"Waterfalls" | ||||
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Single by TLC | ||||
from the album CrazySexyCool | ||||
Released | May 1995 (US) July 1995 (UK) | |||
Genre | ||||
Length | 4:40 (album version) 4:19 (single edit) 3:32 (no rap edit) | |||
Label | ||||
Songwriter(s) |
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Producer(s) | Organized Noize | |||
TLC singles chronology | ||||
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Music video | ||||
"Waterfalls" on YouTube |
"Waterfalls" is a song by American hip-hop group TLC, released by LaFace and Arista as the third single from their second album, CrazySexyCool (1994), in May 1995 in the United States, followed by a United Kingdom release on July 24, 1995. [4]
Often considered one of the group's signature songs, [5] [6] along with "No Scrubs", "Waterfalls" was an international hit, topping the charts in many countries. The song spent seven weeks at No. 1 on the Billboard Hot 100, giving the group their second US No. 1; it was the No. 2 song of the year on the Billboard 1995 year-end chart. "Waterfalls" also peaked at No. 1 in New Zealand, Switzerland and Zimbabwe while reaching the top 10 in several other countries, including Australia, Canada and the United Kingdom. "Waterfalls" received critical acclaim, earning two Grammy nominations at the 38th Annual Grammy Awards in 1996 for Record of the Year and Best Pop Performance by a Duo or Group with Vocal.
The song addresses the illegal drug trade, promiscuity, and HIV/AIDS. Jarett E. Nolan of BMG noted that "Waterfalls" was the first number-one song to refer to AIDS in one of its verses. [7] The song's music video, directed by F. Gary Gray, reflected its socially conscious lyrics via a million-dollar budget and became an MTV staple that boosted the song's success, staying atop the MTV Video Monitor chart for over a month (and making TLC the first act to do so) and winning four MTV Video Music Awards in 1995, including Video of the Year (making them the first African-American act to receive the trophy).
"Waterfalls" is an R&B song, [1] written by TLC band member Lisa "Left Eye" Lopes with Marqueze Etheridge and Organized Noize, who also produced the song. Rozonda "Chilli" Thomas and Tionne "T-Boz" Watkins perform the song with Lopes, who also provides a rap verse (which is removed from some edits). The members of TLC, as well as Debra Killings and Cee-Lo Green, provide background vocals, while the improvised bass line is provided by LaMarquis "ReMarqable" Jefferson. [8] [9] [10] Of Green's involvement, Watkins noted, "He was in Goodie Mob, we grew up together, we go way back. He (sang on the track) and it was amazing! I love his voice." [11] Green later recalled to The Guardian on March 22, 2008, "I was working at the same studio and of course I know the girls too, because we were on the same label, so they just asked me. I didn't realize at the time what a big song it was going to be." [12] [6]
The song's lyrics refer to 1990s issues such as the HIV/AIDS epidemic and violence associated with the illegal drug trade. [13] Watkins said that it was important for the group to "get the message across without seeming like preaching." [14]
The TLC song shares elements with Paul McCartney's song of the same name, which opens with the line "Don't go jumping waterfalls, please keep to the lake." McCartney himself noted the resemblance, stating "In fact, somebody had a hit, a few years ago, using the first line...then they go off into another song. It's like, 'Excuse me?'" [15]
Lopes' rap expresses personal problems that she was dealing with at the time. She had a very turbulent relationship with Atlanta Falcons football player Andre Rison, and on June 9, 1994, she burned numerous pairs of Rison's newly purchased tennis shoes in his fiberglass bathtub, which set his entire $2 million mansion ablaze. She pled guilty to arson and was sentenced to five years of probation and a $10,000 fine, but eventually reconciled with Rison. [12]
"Waterfalls" received universal critical acclaim from music critics. J.D. Considine from The Baltimore Sun described it as "tuneful and intoxicating". [16] Entertainment Weekly viewed it as a "Prince-inspired ballad" that "hint[s] at the artistic greatness TLC might achieve if freed from commercial concerns". [17] Simon Price from Melody Maker felt the song "is worthy of the symbolic sex dwarf himself." [18] In a separate review, Price named it Single of the Week, writing, "'Waterfalls' is nothing we haven't already heard in 'Sign O' the Times' or 'The Message': a cautionary, moral tale about a bad livin' young brother who upsets his mom by gangbanging and ends up with Aids, and personally, I left all that behind with Aesop's fables. I'm more interested in the sonics here, the opulent Paisley Park-ish production, the way the freeze-dried, shrink-wrapped street soul beats are wickedly at odds with T-Boz's languorous, husky vocals and Left Eye and Chilli's river-of-clear-honey harmonics." [19] A reviewer from Music Week gave it four out of five, calling it "yet another radio-friendly hit", remarking that "TLC swap wackiness for a more mature affair". [20]
