"The Message" | ||||
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Single by Grandmaster Flash and the Furious Five | ||||
from the album The Message | ||||
B-side | "The Message" (instrumental) | |||
Released | July 1, 1982 | |||
Recorded | 1982 | |||
Studio | Sweet Mountain (Englewood, New Jersey) | |||
Genre | ||||
Length | 7:10 | |||
Label | Sugar Hill | |||
Songwriter(s) | ||||
Producer(s) | ||||
Grandmaster Flash and the Furious Five singles chronology | ||||
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Music video | ||||
"The Message" on YouTube |
"The Message" is a song by Grandmaster Flash and the Furious Five. It was released as a single by Sugar Hill Records on July 1, 1982, and was later featured on the group's debut studio album of the same name. The song was first written in 1980 by rappers Duke Bootee and Melle Mel in response to the 1980 New York City transit strike, which is mentioned in the song's lyrics. [3]
"The Message" was an early prominent hip hop song to provide social commentary. The song's lyrics describe the stress of inner-city poverty. In the final verses a child born in the ghetto without prospects in life is lured away into a life of crime, for which he is jailed until he commits suicide in his cell. [4] The song ends with a brief skit in which the band members are arrested by white cops for no clear reason. [3]
"The Message" took rap music from the house parties of its origin to the social platforms later developed by groups like Public Enemy and KRS-One. [5] Melle Mel said in an interview with NPR: "Our group, like Flash and the Furious Five, we didn't actually want to do 'The Message' because we was used to doing party raps and boasting how good we are and all that." [6]
The song was ranked as number 1 "Track of the Year" for 1982 by NME . [7]
Rolling Stone ranked "The Message" #51 in its List of Rolling Stone's 500 Greatest Songs of All Time, (9 December 2004). It had the highest position for any 1980s release and was the highest ranking hip-hop song on the list. In 2012 it was named the greatest hip-hop song of all time. [8]
It was voted #3 on About.com's Top 100 Rap Songs, after Common's "I Used to Love H.E.R." and The Sugarhill Gang's "Rapper's Delight". [9]
In 2002, its first year of archival, it was one of 50 recordings chosen by the Library of Congress to be added to the National Recording Registry, [10] the first hip hop recording ever to receive this honor.
"The Message" was number 5 on VH1's 100 Greatest Songs of Hip Hop.
"The Message" is number 1 on HipHopGoldenAge's Top 100 Hip Hop Songs of the 1980s". [11]
It was featured as in-game radio music for the video game Grand Theft Auto: Vice City [12] and on the video game Fuser .
This section is written like a personal reflection, personal essay, or argumentative essay that states a Wikipedia editor's personal feelings or presents an original argument about a topic.(February 2020) |
Dan Cairns of The Sunday Times has described "The Message"'s musical innovation: "Where it was inarguably innovative, was in slowing the beat right down, and opening up space in the instrumentation—the music isn't so much hip-hop as noirish, nightmarish slow-funk, stifling and claustrophobic, with electro, dub and disco also jostling for room in the genre mix—and thereby letting the lyrics speak loud and clear". Not only does the song utilize an ingenious mix of musical genres to great effect, but it also allows the slow and pulsating beat to take a backseat to the stark and haunting lyrical content. [13]
Writing in The Boston Phoenix , Sally Cragin said that the "ominous descending bassline echoes the mood—detached, preoccupied, persistent—and Flash's refrain pinpoints his perilous, repressed rage." [14]
In addition to being widely regarded as an all-time rap anthem, "The Message" has been credited by many critics as the song that catapulted emcees from the background to the forefront of hip hop. The focus was thus shifted from the grandmaster mixing and scratching to the thoughts and lyrics of the emcee. David Hickley wrote in 2004 that "The Message" also crystallized a critical shift within rap itself. It confirmed that emcees, or rappers, had vaulted past the deejays as the stars of the music". [15] In 2022, it was included in the list "The story of NME in 70 (mostly) seminal songs", at number 20: Mark Beaumont wrote that with this song, "the invigorating grooves of this early breakout rap hit laid the foundations for the [...] hip-hop wars to come". [16]
Chart (1982–83) | Peak position |
---|---|
Australia (Kent Music Report) [17] | 21 |
Austria (Ö3 Austria Top 40) [18] | 9 |
Dutch Singles Chart [19] | 10 |
France (IFOP) [20] | 87 |
New Zealand Singles Chart [21] | 2 |
Swiss Singles Chart [22] | 11 |
UK Singles Chart [23] | 8 |
U.S. Billboard Hot 100 [24] | 62 |
U.S. Billboard Hot Black Singles [25] | 4 |
U.S. Billboard Hot Dance Club Play [26] | 12 |
Chart (1983) | Position |
---|---|
Australia (Kent Music Report) [17] | 85 |
The rhythm track has been sampled in various hip hop songs, including Sinbad's 1990 comedy song "Brain Damaged", the remix for the 1993 song "Check Yo Self" by Ice Cube, [27] the 1997 song "Can't Nobody Hold Me Down" by Puff Daddy, [28] the 2011 song "Teen Pregnancy" by Blank Banshee, and the 2022 song "Players" by Coi Leray. [29]
On the DVD The Genesis Songbook, the band and producer Hugh Padgham revealed that the inspiration for Phill Collins' menacing laugh on their 1983 song Mama came from rap music pioneer Grandmaster Flash's song "The Message".
