"Black or White" | ||||
---|---|---|---|---|
Single by Michael Jackson | ||||
from the album Dangerous | ||||
Released | November 11, 1991 | |||
Recorded | 1989–1990 [1] | |||
Studio |
| |||
Genre | Pop rock | |||
Length |
| |||
Label | Epic | |||
Songwriter(s) | ||||
Producer(s) |
| |||
Michael Jackson singles chronology | ||||
| ||||
Music videos | ||||
"Black or White" (Short version) on YouTube | ||||
"Black or White" (Long version) on YouTube | ||||
Audio sample | ||||
"Black or White" is a song by American singer Michael Jackson,released by Epic Records on November 11,1991 as the first single from Jackson's eighth studio album, Dangerous (1991). Jackson wrote,composed,and produced the track with record producer Bill Bottrell,who provides an uncredited guest performance. Epic Records described it as "a rock 'n' roll dance song about racial harmony".
"Black or White" reached number one on the US Billboard Hot 100 on December 7,1991,the fastest to reach the position since the Beatles' 1969 single "Get Back". It stayed at the position for seven weeks,making Jackson the first artist to have multiple number ones on the Billboard Hot 100 in the 1970s,1980s and 1990s. In addition to having received triple platinum certification by the Recording Industry Association of America (RIAA),"Black or White" reached number one in the charts of at least 20 countries and territories,including the UK,Australia,Belgium,Canada,Cuba,Denmark,Finland,France,Ireland,Israel,Italy,Mexico,New Zealand,Norway,Spain,Sweden,Switzerland,Turkey,Zimbabwe and the Eurochart Hot 100. It was the best-selling single worldwide of 1992. [2]
The music video was directed by John Landis,who had previously directed Jackson's 1983 music video for Thriller ,and featured Macaulay Culkin,Tess Harper,and George Wendt. It was co-choreographed by Jackson and Vincent Paterson. It premiered simultaneously in 27 countries on November 14,1991,with an audience of 500 million viewers,the most ever for a music video. It premiered on MTV,BET,VH1,and Fox,which gave them their highest Nielsen ratings ever at the time,as well as the BBC's Top of the Pops in the UK.
"Black or White" won the inaugural Billboard No. 1 World Single award. [2] In 2003, Q named "Black or White" the 84th best song of all time. [3]
"Black or White" was written and recorded over 18 months starting in early 1989. Michael Jackson hired producer Bill Bottrell to help him craft a new sound,one that would shift his style away from his earlier work with Quincy Jones. Bottrell had already worked with Jackson on Victory (1984) and Bad (1987),the latter collaboration performed at Hayvenhurst,Jackson's estate in Encino,California. Jackson invited Bottrell to join him in producing and composing songs at Ocean Way Studios in Los Angeles in late 1988,but none of the material from several weeks of sessions there made it to the album. In early 1989,the project was moved to Westlake Audio in West Hollywood,and one of the first things Jackson did was to hum the main riff of "Black or White" to Bottrell,who interpreted the tune on guitar,using a Kramer American Series electric guitar plugged into a Mesa Boogie amplifier,miked with a Beyerdynamic M 160. Jackson also suggested the song's rhythm with his voice,and Bottrell programmed this rhythm into an E-mu Systems drum machine. Bottrell augmented the pattern with samples from an Emulator III. His Atari computer ran a MIDI editing program by Hybrid Arts;Bottrell and Brad Buxer used the program to tweak the percussion timings to give more of a swing feel. Jackson recorded his main and backing vocals into a Neumann U47 microphone. Bottrell said that throughout the next 18 months of changes to the song,Jackson's initial scratch vocal was left in place,and it appears on the final version. [4]
