for productions, as well as conventional theatres: airports and tower blocks, community halls and drill halls, ferries and forests.
The creation of a national theatre was one of the commitments of the Scottish Executive's National Cultural Strategy.
After Scottish devolution in 1997, long-discussed plans for a national theatre for Scotland began to come to fruition. [1] In 2000, the Scottish Executive invited the Scottish Arts Council to conduct a feasibility study into a Scottish national theatre, and an independent working group subsequently reported in May 2001. [2] The model for a National Theatre of Scotland (NTS) that was resolved upon was a commissioning theatre, a "theatre without walls", with no need for a new theatre building or a permanent company of actors, but making use of existing theatre buildings, actors and technical staff to create new work to be staged in venues throughout Scotland and internationally. [3] [4] [5]
In September 2003, the Scottish Executive announced confirmed funding of £7.5M for the establishment of the NTS, with £3.5M for the year April 2004 to March 2005 and £4M for the following year. [3] [6] Robert Findlay, once Chief Executive of Scottish Radio Holdings, was appointed as chairman, and once a Board had also been appointed, the search for the first Artistic Director for the NTS began. [3]
Vicky Featherstone was the founding Artistic Director and held the post from before the theatre's launch in 2006, to 2013. [7]
Laurie Sansom took up the post in March 2013. [8] [9] His resignation was announced in April 2016.
Jackie Wylie, former Artistic Director of The Arches in Glasgow was appointed as the Artistic Director of the National Theatre of Scotland in Spring 2017. [10]
Black Watch (2006) by Gregory Burke which won four Laurence Olivier Awards and multiple international awards. [11]
Macbeth (2012) starring Alan Cumming, presented in Glasgow and at the Lincoln Center Festival and subsequently, Broadway, New York. [12]
Let The Right One In (2013), adapted by Jack Thorne from John Ajvide Lindqvist's novel and screenplay, which won the 2014 South Bank Sky Arts Award for theatre. [13]
The James Plays (2014), a historical trilogy by Rona Munro, which won the Evening Standard Theatre Award 2014 for Best Play. [14]
Our Ladies of Perpetual Succour (2015), adapted by Lee Hall, based on the 1998 novel The Sopranos by Alan Warner. The production won a Scotsman Fringe First Award, a Herald Angel Award and a Stage Award for Acting Excellence during its opening run at the Edinburgh Festival Fringe. [15]
Research into audience responses to two productions, Brian Friel's Molly Sweeney and Nicola McCartney's adaptation of S.R. Harris's A Sheep Called Skye, found that "review of the literature and case examples from the theatre sector has revealed the unique power of rural spaces and the tangible benefits of authentic rural marketing". [16]
In 2016, the National Theatre of Scotland was awarded the XIII Europe Prize Theatrical Realities, in Craiova, [17] with the following motivation:
The National Theatre of Scotland was created to appeal to a very wide audience and exists to work with it, with the particular feature, going beyond any sort of all-embracing populist approach, that it should manage to produce and take on tour first-class theatre. Its ambitions are to create work that arouses a strong response, that entertains and stimulates the audience with the precise cultural and social objective of not acting conventionally and inviting discussion of the central idea of what can be achieved through theatre. [18]
The Edinburgh Festival Fringe is the world's largest performance arts festival, which in 2024 spanned 25 days and featured more than 51,446 scheduled performances of 3,317 different shows across 262 venues from 58 different countries. Of those shows, the largest section was comedy, representing almost 40% of shows, followed by theatre, which was 26.6% of shows.
Ivan Heng is a Singaporean actor and theatre director of Peranakan descent. He is the founding artistic director of W!LD RICE, a theatre company in Singapore, and an outspoken advocate for respect for diversity and freedom of expression.
Richard Demarco CBE is a Scottish artist and promoter of the visual and performing arts.
The Traverse Theatre is a theatre in Edinburgh, Scotland. It was founded as The Traverse Theatre Club in 1962 by John Calder, John Malcolm, Jim Haynes, Richard Demarco, Terry Lane, Andrew Muir, John Martin and Sheila Colvin.
Vanishing Point theatre company was founded in Glasgow in 1999 by Matthew Lenton.
