Beat juggling

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Beat juggling is a deejaying and turntablism technique in which two records are used to prolong an existing beat, or to create a new one. It is associated with the context of Hip hop, but not necessarily limited to this genre.

Contents

Definition

Beat juggling can be defined as the art of manipulating two or more samples (e.g. drum beats, or vocal phrases), in order to create a unique composition, using multiple turntables and one or more mixers. [1] This can involve pauses, scratching, backspins and delays. It could be seen as fingertip sampling, and the turntable and mixer combination could be seen as an instrument from which sounds are made, from the sounds of other instruments (samples).

Despite being a classical technique in deejaying and turntablism, beat juggling isn't limited to analogue mixing with vinyl records. It can also be achieved by digital means using Compact Disc DJ players or DJ controllers.

History

Beat juggling has its roots in cutting, in which a small section of a beat is looped using two copies of the same record. DJ Steve Dee as one of the earliest innovators in the mid-1980s. [2] The technique gained widespread popularity beginning in 1990. [3]

Techniques

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Turntablism

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DJ mixer Type of audio mixing console

A DJ mixer is a type of audio mixing console used by disc jockeys (DJs) to control and manipulate multiple audio signals. Some DJs use the mixer to make seamless transitions from one song to another when they are playing records at a dance club. Hip hop DJs and turntablists use the DJ mixer to play record players like a musical instrument and create new sounds. DJs in the disco, house music, electronic dance music and other dance-oriented genres use the mixer to make smooth transitions between different sound recordings as they are playing. The sources are typically record turntables, compact cassettes, CDJs, or DJ software on a laptop. DJ mixers allow the DJ to use headphones to preview the next song before playing it to the audience. Most low- to mid-priced DJ mixers can only accommodate two turntables or CD players, but some mixers can accommodate up to four turntables or CD players. DJs and turntablists in hip hop music and nu metal use DJ mixers to create beats, loops and "scratching" sound effects.

Vestax

Vestax Corporation was a Japanese musical instrument, turntable and audio equipment firm founded by Hidesato Shiino in 1977. The company started by designing and manufacturing electronic guitars. In the 1980s, Vestax produced multitrack recorders and later moved to making DJ mixers, professional turntables, compact disc players and signal processors. Debt troubles lead to the company's bankruptcy at the end of 2014.

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A DJ mix or DJ mixset is a sequence of musical tracks typically mixed together to appear as one continuous track. DJ mixes are usually performed using a DJ mixer and multiple sounds sources, such as turntables, CD players, digital audio players or computer sound cards, sometimes with the addition of samplers and effects units, although it is possible to create one using sound editing software.

Sampling (music) Reuse of sound recording in another recording

In music, sampling is the reuse of a portion of a sound recording in another recording. Samples may comprise elements such as rhythm, melody, speech, sounds, or entire bars of music, and may be layered, equalized, sped up or slowed down, repitched, looped, or otherwise manipulated. They are usually integrated using hardware (samplers) or software such as digital audio workstations.

Controllerism

Controllerism is the art and practice of using musical software controllers, e.g. MIDI, Open Sound Control (OSC), joystick, etc., to build upon, mix, scratch, remix, effect, modify, or otherwise create music, usually by a Digital DJ or Live PA performer, often called a "controllerist". Controllerism is also a nod to traditional musicianship and instrumental-ism paired with modern computer sequencing software such as Ableton Live and Native Instruments Traktor. However a working knowledge of scales and chords is not necessarily required as the performers typically focus their efforts more on sequencing events, software effect and instrument manipulations using buttons, knobs, faders, keys, foot switches and pedals than on instrumental notes played in real time. With recent developments in music technology, particularly in software instruments, a USB MIDI controller enables musicians almost unlimited possibilities to control a wide variety of sound types.

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Joseph Saddler, popularly known by his stage name Grandmaster Flash, is a Barbadian-American DJ and rapper. He is considered to be one of the pioneers of hip hop DJing, cutting, scratching and mixing. Grandmaster Flash and the Furious Five were inducted into the Rock and Roll Hall of Fame in 2007, becoming the first hip hop act to be honored. In 2019 he won the Polar Music Prize.

Gee Bayss is one of the pioneer DJs in West Africa. Member of the group, Pee Froiss, he toured throughout the world with his sure-fire turntablism which had crowds jumping whenever the group was performing. Combining solo projects with international tours of the Pee Froiss, Gee Bayss is actively engaged in transmitting his deejaying art to the younger generations.

Sampledelia is sample-based music which uses samplers or similar technology to expand upon the recording methods of 1960s psychedelia. Sampledelia features "disorienting, perception-warping" manipulations of audio samples or found sounds via techniques such as chopping, looping or stretching. Sampladelic techniques have been applied prominently in styles of electronic music and hip hop, such as trip hop, jungle, post-rock, and plunderphonics.

History of DJing

DJing is the act of playing existing recorded music for a live audience.

References

  1. Justin A. Williams (12 February 2015). The Cambridge Companion to Hip-Hop. Cambridge University Press. p. 46. ISBN   978-1-107-03746-5.
  2. Mark Katz (5 July 2012). Groove Music: The Art and Culture of the Hip-Hop DJ. Oxford University Press. p. 8. ISBN   978-0-19-533112-7.
  3. Bill Brewster (14 January 2014). Last Night a Dj Saved My Life: The History of the Disc Jockey. Grove/Atlantic, Incorporated. pp. 283–. ISBN   978-0-8021-4610-6.