Controllerism is the art and practice of using musical software controllers, e.g. MIDI, Open Sound Control (OSC), joystick, etc., to build upon, mix, scratch, remix, effect, modify, or otherwise create music, usually by a Digital DJ or Live PA performer, often called a controllerist. Controllerism is also a nod to traditional musicianship and instrumentalism paired with modern computer sequencing software such as Ableton Live and Native Instruments Traktor. However, a working knowledge of scales and chords is not necessarily required as the performers typically focus their efforts more on sequencing events, software effects and instrument manipulations using buttons, knobs, faders, keys, foot switches and pedals than on instrumental notes played in real time.
With recent developments in music technology, particularly in software instruments, a USB MIDI controller enables musicians almost unlimited possibilities to control a wide variety of sound types. [1]
In 2005, Moldover and Dj Shakey (Julie Covello) met at the Burning Man Festival at a camp where Moldover was leading an Ableton Live workshop. Shakey approached Moldover after the class and they exchanged contact information, bonding over their ideas about performing with computers and controllers. When they returned to New York where they lived, Shakey, an event producer, proposed to Moldover that they start a party for Ableton Live performers. They created The Warper Party, a monthly artist showcase that was quickly expanded to include all electronic musicians pushing the boundaries of live performance. The event was popular and became a place for like-minded performers to meet, network, experiment, and build community.
Not long afterward, Shakey became Moldover's manager. She suggested that, since there was no catchy name for what he or their Warper community members were doing, that they come up with one to make marketing his talents easier. After some brainstorming and debating between them, the name "Controllerism" was chosen. Shakey believed presenting Controllerism to the world in print would be beneficial to Moldover as an artist, Moldover reached out to his contact Ean Golden from Remix Magazine and proposed they write an article about it. The article "Music Maneuvers: Discover the Digital Turntablism Concept, Controllerism, Compliments of Moldover" appeared in the October 2007 issue of Remix magazine.
Controllerism, like turntablism, typically involves complex musical routines using the controller in the manner of a musical instrument rather than a simple mixer. Some DJs use turntables and controllers simultaneously, blending the two techniques. Live PA performers often incorporate instruments or vocals.
Since controllerism depends on a physical controller and a software interface, there is considerable uniqueness with equipment and personal styles among controllerists. There are three main classes of software used by controllerists: DAWs which have special functionality aimed at live performance, such as Ableton Live, sample-centered music software such as Maschine by Native Instruments, and DJ programs which have a powerful sample player/looper such as Native Instruments Traktor with its "remix decks" feature. Popular software for controllerists includes Ableton Live, [2] Native Instruments Traktor and Maschine, [3] Akai MPC, [4] Atomix VirtualDJ, Serato Scratch Live and Max. There are alternate platforms that are less common, including FL Studio, Bitwig, Torq, and Deckadance.
Hardware typically consists of a physical controller, most often a MIDI or Human interface device, often resembling a scaled-down CDJ setup (albeit, without hardware CD players) or a pad-controller resembling the traditional Akai MPC; a newer class of controllers is represented by grid-based button controllers such as the Novation Launchpad. Some include built-in sound card interfaces and others rely on the PC's internal sound setup or make use of a breakout box with a sound card. Some makers of controllers include Akai Professional, Numark Industries, Native Instruments, Novation, Vestax, Livid Instruments, Keith McMillen, Denon, Monome. Some DJ CD Players, such as the Pioneer Corporation CDJ800 and Numark MixDeck can also function as controllers. Older controllers occasionally used standard MIDI connectors, most controllers today are USB-based.
Some controllers depart from the traditional two-deck system and incorporate four decks, effects sections, or do away with the traditional deck/mixer setup altogether, [5] such as button grid controllers (originally intended to launch Ableton Live clips), [6] drum pads MPC-style controllers (originally used for finger-drumming), [7] touch-screen interfaces, [8] arcade buttons [9] and other devices. Many DJs use turntables and CDJs with timecode records to utilize the device in a similar manner as a controller. The software that interprets the timecode vinyl is called vinyl emulation software.