James Hamilton from the Record Mirror Dance Update deemed it a "slinkily croaking and cooing girls' US smash rolling slow sombrely worded message song". [21] Charles Aaron from Spin described it as "a Princely cautionary groove, in which pop's most intriguing trio offers a more harshly vivid portrait—that of a loved one (who should have known better) gone wanna-be dopeman. When T-Boz croons, "She gives him loving that his body can't handle / But all he can say is baby it's good to me", her resigned frustration is palpable. And every time Left Eye raps, "Dreams are hopeless aspirations in hopes of comin' true", I wince a little." [22] Nigel Butler of Sputnikmusic compared it to esteemed artists such as Sly and the Family Stone, Ray Charles and Stevie Wonder. [23] Butler wrote, "The arrangement and instrumentation is absolutely fantastic - if a bunch of great melodies had an orgy, the result would something a little like this - and the lyrics are the best on an album that maintains a shockingly high standard of songwriting. Left-Eye drops the album's best rap on this track too." [23]
The song was nominated for two Grammys at the 1996 Grammy Awards: Record of the Year and Best Pop Performance by a Duo or Group with Vocal . Billboard named it No. 11 on their list of "100 Greatest Girl Group Songs of All Time". [24] It was also ranked 13th in VH1's "100 Greatest Songs of the Past 25 Years" and 8th on VH1's "100 Greatest Songs of the 1990s". [25] In 2010, Billboard awarded the song the top position of summer songs in 1995.
The accompanying music video for "Waterfalls", directed by American director and producer F. Gary Gray and filmed at Universal Studios Hollywood from June 8–9, 1995, visualizes the two verses of the song, particularly during extended instrumental breaks after each verse:
The video also intercuts scenes of liquefied versions of TLC performing to the song while standing atop an ocean and performing in front of a real waterfall. Watkins later admitted that filming the group's scenes atop an ocean was very frightening, as they were standing on an unstable plastic platform and she was unable to swim; [26] she recalled, "I thought I was gonna fall in. That’s why my feet are planted wide and still. You never see my feet move ever. You couldn’t move to the front or back, you could only go side to side." The numerous computer-generated effects were created by the visual design company Homer & Associates, which used motion capture technology to generate the images. The company used the same technique in their previous work on the video for "Steam" by Peter Gabriel and in the 1992 movie The Lawnmower Man . [12]
In an interview with Billboard in 2021, Thomas explained that when discussing the video with Gray, she imagined the trio performing as water spirits, similar to the 1989 James Cameron movie The Abyss ; Watkins conceptualized the storylines described in the verses, while Lopes pictured the trio traversing through outer space, passing planets before arriving on Earth; Gray modified Lopes' idea to show the trio coming straight from the sky. [12] [27]
As Clive Davis, the president of Arista at the time, initially disliked the song, [26] TLC had to force their mentor L.A. Reid to convince Davis to allow release as a single and promotion for the song as well as the budget for the music video; [12] [14] the video went on to win four awards at the 1995 MTV Video Music Awards: Video of the Year, Best Group Video, Best R&B Video, and the Viewer's Choice Award. Watkins stated in retrospect that the "video spoke for a whole epidemic." [11]
The song was performed at many awards shows, including the 1995 MTV Video Music Awards and the 1996 Grammy Awards. The group performed "Waterfalls" at the 1995 MTV Movie Awards wearing black tops and silver pants. The performance "was theatrical and kept true to the lyrical story." [28] They also performed the song at MTV's 20th Anniversary on August 1, 2001, making it Left Eye's final performance with the group before her death. In September 1995, TLC performed "Waterfalls" in a medley with "Creep" and "Diggin' on You" on the British TV chart show Top of the Pops , aired on BBC One in the United Kingdom.
Remaining members T-Boz and Chilli performed the song along with Alicia Keys and fellow girl groups En Vogue and SWV at the 2008 BET Awards. Thomas and Watkins appeared on Good Morning America on October 15, 2013, to perform the song during promotion for the greatest hits 20 and the VH1 biopic CrazySexyCool: The TLC Story . [29]
On November 24, 2013, TLC performed at the 2013 American Music Awards with special guest Lil Mama, who performed Left Eye's rap as a tribute to her.