After two days of work,the song had vocals,drum sounds,and electric guitar. Bottrell added an acoustic guitar part using a Gibson LG-2 built in the 1940s,a robust model with a big country sound reminiscent of Gene Vincent's classic rockabilly style. Jackson became busy working on other projects,and "Black or White" languished for a few months. The song was picked up again when Bottrell's part of the album project moved to Record One in Sherman Oaks. Bottrell and Jackson felt that the song had two big gaps in the middle,and they determined to fill them. Jackson wanted a heavy metal guitar to fill one of the gaps,so he sang the part he wanted,including chord arpeggiations,to session player Tim Pierce who performed it on a Les Paul plugged into a Marshall stack. Michael Boddicker added the sound of a high-speed guitar by using a Roland sequencer,assisted by Kevin Gilbert. Bottrell blended two different bass sounds,primarily Bryan Loren playing a Moog keyboard bass,augmented by Terry Jackson playing an electric bass guitar. (Terry Jackson was unrelated to Michael Jackson. Terry was discovered by Thomas Dolby,and played bass in 1988 on Aliens Ate My Buick ,co-produced by Bottrell.) Bottrell replaced some of the E-mu default rhythm samples with live drum samples taken from an Akai machine. [4]
For most of the recording process,Jackson left Bottrell alone to work on various ideas. Bottrell wanted a section of rapping to fill the remaining gap,and he suggested LL Cool J or Heavy D,but these proposals did not work out. Bottrell said he had been trying to get someone to write a rap verse for eight months when he was suddenly inspired to write it himself. He recorded Loren performing the rap,but Loren was not at ease in the role. Bottrell recorded it himself several times,editing one of these takes to use as a demonstration for Jackson. Upon hearing the take,Jackson wanted it for the final version. Bottrell pleaded again that they should get a "real rapper",but Jackson insisted on Bottrell's take. [4]
The final polishing of the song involved Bottrell filling a keyboard with various sampled electric guitar notes,and bringing his friend Jasun Martz to play it,taking advantage of Martz's fresh ears and rock sensibility. For the final mix,Bottrell was frustrated by the Solid State Logic (SSL) mixer at Larrabee Sound Studios,which sounded good on the heavy metal guitar,but made the classic guitars seem "too cold and clinical". He ended up using the Neve mixer at Record One to mix the majority of the song,and the SSL for the rap and heavy metal sections. Original tracks were recorded on two Studer 24-track 2-inch analog tape machines,and a compilation of these was laid down on a Mitsubishi ProDigi 32-track digital audio tape deck. [4]
The song has elements of dance,rap and hard rock music such as Bill Bottrell's guitars and Jackson's vocal style. Sheet music for "Black or White" shows the key of E major with Jackson's vocal spanning from E3 to E♭6. Its tempo is measured at 115 BPM. [5] [6] [7] [8] [9] [10]
The song's main guitar riff,originally played by Bottrell,is often incorrectly attributed to Guns N' Roses guitarist Slash. Slash's guitar playing is actually heard in the skit that precedes the album version of the song, [11] [12] and he did play the main riff during several live performances of the song (plus several other songs),including at Jackson's appearance during the 1991 MTV 10th Anniversary show. The two teamed up for an energized performance of “Black or White”,after which Slash destroyed his guitar by throwing it into the dashboard of a prop car on stage,complete with explosives and fireworks. [13]
"Black or White" was picked as the first single from the album Dangerous . An alternate version was first heard by Sony executives on a plane trip to Neverland,as the third track of the promotional CD acetate. It began to be promoted on radio stations the first week of November 1991 in New York and Los Angeles. [14] [15] "Black or White" was officially released one week later,on November 5,1991. [15]
To prepare the audience for the special occasion of the televised premiere of the "Black or White" video,Epic Records released the song (without the accompanying images) to radio stations just two days in advance. In a 24-hour period,"Black or White",described by the record company as "a rock 'n' roll dance song about racial harmony",had been added to the playlists of 96 percent of 237 of the United States' Top 40 radio stations. [16]
