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Company type | Subsidiary |
---|---|
Industry | Computer software Computer hardware |
Founded | 1971 |
Defunct | 2002 |
Fate | Acquired by Creative Technology in 1993 and merged with Ensoniq, now dissolved |
Headquarters | , U.S. |
Products | DSPs |
Parent | Creative Technology |
Website | www |
E-mu Systems was a software synthesizer, audio interface, MIDI interface, and MIDI keyboard manufacturer. Founded in 1971 as a synthesizer maker, E-mu was a pioneer in samplers, sample-based drum machines and low-cost digital sampling music workstations.
After its acquisition in 1993, E-mu Systems was a wholly owned subsidiary of Creative Technology, Ltd. [1] In 1998, E-mu was combined with Ensoniq, another synthesizer and sampler manufacturer previously acquired by Creative Technology. [1] E-mu was last based in Scotts Valley, California, on the outskirts of Silicon Valley. [1]
E-mu Systems was founded in Santa Cruz, California by Dave Rossum, a UCSC student and two of his friends from Caltech, Steve Gabriel and Jim Ketcham, with the goal to build their own modular synthesizers. [2] Scott Wedge, who would ultimately become president, joined later that summer. In 1972, E-mu became a company, developing and patenting a digitally scanned polyphonic keyboard (1973), licensed for use by Oberheim Electronics in the Oberheim Four Voice and Eight Voice synthesizers and by Dave Smith in the Sequential Circuits Prophet-5. [3] [4] E-mu, along with Solid State Micro Technology (SSM), also developed several synthesizer module IC chips, that were used by both E-mu and many other synthesizer companies. [5]
With the financial benefit of the royalties that came from working with these other synthesizer manufacturers, E-mu designed the Audity, their first non-modular synthesizer, showing it at the 1980 AES Convention. With a price of $69,200 (over $200,000 in 2009 terms when adjusted for inflation), only one machine was ever produced. At that same convention, Wedge and Rossum saw the Fairlight CMI and the Linn LM-1. Recognizing the trend of digital samplers, they realized that E-mu had the technology to bring a lower-priced sampler to market. The Emulator debuted in 1981 at a list price of $7,900, significantly less than the $30,000 Fairlight. [6] : 25 [7] [8] : 198 Following the Emulator, E-mu released the first programmable drum machine with samples built-in priced below $1,000, the E-mu Drumulator. The Drumulator's success was followed by the Emulator II and III, the SP-12 drum sampler, and the Emax series of samplers. [8] : 24
In 1990, E-mu introduced the Proteus, a rackmount sound module, containing pre-recorded samples in ROM. At its introduction, the Proteus had a relatively large library of high-quality samples priced much lower than the competition. The success of the Proteus spurred the development of several additional versions, including the Proteus XR, an orchestral version, and a world music version. [6] : 32 In 1987, E-mu's SP-1200 drum sampler offered an "all-in-one" box for sequencing not only drum sounds, but looping samples, and it quickly became the instrument of choice for hip hop producers.
In 1993, E-mu was acquired by Creative Technology (the Singaporean parent company of Creative Labs) and began working on PC sound card synthesis. Creative Wave Blaster II and Sound Blaster AWE32 used EMU8000 effect processor.
In 1996, E-mu attempted to break into the digital multi-track market with the Darwin 8-track hard disk recording system. [9] Meanwhile, E-mu continued to develop electronic musical instruments, and in 1996, began introducing another series of 32-voice polyphonic, 16-part multitimbral sound modules along the lines of the Proteus series, each loaded with preset sounds designed for a specific music genre, and packaged in a 1-space rackmount unit. The first of these was the electronic electronic dance music-oriented Orbit. [10] In 1997, the hip hop and trip hop-oriented Planet Phatt and the latin music-oriented Carnaval were introduced. [11] [12]
In 1998, E-mu was combined with Ensoniq, another synthesizer and sampler manufacturer previously acquired by Creative Technology. [1]
In 2001 E-mu's sound modules were repackaged in the form of the XL7 and MP7 Command Stations, a line of tabletop music workstations, each featuring 128-voice polyphony, advanced synthesis features, and a versatile multitrack sequencer. A complementary line of keyboard synthesizers was also released using the same technology.