Wee Stories theatre company was established in 1995. The company has received nominations and awards from TMA Awards and Critics Awards for Theatre in Scotland. Wee Stories is based in Edinburgh, Scotland and tours to school halls, village halls and theatres of all scales in Scotland and the United Kingdom.
Catherine Wheels Theatre Company is a Scotland-based charitable organisation formed in 1999 by Artistic Director Gill Robertson. In 17 years, Catherine Wheels has shown more than 21 productions to an approximate total audience of over 500,000.
John Richard Tiffany is an English theatre director. He directed the internationally successful productions Harry Potter and the Cursed Child, Black Watch and Once. He has won 2 Tony Awards, an Olivier Award, a Drama Desk Award and an Obie Award.
The National Youth Music Theatre (NYMT) is an arts organisation in the United Kingdom providing pre-professional education and musical theatre stage experience for young people. Based in London, it is constituted as a private limited company and as a registered charity. NYMT was founded in 1976 by director and playwright Jeremy James Taylor. Since its inception, it has produced more than fifty productions at the Edinburgh Festival Fringe, premièred thirty new musical theatre works, toured several times outside the United Kingdom, and had runs in the West End and on Broadway.
Edinburgh Grand Opera was Scotland's oldest existing grand opera company, founded in 1955 by Richard Telfer. This society was run by its non-professional chorus with advice and support from the professional Artistic and Musical Directors and Designers it engaged. It was originally known as the Edinburgh Grand Opera Group, and it has also been referred to as Edinburgh Grand Opera Company. Its soloists were a mixture of amateur, semi-professional and professional singers from Scotland and abroad, many of whom were students or graduates from the Royal Conservatoire of Scotland. It was the first amateur company to perform at the Edinburgh Festival Theatre.
Vicky Featherstone is a theatre and artistic director. She has been artistic director of London's Royal Court Theatre since April 2013. Prior to that she was founding artistic director of the National Theatre of Scotland, and before that artistic director of the UK new writing touring theatre company Paines Plough. Her career has been characterised by significant involvement with new writing.
Zinnie Harris FRSE is a British playwright, screenwriter and director currently living in Edinburgh. She has been commissioned and produced by the Royal Court Theatre, Royal National Theatre, the National Theatre of Scotland and the Royal Shakespeare Company. Her plays have been translated and performed in many countries across Europe and the globe.
Laurie Sansom is a British theatre director. He is currently the Artistic Director of Halifax-based theatre company Northern Broadsides.
Offstage Theatre (UK) is "an enterprising young theatre company", based in Waltham Forest, London, run by Artistic Director and Producer Cressida Brown. The company's first piece was Home, written by Gbolahan Obisesan, Cressida Brown and Emily Randall in response to the demolition of the housing estate Beaumont Road. The site-responsive piece functioned as "a valuable document of a people and a place just moments before an irrevocable change". "The project, which overwhelmed the creative team with its success" established Offstage as a Site-specific theatre company.
Joe Douglas is a British theatre director, playwright and performer. He was the Artistic Director of Live Theatre in Newcastle from 2018 to 2020.
Our Ladies of Perpetual Succour is a play based on the 1998 novel The Sopranos by Alan Warner, adapted for the stage by Lee Hall. It received its world premiere at the Traverse Theatre, Edinburgh, in August 2015, before embarking on a short UK tour. The play is a co-production between the National Theatre of Scotland and Live Theatre. The production ran at London's National Theatre in August 2016 and was scheduled to transfer to the West End's Duke of York's Theatre in May 2017.
William Burdett-Coutts is the founder and director of theatre and comedy promotion company Assembly, one of the major venue operators at the Edinburgh Festival Fringe, the world's largest arts festival. He was the Chief Executive and Artistic Director of the Riverside Studios in London.
Jackie Wylie is a Scottish cultural event organizer. She has been the artistic director and chief executive of the National Theatre of Scotland since 2017. She founded the Glasgow-based international performance festival Take Me Somewhere, and was artistic director of The Arches from 2008 to 2015.
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Cora Bissett is a Scottish theatre director, playwright, actor and musician. As a director she has created Amada, Roadkill, Grit: The Martyn Bennett Story, Glasgow Girls and Room. As an actor she had regular appearances in the television programmes Rab C. Nesbitt and High Times. She is an associate director at the National Theatre of Scotland.