"Black or White" entered the Billboard Hot 100 at number 35. [17] A week later it shot up to number three and in its third week,December 7,1991,it ascended to number one,making it the fastest chart topper since the Beatles' "Get Back",which also won the Hot 100 in just three weeks in 1969. [17] [18] It closed the year at number one and remained at the top of the singles chart into 1992 for a total of seven weeks,making Michael Jackson the first artist to have number one popular hits in the 1970s,1980s,and 1990s. [18] In the UK,the single became the first single by an American to go into the singles chart at number one since 1960,when "It's Now or Never" by Elvis Presley did in the same manner. [17] Around the world,"Black or White" hit number one in 20 countries,including the US,the UK,Canada,Mexico,Cuba,Turkey,Zimbabwe,Australia,New Zealand,Belgium,Denmark,Finland,France,Ireland,Israel,Italy,Norway,Spain,Sweden,Switzerland and the Eurochart Hot 100,number two in Germany and Austria and number three in the Netherlands. [17] [18] [19] Previously,"Billie Jean" and "I Just Can't Stop Loving You" had each been number one in 9 countries. The single was certified platinum in the US,selling over one million copies and becoming the second-best-selling single of the year. [16] [18] As of August 2018,the song has further been certified as two-time platinum for digital sales. [20]
Reviews of the song were generally favorable. In a retrospective review,Chris Lacy from Albumism stated that it "merges classic rock with soulful crooning in a call for racial unity." [21] Stephen Thomas Erlewine of AllMusic highlighted the song. [22] Upon the release,Larry Flick from Billboard described it as a "surprisingly sparse,but instantly gratifying pop/rocker that reveals his grittiest and most affecting performance in years." He noted further that the guitar appearance by Slash and rap cameo by Bill Bottrell is "purely incidental". [23] Clark and DeVaney from Cashbox stated,"The unmistakeable voice and style are street-hip and slick,with a catchy melody and some untraditional acoustic guitar work. There is just a hint of both George Michael and Prince in the production." [24] David Browne from Entertainment Weekly praised the song,adding,"He still knows how to fashion a hook that will take up permanent residence in your brain (away from its video,Black or White is spare and effortless)." [25] Alan Jones from Music Week named it Pick of the Week,commenting,"A bit of patchwork quilt,and something of a disappointment on first hearing,but ultimately it reveals itself as a killer,adding up to far more than sum of its parts. This will go all the way." [26] A reviewer from People magazine stated that "the simple,spry rock riffs" that power the song is "surprisingly effective". [27] In his Dangerous review, Rolling Stone 's Alan Light compared Slash's guitar on the album unfavourably to the guitar in "Beat It":"Neither this slow-burn solo [in 'Give In to Me'] nor the Stones-derived riff on 'Black or White' offers the catharsis of Eddie Van Halen's blazing break on 'Beat It'". [28] Ted Shaw from The Windsor Star felt the song "is quite remarkable,a nearly perfect pop confection",adding,"It is the best thing Jackson has produced since Thriller . [29] The Pazz &Jop critics' poll ranked "Black or White" at number 19. [30] In 1992,Larry Flick commented on the remixes of the song,"Thanks to deft postproduction by David Cole and Robert Clivillés,the cut kicks a potent groove that nicely complements the original tune's kinetic pop/rock nature." [31]
The Clivillés &Cole remixes for "Black or White",released as a promotional single in 1992,also charted on many European countries. In the UK,it reached number 14,and in Ireland,number 11. The promotional single also surprisingly peaked at number 18 in Australia. [32] Despite the favourable European response to this remix,it was never included on a Michael Jackson album or compilation,except on the third disc of the French &UK versions of Jackson's greatest hits album King of Pop .
The accompanying music video for "Black or White" was directed by John Landis,who previously directed the "Thriller" music video (1983). It was filmed from late September to early October 1991. [33] It was choreographed by Jackson and Vincent Paterson. It contains a Dolby Surround sound mix.
