"Blood on the Dance Floor" | ||||
---|---|---|---|---|
Single by Michael Jackson | ||||
from the album Blood on the Dance Floor: HIStory in the Mix | ||||
B-side | "Dangerous" (Roger's Dangerous Club Dance Mix) | |||
Released | March 21, 1997 | |||
Recorded | 1991–1997 [1] | |||
Genre | ||||
Length | 4:12 | |||
Label | Epic | |||
Songwriter(s) |
| |||
Producer(s) |
| |||
Michael Jackson singles chronology | ||||
| ||||
Music video | ||||
"Blood on the Dance Floor" on YouTube | ||||
Audio sample | ||||
"Blood on the Dance Floor" is a song by American singer-songwriter Michael Jackson,released as the first single from the remix album Blood on the Dance Floor:HIStory in the Mix (1997). Jackson and Teddy Riley created the track in time for the 1991 release of Dangerous . However,it did not appear on that record and was worked on further for its commercial release in 1997. One interpretation of the song describes a predatory woman named Susie who seduces Jackson before plotting to stab him with a knife. The composition explores a variety of genres ranging from funk to new jack swing.
The single peaked at number 42 on the US Billboard Hot 100 and reached number one in Denmark,New Zealand,Spain and the United Kingdom. It also reached the top 10 several other countries,including Australia,Finland,Germany,Netherlands,Norway and Sweden. Commentators compared "Blood on the Dance Floor" to music from Dangerous. Others commented on the song's perceived aggressive tone and the vocal style,the broad genres heard and possible lyrical interpretations of the song. Reviews at the time of release were largely mixed,but contemporary reviews have been favorable. The song was promoted with a music video that premiered on Top of the Pops . It centered on Susie seducing Jackson in a courtship "dance",before opening a switchblade. "Blood on the Dance Floor" was the only track from the remix album performed on the HIStory World Tour.
Teddy Riley came up with the song's title while Jackson recorded the piece for his Dangerous album in 1991—it failed to make the final track listing. Riley was reportedly upset that Jackson did not call him to "vacuum clean this old master" upon realizing it would be included on Blood on the Dance Floor:HIStory in the Mix. Riley wanted to update the musical composition before it appeared on the remix album. [2] In a Making Michael interview,Matt Forger mentioned that when work began on the album,they used the original Teddy Riley DAT version (which Riley played to Jackson when he came to work on "Dangerous") which they took to Montreux where Jackson recorded his vocals. [3]
Instruments played in the song include a guitar and piano,the latter of which has an F2–E♭5 range in scientific pitch notation. Jackson's vocal range on the track is C3–B♭5 and aspects of the song are performed in the key F minor. Genres that have been attributed to the song are dance, [4] funk [4] and new jack swing. [5] Jackson incorporates many of the vocal traits associated with his work,such as hiccups and gasps. [4] [5] [6] [7] [8] Neil Strauss of The New York Times suggests that the predatory woman in the title track,"Susie",is a metaphor for AIDS. [9] However,in an interview with Adrian Grant,Jackson denied that the song was about AIDS. [10]
Included throughout releases of the single are three remixes of the song "Dangerous" from Jackson's album of the same name. "Dangerous" was originally intended to be the tenth single from that album,and Roger Sanchez,who previously remixed "Jam" and "Don't Stop 'Til You Get Enough",was once again commissioned to create several remixes of the song in time for its release as a single in early 1994. However,the single was cancelled,and all of the remixes were shelved. It is likely that the reason some of these remixes were released as part of this single is due to its association with the Dangerous album,since it was originally created during its recording sessions. Regardless,the majority of Sanchez' original remixes remain unreleased,and are only available on a rare digital audio tape distributed among label executives. [11]
