This article needs additional citations for verification .(November 2015) |
Formerly | Shiino Musical Instruments Developing Corporation [1] 椎野楽器設計事務所 |
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Type | K.K. |
Industry | Electronic musical instrument |
Founded | November 1977 in Tokyo, Japan |
Founder | Hidesato Shiino [1] |
Defunct | 5 December 2014 (bankruptcy proceedings decision) [2] |
Headquarters | 1-18-6, Wakabayashi, Setagaya-ku, Tokyo, Japan |
Key people | Kanako Ohsawa (trustee in bankruptcy), Toshihide Nakama (previous president) |
Products | DJ equipment (DJ mixer, CD players, turntables, phonograph cutting machines, DJ controllers), multitrack recorders, effectors, guitar preamps, electric guitars, etc. |
Website | http://www.vestax.jp/ (closed) |
Vestax Corporation was a Japanese musical instrument, turntable and audio equipment firm founded by Hidesato Shiino in 1977. [1] The company started by designing and manufacturing electronic guitars. In the 1980s, Vestax produced multitrack recorders and later moved to making DJ mixers, professional turntables, CD players and signal processors. Debt troubles led to the company's bankruptcy at the end of 2014. [3]
The Vestax Corporation of Japan began in 1977 as a designer and manufacturer of electronic guitars. In the 1980s Vestax introduced a series of cassette-based multitracks, including the Vestax MR66, to challenge established products from Fostex, Yamaha and Tascam's portastudios.
During the late 1990s Vestax launched a new flagship range of professional DJ turntables. The PDX models had higher specifications than the two market leading products from Technics and were priced in direct competition with the Technics SL1210/SL1200.
However, the industry standard Technics SL1210/SL1200 models remained the favourite of DJs worldwide. At the time they were an established brand with a twenty-year head start. There have also been some build quality issues reported throughout 2008 and 2009.[ citation needed ]
This pattern of events has been replicated by other DJ equipment manufacturers such as Numark, Gemini and Stanton. These turntables have either a higher specification or lower cost, in sheer numbers sold they are still dwarfed by the various versions of the Technics SL-1200 & SL-1210 series.
In 2006, Vestax moved into the burgeoning digital DJ market and released the VCI 100, an all-in-one DJ controller used to control digital DJ software. Its design of jog wheels and a mixer in a single compact frame sparked a revolution in digital DJ hardware, quickly becoming the blueprint for most DJ controllers and helping to re-establish Vestax as a major player in the DJ market. The company has subsequently solidified this position by launching a highly respected range of DJ controllers from low-end consumer models to more highly specced pro versions such as the VCI-380 and VCI-400.
In the 2010s Vestax focused on high-tech musical electronics, creating signal processors, DJ Mixers, professional turntables and CD players. The company also reduced its range of turntables, but kept the PDX-2000mk2/2300mk2 for mainstream DJ use, and the PDX-2000mk2pro/PDX-2300pro with a new tonearm suspension system for increased skip resistance. In conjunction with DJ Qbert they have also released the QFO and QFO LE models. These turntables have built-in mixers, and a portable turntable/mixer [5]
In mid-October 2014, many websites reported a speculative piece investigating reports from the Japanese news source "Teikoku News Online" [2] , that Vestax was ceasing operations. Retailers in the US closed shop, and there was a lack of representation or new products being revealed at trade shows. [6] On 5 December Vestax started bankruptcy proceedings with a debt of 900 million yen (roughly $7.5 million USD). [3]
Vestax was the first[ citation needed ] manufacturer to release a vinyl cutting machine for home vinyl cutting of new mixes / dubplate, in 2001. [7] [8]
Vestax innovated with their turntable using a straight tone arm, which gave greater tracking force; useful for complex DJing maneuvers such as scratching or beat juggling. This has been adopted by virtually all other turntable manufacturers, with the exception of Technics. Some maintain however that the straight arm increases wear upon the record. This is based on the premise that the original 's' shaped tonearm is so designed as to naturally gravitate toward the center of the record. The straight arm will not do this, and so will theoretically drag more as the record rotates, wearing down the grooves. Vestax however have consistently denied this. [ citation needed ]
For many years Vestax had been creating professional mobile DJ style mixers, but in the early 1990s they started creating mixers focusing on the developing Turntablism scene. Two of the first early attempts were the Vestax PMC-05FX and PMC-05 Trix mixers. These were simple mixers which were endorsed by famous DJs and had a stripped down layout. They had features (like a centered crossfader which was replaceable). They were also a small size which made juggling and other techniques easier. But they lacked some key features like a smooth crossfader, hamster switch, EQ controls, and an unobstructed crossfader area. During the 1993 NAMM Show, Vestax began talking to DJs (including DJ Shortkut, DJ Rhettmatic, and DJ Q-Bert) about creating mixers which took some of the best features from previous models and catered to the emerging turntablism scene. The PMC-05 Pro was the first model which came out of these conversations. It was a major step forward for DJs competing in DJ battles. It had a smooth, quick cut crossfader which was adjustable. The crossfader was also not surrounded by any screws or physical barriers, which made scratching and juggling easier. Other features included headphone cueing, 2 band EQs, and independent gains per channel.