Along with Jackson,the video features Macaulay Culkin,Tess Harper,and George Wendt [34] pictured as a family unit in the opening scene,which the Los Angeles Times criticized as "almost exactly a replay" of the 1984 Twisted Sister video for "We're Not Gonna Take It". [35] The dance scene with the Native Americans shown in the video was filmed at Vasquez Rocks Natural Area Park in Agua Dulce,California. [33] The Native American dancers were organized by Jackson's schoolfriend Joanelle Romero,founder of the Red Nation International Film Festival,featuring her daughter Sage as child dancer. [36] The Native American dancers used their own traditional wardrobe and became the first Native Americans in a non-Native American music video. [37] The production enabled Romero to become an established producer. [37] The scene where Michael Jackson and a dancer appear on the freeway was filmed at 11779 Sheldon Street in Sun Valley,Los Angeles. [33] [38] The visual effects used to morph faces into one another had previously been used only in films such as Willow and Terminator 2:Judgment Day . The morphing visual effects were created by Pacific Data Images. [17]
The video premiered simultaneously in 27 countries,with an audience of 500 million viewers,the most ever for a music video. [40] It premiered on MTV,BET,VH1,and Fox (giving them their highest Nielsen ratings ever at the time) [41] as well as the BBC's Top of the Pops in the UK [42] on November 14,1991. [40]
The video begins with a boy (Macaulay Culkin) dancing to rock music in his bedroom. His father (George Wendt) yells at him to turn it off. The boy retaliates by playing an electric guitar loudly enough to fire his father into space,after which he lands in Africa. [41]
Jackson performs "Black or White" [40] with dancers from different cultures,including African Zulu hunters,traditional Thai dancers,Plains Native Americans,Sri Lankan Tamil Odissi dancer Yamuna Sangarasivam, [43] and Hopak dancers. Jackson walks defiantly through visual collages of fire (declaring "I ain't scared of no sheets;I ain't scared of nobody"),referring to KKK torch ceremonies. Culkin and other children (including Michael's niece Brandi;Wade Robson;and Mark Pugh and David Shelton of Another Bad Creation) perform the rap sequence. [40] The group states,"I'm not gonna spend my life being a color." Jackson performs atop the Statue of Liberty,surrounded by other world landmarks. [44] At the end of the video,people of different ethnicities and nationalities dance and morph into one another. [44] A young Tyra Banks can be seen in this sequence. [45]
In the extended version of the music video,after the song,a black panther walks out of the studio into an urban street and transforms into Jackson,who dances furiously,similar to the 1990 LA Gear commercial. He destroys a glass beer bottle,a building window,and a parked car. [46] He tears off his shirt and screams with grand drama as the neon sign of a hotel shoots sparks and then falls. After his damage and rampage,he re-emerges as a panther. Finally,Bart Simpson from The Simpsons jams to the song while watching it on the TV. Homer yells at him to "Turn off that noise!" Bart replies,"Chill out,Homeboy." Then,Homer angrily turns the TV off. The static then cuts to a close-up of Jackson with the tagline "Prejudice is ignorance". [46] [47]
Controversy was generated concerning the last four minutes of the original music video. A black panther walks out of the studio and then morphs into Jackson. [40] Then he walks outside to perform some of his most physically slick dance moves,in a similar way to "Billie Jean". This part contained sexually suggestive scenes when Jackson starts to grab his crotch, [41] and then zips his pants up. In the original version,Jackson is seen smashing windows, [41] destroying a car with his arm and a crowbar,destroying windows with a steering wheel and a trash can,and causing an inn (called the "Royal Arms Hotel") to explode. [40]