Larry Flick from Billboard wrote,"Produced by the artist with Teddy Riley this track chugs with a pleasant jeep-styled groove that provides a firm foundation for a lip-smacking vocal and a harmony-laden hook that is downright unshakable." He added that it is a "winning jam". [12] The Dallas Morning News described "Blood on the Dance Floor" as an angry tale of a back-stabbing woman and Michael Saunders of The Boston Globe described it as "a middling dance-funk cut". [4] [13] Anthony Violenti of The Buffalo News said of the single,"[it is] laced with Teddy Riley's new jack swing sound and a pounding techno beat",whereas The Cincinnati Post characterized the song as a "lackluster first release ... dated,played-out dance track",but gave the album an overall favorable review. [5] [14] Jim Farber of New York Daily News ,noted of the vocals and musical style,"[Jackson] coughs up a series of strangulated mutters and munchkin hiccups in lieu of a vocal,while its chilly,faux-industrial music proves as appealing as a migraine". [8] David Sinclair from The Times constated,"With his voice little more than a whisper,and the groove screwed to a very high torque,this is as lean and urgent a piece as Jackson has ever produced." [15]
William Ruhlman of AllMusic observed,"'Blood on the Dance Floor' is an uptempo Jackson song in the increasingly hysterical tradition of 'Billie Jean' and 'Smooth Criminal' with Jackson huffing,puffing,and yelping through some nonsense about a stabbing ... over a fairly generic electronic dance track". He was not complimentary of the B-sides that accompanied it. [7] Stephen Thomas Erlewine,also of AllMusic,had a negative reaction to the record. He described "Blood on the Dance Floor" as a "bleak reworking of 'Jam' and 'Scream'". [16]
Music commentator Nelson George,compared the song to material from Dangerous ,such as the critically acclaimed tracks "Jam" and "Dangerous". He described it as a "pile driving" song that "explodes from radio speakers". [17] A longtime commentator on Jackson's public life,J. Randy Taraborrelli,gave a retrospective analysis of the album in the biography,The Magic &the Madness. Taraborrelli thought that "Blood on the Dance Floor" was one of Jackson's best songs,a song that US fans "don't even know exists". [18] In 2005,J T Griffith,of AllMusic,believed that in hindsight,"Blood on the Dance Floor" was actually a good song. He explained,"[it is] a second-rate mixture of 'Beat It' and 'Thriller' but Jackson's missteps are better than most pop music out there. This track showcases all the artist's trademarks:the ooohing,the grunts,and funky basslines. It is hard to hear 'Blood on the Dance Floor' and not want to moonwalk or dance like a ghoul". [19]
"Blood on the Dance Floor" was the only track from Blood on the Dance Floor:History in the Mix to appear on the set list of the HIStory World Tour. [20] The music video for "Blood on the Dance Floor" was directed by Jackson and Vincent Paterson. Filming occurred in February 1997,when Jackson's first child Prince was born. [21] It premiered on Top of the Pops in the UK on March 28,1997,several weeks ahead of its release as a single. [2] The video opens with a thrown switchblade impaling a spray painted image. The impaled image is that of a blood dripping love heart with "SUSIE + ME" scrawled across it. Jackson and a group of dancers then enter a salsa dance hall and he begins to dance with a woman,"Susie",while shaking a piece of percussion. Jackson then appears seated while the woman dances seductively above him on a table top. [22]
After the first verse and chorus,there is an a cappella moment,in which Jackson breathes to the drums and the bass,then the strings,then spins,drops down and claps,then the main song starts with the second verse. This particular arrangement is only found in the video version.
