Grandmaster Flash | |
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Background information | |
Birth name | Joseph Robert Saddler [1] |
Born | Bridgetown, Barbados [2] | January 1, 1958
Origin | The Bronx, New York City, U.S. |
Genres | |
Occupations |
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Years active | 1978–present |
Labels | |
Formerly of | Grandmaster Flash and the Furious Five |
Spouses | Brittany Williams (m. 1999;died 2015)Brittany Silver (m. 2018;div. 2021) |
Website | grandmasterflash |
Joseph Robert Saddler (born January 1, 1958), known by his stage name Grandmaster Flash, is an American musician and DJ. He created a DJ technique called the Quick Mix Theory. [3] [4] This technique serviced the break-dancer and the rapper by elongating the drum breaks through the use of duplicate copies of vinyl. This technique gave birth to cutting and scratching. It also gave rappers better music with a seamless elongated bed of beats to speak on. [5] He also invented the slipmat. [6]
He is the founder and creator of Grandmaster Flash and the Furious Five, the first rap group to be inducted into the Rock and Roll Hall of Fame in 2007. [7] [8] In 2019 he became the first hip hop artist to be honoured with the Polar Music Prize. [9] On May 21, 2022, he acquired an honorary doctorate in Fine Arts from Buffalo State University. On June 1, 2023, he was awarded an honorary doctorate in music from Lehman College in the Bronx, NY. On August 4, Grandmaster was issued a proclamation from the city of New York stating that August 4th is Grandmaster Flash Day.
Saddler's family immigrated to the United States from Barbados. He was raised in the Bronx, New York City, where he attended Samuel Gompers High School, a public vocational school. There, he learned how to repair electronic equipment. [8] Saddler's parents played an important role in his interest in music. His father was a fan of Caribbean and African American recordings. [10]
During his childhood, Joseph Saddler was fascinated by his father's record collection. In an interview, he reflected: "My father was a very heavy record collector.... I used to open his closets and just watch all the records he had. I used to get into trouble for touching his records, but I'd go right back and bother them." [10] Saddler's early interest in DJing came from this fascination with his father's record collection as well as his mother's desire for him to educate himself in electronics. [11] After high school, he became involved in the earliest New York DJ scene, attending parties set up by early luminaries like DJ Kool Herc and Disco King Mario.
Saddler's uncle Sandy Saddler was a featherweight boxing champion.
Grandmaster Flash observed the styles of the smooth transitions of a disco DJ versus the non-fluid non-BPM-matched transitions of early DJing. He chose to complete his studies with the former. Grandmaster Flash came up with a fingertip-to-vinyl and crossfader technique called the Quick Mix Theory. In doing this, he figured out a mathematical way to cut, paste, repeat, and extend a very minuscule piece of an existing composition. [5] This innovation took place in two places in the Bronx. The first location was his parents' house, 2730 Dewey Ave in the Throggs Neck Projects of the Bronx. The completion of the Quik Mix Theory was done at 927 Fox Street in the Hunts Point Area of the Bronx.
The Quick Mix Theory gave birth to techniques such as cutting, scratching, and transforming.
In addition to Grandmaster Flash's on-time BPM-perfected technique, additional items were needed to pull this off. These items were felt and wax paper. [12] The combination of these two materials cut into the size of a record and placed on the turntable (at that time referred to as a "wafer") allowed the record to move fluidly. The end result of that was the creation of what we today call the slipmat. [13] Another item that played a key role in the successful implementation of the quick mix theory is the needle/stylus.