Jackson was sharply criticized for the final scene,especially by Entertainment Weekly which ran a featured article titled "Michael Jackson's Video Nightmare". [39] Jackson asked his fans for forgiveness,saying that the violent and suggestive behavior had been a dance-style interpretation of the animalistic instincts of a panther. [40] Jackson ordered the removal of the video's final scenes from subsequent broadcasts. In 1993,Jackson released a digitally altered version of the final scenes,with the glass windows smashed now marred with racist and anti-Semitic graffiti:the car windows display offensive messages with racial epithets such as "Nigger Go Home" (styled as NI66eR 6O HOMe),"No More Wetbacks","Hitler Lives",and a storefront door is spray-painted with "KKK Rules". These alterations gave new reasoning for Jackson's destruction of property. [39]
Side one
Side two
Side one
Side two
Side one
Side two
Side one
| Side two
|
In 1991, "Weird Al" Yankovic recorded a parody of "Black or White" titled "Snack All Night", which was never released. Although Jackson was a long-time supporter of Yankovic's work and had approved past parodies, he told Yankovic that he was reluctant to approve a parody of "Black or White" because of the message of the song. [54] Yankovic believes that Jackson's rejection of the parody was ultimately for the best, because he was unsatisfied with the quality of the song and its scrapping left room on his next album for "Smells Like Nirvana", one of his biggest hits. [54] As with other rejected parodies, Yankovic has performed "Snack All Night" during his concerts. [55]
The music video, particularly the panther segment, has been referenced or parodied by television shows and artists, notably by Saturday Night Live and In Living Color . Comedian Chris Rock joked that he was angry because Jackson had smashed his car. [39] In 1991, English rock band Genesis parodied the "Black or White" video during the ending of their video for "I Can't Dance", in which member Phil Collins imitates Michael Jackson's "panther" fit in front of a stark white background. [56] In 2012, the television show Glee covered the song in the episode "Michael", it features primary voices from Kevin McHale, Lea Michele, Chris Colfer, Amber Riley and Naya Rivera, and backing vocals from the rest of the cast. Jenna Ushkowitz and Darren Criss are not featured in the song or the performance. This cover debuted and peaked at number 64 on the Billboard Hot 100, number 42 at Billboard Digital Songs, and number 69 at Billboard Canadian Hot 100 chart at the week of February 18, 2012. [57]
Weekly charts
| Year-end charts
Decade-end charts
|
Region | Certification | Certified units/sales |
---|---|---|
Australia (ARIA) [116] | 2× Platinum | 140,000^ |
Canada (Music Canada) [117] | 3× Platinum | 240,000‡ |
Denmark (IFPI Danmark) [118] | Platinum | 90,000‡ |
France (SNEP) [119] | Silver | 125,000* |
Germany (BVMI) [120] | Gold | 250,000^ |
Italy (FIMI) [121] | Gold | 35,000‡ |
Japan (RIAJ) [122] Full-length ringtone | Gold | 100,000* |
New Zealand (RMNZ) [123] | 2× Platinum | 60,000‡ |
Spain (PROMUSICAE) [124] | Gold | 30,000‡ |
United Kingdom (BPI) [125] Physical | Silver | 200,000^ |
United Kingdom (BPI) [126] Digital | Platinum | 600,000‡ |
United States (RIAA) [127] | 3× Platinum | 3,000,000‡ |
* Sales figures based on certification alone. |
New jack swing, new jack, or swingbeat is a fusion genre of the rhythms and production techniques of hip hop and dance-pop, and the urban contemporary sound of R&B. Spearheaded by producers Teddy Riley, Bernard Belle, Jimmy Jam and Terry Lewis, new jack swing was most popular from the late 1980s to early 1990s.
Off the Deep End is the seventh studio album by the American parody musician "Weird Al" Yankovic, released in 1992. This album was the first album self-produced by Yankovic, after six albums with Rick Derringer. Recorded between June 1990 and January 1992, the album was a follow-up to the unsuccessful soundtrack to Yankovic's 1989 film UHF. Off the Deep End and its lead single "Smells Like Nirvana" helped to revitalize Yankovic's career after a lull following his last hit single, "Fat", in 1988.
"Eat It" is a 1984 song by American comedy music artist "Weird Al" Yankovic. It is a parody of Michael Jackson's 1983 single "Beat It", with the contents changed to be about an exasperated parent attempting to get their picky child to eat anything at all, much less to eat properly. The track was both a commercial and critical success, earning Yankovic a Grammy Award. It peaked at number twelve in the United States, making it his first top 40 hit in that country, and reached number one in Australia.
