"Dangerous" | |
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Song by Michael Jackson | |
from the album Dangerous | |
Released | November 26, 1991 (album release) |
Recorded |
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Genre | |
Length | 6:57 |
Label | Epic |
Songwriter(s) |
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Producer(s) |
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Licensed audio | |
"Dangerous" on YouTube |
"Dangerous" is a song by American singer and recording artist Michael Jackson. The song appeared as the fourteenth and final track on Jackson's album of the same name, released in November 1991. Written and composed by Jackson, Bill Bottrell and Teddy Riley, "Dangerous" is a new jack swing song which also incorporates industrial music.
The song received a positive reaction from contemporary critics in reviews of the track's parent album. Although it has not been released as a single, "Dangerous" entered music charts in mid-2009 after Jackson's death in June.
In 1994, songwriter Crystal Cartier alleged that Jackson, Bottrell and Riley had plagiarized "Dangerous". At the subsequent court hearing the judge ruled in favor of Jackson, Bottrell, and Riley, due to lack of evidence; Cartier was refused the right to appeal her case.
Near the end of Dangerous: The Short Films , the song is played over footage of various performances during his Dangerous World Tour. The live performances of "Dangerous" remained a staple of Jackson's concerts since the third leg of the tour. "Dangerous" was a song that involved group choreography, similar to "Smooth Criminal", which also appears as part of the mix in later performances.
"Dangerous" was developed from another song titled "Streetwalker", which Jackson wrote for his 1987 Bad album. [4] In 1988, Bill Bottrell created the music track for what would eventually become the demo of "Dangerous", using "Streetwalker" as a starting point. [5] During recording sessions in September 1990 for Dangerous , Jackson recorded a 6:40 minute demo of "Dangerous", which he wrote using Bottrell's music track. Teddy Riley later added writing and produced it with Jackson in early 1991. According to music commentator Nelson George the demo is "very different to the final version. Here the keyboards are spacey, in strong contrast to the taunt, mechanical rhythm track. Throughout the song, Jackson keeps up a spoken word rap about the dangerous woman who is this song's subject. Overall it is much moodier". The demo was released in November 2004, on The Ultimate Collection . [6] A different, longer version also exists, with Jackson heard screaming at the beginning—after a sound protection wall fell on him as he was about to record. [4] "The genesis of the songs we co-wrote [for Dangerous]", said Bottrell, "consisted of Jackson humming melodies and grooves, and him then leaving the studio while I developed these ideas with a bunch of drum machines and samplers". [4] "Dangerous" is played in the key of D minor with Jackson's vocal range being from A2 to B5. [7] The song's tempo is moderate at 113 beats per minute. [7]
In 1994, songwriter Crystal Cartier accused Jackson, Bottrell and Riley of plagiarizing the song. Cartier claimed she had written, copyrighted and recorded the song in 1985. [8] At a court hearing, Jackson testified that "Dangerous" grew out of a song called "Streetwalker", which he co-wrote with Bottrell in 1985. [4] His original demo version of the song was played in court. The recordings were followed by a cappella performances of "Dangerous" and "Billie Jean", giving a rare insight into his songwriting habits. As Cartier was unable to supply any original tapes to back up her suit, the judge found in Jackson's favor, and Cartier was refused the right to appeal. [4] [8] [9]
Although the song was not released as a single, the live performances of "Dangerous" remained a staple of Jackson's concerts since the second leg of the Dangerous World Tour. "Dangerous" was a song that involved group choreography, similar to "Smooth Criminal", which also appears as part of the mix in later performances. There were five live performance versions of "Dangerous", although Jackson nearly always lipsynced this song:
For the MJ & Friends concerts and on, Jackson wore a red shirt instead of the original white shirt and tie, but the tie was kept in. For all of the performances Jackson wore a black suit jacket with a white armband.
"Dangerous" was generally well received by contemporary music critics. Jon Pareles, a writer for The New York Times , called it "[Jackson's] latest song about a predatory lover" and highlighted the lyrics "I felt taken by lust's strange inhumanity," observing, "He is a great dancer, yet his songs proclaim a terror of the body and of fleshly pleasures." [10] Music critic Nelson George said of the song, "[it is] a pile driving track...that explodes from radio speakers. 'Dangerous' in fact, opens another window into Michael's artistic process." [6] Writer Barry Farber noted that the same lyrics "are an excellent representation of how sex can sometimes feel like a powerful biologically driven force." [11]
Although it has not been released as a single, "Dangerous" entered music charts in mid-2009 after Jackson's death in June. The track debuted at its peak position, number seventy eight, on the Swiss Singles Chart for the week of July 12, 2009. [12] The song also peaked at number ninety nine on the German Singles Chart for the week of July 13, 2009. [13] "Dangerous" only remained on the two countries chart for one week. [12] [13]
Roger Sanchez, who previously remixed "Jam" and "Don't Stop 'Til You Get Enough", was commissioned to create several remixes of the song. A few of the remixes saw the light of day on releases of the 1997 single "Blood on the Dance Floor", the first single from Jackson's remix album Blood on the Dance Floor: HIStory in the Mix . One of the remixes, "Roger's Rough Dub", was to be included on a bonus disc of the expanded edition of Dangerous, which was eventually shelved. [4] The majority of Sanchez' original remixes remain unreleased, and are only available on a rare digital audio tape distributed among label executives. [14]
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Chart (2009) | Peak position |
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Germany (GfK) [13] | 99 |
Switzerland (Schweizer Hitparade) [12] | 78 |
Blood on the Dance Floor: HIStory in the Mix is a remix album by the American singer Michael Jackson. It was released on May 20, 1997, by Epic Records, and is the second album also released by MJJ Productions, Jackson's own record label. The album comprises eight remixes of songs from Jackson's ninth studio album, HIStory: Past, Present and Future, Book I (1995), and five new songs that failed to make previous albums. Jackson was involved primarily with the production of the new material; the remixes were produced by other artists. Blood on the Dance Floor: HIStory in the Mix incorporates R&B, pop, industrial, hip hop, house, funk and new jack swing. It concerns themes such as drug addiction, sex, relationships, and paranoia.
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