Matt Moldover made custom MIDI controllers in an attempt to make DJing an experience beyond that of simply two turntables and a mixer. [10] As of 2012, he's made the design and programming files of his Mojo MIDI controller open-source, along with instructions on how to build it. [11]
In this, he followed in the footsteps of English DJ Sasha, who had a custom controller built back in 2005, [12] and indeed a very long tradition stretching all the way back to Grandmaster Flash, who in the 1970s used to rewire his mixers by hand, or even build them, using raw materials he found in junkyards. [13]
As controllerism gains acceptance in the DJ World and the club scenes, many controllerists have begun to collaborate and compete in the same manner that turntablists have been doing for many years in events such as in the DMC Championship. One of the first events of this sort was the Midi Fight Club, [14] a tour of Controllerist and Controllerist/Turntablist DJs including such notables as DJ Shiftee, DJ Craze, Ean Golden, Miami's The Overthrow, Ed Paris, DJ Dystopic, DJ Velz, Detroit's Edison, Ryan Start, and Hedgehog. [15]
A disc jockey, more commonly abbreviated as DJ, is a person who plays recorded music for an audience. Types of DJs include radio DJs, club DJs, mobile DJs, and turntablists. Originally, the "disc" in "disc jockey" referred to shellac and later vinyl records, but nowadays DJ is used as an all-encompassing term to also describe persons who mix music from other recording media such as cassettes, CDs or digital audio files on a CDJ, controller, or even a laptop. DJs may adopt the title "DJ" in front of their real names, adopted pseudonyms, or stage names.
Scratching, sometimes referred to as scrubbing, is a DJ and turntablist technique of moving a vinyl record back and forth on a turntable to produce percussive or rhythmic sounds. A crossfader on a DJ mixer may be used to fade between two records simultaneously.
Turntablism is the art of manipulating sounds and creating new music, sound effects, mixes and other creative sounds and beats, typically by using two or more turntables and a cross fader-equipped DJ mixer. The mixer is plugged into a PA system and/or broadcasting equipment so that a wider audience can hear the turntablist's music. Turntablists typically manipulate records on a turntable by moving the record with their hand to cue the stylus to exact points on a record, and by touching or moving the platter or record to stop, slow down, speed up or, spin the record backwards, or moving the turntable platter back and forth, all while using a DJ mixer's crossfader control and the mixer's gain and equalization controls to adjust the sound and level of each turntable. Turntablists typically use two or more turntables and headphones to cue up desired start points on different records.
Novation Digital Music Systems Ltd. is a British musical equipment manufacturer, founded in 1992 by Ian Jannaway and Mark Thompson as Novation Electronic Music Systems. Today the company specializes in MIDI controllers with and without keyboards, both analog and virtual analog performance synthesizers, grid-based performance controllers, and audio interfaces. At present, Novation products are primarily manufactured in China.
Ableton Live, also known as Live or sometimes colloquially as "Ableton", is a digital audio workstation for macOS and Windows developed by the German company Ableton.
Traktor is DJ software developed by Native Instruments. It is also used as a sub-brand for Native Instruments' associated DJ hardware products.
Native Instruments is a German company that develops, manufactures, and supplies music software and hardware for music production, sound design, performance, and DJing. The company's corporate headquarters and main development facilities are located in Berlin, with additional offices in Los Angeles, Tokyo, London, Paris, and Shenzhen.
Final Scratch is a DJ tool created by the Dutch company N2IT with input from Richie Hawtin and John Acquaviva that allows manipulation and playback of digital audio sources using traditional vinyl and turntables. It seeks to cross the divide between the versatility of digital audio and the tactile control of vinyl turntablism.
