Scratch (2001 film)

Last updated
Scratch
Scratchposter.jpg
Promotional movie poster
Directed by Doug Pray
Produced byBrad Blondheim, Ernest Meza, Heidi Rataj
Starring
CinematographyRobert Bennett
Edited byDoug Pray
Distributed by Palm Pictures
Release date
2001
Running time
92 min.
CountryUnited States
LanguageEnglish

Scratch is a 2001 documentary film, directed and edited by Doug Pray. [1] The film explores the world of the hip-hop DJ from the birth of hip-hop when pioneering DJs began extending breaks on records, to the invention of scratching and beat juggling, to the more recent explosion of turntablism. Throughout the documentary, many artists explain how they were introduced to hip-hop while providing stories of their personal experiences. [2]

Contents

Content

Elements

In the first chapter, Grand Wizard Theodore explains the differences between rap and hip-hop, which are often confused. He explains that graffiti, breakdancing, DJing, MCing, and the way you talk and dress are all elements of hip-hop.

Afrika Bambaataa presents a neighborhood in the Bronx which used to be called "the house of hip-hop" where violence and gangs were common. After a trip to Africa, he created what is known as the Universal Zulu Nation, a group of socially and politically aware rappers, B-boys, graffiti artists and other people involved in hip-hop culture.

The importance of the DJ is shown by how he or she selects and controls the music with respect to the audience's needs. The relation and differences between DJs and MCs are explained, going through their roles in the music industry.

Artists such as DJ Jazzy Jay, Grand Mixer DXT, Almighty K.G., Kevie Kev, Dot A Rock, and Steinski explain the beginning of hip-hop and its evolution since the 1970s. Concerts of breakdance and DJ performances are shown such as The Herculords, Electronic Boogaloos, Original Graffiti Rock, "Wild Style" 1982 with Busy Bee & Grand Wizard Theodore and Grand Master Flash.

Rockit

In the second chapter, Mix Master Mike shares his first experience with scratch through the 1984 Grammy Awards with Herbie Hancock & Grand Mixer DXT. This is the evolution of a new hip-hop transmitted from DJs to DJs.

DJ QBert explains how turntables function, describing each part. He compares it to "talking". When Mix Master Mike scratched with DJ QBert, they used their scratching to communicate together. They describe it as an art and a form of intelligence. Other artists describe the popularity it had in the 1980s amongst youth at parties and battles. Many of them achieved fame through their talent in battles. Some of them made the existence of the DJ without the MC possible. This chapter features DJ Marz, DJ Eddie Def, DJ Cue, DJ Quest (Bullet Proof Space Travelors), Billy Jam, Dave Paul, DJ Relm, DJ Flare, DJ Shadow, Apollo, and Rob Swift (X-ecutioners).

Turntablism

This section describes the beginning of turntablism, which involves the manipulation of the turntable. DJ Babu was the first to describe this method using this term. He believes that the turntable can be a musical instrument “as long as you see it as [one].” Babu explains that turntables have notes, measures, different beats, timing, and rhythms. An interview with John Carluccio presents the method used to communicate compositions by transcribing scratching onto paper.

Battling

Battling became popular as a result of Steve Dee’s attitude that there is always room for improvement. Various DJs are shown commenting about the competitiveness of the industry especially now that there are competitions, such as the Disco Mix Club where DJs have six minutes to showcase their skills and abilities. Each competitor works on their set and practices their routine for months beforehand.

DJs with MCs

Scratching, like each of these elements, draws from all the others. By definition, scratching does not stand still. As Steve Dee puts it, "Hip-hop is asking you a question, and that question is, what are you going to do?" Discussing the ways that battling shapes his art and profession, Dee confesses, "I'm competitive. If it's drawing a straight line, I wanna draw the straightest line."

Digging

This concept of competition does not keep turntablists apart. Rather, they make a point of working together, sharing ideas, encouraging one another, and going on record "digging" jaunts. DJ Shadow leads the camera through a basement so stuffed with records that he can barely walk through, calling it "my little nirvana". Several scenes show artists playing with one another: Mix Master Mike and DJ Qbert; Shadow and Cut Chemist working with Steinski; and Jurassic 5 with Cut Chemist and DJ Nu-Mark.