Subsequent products from E-mu were exclusively in software form. In 2004 E-mu released the Emulator X, a PC-based version of its hardware samplers with extended synthesis capabilities. While a PCI card is used for audio input and output, the algorithms no longer run on dedicated hardware but in software on the PC. Proteus X, a software-based sample player, was released in 2005.
During 2003-2007, E-mu designed and published a series of high-fidelity "Digital Audio Systems" (computer sound cards), intended for professional, semi-professional and computer audio enthusiast use. They were released under the name E-MU, however bearing a "Creative Professional" label. The card names are number-coded for the number of physical inputs and outputs: 0404, 1212m, 1616, 1616m, 1820 and 1820m, where 1616 is a CardBus version and the rest for PCI, while "m" denotes extra high-quality analogue outputs and inputs. The 1820m was touted as the series' flagship product until the 1616 and 1616M were released (A PCI version of the 1616/M later followed). All of the cards had drivers for Microsoft Windows 2000 and later versions that were current at time of the respective products' release. (32- and 64-bit). Only a beta version driver was released for Windows 7. Apple Macintosh support appeared to be pending, but may have been affected by Apple's migration towards Intel.
While the core DSP chip (EMU10K2) of the cards is the same one designed by E-MU and used in Creative's Sound Blaster Audigy2 cards (and hence capable of 24-bit 192 kHz PCM sound), official press releases for the E-MU sound cards have emphasized Creative's lack of input on the design, and the in-house development of the cards and drivers — that is, they wanted to distinguish their "own" series from Creative's signature Sound Blasters. Notably, the cards and drivers entirely omit internal 'wavetable' sample-based MIDI synthesis, Creative's proprietary EAX sound routines and basically anything commonly associated with the parent company. Although the cards were rushed into market and originally came bundled with fairly raw drivers (which have subsequently received periodical major improvements and even additions beyond the advertised specifications), they have generally met with rather favourable reviews.
![]() | 1979 - Audity |
![]() | 1982 - Emulator |
![]() | 1984 - Emulator II |
![]() | 1985 - SP-12 |
![]() | 1987 - SP-1200 |
![]() | 1987 - Emulator III |
![]() | 1988 - Emax SE |
![]() | 1990 - Proteus 1 (Pop/Rock) |
![]() | 1993 - Emulator IIIXP |
![]() | 1994 - ProteusFX |
![]() | 1997 - Planet Phatt (Hip-Hop) 1996 - Orbit (Techno/Electronica) |
![]() | 1996 - Launch-Pad controller for Orbit |
![]() | 1998 - E-mu Proteus 2000 |
![]() | 1999 - E4XT Ultra |
![]() | 2000 - Xtreme Lead-1 (Techno/Electronica) 2000 - Mo'Phatt (Hip-Hop) 2002 - Turbo Phatt (Hip-Hop) |
![]() | 2001 - E-mu PK-6 (Pop/Rock) |
Digital music technology encompasses the use of digital instruments to produce, perform or record music. These instruments vary, including computers, electronic effects units, software, and digital audio equipment. Digital music technology is used in performance, playback, recording, composition, mixing, analysis and editing of music, by professions in all parts of the music industry.
An analog synthesizer is a synthesizer that uses analog circuits and analog signals to generate sound electronically.
A music workstation is an electronic musical instrument providing the facilities of:
A sampler is an electronic musical instrument that records and plays back samples. Samples may comprise elements such as rhythm, melody, speech, sound effects or longer portions of music.
Oberheim is an American synthesizer manufacturer founded in 1969 by Tom Oberheim. Beginning in 1975, Oberheim developed some of the first commmercially-available polyphonic synthesizers and was a prominent synthesizer and drum machine manufacturer through the mid-1980s. In 1988, the company changed ownership and was eventually purchased by Gibson Guitar Corporation, which developed new Oberheim products and licensed the trademark to other companies that produced Oberheim products, but development of Oberheim products ceased after 2000. In 2009, Tom Oberheim began developing instruments through his own company, and in 2019, Gibson returned the Oberheim trademark to Tom Oberheim, whose company rebranded as Oberheim.
The Ensoniq Mirage is one of the earliest affordable sampler-synths, introduced in 1984 as Ensoniq's first product. Introduced at a list price of $1,695 with features previously only found on more expensive samplers like the Fairlight CMI, the Mirage sold nearly 8,000 units in its first year - more than the combined unit sales of all other samplers at that time. The Mirage sold over 30,000 units during its availability.
