Beatmatching or pitch cue is a disc jockey technique of pitch shifting or timestretching an upcoming track to match its tempo to that of the currently playing track, and to adjust them such that the beats are synchronised — i.e., the kicks and snares in two house records hit at the same time when both records are played simultaneously. Beatmatching is a component of beatmixing which employs beatmatching combined with equalization, attention to phrasing and track selection in an attempt to make a single mix that flows together and has a good structure.
Disco is a music genre and subculture that emerged in the 1970s from the United States' urban nightlife scene. The music, the fashion, many song lyrics and other cultural phenomena associated with disco were focused on having a good time on the dance floor of a discotheque to the loud sounds of records being played by a DJ, usually enhanced by coloured lighting effects.
A disc jockey, often abbreviated as DJ, is a person who plays existing recorded music for a live audience. Most common types of DJs include radio DJ, club DJ who performs at a nightclub or music festival and turntablist who uses record players, usually turntables, to manipulate sounds on phonograph records. Originally, the disc in disc jockey referred to gramophone records, but now DJ is used as an all-encompassing term to describe someone who mixes recorded music from any source, including cassettes, CDs or digital audio files on a CDJ or laptop. The title DJ is commonly used by DJs in front of their real names or adopted pseudonyms or stage names. In recent years it has become common for DJs to be featured as the credited artist on tracks they produced despite having a guest vocalist that performs the entire song: like for example Uptown Funk.
House music is a genre of electronic dance music created by club DJs and music producers in Chicago in the early 1980s. Early house music was generally characterized by repetitive 4/4 beats, rhythms provided by drum machines, off-beat hi-hat cymbals, and synthesized basslines. While house displayed several characteristics similar to disco music, which preceded and influenced it, as both were DJ and record producer-created dance music, house was more electronic and minimalistic. The mechanical, repetitive rhythm of house was one of its main components. Many house compositions were instrumental, with no vocals; some had singing throughout the song with lyrics; and some had singing but no actual words.
Electronica encompasses a broad group of electronic-based styles such as techno, house, ambient, jungle and other electronic music styles intended not just for dancing.
Scratching, sometimes referred to as scrubbing, is a DJ and turntablist technique of moving a vinyl record back and forth on a turntable to produce percussive or rhythmic sounds. A crossfader on a DJ mixer may be used to fade between two records simultaneously.
Technics SL-1200 is a series of direct-drive turntables originally manufactured from October 1972 until 2010, and resumed in 2016, by Matsushita under the brand name of Technics. S means "Stereo", L means "Player". Originally released as a high fidelity consumer record player, it quickly became adopted among radio and disco club disc jockeys, thanks to the direct drive, high torque motor design, making it initially suitable for pushbutton cueing and starting of tracks on radio and in dance clubs. It is still extremely popular with audiophiles.
In popular music, a break is an instrumental or percussion section during a song derived from or related to stop-time – being a "break" from the main parts of the song or piece. A break is usually interpolated between sections of a song, to provide a sense of anticipation, signal the start of a new section, or create variety in the arrangement.
Artists and repertoire (A&R) is the division of a record label or music publishing company that is responsible for talent scouting and overseeing the artistic development of recording artists and songwriters. It also acts as a liaison between artists and the record label or publishing company; every activity involving artists to the point of album release is generally considered under the purview, and responsibility, of A&R.
"Heart of Glass" is a song by the American new wave band Blondie, written by singer Debbie Harry and guitarist Chris Stein. Featured on the band's third studio album, Parallel Lines (1978), it was released as the album's third single in January 1979 and reached number one on the charts in several countries, including the United States and the United Kingdom.
A DJ mixer is a type of audio mixing console used by Disc jockeys (DJs) to control and manipulate multiple audio signals. Some DJs use the mixer to make seamless transitions from one song to another when they are playing records at a dance club. Hip hop DJs and turntablists use the DJ mixer to play record players like a musical instrument and create new sounds. DJs in the disco, house music, electronic dance music and other dance-oriented genres use the mixer to make smooth transitions between different sound recordings as they are playing. The sources are typically record turntables, compact cassettes, CDJs, or DJ software on a laptop. DJ mixers allow the DJ to use headphones to preview the next song before playing it to the audience. Most low- to mid-priced DJ mixers can only accommodate two turntables or CD players, but some mixers can accommodate up to four turntables or CD players. DJs and turntablists in hip hop music and nu metal use DJ mixers to create beats, loops and "scratching" sound effects.
"Smoke Gets in Your Eyes" is a show tune written by American composer Jerome Kern and lyricist Otto Harbach for the 1933 musical Roberta. The song was sung in the Broadway show by Tamara Drasin. Its first recorded performance was by Gertrude Niesen, who recorded the song with orchestral direction from Ray Sinatra, Frank Sinatra's second cousin, on October 13, 1933. Niesen's recording of the song was released by Victor, with the B-side, "Jealousy", featuring Isham Jones and his Orchestra.
A DJ mix or DJ mixset is a sequence of musical tracks typically mixed together to appear as one continuous track. DJ mixes are usually performed using a DJ mixer and multiple sounds sources, such as turntables, CD players, digital audio players or computer sound cards, sometimes with the addition of samplers and effects units, although it is possible to create one using sound editing software.
Songs the Lord Taught Us is the first album by the American psychobilly band The Cramps. It was released in May 1980 on I.R.S. Records in America and Illegal Records in England.
"The Magnificent Seven" is a song and single by the English punk rock band the Clash. It was the third single from their fourth album Sandinista!. It reached number 34 on the UK Singles Chart.
"Discipline" is a song by American industrial rock band Nine Inch Nails from their seventh studio album, The Slip (2008). It was released on April 22, 2008 as a single from the album. It is the band's first single since severing its ties with Interscope Records and publishing music independently.
To cue audio is to determine the desired initial playback point in a piece of recorded music. It is technique used often used radio broadcasting and DJing. DJs typically find the desired start place on a record, tape, CD, or other medium by listening to the recording with headphones and manipulating the turntable or other playback controls. DJs use headphones to cue up the start point; this means that the audience cannot hear the playback until the DJ wants them to. Once the recording is cued up to the desired start point, the DJ can then commence the playback of the recording at the desired moment. The goal of cueing is to avoid "dead air", that is, silence.
DJing is the act of playing existing recorded music for a live audience.