In December 1995, NME ranked "Waterfalls" number 10 in their list of "NME Writers' Top 50 Singles of 1995". [30] About.com included it in their ranking of "The Best 100 Songs From the 1990s" in 2019. Bill Lamb stated that "slinky, gently insistent backing horns and guitar combine with smooth, languid vocals to create an instant R&B classic." He also felt that the song is "a disturbing commentary on street violence and its impact on the lives of young black men." [31] Same year, Daryl McIntosh from Albumism said it is "a rare example of perfect production, poignant songwriting, and flawless vocal delivery." McIntosh added, "The lyrics offer cautionary tales of the allure of street life and uncontrolled sexual exploration. Interwoven by the melodic chorus". [32] AllMusic's Stephen Thomas Erlewine wrote that "Waterfalls, "with its gently insistent horns and guitar lines and instantly memorable chorus, ... ranks as one of the classic R&B songs of the '90s." [33] Christine Werthman from Complex wrote that it "is drenched in water-droplet synth notes, live drums, rising horns, and a bass line that walks wherever it pleases." She noted that "it's a heavy song, but the warnings in the verses are buoyed by a rich, singable chorus, which certainly helped it get radio play." [34]
Jeff Benjamin of Fuse felt that the track was "far more than just another pop hit: The track told a cautionary tale of HIV and AIDS, and its video depicted a man who didn't wear a condom with his girlfriend and later watched his body degenerate in the mirror." [11] Sputnikmusic's Butler asserted that "any list of the best singles of the 90s that does not include this in the top 15 — at least — is among the worst lists ever written." [23] Australian music channel Max placed the song at No. 196 on their list of "1000 Greatest Songs of All Time" in 2012. [35] In 2017, Paste ranked the song number two on their list of the 10 greatest TLC songs, [36] and in 2022, The Guardian ranked the song number one on their list of the 20 greatest TLC songs. [37] In October 2023, Billboard magazine ranked it among the "500 Best Pop Songs of All Time". [3]
After Lopes' tragic death in a car crash in La Ceiba, Honduras on April 25, 2002, the lyrics to her verse were engraved upon her casket. [12]
Year | Publisher | Country | Accolade | Rank |
---|---|---|---|---|
1995 | NME | United Kingdom | "NME Writers' Top 50 Singles of 1995" [30] | 10 |
1995 | Spin | United States | "The 20 Best Singles of 1995" [38] | 3 (with "Creep") |
2005 | Blender | United States | "The 500 Greatest Songs Since You Were Born" [39] | 415 |
2005 | Bruce Pollock | United States | "The 7,500 Most Important Songs of 1944-2000" [40] | * |
2012 | Complex | United States | "The Best 90s R&B Songs" | 40 |
2012 | Max | Australia | "1000 Greatest Songs of All Time" | 196 |
2012 | Porcys | Poland | "100 Singli 1990-1999" [41] | 42 |
2015 | Robert Dimery | United States | "1,001 Songs You Must Hear Before You Die, and 10,001 You Must Download (2015 Update)" [42] | * |
2017 | Billboard | United States | "100 Greatest Girl Group Songs of All Time" | 10 |
2019 | Billboard | United States | "Billboard's Top Songs of the '90s" [43] | 29 |
2020 | Cleveland.com | United States | "Best Billboard Hot 100 No. 1 Song of the 1990s" [44] | 2 |
2020 | Glamour | United States | "53 Best ’90s Songs That Are All That and a Bag of Chips" [45] | 37 |
2021 | BuzzFeed | United States | "The 50 Best '90s Songs of Summer" [46] | 3 |
2021 | Rolling Stone | United States | "500 Greatest Songs of All Time" [47] | 127 |
2022 | Time Out | United States | "50 Best '90s Songs" [48] | 10 |
2023 | Billboard | United States | "Best Pop Songs of All Time" [3] | 267 |
2024 | Forbes | United States | "The 50 Best Songs of the 1990s" [49] | 7 |
2024 | Time Out | United States | "50 Best '90s Songs" [50] | 5 |
(*) indicates the list is unordered.