Throughout the video,Jackson shows a sexual attraction towards the dancing woman—played by Sybil Azur. Jackson caresses her ankle,calf,knee and thigh,and at one stage looks up her dress. The woman is then seen opening a flick knife as the pair engage in a final courtship dance. The video closes in the same manner it began,with the switchblade impaling the spray painted image. The music video won the Brazilian TVZ Video Award:Best International Music Video of the Year. [17] [23] Interviewed on her experience during the video one of the dancers,Carmit Bachar (of The Pussycat Dolls) noted,"I was called in by Vincent Paterson for 'Blood on the Dance Floor'. It was to have a Latin feel,some sort of mambo. I arrived wearing a little salsa dress,fish nets,heels,and my hair was up in a kind of bun with a flower. I was 'camera ready'. I showed up with the whole outfit. It's not that producers can't see what they like,or the potential in somebody,but what I do helps them to see their vision more". [24]
A "Refugee Camp Mix" of "Blood on the Dance Floor" appeared on Jackson's video collection, HIStory on Film,Volume II and Michael Jackson's Vision . The original song would later appear on the Number Ones DVD,which contained previously unreleased scenes. [2] Furthermore,Paterson recorded an unreleased,alternate version of the music video,shot with an 8 mm camera. Writer David Noh,described it as,"grainy,overexposed,and sexy as shit". According to Paterson,"Michael loved it,but Sony hated it and refused to release it". [25] The New York Times described the United States promotional effort for the Blood on the Dance Floor:HIStory in the Mix campaign as "subdued",creating "hardly a sound" and "perplexing to many people in the industry". Jackson's label Epic Records,refuted allegations they were not promoting the album sufficiently,saying,"We are completely behind the album ... Michael is certainly one of our superstars and is treated as such ... We just went into this one with our global hats on". The New York Times acknowledged that promotion was stronger internationally,where Jackson had more commercial force and popularity. [26]
Jackson performed the song only in the second leg of his HIStory World Tour in 1997.
"Blood on the Dance Floor" became a top ten hit in almost all countries in Europe. It peaked at number one in the UK,Denmark,Spain and New Zealand,charting for 11 weeks in the latter two nations. [27] In the UK it sold 83,767 copies in its first week,enough to take the number one spot from "I Believe I Can Fly" by Jackson collaborator R. Kelly. [28] It was Jackson's seventh and final UK chart topper as a solo artist,although it fell to number eight in its second week of release. [28] The European country where "Blood on the Dance Floor" had the most longevity was Switzerland,where it spent 18 weeks in the chart. The total number of sales in the UK,as of May 2016,stands at 207,700. [28]
"Blood on the Dancefloor" peaked at number 42 on the US Billboard Hot 100. This relatively lower peak position has been attributed to the lack of US promotion and—according to J. Randy Taraborrelli and AllMusic writer William Ruhlman—the ongoing US public interest in Jackson's private life over his music. [18] [29]
Tony Moran mixes
Fire Island mixes
Wyclef Jean mixes
Note: There is an alternate,extended version of Tony Moran's "Switchblade Mix",available only on a singular UK 12-inch promo. [30] The main difference in this version is the inclusion of a new lyrical section at the 2:34 point,which was omitted in the original. The last sound effect at the end of the song is also remarkably different.
Weekly charts
| Year-end charts
|
Region | Certification | Certified units/sales |
---|---|---|
Australia (ARIA) [78] | Gold | 35,000^ |
Belgium (BEA) [79] | Platinum | 50,000* |
Germany (BVMI) [80] | Gold | 250,000^ |
New Zealand (RMNZ) [81] | Gold | 5,000* |
United Kingdom (BPI) [82] | Silver | 200,000‡ |
* Sales figures based on certification alone. |
"Billie Jean" is a song by the American singer Michael Jackson, released by Epic Records on January 3, 1983, as the second single from his sixth studio album, Thriller (1982). It was written and composed by Jackson, produced by Quincy Jones and co-produced by Jackson. "Billie Jean" blends post-disco, R&B, funk, and dance-pop. The lyrics describe a woman, Billie Jean, who claims that the narrator is the father of her newborn son, which he denies. Jackson said the lyrics were based on groupies' claims about his older brothers when he toured with them as the Jackson 5.
New jack swing, new jack, or swingbeat is a fusion genre of the rhythms and production techniques of hip hop and dance-pop, and the urban contemporary sound of R&B. Spearheaded by producers Teddy Riley, Bernard Belle, Jimmy Jam and Terry Lewis, new jack swing was most popular from the late 1980s to early 1990s.