Ensoniq Corp. was an American electronics manufacturer, best known throughout the mid-1980s and 1990s for its musical instruments, principally samplers and synthesizers.
A rompler is an electronic musical instrument that plays pre-fabricated sounds based on audio samples. The term rompler is a blend of the terms ROM and sampler. In contrast to samplers, romplers do not record audio. Both may have additional sound editing features, such as layering several waveforms and modulation with ADSR envelopes, filters and LFOs.
The Emulator is a series of digital sampling synthesizers using floppy-disk storage that was manufactured by E-mu Systems from 1981 until 2002. Although it was not the first commercial sampler, the Emulator was innovative in its integration of computer technology and was among the first samplers to find widespread usage among musicians. While costly, its price was considerably lower than those of its early competitors, and its smaller size increased its portability and, resultantly, practicality for live performance. The line was discontinued in 2002.
Emulator X is a software-based audio sampler that was produced by E-MU Systems from 2004 to 2009.
The Ensoniq AudioPCI is a Peripheral Component Interconnect (PCI)-based sound card released in 1997. It was Ensoniq's last sound card product before they were acquired by Creative Technology. The card represented a shift in Ensoniq's market positioning. Whereas the Soundscape line had been made up primarily of low-volume high-end products full of features, the AudioPCI was designed to be a very simple, low-cost product to appeal to system OEMs and thus hopefully sell in mass quantities.
Polyphony is a property of musical instruments that means that they can play multiple independent melody lines simultaneously. Instruments featuring polyphony are said to be polyphonic. Instruments that are not capable of polyphony are monophonic or paraphonic.
The Sound Blaster AWE32 is an ISA sound card from Creative Technology. It is an expansion board for PCs and is part of the Sound Blaster family of products. The Sound Blaster AWE32, introduced in March 1994, was a near full-length ISA sound card, measuring 14 inches (356 mm) in length, due to the number of features included.
Thomas Elroy Oberheim, known as Tom Oberheim, is an American audio engineer and electronics engineer best known for designing effects processors, analog synthesizers, sequencers, and drum machines. He has been the founder of four audio electronics companies, most notably Oberheim Electronics. He was also a key figure in the development and adoption of the MIDI standard. He is also a trained physicist.
The E-mu SP-1200 is a sampling drum machine designed by Dave Rossum and released in August 1987 by E-mu Systems. Like its predecessor, the SP-12, it was designed as a drum machine featuring user sampling. The distinctive character of its sound, often described as "warm," "dirty," and "gritty," and attributed to SP-1200's low 26.04 kHz sampling rate, 12-bit sampling resolution, drop-sample pitch-shifting, and analog SSM2044 filter chips (ICs), has sustained demand for the SP-1200 more than thirty-five years after its debut, despite the availability of digital audio workstations and samplers/sequencers with superior technical specifications.
Digital Sound Factory is a sound design company that creates sound libraries, known as SoundFont libraries, for playback on synthesizers and computers compatible with Steinberg Cubase, Cakewalk Sonar, Reasonstudios, Steinberg Halion, Native Instruments Kontakt, Apple GarageBand, Apple Logic, Ableton Live, GenieSoft Overture, Finale, Creative Labs Audigy/X-Fi, E-MU Systems EmulatorX/Proteus X, LMMS, FL Studio, MuseScore, Mixcraft, VSamp, SFZ, SynthFont, Ardour, FluidSynth and more.
The E-mu Proteus was a range of digital sound modules and keyboards manufactured by E-mu Systems from 1989 to 2002.
The Prophet 2000 is a sampler keyboard manufactured by Dave Smith's Sequential Circuits (SCI) and released in 1985. It was the company's first sampler, and, despite its low audio fidelity and technical limitations by modern standards, marked a shift toward affordable samplers with better audio quality than its predecessors. It is also considered to be one of the earliest multitimbral samplers.
The E-mu SP-12 is a sampling drum machine. Designed in 1984, SP-12 was announced by E-mu Systems in 1985. Expanding on the features of E-mu’s affordable and commercially successful Drumulator, a programmable digital drum machine, SP-12 introduced user sampling, enabling musicians to sample their own drums and other sounds. In August 1987, E-mu replaced SP-12 with SP-1200.
David P. Rossum is an American electronics engineer and inventor best known as the co-founder of synthesizer and sampler manufacturer E-mu Systems.