He realized that the stylus came in two classes: elliptical, which sounded better but would not stay in the groove, and spherical. The spherical needle, although making the song sound worse, would stay inside the groove. This, in turn, allowed Flash to turn the vinyl counterclockwise to re-arrive at the top of the break. [12]
Grandmaster Flash played parties and collaborated with rappers such as Kurtis Blow and Lovebug Starski. In the late 1970s, he formed his own group. The original lineup consisted of Cowboy (Keef Cowboy), Melle Mel (Melvin Glover), and Kidd Creole (Nathaniel Glover), and the ensemble went by the name "Grandmaster Flash & the 3 MCs". Cowboy created the term hip hop . [15] [16] He created the term while teasing a friend who had just joined the U.S. Army, by scat singing the words "hip/hop/hip/hop" in a way that mimicked the rhythmic cadence of soldiers marching. [15] [16] [17] Cowboy later worked the "hip hop" cadence into a part of his stage performance. [15] [16] [18]
Mel was the first rapper to call himself "MC" (Master of Ceremony). Two other rappers briefly joined, but they were replaced more permanently by Rahiem (Guy Todd Williams, previously in the Funky Four) and Scorpio (Eddie Morris, a.k.a. Mr. Ness) to make Grandmaster Flash and the Furious Five. Quickly gaining recognition for their skillful raps, Grandmaster Flash and the Furious Five pioneered MCing and freestyle battles. Some of the staple phrases in MCing have their origins in the early shows and recordings of the group. In 1978, the new group began performing regularly at Disco Fever in the Bronx, one of the first times a hip-hop group was given a weekly gig at a well-known venue. [19]
Grandmaster Flash and the Furious Five were signed to Bobby Robinson's Enjoy Records and in 1979 released their first single, "Superrappin'".
In 1980 they signed to Sugar Hill Records and began touring and releasing numerous singles. The seminal "The Adventures of Grandmaster Flash on the Wheels of Steel", released in 1981, is a 7-minute solo showcase of Grandmaster Flash's virtuosic turntable skills, combining elements of Blondie's "Rapture", Michael Viner's Incredible Bongo Band's "Apache", Queen's "Another One Bites the Dust", Chic's "Good Times", and the group's own "Freedom". It is also the first documented appearance of scratching on a record. That year, the group opened for The Clash and were poorly received by an audience unaccustomed to the new style. [20] The group's most significant hit was the electro rap song "The Message" (1982), which was produced by in-house Sugar Hill producer Clifton "Jiggs" Chase and featured session musician Duke Bootee. Unlike earlier rap tunes, "The Message" featured a grim narrative about inner city violence, drugs, and poverty. [21] In 2002, it was one of 50 recordings chosen by the Library of Congress to be added to the National Recording Registry, the first hip hop recording to receive this honor. Critics praised the song's social awareness, calling the chorus "a slow chant seething with desperation and fury." [22]
Other than Melle Mel, no members of the group actually appear in the song. Rahiem lip-synced Duke Bootee's vocal in the music video. The same year, Grandmaster Flash appeared in the movie "Wild Style" and sued Sugar Hill over the non-payment of royalties. Tensions mounted as "The Message" gained in popularity, eventually leading to a rupture between Melle Mel and Grandmaster Flash. Soon the group disintegrated entirely. Grandmaster Flash, Kidd Creole, and Rahiem left Sugar Hill, signed with Elektra Records, and continued on as simply "Grandmaster Flash", while Melle Mel and the others continued on as "Grandmaster Melle Mel & the Furious Five".
Grandmaster Flash was also interviewed in the 1986 cult documentary Big Fun in the Big Town . [23]
Although frequently credited on the records, Grandmaster Flash does not actually appear on "The Message", "Freedom", or many of the other Furious Five songs. [14] Although Grandmaster Flash provided the central element of the group's sound when performing live (in addition to giving the group its name), there was little room for his turntablism in early singles driven by the grooves of live session musicians. Grandmaster Flash and the Furious Five reformed in 1987 for a charity concert, and in 1988 they released a new album. The group reunited again in 1994, although Cowboy died in 1989.