Blood on the Dance Floor: HIStory in the Mix is a remix album by the American singer Michael Jackson. It was released on May 20, 1997, by Epic Records, and is the second album also released by MJJ Productions, Jackson's own record label. The album comprises eight remixes of songs from Jackson's ninth studio album, HIStory: Past, Present and Future, Book I (1995), and five new songs that failed to make previous albums. Jackson was involved primarily with the production of the new material; the remixes were produced by other artists. Blood on the Dance Floor: HIStory in the Mix incorporates R&B, pop, industrial, hip hop, house, funk and new jack swing. It concerns themes such as drug addiction, sex, relationships, and paranoia.
"Scream" is a song by American singers and siblings Michael and Janet Jackson. It was released as the lead single off Michael Jackson's ninth album HIStory: Past, Present and Future, Book I. It was released as a double A-side with "Childhood", a solo song by Michael. The single was released on May 29, 1995.
"I Get Lonely" is a song by American singer Janet Jackson from her sixth studio album, The Velvet Rope (1997). It was written by Jackson, Jimmy Jam and Terry Lewis and Jackson's then-husband, René Elizondo Jr. It was released on February 24, 1998, by Virgin Records as the album's third single. The track is a departure from Jackson's signature brand of crossover dance-pop and R&B into a pure R&B and soul vibe. Lyrically, it expresses loneliness and the desire for an estranged lover. A remixed version of the song featured American R&B group Blackstreet.
"Black or White" is a song by the American singer Michael Jackson, released by Epic Records on November 11, 1991, as the first single from Jackson's eighth studio album, Dangerous (1991). Jackson wrote, composed, and produced it with Bill Bottrell. Epic Records described it as "a rock 'n' roll dance song about racial harmony".
"Remember the Time" is a song by American singer and songwriter Michael Jackson. It was released by Epic Records on January 14, 1992, as the second single from Jackson's eighth studio album, Dangerous (1991). The song was written and composed by Teddy Riley, Jackson and Bernard Belle, and produced by Riley and Jackson. The song's lyrics are written about remembering having fallen in love with someone.
"In the Closet" is a song by American singer-songwriter Michael Jackson, released on April 9, 1992, as the third single from his eighth album, Dangerous (1991). The song was intended as a duet between Jackson and Madonna, and features female vocals by "Mystery Girl", who was later revealed to be Princess Stéphanie of Monaco. Written and produced by Jackson and Teddy Riley, it became the album's third consecutive top ten pop single, reaching number six on the US Billboard Hot 100. It also became its second number one R&B single. In Europe, the song peaked at number eight on the UK Singles Chart, while reaching number one in Greece and number two in both Italy and Spain. In 2006, the song re-entered the UK chart, peaking at number 20. Its accompanying music video was directed by Herb Ritts and features supermodel Naomi Campbell.
"Jam" is a song by American singer-songwriter Michael Jackson, released in July 1992 by Epic as the fourth single from his eighth album, Dangerous (1991), where it is the opening track.
"HIStory" is a 1995 song by American singer-songwriter Michael Jackson. It was composed by Jackson, James Harris III and Terry Lewis, and was included on his album HIStory: Past, Present and Future, Book I. Although the original version of "HIStory" was not released as a single, it was later remixed in 1997 as part of Jackson's remix album Blood on the Dance Floor: HIStory in the Mix. These remixes would be released as part of "HIStory" / "Ghosts", a double A-side single with the newly recorded song "Ghosts" as the second single from that album.
"Ghosts" is a 1997 song by American singer Michael Jackson, written, composed and produced by Jackson and Teddy Riley. It was released as part of "HIStory" / "Ghosts", a double A-side single with remixes of the song "HIStory" from Jackson's 1995 album as the second single from Blood on the Dance Floor: HIStory in the Mix. The Ghosts music video was a five-minute clip taken from a longer film, Michael Jackson's Ghosts. The song was a top five hit in the UK and Belgium.