"Who Is It" is a song by American singer Michael Jackson. It was released by Epic Records on July 13, 1992, as the fifth single from Jackson's eighth studio album, Dangerous (1991). The song was written and composed by Jackson, and produced by Jackson and Bill Bottrell. The song's lyrics pertain to despair over being left by someone you love; some critics noted a comparison to the lyrics of the song to Jackson's single "Billie Jean" from the album Thriller. As part of the promotion for the song, two music videos were released in 1992. The song was not performed by Jackson on any of his tours. He did, however, perform a small segment of the song in his interview with Oprah Winfrey in early 1993.
"Remember the Time" is a song by American singer and songwriter Michael Jackson. It was released by Epic Records on January 14, 1992, as the second single from Jackson's eighth studio album, Dangerous (1991). The song was written and composed by Teddy Riley, Jackson and Bernard Belle, and produced by Riley and Jackson. The song's lyrics are written about remembering having fallen in love with someone.
"In the Closet" is a song by American singer-songwriter Michael Jackson, released on April 9, 1992, as the third single from his eighth album, Dangerous (1991). The song was intended as a duet between Jackson and Madonna, and features female vocals by "Mystery Girl", who was later revealed to be Princess Stéphanie of Monaco. Written and produced by Jackson and Teddy Riley, it became the album's third consecutive top ten pop single, reaching number six on the US Billboard Hot 100. It also became its second number one R&B single. In Europe, the song peaked at number eight on the UK Singles Chart, while reaching number one in Greece and number two in both Italy and Spain. In 2006, the song re-entered the UK chart, peaking at number 20. Its accompanying music video was directed by Herb Ritts and features supermodel Naomi Campbell.
"Blood on the Dance Floor" is a song by American singer-songwriter Michael Jackson, released as the first single from the remix album Blood on the Dance Floor: HIStory in the Mix (1997). Jackson and Teddy Riley created the track in time for the 1991 release of Dangerous. However, it did not appear on that record and was worked on further for its commercial release in 1997. One interpretation of the song describes a predatory woman named Susie who seduces Jackson before plotting to stab him with a knife. The song's bassline is interpolated from the song "Last Night a DJ Saved my Life" by the group Indeep. The composition explores a variety of genres ranging from funk to new jack swing.
"Heal the World" is a song recorded by American singer Michael Jackson from his eighth studio album, Dangerous (1991). It was released on November 23, 1992 by Epic Records as the sixth single from the album. It was written and composed by Jackson, and produced by Jackson and Bruce Swedien. It is a song steeped with antiwar lyrics and Jackson's wish for the humanity of making the world a better place. The music video for the song was directed by Joe Pytka.
"Jam" is a song by American singer Michael Jackson, released in July 1992 by Epic as the fourth single from his eighth album, Dangerous (1991), where it is the opening track.
"Freeway of Love" is a song by American singer Aretha Franklin. It was written by Jeffrey Cohen and Narada Michael Walden and produced by the latter for Franklin's thirtieth studio album, Who's Zoomin' Who? (1985). The song features a notable contribution from Clarence Clemons, the saxophonist from Bruce Springsteen’'s E Street Band. Sylvester, Martha Wash, and Jeanie Tracy provided backup vocals on "Freeway of Love".
"Wild Thing" is a single by American rapper Tone Lōc from his 1989 album Lōc-ed After Dark. The title is a reference to the phrase "doin' the wild thing," a euphemism for sex. According to producer Mario Caldato Jr., who engineered and mixed the song, producer Michael Ross was inspired by an utterance of Fab 5 Freddy "Come on baby let's do the wild thing" in Spike Lee's She's Gotta Have It, and asked Young MC to write the lyrics.
"White & Nerdy" is the second single from "Weird Al" Yankovic's album Straight Outta Lynwood, which was released on September 26, 2006. It parodies the song "Ridin'" by Chamillionaire and Krayzie Bone. The song both satirizes and celebrates nerd culture, as recited by the subject, who cannot "roll with the gangstas" because he is "just too white and nerdy". It includes many references to activities stereotypically associated with nerds and/or white people, such as collecting comic books and action figures, being fluent in JavaScript and Klingon, editing Wikipedia, and playing Dungeons & Dragons.