Year | Organization | Award | Result |
---|---|---|---|
1995 | MTV Europe Music Award | Best Song | Nominated |
MTV Video Music Award | Video of the Year | Won | |
Best Group Video | Won | ||
Best R&B Video | Won | ||
Best Direction | Nominated | ||
Best Visual Effects | Nominated | ||
Best Art Direction | Nominated | ||
Best Editing | Nominated | ||
Best Cinematography | Nominated | ||
Viewer's Choice | Won | ||
Breakthrough Video | Nominated | ||
1996 | Grammy Award | Record of the Year | Nominated |
Best Pop Performance by a Duo or Group with Vocals | Nominated | ||
Soul Train Music Awards | Best Song of the Year | Nominated | |
Best Video of the Year | Won | ||
Best R&B/Soul Single – Group, Band or Duo | Won | ||
1996 | NAACP Image Awards | Outstanding Music Video | Won |
|
|
Weekly charts
| Year-end charts
Decade-end charts
All-time charts
|
Region | Certification | Certified units/sales |
---|---|---|
Australia (ARIA) [114] | Platinum | 70,000^ |
Canada (Music Canada) [117] | Platinum | 80,000‡ |
Denmark (IFPI Danmark) [118] | Gold | 45,000‡ |
Germany (BVMI) [119] | Gold | 250,000^ |
New Zealand (RMNZ) [120] | Platinum | 10,000* |
Norway (IFPI Norway) [121] | Platinum | |
United Kingdom (BPI) [122] | Platinum | 600,000‡ |
United States (RIAA) [123] | Platinum | 1,200,000 [124] |
* Sales figures based on certification alone. |
Region | Date | Format(s) | Label(s) | Ref. |
---|---|---|---|---|
United States | May 22, 1995 |
| LaFace | [ citation needed ] |
Sweden | July 10, 1995 | CD |
| [125] |
Japan | July 21, 1995 | LaFace | [126] | |
United Kingdom | July 24, 1995 |
|
| [4] |
"Waterfalls" | ||||
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Single by Bette Midler | ||||
from the album It's The Girls! | ||||
Released | January 21, 2015 | |||
Genre | Pop | |||
Length | 3:23 | |||
Label | ||||
Songwriter(s) |
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Producer(s) |
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Bette Midler singles chronology | ||||
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"Waterfalls" was recorded by singer and actress Bette Midler for her fourteenth album, It's The Girls! (2014). The track was made into a ballad and has a much slower tempo and its production is stripped down with a piano and a soft drum beat echoing in the background. Midler's cover does not include the rap part of the song.
British girl band Stooshe recorded “Waterfalls” in November 2012. The band turned the track's rap, performed by Lisa Lopes, into a three-part harmony. A music video was released alongside the recording, which included a cameo from the two surviving members of TLC, Rozonda Thomas and Tionne Watkins. [127] The music video featured Stooshe in a warehouse, standing on the top of a stage made of graffitied scaffolding. A group of modern and breakdancers performed below, acting out the storyline of the lyrics. Coloured water was used during the music video, and was sprayed over the set and dancers during the chorus of the song. Green Screen technology was also used on some of the lower scaffolding, to make it look like the graffiti was moving. [128] Stooshe later “disowned” their cover of Waterfalls, claiming that recording their version of the song wasn’t their decision, and “wasn’t supposed to happen.” [129]
The song was referred to in the film The Other Guys as one of many references to songs by TLC made by one of the characters. Thomas and Watkins rerecorded "Waterfalls" with Japanese pop and R&B singer Namie Amuro in 2013 for the song's twentieth anniversary. [130] The song peaked at No. 12 on Japan's Hot 100 chart. That same year, the song was referred to in the film We're the Millers as Will Poulter performs Lopes's rap. [131] The song also appears in the film's end credits. In 2015, the horror-comedy show Scream Queens featured the song in the pilot and is referred to numerous times in other episodes. It appears in the 2019 Marvel Studios film Captain Marvel , which is set in 1995, [132] and in the 2009 film Couples Retreat . [12]
"MMMBop" is a song written and performed by American pop rock band Hanson. It was released on April 15, 1997 by Mercury Records, as the lead single from their first full-length studio album, Middle of Nowhere (1997). The song is the band's most successful single to date and was nominated for Record of the Year and Best Pop Performance by a Duo or Group with Vocals at the 40th Annual Grammy Awards. "MMMBop" was a major success worldwide, reaching number one in at least 12 countries, including Australia, Canada, Germany, New Zealand, the United Kingdom and the United States. Its music video was directed by Tamra Davis.