In 1999, Grandmaster Flash recorded with DJ Tomekk and Flavor Flav the single "1, 2, 3, ... Rhymes Galore". The single stayed for 17 weeks in the TOP ten of the German charts. [24]
In 2008, he released a memoir, The Adventures of Grandmaster Flash: My Life, My Beats, [25] in which he talks about the origins of his fascination with scratching records and creating new beats. From a young age, Flash talks about how he would sneak into his father's record room to watch the record player spin, and then get punished for touching the records. He found inspiration even from things not associated with music. The spokes of his bicycle caused an interest in how record players create music just by rotating a grooved disc. Flash continued to experiment by taking apart any machine he could get his hands on to figure out how it worked. His early work shows the innovative ways in which his artistic abilities led to what is considered the first evolution of hip hop culture. [26]
He hosted a weekly show on Sirius Satellite Radio (Friday Night Fire with Grandmaster Flash) and was presented with the BET "I Am Hip Hop Icon" award in 2006. [27]
Grandmaster Flash and the Furious Five were the first hip-hop/rap group inducted into the Rock & Roll Hall of Fame on March 12, 2007, by Jay-Z. [28] In 2008, he remixed the single "Into the Galaxy" by the Australian group, Midnight Juggernauts. [4]
It has been said that "his pioneering mixing skills transformed the turntable into a true 'instrument', and his ability to get a crowd moving has made his DJ sets legendary." [29]
Grandmaster Flash appears in the video game DJ Hero as a playable character along with original mixes created for the game. [30]
In December 2011, Grandmaster Flash was reported to be at work on his 12th album. [31]
Aired in 2016, the Netflix original series The Get Down features a version of Grandmaster Flash that is played by Mamoudou Athie. The series takes place in 1977 New York City and follows the genesis of the DJing, B-boying, graffiti, and emceeing, the four element cultures of hip-hop. After the premiere of The Get Down , Netflix premiered Hip-Hop Evolution , a music documentary discussing the history of hip hop in which Grandmaster Flash talks about the evolution of his art.
In 2023, Grandmaster Flash competed in season nine of The Masked Singer as "Polar Bear". He was eliminated on "New York Night". As part of his encore, some DJ equipment was brought out so that Grandmaster Flash can scratch along to Chic's "Good Times".
Album information |
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The Message
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Greatest Messages
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They Said It Couldn't Be Done
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The Source
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Ba-Dop-Boom-Bang
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On the Strength
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Salsoul Jam 2000
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Flash Is Back
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The Official Adventures of Grandmaster Flash
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Essential Mix: Classic Edition
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The Bridge (Concept of a Culture)
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Grammys
Global Spin Awards
RIAA
Honorary Doctorates Degree
This section needs expansion. You can help by adding to it. (May 2024) |
Year | Title | Role | Notes |
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2001 | Scratch | Himself | (archive footage) (as Grand Master Flash) |
Old-school hip hop is the earliest commercially recorded hip hop music and the original style of the genre. It typically refers to the music created around 1979 to 1983, as well as any hip hop that does not adhere to contemporary styles.
The new school of hip hop was a movement in hip hop music, beginning in 1983–84 with the early records of Run–D.M.C., Whodini, and LL Cool J. Predominantly from Queens and Brooklyn, it was characterized by Drum Machine-led minimalism, often tinged with elements of Rock; rapped taunts, boasts, and socio-political commentary; and aggressive, self-assertive delivery. In song and image, its artists projected a tough, cool, street B-boy attitude. These elements contrasted sharply with Funk and Disco, Novelty hits, live bands, synthesizers, and party rhymes of artists prevalent in the early 1980s. Compared to their older hip hop counterparts, new school artists crafted more cohesive LPs and shorter songs more amenable to airplay. By 1986, their releases began to establish hip hop in the mainstream.
Theodore Livingston, better known as Grand Wizzard Theodore, is an American musician and DJ. He is widely credited as the inventor of the scratching technique. In addition to scratching, he gained credibility for his mastery of needle drops and other techniques which he invented or perfected.
Scratching, sometimes referred to as scrubbing, is a DJ and turntablist technique of moving a vinyl record back and forth on a turntable to produce percussive or rhythmic sounds. A crossfader on a DJ mixer may be used to fade between two records simultaneously.
Turntablism is the art of manipulating sounds and creating new music, sound effects, mixes and other creative sounds and beats, typically by using two or more turntables and a cross fader-equipped DJ mixer. The mixer is plugged into a PA system or broadcasting equipment so that a wider audience can hear the turntablist's music. Turntablists typically manipulate records on a turntable by moving the record with their hand to cue the stylus to exact points on a record, and by touching or moving the platter or record to stop, slow down, speed up or, spin the record backwards, or moving the turntable platter back and forth, all while using a DJ mixer's cross-fader control and the mixer's gain and equalization controls to adjust the sound and level of each turntable. Turntablists typically use two or more turntables and headphones to cue up desired start points on different records.
Beat Street is a 1984 American dance drama film featuring New York City hip hop culture of the early 1980s. Set in the South Bronx, the film follows the lives of a pair of brothers and their group of friends, all of whom are devoted to various elements of early hip hop culture, including breakdancing, DJing and graffiti.