"Give In to Me" is a song by American singer-songwriter Michael Jackson, released as the seventh single from his eighth studio album, Dangerous (1991). Released in February 1993 by Epic Records, the song peaked at number one in New Zealand for four consecutive weeks and at number two on the UK Singles Chart. The track was written and produced by Jackson and Bill Bottrell, and features Guns N' Roses guitarist Slash. A hard rock song, several critics wrote that the song has an aggressive sexual flavor. It was released in Europe, Australia and New Zealand only. The single release's B-sides include the album versions of "Dirty Diana" and "Beat It".
"D.A.N.C.E." is the second single by French electronic music duo Justice and the first from their album †. It includes edited and extended versions of "D.A.N.C.E", a rougher mix in the style of their earlier releases, "B.E.A.T", and the track "Phantom" which was previously issued in limited quantities twice on 12" vinyl preceding the release of "D.A.N.C.E.".
"Rico Suave" is a 1990 single by Ecuadorian-born American rapper and singer Gerardo. It appeared on his 1991 album Mo' Ritmo. The track peaked at number 7 on the Billboard Hot 100 chart of April 13, 1991, and reached number 2 on the Hot Rap Singles chart a week earlier. In the song, the narrator tells of his luck with women and his lady-loving lifestyle.
"Beat It" is a song by American singer Michael Jackson from his sixth studio album, Thriller (1982). It was written and composed by Jackson, produced by Quincy Jones, and co-produced by Jackson. Jones encouraged Jackson to include a rock song on the album. Jackson later said: "I wanted to write a song, the type of song that I would buy if I were to buy a rock song... and I wanted the children to really enjoy it—the school children as well as the college students." It includes a guitar solo by Eddie Van Halen.
Dangerous is the eighth studio album by American singer Michael Jackson. It was released by Epic Records on November 26, 1991, more than four years after Jackson's previous album, Bad (1987). Co-produced by Jackson, Bill Bottrell, Teddy Riley, and Bruce Swedien, the album was Jackson's first since Forever, Michael (1975) without longtime collaborator Quincy Jones. Guest appearances include Heavy D, Princess Stéphanie of Monaco, Slash and Wreckx-n-Effect. The album incorporates new jack swing, a popular genre at the time, R&B and pop. Elements of industrial, funk, hip hop, electronic, gospel, classical and rock are also present. Jackson wrote or co-wrote 12 of the album's 14 songs, discussing topics like racism, poverty, romance, self-improvement, multiculturalism and the welfare of children and the world.
"Dangerous" is a song by American singer and recording artist Michael Jackson. The song appeared as the fourteenth and final track on Jackson's album of the same name, released in November 1991. Written and composed by Jackson, Bill Bottrell and Teddy Riley, the song was planned to be released as the tenth single from the album. However, these plans were cancelled due to allegations of child sexual abuse which were made against Jackson in August 1993 and Jackson's health concerns. "Dangerous" is a new jack swing song which also incorporates industrial music.
"Right Here" is the debut single of American R&B girl group SWV, released on August 20, 1992 by RCA Records, as the lead single from their debut album, It's About Time (1992). The song was written by Brian Alexander Morgan, who also produced it. A remixed version, referred to as "Right Here (Human Nature Remix)" and based on a feature of Michael Jackson's 1982 song "Human Nature", was released in July 1993, and charted on the US Billboard charts as a double-A-side with "Downtown". This version, produced by Teddy Riley, became a number-one R&B single, selling 1,000,000 copies and earning a platinum certification from the Recording Industry Association of America (RIAA). It was also a number-one hit in Zimbabwe. The music video for the song was directed by Lionel C. Martin, featuring SWV riding horses and fishing.
En "Black or white"... el resultado es una mezcla de hard rock, dance y rap
Surplus City Jeep Parts" "The Wild Life" "Commando" "Black or White
{{cite web}}
: CS1 maint: numeric names: authors list (link)