"Buddy Holly" is a song by the American rock band Weezer. The song was written by Rivers Cuomo and released by DGC as the second single from the band's debut album, Weezer (1994). The lyrics reference the song's namesake, 1950s rock-and-roll singer Buddy Holly, and actress Mary Tyler Moore. Released on September 7, 1994—which would have been Holly's 58th birthday—the song reached number two on the US Billboard Modern Rock Tracks chart and number 18 on the Billboard Hot 100 Airplay chart. Outside the US, the song peaked at number six in Canada, number 12 in the United Kingdom, number 13 in Iceland, and number 14 in Sweden. The song's music video, which features footage from Happy Days and was directed by Spike Jonze, earned considerable exposure when it was included as a bonus media file in Microsoft's initial successful release of the operating system Windows 95.
"No Rain" is a song by American rock band Blind Melon. It was released in 1993 as the second single from the band's debut album Blind Melon. The song is well known for its accompanying music video, which features the "Bee Girl" character. The music video, directed by Samuel Bayer, received heavy airplay on MTV at the time of its release. It subsequently helped propel Blind Melon to multi-platinum level.
"The Sign" is a song by Swedish group Ace of Base from their first North American studio album, The Sign (1993), and their re-released debut studio album, Happy Nation (1992), titled Happy Nation . The song was released by Arista and Mega as a single in Europe on 1 November 1993 and the US on 14 December 1993. It was written by band member Jonas Berggren, who also produced the song with Denniz Pop and Douglas Carr. "The Sign" is a techno-reggae, Europop, and pop ballad with lyrics describing a couple contemplating the state of their relationship.
"Fantasy" is a song by the American singer-songwriter Mariah Carey. It was released on August 23, 1995, by Columbia Records as the lead single from her fifth album, Daydream (1995). The track was written and produced by Carey and Dave Hall. It samples Tom Tom Club's 1981 song "Genius of Love". The lyrics describe a woman who is in love with a man, and how every time she sees him she starts fantasizing about an impossible relationship with him. The remix for the song features rap verses from Ol' Dirty Bastard, something Carey arranged to assist in her crossover into the hip-hop market and credited for introducing R&B and hip hop collaboration into mainstream pop culture, and for popularizing rap as a featuring act.
No Diggity is a song by American R&B group Blackstreet, serving as the first single from their second studio album, Another Level (1996). Featuring Dr. Dre and Queen Pen, the song was released on July 29, 1996, by Interscope. It reached number one on the US Billboard Hot 100 and topped the charts in Iceland and New Zealand. The song ended "Macarena's" 14-week reign at the top of the Billboard Hot 100. In the United Kingdom, it peaked at number nine. "No Diggity" was the final number-one single of Cash Box magazine. The track sold 1.6 million copies in 1996 and won the 1998 Grammy Award for Best R&B Performance by a Duo or Group with Vocals. It includes samples from Bill Withers's "Grandma's Hands". The music video for the song was directed by Hype Williams.
"No Scrubs" is a song recorded by American girl group TLC as the lead single from their third studio album, FanMail, released on February 2, 1999, by LaFace Records and Arista Records. The song was written by producer Kevin "She'kspere" Briggs, former Xscape members Kandi Burruss and Tameka "Tiny" Cottle, and TLC member Lisa "Left Eye" Lopes. The song lyrics describe the role of a man in a relationship. Rozonda "Chilli" Thomas sings the lead vocals for the first time on a TLC single.
"Creep" is a song recorded by American singing group TLC for their second studio album, CrazySexyCool (1994). Dallas Austin, who tried to write the track from a "female perspective", wrote and produced it. It is based on member Tionne "T-Boz" Watkins's experience with infidelity. The lyrics portray the singers as women who cheat on their unfaithful lovers for "some affection". This context was controversial within the group, and strongly opposed by member Lisa "Left Eye" Lopes, who threatened to wear black tape over her mouth on its accompanying music video.
"Here Comes the Hotstepper" is a song co-written and recorded by Jamaican dancehall artist Ini Kamoze. It was released in 1994 by Columbia Records as the lead single from his 1995 album of the same name as well as the soundtrack to the film Prêt-à-Porter. It is known for its "naaaa na na na naaaa..." chorus inspired by the Cannibal and the Headhunters version of "Land of 1000 Dances".