A slipmat is a circular piece of slippery cloth or synthetic materials disk jockeys place on the turntable platter instead of the traditional rubber mat.
Maxwell Dixon, known professionally as Grand Puba, is an American rapper and record producer, best known as a member of Brand Nubian from New Rochelle, New York. He was formerly a member of Masters of Ceremony.
Melvin Glover, better known by his stage name Grandmaster Melle Mel or simply Melle Mel, is an American rapper who was the lead vocalist and songwriter of Grandmaster Flash and the Furious Five.
Nathaniel Glover, also known as Nate or Danny Glover and better known by the stage name Kidd Creole, is a former American hip hop recording artist. He was a member of the pioneering old school hip hop group Grandmaster Flash & the Furious Five with his brother Melle Mel. In August 2017, Glover stabbed a homeless man to death in an altercation in Manhattan in New York City. In May 2022, he was sentenced to 16 years in prison for manslaughter.
Grandmaster Flash and the Furious Five were an American hip hop group formed in the South Bronx of New York City in 1978. The group's members were Grandmaster Flash, Kidd Creole, Keef Cowboy, Melle Mel, Scorpio, and Rahiem. The group's use of turntablism, breakbeat DJing, and conscious lyricism were significant in the early development of hip hop music.
The Message is the debut studio album by American hip hop group Grandmaster Flash and the Furious Five, released on October 3, 1982, by Sugar Hill Records. It features the influential title track and hip hop single "The Message".
"The Message" is a song by Grandmaster Flash and the Furious Five. It was released as a single by Sugar Hill Records on July 1, 1982, and was later featured on the group's debut studio album of the same name. The song was first written in 1980 by rappers Duke Bootee and Melle Mel in response to the 1980 New York City transit strike, which is mentioned in the song's lyrics.
"White Lines (Don't Don't Do It)" is a song by American hip hop recording artist Melle Mel, released as a 12" in 1983 on Sugar Hill Records. The song, which warns against the dangers of cocaine, addiction, and drug smuggling, is one of Melle Mel's signature tracks. It was written by him with Sylvia Robinson. The bassline is taken from a performance of the Sugar Hill house band (featuring bassist Doug Wimbish) covering "Cavern", a single by the New York City band Liquid Liquid.
"The Adventures of Grandmaster Flash on the Wheels of Steel" is a single released by American disc jockey Grandmaster Flash in 1981. It is a live DJ mix recording of Flash scratching and mixing records from various groups using three turntables. The musician employed several DJ techniques in the recording, including crossfading, cutting, rubbing and backspins.
Clive Campbell, better known by his stage name DJ Kool Herc, is a Jamaican American DJ who is credited with being one of the founders of hip hop music in the Bronx, New York City, in 1973. Nicknamed the Father of Hip-Hop, Campbell began playing hard funk records of the sort typified by James Brown. Campbell began to isolate the instrumental portion of the record which emphasized the drum beat—the "break"—and switch from one break to another. Using the same two-turntable set-up of disco DJs, he used two copies of the same record to elongate the break. This breakbeat DJing, using funky drum solos, formed the basis of hip hop music. Campbell's announcements and exhortations to dancers helped lead to the syncopated, rhythmically spoken accompaniment now known as rapping.
Grandmaster Melle Mel and the Furious Five was released in 1984 by Sugarhill Records after the split between Grandmaster Flash and Melle Mel. For this album, Melle Mel kept the group name 'the Furious Five' and used the title 'Grandmaster'. Rappers Cowboy and Scorpio left with Melle Mel although Mel's brother The Kidd Creole and Rahiem remained with Flash. New rappers King Lou, Kami Kaze, and Tommy Gunn joined, as did Flash's best friend E. Z. Mike as DJ.
Edward Gernel Fletcher, known by his stage name Duke Bootee, was an American record producer and rapper.
Robert Keith Wiggins, known by his stage names Keef Cowboy and Cowboy was an American rapper and a member of Grandmaster Flash and the Furious Five. He is widely credited as having invented the term "hip hop".
The Sugar Hill Records Story is a 1997 compilation album compiling singles released by the Sugar Hill Records label. It was released by Rhino Records who had purchased the North American rights to the labels catalogue in 1995. On its release, it received positive reviews from Vibe, Spin and AllMusic.