Vestax focused on the needs of nightclubs and Disc jockeys and their DJ mixers became favourites of international DJs such as Carl Cox, Jeff Mills, DJ QBert and Cut Chemist.[ citation needed ] Mixers such as the various iterations of the PMC-05pro have become staples of the Hip Hop DJ community, and they also have manufactured signature models for DJ's such as Carl Cox and DJ Qbert.[ citation needed ]
A disc jockey, more commonly abbreviated as DJ, is a person who plays recorded music for an audience. Types of DJs include radio DJs, club DJs, mobile DJs, and turntablists. Originally, the "disc" in "disc jockey" referred to shellac and later vinyl records, but nowadays DJ is used as an all-encompassing term to also describe persons who mix music from other recording media such as cassettes, CDs or digital audio files on a CDJ, controller, or even a laptop. DJs may adopt the title "DJ" in front of their real names, adopted pseudonyms, or stage names.
Scratching, sometimes referred to as scrubbing, is a DJ and turntablist technique of moving a vinyl record back and forth on a turntable to produce percussive or rhythmic sounds. A crossfader on a DJ mixer may be used to fade between two records simultaneously.
Turntablism is the art of manipulating sounds and creating new music, sound effects, mixes and other creative sounds and beats, typically by using two or more turntables and a cross fader-equipped DJ mixer. The mixer is plugged into a PA system and/or broadcasting equipment so that a wider audience can hear the turntablist's music. Turntablists typically manipulate records on a turntable by moving the record with their hand to cue the stylus to exact points on a record, and by touching or moving the platter or record to stop, slow down, speed up or, spin the record backwards, or moving the turntable platter back and forth, all while using a DJ mixer's crossfader control and the mixer's gain and equalization controls to adjust the sound and level of each turntable. Turntablists typically use two or more turntables and headphones to cue up desired start points on different records.
A direct-drive turntable is one of the three main phonograph designs currently being produced. The other styles are the belt-drive turntable and the idler-wheel type. Each name is based upon the type of coupling used between the platter of the turntable and the motor.
Technics SL-1200 is a series of direct-drive turntables originally manufactured from October 1972 until 2010, and resumed in 2016, by Matsushita Electric under the brand name of Technics. S means "Stereo", L means "Player". Originally released as a high fidelity consumer record player, it quickly became adopted among radio and disco club disc jockeys, thanks to the direct drive, high torque motor design, making it initially suitable for pushbutton cueing and starting of tracks on radio and in dance clubs. It is still extremely popular with audiophiles.
Beat juggling is a deejaying and turntablism technique in which two records are used to prolong an existing beat, or to create a new one. It is associated with the context of hip hop, but not necessarily limited to this genre.
Richard Quitevis known by his stage name DJ Qbert or Qbert, is an American turntablist and composer. He was awarded America's Best DJ in 2010, was DMC USA Champion 1991 (solo) and achieved titles as DMC World Champion in 1992 and 1993.
Scratch is a 2001 documentary film, directed and edited by Doug Pray. The film explores the world of the hip-hop DJ from the birth of hip-hop when pioneering DJs began extending breaks on records, to the invention of scratching and beat juggling, to the more recent explosion of turntablism. Throughout the documentary, many artists explain how they were introduced to hip-hop while providing stories of their personal experiences.
A DJ mixer is a type of audio mixing console used by disc jockeys (DJs) to control and manipulate multiple audio signals. Some DJs use the mixer to make seamless transitions from one song to another when they are playing records at a dance club. Hip hop DJs and turntablists use the DJ mixer to play record players like a musical instrument and create new sounds. DJs in the disco, house music, electronic dance music and other dance-oriented genres use the mixer to make smooth transitions between different sound recordings as they are playing. The sources are typically record turntables, compact cassettes, CDJs, or DJ software on a laptop. DJ mixers allow the DJ to use headphones to preview the next song before playing it to the audience. Most low- to mid-priced DJ mixers can only accommodate two turntables or CD players, but some mixers can accommodate up to four turntables or CD players. DJs and turntablists in hip hop music and nu metal use DJ mixers to create beats, loops and so-called scratching sound effects.