The refrain beginning with "Don't push me 'cuz I'm close to the edge" was referenced in the animated movie Happy Feet .
A line from the song was sampled in "Movement in Still Life" by BT, the title track from his 1999 album Movement in Still Life . [30]
In 2005, a mural inspired by "The Message" was painted in the Newtown neighbourhood of Sydney, Australia by artist Colin Bebe. "It's Like a Jungle Sometimes" depicts the streets of Newtown as a literal jungle, with animals roaming the streets and swinging from poles, as a commentary on the artist's mental health and struggle with suicideality. In September 2017, street art-based advertising agency Apparition Media painted over it with a mural promoting the film Mother! , featuring a giant portrait of Jennifer Lawrence and the caption "#mothermovie." [31] Much public outrage followed, as the mural had become much-loved in the community. Within hours, it had been graffitied by someone who added: "Fuck off! It really is a jungle sometimes. No respect!" [32] Apparition Media apologised and word of the incident also reached Mother!'s director, Darren Aronofsky, who tweeted that he was "embarrassed and furious" and would pay for the mural to be restored. It was restored in December 2017. [33]
A reference to the lyrics was included in the song Cabinet Battle #1 from the 2015 musical Hamilton. [34]
In 2007, the 25th anniversary of "The Message", Melle Mel changed the spelling of his first name to Mele Mel and released "M3 - The New Message" as the first single to his first ever solo album, Muscles. 2007 was also the year that Grandmaster Flash and the Furious Five became the first hip-hop act ever to be inducted into the Rock and Roll Hall of Fame. [35]
A Swedish translation/adaptation of the song, "Budskapet", was released by Timbuktu in May 2013, following the riots in Husby and other suburbs of Stockholm. [36] [37] [38]
Old-school hip hop is the earliest commercially recorded hip hop music and the original style of the genre. It typically refers to the music created around 1979 to 1983, as well as any hip hop that does not adhere to contemporary styles.
Sylvia Robinson, known mononymously as Sylvia, was an American singer and record producer. Robinson achieved success as a performer on two R&B chart toppers: as half of Mickey & Sylvia with the 1957 single "Love Is Strange", and her solo record "Pillow Talk" in 1973. She later became known for her work as founder and CEO of the pioneering hip hop label Sugar Hill Records.
Melvin Glover, better known by his stage name Grandmaster Melle Mel or simply Melle Mel, is an American rapper who was the lead vocalist and songwriter of Grandmaster Flash and the Furious Five.
Nathaniel Glover, also known as Nate or Danny Glover and better known by the stage name Kidd Creole, is a former American hip hop recording artist. He was a member of the pioneering old school hip hop group Grandmaster Flash & the Furious Five with his brother Melle Mel. In August 2017, Glover stabbed a homeless man to death in an altercation in Manhattan in New York City. In May 2022, he was sentenced to 16 years in prison for manslaughter.
Clifton "Jiggs" Chase is an American musician, composer, and influential record producer from New Jersey, United States. One of the earliest known recordings is his organ playing on the 1967 Buddy Terry recording Natural Soul, alongside Woody Shaw.