Making beats

The fifth chapter of the film explores the art of producing beats and examines the future of the DJ industry. DJ Premier describes the evolution of beat-making throughout the past 30 years and his life as a record producer. DJ Swamp from The Allies explains some of the beats that he has put together and describes how many artists have begun playing vinyls that are made specifically for turntablist and battle DJs.

Doug Pray then goes to the 2000 NAMM Show in Los Angeles, California. There they conduct a series of interviews that mostly aim at describing the optimistic future of the industry.

The chapter closes by describing the influence that the Invisibl Skratch Piklz has had on the industry.

Full circle

The final chapter of the film reviews the goals and aspirations of some of the most recognized DJs in the industry and what they hope to achieve via the distribution of their music. DJ QBert explains his understanding of the interconnectedness of the human race and how his “destiny” is to better the lives of others through his music. Grand Mixer DXT describes how good he feels about being the role model of so many DJs. Mix Master Mike states that his goal is to show the world that there’s “something really cool out there, you know, something different.” The film ends with Z-Trip and Cut Chemist performing together side by side on four turntables. This is also known as a 2 x 4 performance. [3]

Interviews

Interviews include:

Direction

Doug Pray didn’t know much about hip-hop DJs before making Scratch. He decided to make the movie after meeting Mix Master Mike.

Production

Scratch was produced by Brad Blondheim and Ernest Meza, co-produced by Heidi Rataj and executive produced by Allen and Albert Hughes. It was shot in 16mm film by Robert Porter Bennett. [4]

Awards

Scratch had its world premiere at the Sundance Film Festival in 2001 and was nominated for an Independent Spirit Award by the Independent Feature Project (IFP). In 2002, it was released in theaters nationwide by Palm Pictures, distributed internationally by Intermedia Films. [5] After its release, the film inspired two world tours of top DJs, and a performance movie named Scratch: All the way live (also directed by Doug Pray and produced by Brad Blondheim).

Critical reception

Scratch was released to near-universal critical praise, with 93% "Fresh" on Rotten Tomatoes. [6] Stephen Holden in The New York Times wrote that, "Watching D.J. Qbert, a leading hip-hop musician from the San Francisco Bay Area, manipulate two turntables with one hand and a sound mixer known as a fader with the other to create a sizzling polyrhythmic landscape of sound effects is not unlike watching the fingers of a great jazz or concert pianist fly across the keyboard." [7] He also called the film "exhilarating." [7]

The Los Angeles Times said, "Scratch does what a fine documentary does best: It extends a warm invitation into an unfamiliar world, then illuminates it fully and allows the larger implications of the journey to sink in unobtrusively ... [Scratch is] a highly entertaining and encouraging documentary." [8]

Ain't It Cool News listed it as one of the Top 5 Films of the Year and wrote, "Scratch is like having a camera there when Robert Johnson went down to the crossroads. It's like having a camera there when BB or Miles played their first show. It's a record of living history - a very important history and don't let anyone, anyone, tell you otherwise ... Scratch is so strong ... it's beautiful and utterly, knowingly true. And that's about the most impossible thing to do on-screen ... I can't celebrate this film enough." [9]

See also

Related Research Articles

<span class="mw-page-title-main">Disc jockey</span> Person who plays recorded music for an audience

A disc jockey, more commonly abbreviated as DJ, is a person who plays recorded music for an audience. Types of DJs include radio DJs, club DJs, mobile DJs, and turntablists. Originally, the "disc" in "disc jockey" referred to shellac and later vinyl records, but nowadays DJ is used as an all-encompassing term to also describe persons who mix music from other recording media such as cassettes, CDs or digital audio files on a CDJ, controller, or even a laptop. DJs may adopt the title "DJ" in front of their real names, adopted pseudonyms, or stage names.