DJ Craze is a Nicaraguan American DJ and record producer who plays hip hop, Miami bass, trap, breaks, dubstep, drum and bass, and practices turntablism. He was, until 2020, the only solo DJ in history to win the DMC World DJ Championships trophy three times consecutively (1998–2000).
A DJ mixer is a type of audio mixing console used by disc jockeys (DJs) to control and manipulate multiple audio signals. Some DJs use the mixer to make seamless transitions from one song to another when they are playing records at a dance club. Hip hop DJs and turntablists use the DJ mixer to play record players like a musical instrument and create new sounds. DJs in the disco, house music, electronic dance music and other dance-oriented genres use the mixer to make smooth transitions between different sound recordings as they are playing. The sources are typically record turntables, compact cassettes, CDJs, or DJ software on a laptop. DJ mixers allow the DJ to use headphones to preview the next song before playing it to the audience. Most low- to mid-priced DJ mixers can only accommodate two turntables or CD players, but some mixers can accommodate up to six turntables or CD players. DJs and turntablists in hip hop music and nu metal use DJ mixers to create beats, loops and so-called scratching sound effects.
Vestax Corporation was a Japanese musical instrument, turntable and audio equipment firm founded by Hidesato Shiino in 1977. The company started by designing and manufacturing electronic guitars. In the 1980s, Vestax produced multitrack recorders and later moved to making DJ mixers, professional turntables, CD players and signal processors. Debt troubles led to the company's bankruptcy at the end of 2014.
Hip hop production is the creation of hip hop music in a recording studio. While the term encompasses all aspects of hip hop music creation, including recording the rapping of an MC, a turntablist or DJ providing a beat, playing samples and "scratching" using record players and the creation of a rhythmic backing track, using a drum machine or sequencer, it is most commonly used to refer to recording the instrumental, non-lyrical and non-vocal aspects of hip hop.
Vinyl emulation allows a user to physically manipulate the playback of digital audio files on a computer using the turntables as an interface, thus preserving the hands-on control and feel of DJing with vinyl. This has the added advantage of using turntables to play back audio recordings not available in phonograph form. This method allows DJs to scratch, beatmatch, and perform other turntablism that would be impossible with a conventional keyboard-and-mouse computer interface or less tactile control devices.
Stanton Magnetics, doing business as Stanton, is a business unit of inMusic Brands that designs and markets turntables, cartridges, DJ mixers, DJ media players, and DJ controllers.
A CDJ is a specialized digital music player for DJing. Originally designed to play music from compact discs, many CDJs can play digital music files stored on USB flash drives or SD cards. In typical use, at least two CDJs are plugged into a DJ mixer. CDJs have jog wheels and pitch faders that allow manipulation of the digital music similar to a vinyl record on a DJ turntable. Many have additional features such as loops and beat analysis that are not present on turntables. Additionally, some can function as DJ controllers to control the playback of digital files in DJ software running on a laptop instead of playing the files on the CDJ.
DJ controllers are devices used to help DJs mix music with DJ software using knobs, encoders, jog wheels, faders, backlit buttons, touch strips, and other components.
xwax is an open-source vinyl emulation software. It was initially developed in 2006 as proprietary software. In May 2007 xwax was licensed under the GPL-2.0-only, making it the first open source software of this kind.
Cross/CrossDJ is a digital vinyl and DJ mixing software developed by the French company Mixvibes. This software provides DJs with a digital platform with which they can mix and perform their music. Since its release in 2008, it has become Mixvibes primary focus.
Maschine is a hardware/software digital audio workstation developed by Native Instruments. Maschine consists of a controller that connects to the included sequencing software, which can be installed on any compatible computer or laptop.
Matthew Edwin Moldover, known as Moldover, is a musician and instrument designer based in San Francisco, CA. The MIDI Manufacturers Association has referred to him as the "Godfather of Controllerism". He is known for his musical instruments, including the Mojo, Robocaster, Octamasher and Guitar Wing.