Grandmaster Flash and the Furious Five were an American hip hop group formed in the South Bronx of New York City in 1978. The group's members were Grandmaster Flash, Kidd Creole, Keef Cowboy, Melle Mel, Scorpio, and Rahiem. The group's use of turntablism, breakbeat DJing, and conscious lyricism were significant in the early development of hip hop music.
The Message is the debut studio album by American hip hop group Grandmaster Flash and the Furious Five, released on October 3, 1982 by Sugar Hill Records. It features the influential title track and hip hop single "The Message".
"White Lines (Don't Don't Do It)" is a song by American hip hop recording artist Melle Mel, released as a 12" in 1983 on Sugar Hill Records. The song, which warns against the dangers of cocaine, addiction, and drug smuggling, is one of Melle Mel's signature tracks. It was written by him with Sylvia Robinson. The bassline is taken from a performance of the Sugar Hill house band (featuring bassist Doug Wimbish) covering "Cavern", a single by the New York City band Liquid Liquid.
On the Strength is the second and final studio album by Grandmaster Flash and the Furious Five. Released in 1988, it was the full line-up's last album together. Although contributing to the album itself, Cowboy was not present for the album or single photo shoots.
"The Adventures of Grandmaster Flash on the Wheels of Steel" is a single released by American disc jockey Grandmaster Flash in 1981. It is a live DJ mix recording of Flash scratching and mixing records from various groups using three turntables. The musician employed several DJ techniques in the recording, including crossfading, cutting, rubbing and backspins.
Herein is the discography of the American hip hop group Grandmaster Flash and the Furious Five. Additional info can be found on the separate Grandmaster Flash and Melle Mel entries.
Joseph Robert Saddler, known by his stage name Grandmaster Flash, is an American musician and DJ. He created a DJ technique called the Quick Mix Theory. This technique serviced the break-dancer and the rapper by elongating the drum breaks through the use of duplicate copies of vinyl. This technique gave birth to cutting and scratching. It also gave rappers better music with a seamless elongated bed of beats to speak on. He also invented the slipmat.
Grandmaster Flash, Melle Mel and the Furious Five: The Definitive Groove Collection is a double CD compilation album by Grandmaster Flash and the Furious Five released in 2006 on Rhino Records. It contains original full-length tracks by the various versions of both Grandmaster Flash and Grandmaster Melle Mel.
Adventures on the Wheels of Steel is a 3CD compilation album by Grandmaster Flash and the Furious Five and Grandmaster Melle Mel. It was released in 1999 on the Castle Music label and is a boxed set containing three CDs in slimline jewel cases together with a fold out insert.
Message from Beat Street: The Best of Grandmaster Flash, Melle Mel & the Furious Five is a 1994 CD compilation album released on the Rhino Entertainment record label in the US. It consists of tracks recorded by the various versions of Grandmaster Flash and the Furious Five and Grandmaster Melle Mel. No tracks from the three Grandmaster Flash albums on Elektra Records are included or anything from the 1988 comeback album On the Strength.
Edward Gernel Fletcher, known by his stage name Duke Bootee, was an American record producer and rapper.
The Essential is a 2CD slipcased compilation album by Grandmaster Flash and the Furious Five. It was released in 2007 on the Union Square Music label. Although titled to Grandmaster Flash alone, it does not contain any tracks from Flash's later Elektra Records albums and mainly features tracks from The Message era and subsequent singles. The eight-page booklet contains a brief October 2006 essay by Quinton Scott and features pictures of Flash from the photo session originally used for his Essential Mix: Classic Edition album.
Robert Keith Wiggins, known by his stage names Keef Cowboy and Cowboy was an American rapper and a member of Grandmaster Flash and the Furious Five. He is widely credited as having invented the term "hip hop".
The following is a list of albums released by now-defunct hip-hop record label Sugar Hill Records.
The Sugar Hill Records Story is a 1997 compilation album compiling singles released by the Sugar Hill Records label. It was released by Rhino Records who had purchased the North American rights to the labels catalogue in 1995. On its release, it received positive reviews from Vibe, Spin and AllMusic.
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