<span class="mw-page-title-main">Scratching</span> Turntablism technique

Scratching, sometimes referred to as scrubbing, is a DJ and turntablist technique of moving a vinyl record back and forth on a turntable to produce percussive or rhythmic sounds. A crossfader on a DJ mixer may be used to fade between two records simultaneously.

<span class="mw-page-title-main">Turntablism</span> Art of manipulating sound using turntables

Turntablism is the art of manipulating sounds and creating new music, sound effects, mixes and other creative sounds and beats, typically by using two or more turntables and a cross fader-equipped DJ mixer. The mixer is plugged into a PA system and/or broadcasting equipment so that a wider audience can hear the turntablist's music. Turntablists typically manipulate records on a turntable by moving the record with their hand to cue the stylus to exact points on a record, and by touching or moving the platter or record to stop, slow down, speed up or, spin the record backwards, or moving the turntable platter back and forth, all while using a DJ mixer's crossfader control and the mixer's gain and equalization controls to adjust the sound and level of each turntable. Turntablists typically use two or more turntables and headphones to cue up desired start points on different records.

<i>The Dirtchamber Sessions Volume One</i> 1999 compilation album (Mixtape) by The Prodigy (Liam Howlett)

Prodigy Present: The Dirtchamber Sessions Volume One is a 1999 solo mix album by Liam Howlett of The Prodigy, initially produced for BBC Radio 1's mix show The Breezeblock.

<span class="mw-page-title-main">DJ Qbert</span> American DJ

Richard Quitevis known by his stage name DJ Qbert or Qbert, is an American turntablist and composer. He was awarded America's Best DJ in 2010, was DMC USA Champion 1991 (solo) and achieved titles as DMC World Champion in 1992 and 1993.

The Invisibl Skratch Piklz are an American group of turntablists.

<span class="mw-page-title-main">Grand Mixer DXT</span> Musical artist

Derek Showard, better known by the stage name GrandMixer DXT, is an American musician, and the first DJ to use the turntable as a musical instrument.

<span class="mw-page-title-main">The X-Ecutioners</span> American hip hop group

The X-Ecutioners, originally known as X-Men, are a group of American hip hop DJs/turntablists from New York City, New York. The group formed in 1989 and currently consists of three DJs, including Total Eclipse, DJ Boogie Blind, and DJ Precision. Original members of the group included Mista Sinista, Rob Swift, and Roc Raida. Rob Swift and Total Eclipse formed a side project called Ill Insanity releasing one album together in 2008 entitled Ground Xero.

<span class="mw-page-title-main">Mix Master Mike</span> Musical artist

Michael Schwartz, better known by his stage name Mix Master Mike, is an American turntablist best known for his work with Beastie Boys.

<span class="mw-page-title-main">DJ mixer</span> Type of audio mixing console

A DJ mixer is a type of audio mixing console used by disc jockeys (DJs) to control and manipulate multiple audio signals. Some DJs use the mixer to make seamless transitions from one song to another when they are playing records at a dance club. Hip hop DJs and turntablists use the DJ mixer to play record players like a musical instrument and create new sounds. DJs in the disco, house music, electronic dance music and other dance-oriented genres use the mixer to make smooth transitions between different sound recordings as they are playing. The sources are typically record turntables, compact cassettes, CDJs, or DJ software on a laptop. DJ mixers allow the DJ to use headphones to preview the next song before playing it to the audience. Most low- to mid-priced DJ mixers can only accommodate two turntables or CD players, but some mixers can accommodate up to four turntables or CD players. DJs and turntablists in hip hop music and nu metal use DJ mixers to create beats, loops and so-called scratching sound effects.

<span class="mw-page-title-main">Vestax</span>

Vestax Corporation was a Japanese musical instrument, turntable and audio equipment firm founded by Hidesato Shiino in 1977. The company started by designing and manufacturing electronic guitars. In the 1980s, Vestax produced multitrack recorders and later moved to making DJ mixers, professional turntables, CD players and signal processors. Debt troubles led to the company's bankruptcy at the end of 2014.

Stanton Magnetics, doing business as Stanton, is a business unit of inMusic Brands that designs and markets turntables, cartridges, DJ mixers, DJ media players, and DJ controllers.