"Believe" is a song by the American singer Cher, from her 22nd studio album, Believe (1998). It was released as the lead single on October 19, 1998, by Warner Bros. Records. After circulating for months, a demo written by Brian Higgins, Matthew Gray, Stuart McLennen and Timothy Powell, was submitted to Warner's chairman, Rob Dickins, while he was scouting for songs to include on Cher's new album. Aside from the chorus, Dickins was not impressed by the track so he enlisted two more writers, Steve Torch and Paul Barry to complete it. Cher contributed some lyrics but received no songwriting credit. Recording took place at Dreamhouse Studio in West London, while production was handled by Mark Taylor and Brian Rawling.
"One Headlight" is a song by American rock band the Wallflowers. The song was written by lead singer Jakob Dylan, and produced by T Bone Burnett. It was released in January 1997 as the second single from the band's second studio album, Bringing Down the Horse (1996).
"Unpretty" is a song by American group TLC, released on May 17, 1999, through LaFace and Arista Records as the second single from the band's third studio album, FanMail. It was written by Tionne "T-Boz" Watkins and producer Dallas Austin. Watkins had written a poem to express her disgust over an episode of Ricki Lake, and Austin helped her adapt it into the song.
"Fade into You" is a song by American alternative rock band Mazzy Star from their second studio album, So Tonight That I Might See (1993). The song was written by lyricist Hope Sandoval and composer David Roback, who also served as producer. The song reached number three on the US Billboard Modern Rock Tracks chart in 1994 and is Mazzy Star's only single to appear on the Billboard Hot 100, peaking at number 44. The song also charted at number 48 on the UK Singles Chart and number three in Iceland.
"Twisted" is a song by American singer Keith Sweat, released as a single in June 1996. It was the first song released from his self-titled fifth album. R&B group Kut Klose and remix rapper Pretty Russ are also featured on the song. The radio version of "Twisted" omits Pretty Russ' rap before the final chorus, though some urban stations kept the rap verse. A second mix of the song, referred to as the Flavahood Sexual remix, features a different backbeat sampled from Marvin Gaye's song "Sexual Healing". "Flavahood" also saw significant airplay on radio but was never released on an album.
"Water Runs Dry" is a song by American vocal harmony group Boyz II Men, written and produced by Babyface. The single, the fourth released from the album II, reached number two in the United States and number four in Canada. It also contains a version of the group's previous number one hit from the same album, "I'll Make Love to You". A Spanish version, "No dejemos que muera el amor", was also recorded and peaked at number 10 on the US Latin Pop Airplay chart.
"Barely Breathing" is a song by American singer-songwriter Duncan Sheik from his eponymous debut studio album (1996). It was released as the lead single from the album on May 3, 1996, by Atlantic Records. Sheik is the sole writer of the song, while production was helmed by Rupert Hine. The song became a chart hit in North America in early 1997, receiving several accolades in the years following its release.
"Red Light Special" is a song by American vocal girl group TLC for their second studio album, CrazySexyCool (1994). Written and produced by Babyface, LaFace and Arista Records released the song as the second single from the album on February 17, 1995. The song achieved chart success, reaching number one on the US Billboard Top 40/Rhythm-Crossover chart and number two on the Billboard Hot 100 chart. Matthew Rolston filmed its music video, which features the group performing in a brothel.
"Diggin' on You" is a song by American girl group TLC, from the group's second studio album, CrazySexyCool (1994). The song was written and produced by Babyface. It was released by LaFace and Arista Records on October 10, 1995, as the fourth and final single from their album. A pop ballad, the song consists of a guitar, synthesizer and drum machine. The lyrics depict a relationship between a male and female during a summer afternoon.
"You Were Meant for Me" is a song by the American singer-songwriter Jewel, released on her first album, Pieces of You (1995). It was written by Jewel and Steve Poltz. It describes a failed relationship and the narrator's inadequate attempts at moving on with her life.
"Nobody Knows" is a song by R&B singer Tony Rich from his 1996 debut album, Words. Released as his debut single on November 7, 1995, the song peaked at number two on both the Billboard Hot 100 and Billboard Hot Adult Contemporary Tracks charts. It also became a hit in several other countries, topping the Irish Singles Chart and reaching number two in Australia and Canada, number four in the United Kingdom, and the top 20 in the Netherlands, New Zealand, and Sweden. Rich received a nomination for the 1997 Grammy Award for Best Male Pop Vocal Performance.
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