"This Time Around" is a song by American singer Michael Jackson from his ninth studio album, HIStory: Past, Present and Future, Book I, with a guest appearance by rapper the Notorious B.I.G. It was released as a promotional single in the US, and is the album's fourth single overall. The song, which details a musician's problems with being famous and dealing with stardom, was written by Jackson, while the music was composed by Dallas Austin, Bruce Swedien and René Moore. Austin and Jackson produced the song, while Swedien and Moore served as co-producers. In the United States, "This Time Around" entered three Billboard component charts, respectively peaking at numbers 18, 23, and 36 on the Dance Music/Club Play Singles, Hot R&B/Hip-Hop Airplay, and Rhythmic Top 40, having charted solely due to radio airplay throughout the country. It received positive reviews from contemporary music critics.
"Beat It" is a song by American singer-songwriter Michael Jackson from his sixth studio album, Thriller (1982). It was written and composed by Jackson, produced by Quincy Jones, and co-produced by Jackson. Jones encouraged Jackson to include a rock song on the album. Jackson later said: "I wanted to write a song, the type of song that I would buy if I were to buy a rock song... and I wanted the children to really enjoy it—the school children as well as the college students." It includes a guitar solo by Eddie Van Halen.
Dangerous is the eighth studio album by American singer-songwriter Michael Jackson. It was released by Epic Records on November 26, 1991, more than four years after Jackson's previous album, Bad (1987). Co-produced by Jackson, Bill Bottrell, Teddy Riley, and Bruce Swedien, the album was Jackson's first since Forever, Michael (1975) without longtime collaborator Quincy Jones. Guest appearances include Heavy D, Princess Stéphanie of Monaco, Slash and Wreckx-n-Effect. The album incorporates R&B, pop and new jack swing, a growing genre at the time. Elements of industrial, funk, hip hop, electronic, gospel, classical and rock are also present. Twelve of the album's 14 songs were written or co-written by Jackson, discussing topics like racism, poverty, romance, self-improvement, multiculturalism and the welfare of children and the world.
"Dangerous" is a song by American singer and recording artist Michael Jackson. The song appeared as the fourteenth and final track on Jackson's album of the same name, released in November 1991. Written and composed by Jackson, Bill Bottrell and Teddy Riley, the song was planned as the tenth single from the album, set for a January 1994 release. However, these plans were cancelled due to allegations of child sexual abuse which were made against Jackson in August 1993 and Jackson's health concerns. "Dangerous" is a new jack swing song which also incorporates industrial music.
Personal is the debut studio album by the American vocal group Men of Vizion. It was released on June 18, 1996, via Michael Jackson's record label, MJJ Music, after a demo tape was played to him by producer Teddy Riley. The album has been described as a "sumptuous blend" of vocal R&B and "90s production techniques", that alternates between smooth ballads and new jack swing.
"Right Here" is the debut single of American R&B girl group SWV, released on August 20, 1992 by RCA Records, as the lead single from their debut album, It's About Time (1992). The song was written by Brian Alexander Morgan, who also produced it. A remixed version, referred to as "Right Here (Human Nature Remix)" and based around a feature of Michael Jackson's 1982 song "Human Nature", was released in July 1993, and charted on the US Billboard charts as a double-A-side with "Downtown". This version, produced by Teddy Riley, became a number-one R&B single, selling 1,000,000 copies and earning a platinum certification from the Recording Industry Association of America (RIAA). It was also a number-one hit in Zimbabwe. The music video for the song was directed by Lionel C. Martin, featuring SWV riding horses and fishing.
"Is It Scary" is a song by American singer-songwriter Michael Jackson. The song was written in 1994 during sessions for Jackson's 1995 album HIStory: Past, Present and Future, Book I, but it was not included on the album. It was later released on Jackson's 1997 remix album Blood on the Dance Floor: HIStory in the Mix. "Is It Scary" was written and produced by Jackson, Jimmy Jam and Terry Lewis.
"Hollywood Tonight" is a song by American singer-songwriter Michael Jackson, included on his posthumous album, Michael. The song was released by Epic Records on February 11, 2011, as the second single from Michael. The spoken parts were performed by Jackson's nephew, Taryll Jackson and written by Teddy Riley. An accompanying music video was released on March 10, 2011. It features Algerian dancer Sofia Boutella dressed in a Jackson-inspired outfit performing a routine with 60 dancers.