Double Dee and Steinski is a duo of hip hop producers, composed of Doug "Double Dee" DiFranco and Steven "Steinski" Stein. They achieved notoriety in the early 1980s for a series of underground hip-hop sample-based collages known as the "Lessons".

<span class="mw-page-title-main">The Adventures of Grandmaster Flash on the Wheels of Steel</span> 1981 single by Grandmaster Flash

"The Adventures of Grandmaster Flash on the Wheels of Steel" is a single released by American disc jockey Grandmaster Flash in 1981. It is a live DJ mix recording of Flash scratching and mixing records from various groups using three turntables. The musician employed several DJ techniques in the recording, including crossfading, cutting, rubbing and backspins.

Turntablist Transcription Methodology, or TTM, is a notation system for scratching and turntablism. The system was founded by John Carluccio in 1997. A seminal booklet detailing the system was written and published by John Carluccio, industrial designer Ethan Imboden and DJ Raedawn in 2000. It is an intuitive graphical representation of the movement of a record whilst performing with a turntable, and was originally documented in a booklet form for distribution used by turntablists around the world.

<i>General Patton vs. The X-Ecutioners</i> 2005 studio album by Mike Patton & The X-Ecutioners

General Patton vs. The X-Ecutioners is a collaboration album released by Mike Patton and New York City's hip-hop DJ trio The X-Ecutioners. It was released on February 5, 2005 through Ipecac Recordings, and was entirely produced by Mike Patton.

John Francis Carluccio is an American filmmaker, artist, and inventor. Carluccio is a two-time Emmy-nominated filmmaker who is best known for documenting obscure pockets of urban society and the creative process.

<i>Scratch</i> (soundtrack) 2002 soundtrack album by Various Artists

Scratch is the soundtrack to the 2001 documentary Scratch directed by Doug Pray. Scratch examines cultural and historical perspectives on the birth and evolution of hip-hop disc jockeys (DJs), scratching and turntablism and includes interviews with some of hip-hop's most famous and respected DJs.

The San Francisco-based Bomb Hip-Hop Records has evolved since its humble beginnings in 1991 as a hip-hop publication to "one of the fifteen independent labels that matter" according to Rolling Stone. Bomb’s Return of the DJ series was ranked by Spin Magazine as #25 in their “The 90 Greatest Albums of the 90’s”. Having been credited with the revival of the D.J. as an artist in their own right for the Return of the DJ series, featured in the movie Scratch, the label is also known for spotlighting hip-hop from around the world. With a total of 77 releases to date, some of the artists that have appeared on releases from Bomb Hip-Hop include Dilated Peoples, Blackalicious, J-Live, Cut Chemist from Jurassic 5, Qbert, DJ Craze, Z-Trip, Rob Swift & Roc Raida from X-ecutioners, Noisy Stylus, Mr. Dibbs of Atmosphere, DJ Honda, DJ Format, Peanut Butter Wolf, Swollen Members, Defari, Paul Nice and AG of D.I.T.C., Jedi Mind Tricks, Mystik Journeymen, Kid Koala and Mixmaster Mike of the Beastie Boys.

<span class="mw-page-title-main">DJ Shadow</span> American DJ and record producer

Joshua Paul Davis, better known by his stage name DJ Shadow, is an American DJ and record producer. His debut studio album, Endtroducing....., was released in 1996.

References

  1. Media., Helium Digital. "Doug Pray Director".
  2. ITYPEINALLCAPS (31 July 2007). "Scratch (trailer)". Archived from the original on 2021-12-22 via YouTube.
  3. "Scratch". 17 September 2002 via Amazon.
  4. "Scratch". 7 November 2001 via IMDb.
  5. "Palm Store: Palm Pictures Store".
  6. "Scratch". Rotten Tomatoes .
  7. 1 2 "Movie Review - - FILM IN REVIEW; 'Scratch' - NYTimes.com". The New York Times. 2 August 2023.
  8. "Scratch". 7 November 2001 via IMDb.
  9. staff. "Vern Gets SCRATCHed At SIFF!!".