Vinyl emulation allows a user to physically manipulate the playback of digital audio files on a computer using the turntables as an interface, thus preserving the hands-on control and feel of DJing with vinyl. This has the added advantage of using turntables to play back audio recordings not available in phonograph form. This method allows DJs to scratch, beatmatch, and perform other turntablism that would be impossible with a conventional keyboard-and-mouse computer interface or less tactile control devices.
Stanton Magnetics, doing business as Stanton, is a business unit of inMusic Brands that designs and markets turntables, cartridges, DJ mixers, DJ media players, and DJ controllers.
A DJ mix or DJ mixset is a sequence of musical tracks typically mixed together to appear as one continuous track. DJ mixes are usually performed using a DJ mixer and multiple sounds sources, such as turntables, CD players, digital audio players or computer sound cards, sometimes with the addition of samplers and effects units, although it is possible to create one using sound editing software.
A CDJ is a specialized digital music player for DJing. Originally designed to play music from compact discs, many CDJs can play digital music files stored on USB flash drives or SD cards. In typical use, at least two CDJs are plugged into a DJ mixer. CDJs have jog wheels and pitch faders that allow manipulation of the digital music similar to a vinyl record on a DJ turntable. Many have additional features such as loops and beat analysis that are not present on turntables. Additionally, some can function as DJ controllers to control the playback of digital files in DJ software running on a laptop instead of playing the files on the CDJ.
djay is a digital music mixing software program for Mac OS X, Microsoft Windows, iPad, iPhone, and iPod Touch created by the German company algoriddim. It allows playback and mixing of digital audio files with a user interface that tries to simulate the concept of "two turntables and a microphone" on a computer. Before the commercial release in November 2007, djay had initially been released as freeware in June 2006. In December 2010 the software was also released for the iPad, and subsequently for iPhone and iPod Touch in March 2011.
DJ controllers are devices used to help DJs mix music with DJ software using knobs, encoders, jog wheels, faders, backlit buttons, touch strips, and other components.
Technics is a Japanese brand name of Panasonic for audio equipment. Since 1965, Panasonic has produced a variety of hi-fi and audio products under the brand name, such as turntables, amplifiers, radio receivers, tape recorders, CD players, speakers, and digital pianos. Technics products were available for sale in various countries. The brand was originally conceived as a line of high-end audio equipment to compete against brands such as Nakamichi.
DJ Hero is a music video game, developed by FreeStyleGames and published by Activision as a rhythm game spin-off of the Guitar Hero franchise. It was released on October 27, 2009, in North America and on October 29, 2009, in Europe. The game is based on turntablism, the act of creating a new musical work from one or more previously recorded songs using record players and sound effect generators, and features 94 remixes of two different songs from a selection of over 100 different songs across numerous genres.
Controllerism is the art and practice of using musical software controllers, e.g. MIDI, Open Sound Control (OSC), joystick, etc., to build upon, mix, scratch, remix, effect, modify, or otherwise create music, usually by a Digital DJ or Live PA performer, often called a controllerist. Controllerism is also a nod to traditional musicianship and instrumental-ism paired with modern computer sequencing software such as Ableton Live and Native Instruments Traktor. However a working knowledge of scales and chords is not necessarily required as the performers typically focus their efforts more on sequencing events, software effect and instrument manipulations using buttons, knobs, faders, keys, foot switches and pedals than on instrumental notes played in real time. With recent developments in music technology, particularly in software instruments, a USB MIDI controller enables musicians almost unlimited possibilities to control a wide variety of sound types.
The Numark Pro TT-2, Pro TT-1+, Pro TT-1 and TT-100 were a family of private label, high end, direct drive DJ phonograph turntables sold by Numark during the late 1990s and early 2000s. Only in production for a few years, these models were among the early versions of the "Super OEM" manual DJ turntables made by the Hanpin Electron Co., Ltd. of Taiwan. The Pro TT-1, Pro TT-1+, and Pro TT-2 models incorporated a LCD display on the top plate to show turntable settings which included a unique 12 segment animated element to indicate platter rotation and direction.
Cross/CrossDJ is a digital vinyl and DJ mixing software developed by the French company Mixvibes. This software provides DJs with a digital platform with which they can mix and perform their music. Since its release in 2008, it has become Mixvibes primary focus.