Fortnight (song)

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"Fortnight"
"Fortnight" is a downtempo electropop and synth-pop ballad driven by a pulsing synth bassline. This sample demonstrates the second verse that features Swift's monotonous vocals.
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At 3 minutes and 48 minutes long, [19] "Fortnight" is an 1980s-influenced downtempo electropop, [20] [21] synth-pop, [22] [23] and new wave [24] ballad. [25] Its subtle electronic production is instrumented by a pulsing synth bassline generated by 8-bit synth plucks. [26] [27] Some critics opined that "Fortnight" was stylistically similar to the music of Swift's 2022 album Midnights . [28] [29] [30] Clash's Lauren Webb wrote that the track has a 1980s power ballad sensibility reminiscent of such artists as Roxette, Cutting Crew, and Phil Collins, [22] while American Songwriter 's Thom Donovan thought that the song channels the "bleak Americana" of Lana Del Rey. [31] Writing for Billboard, Jason Lipshutz observed how "Swift sings in a dulled monotone that flares up with the stabs of emotion" in the verses before Malone "swirls around her upon arrival" in the bridge. [32]

Some American publications pointed to the fact that the title is a British English noun meaning "two weeks". [31] [33] The lyrics are about the strong impacts of a two-week romance that leaves behind fleeting emotions: [21] Swift's narrator is a woman in an unhappy marriage, and she becomes a neighbor of an ex-lover, who is now married to another woman. [20] [34] They encounter each other on a daily basis in a suburban American town, watering the flowers in their garden and chatting about the weather. [21] That she lives next-door to her ex-lover makes her fantasize about killing the wife ("Your wife waters flowers/ I want to kill her") [31] and resorts to alcoholism to cope with her misery. [21] After the second verse, during the double chorus, Swift's character finds out about her husband's infidelity ("My husband is cheating/ I wanna kill him"). [31] By the end, Malone's character, representing the ex-lover of Swift's character, sings about escaping to Florida ("Thought of callin' ya, but you won't pick up/ 'Nother fortnight lost in America/ Move to Florida, buy the car you want/ But it won't start up till you touch, touch, touch me"). [31]

In an album premiere special with iHeartRadio, Swift shared that the single "really exhibits a lot of the common themes that run throughout [the album]", including "fatalism, longing, pining away, lost dreams". [35] She added, in a commentary for Amazon Music, that "Fortnight" displayed "fatalistic" themes with hyperbolic and dramatic lyrics ("I love you, it's ruining my life"), which represented the album. [36] The New York Times ' Lindsay Zoladz thought that the track is "chilly and controlled" until it "[thaws] and [glows]" after the lyric "I love you, it's ruining my life". [37] Donovan summed up the storyline as "a former love affair turning into a suburban nightmare". [31] Consequence's Mary Siroky opined that the lyrics had a heavy "air of death" ("I want to kill him"), [38] while USA Today 's Melissa Ruggeri thought that they were "darkly funny" ("I was a functioning alcoholic 'til nobody noticed my new aesthetic"). [39] Helen Brown of The Independent suggested that the lyrics were autobiographical, [40] but Pitchfork 's Shaad D'Souza suggested that they blended the confessional and fictional, evoking the songwriting of Swift's 2020 album Folklore. [41]

Critical reception

Some critics praised Post Malone's guest vocals. Post Malone in Chicago 2020.jpg
Some critics praised Post Malone's guest vocals.

Alli Rosenbloom of CNN described the song as a "dynamic first track" and "perhaps the album's catchiest", praising how Swift's and Malone's vocals go well together. [42] Mesfin Fekadu of The Hollywood Reporter also picked it as an album highlight. [30] In the Irish Independent , John Meagher opined that Malone's guest appearance was restrained compared to his usual tendency for "melodramatic performances", and the result turned out to be "all the better". [43] Ed Power in The Daily Telegraph wrote: "His breathy singing voice dovetails surprisingly with Swift's angsty coo". [44] Lipshutz ranked "Fortnight" fifth out of the 31 tracks on the double album edition of The Tortured Poets Department, praising how Malone's appearance suits well with Swift's vocals and gives the bridge "subtle power and hangdog charm". [32] In PopMatters , Igor Bannikov complimented the "buoyant" synth-pop production and acclaimed the track as "the best opening track in her career". [26] Zoladz complimented the lyrics, describing "Fortnight" as a "potent [reminder] of how viscerally Swift can summon the flushed delirium of a doomed romance". [37]

In less enthusiastic reviews, Callie Ahlgrim of Business Insider and Laura Molloy of NME deemed "Fortnight" uninventive for Swift's artistry, arguing that its sound is too similar to Antonoff and Swift's previous collaborations. [29] [45] Mark Richardson of The Wall Street Journal labelled it "so-so". [25] Variety's Chris Willman regarded the single as a good choice for pop radio, but he contended that it was "not much of an indication of the more visceral, obsessive stuff" for the album's remainder. [28] Paste [46] and Our Culture Mag 's Konstantinos Pappis criticized the sound as empty and bland, [47] while Alex Hudson of Exclaim! wrote: "I'm genuinely shocked that a seasoned hit-maker like Swift could possibly consider such a dreary, unmemorable song to be a single." [48]

Commercial performance

After one day of release, "Fortnight" set the single-day streaming record for any song on Spotify, surpassing the all-time peak previously held by Mariah Carey's song "All I Want for Christmas Is You" (1994). [49] The single debuted atop the Billboard Global 200, marking Swift's fifth number-one song and tying her with Bad Bunny for the most chart toppers among solo acts. It was one of the 9 tracks from The Tortured Poets Department to debut within the top 10, extending Swift's number of top-10 entries to 33. [50]

In the United States, "Fortnight" debuted at number 9 on Adult Pop Airplay and number 13 on Pop Airplay. It tied her own "Shake It Off" (2014) as the highest debut on the former chart, and “Bad Blood" (2015) as the second-highest debut on the latter chart. [51] On the Adult Pop Airplay chart dated June 22, 2024, the single reached number one to become Swift's record-extending 13th chart topper and Malone's second. [52] On the Billboard Hot 100, "Fortnight" debuted at number one on the chart dated May 4, 2024, with first-week figures of 76.2 million streams, 31.1 million radio airplay audience impressions, and 19,000 copies sold. It registered as the second highest first-week streaming figure since Billboard removed YouTube song user-generated content from its chart metrics in 2020. As Swift's 12th number-one single and seventh number-one debut, it tied Swift with Ariana Grande for the most number-one debuts for a female artist. "Fortnight" also marked Malone's fifth number-one single and first number-one debut. [53] The single spent two consecutive weeks atop the Hot 100. [54]

"Fortnight" also debuted at number one and was Swift's fourth number-one single in the United Kingdom [55] and 12th in Australia. [56] The single also topped the charts in Canada, [57] Singapore, [58] and the United Arab Emirates, [59] as well as Billboard's Hits of the World charts for Hong Kong, [60] Malaysia, [61] and the Philippines. [62] Across other European territories, "Fortnight" reached the top five in Austria, Denmark, Germany, Switzerland, Belgian Flanders, Norway, Sweden, [63] Portugal, [64] Latvia, [65] Lithuania, [66] and Iceland. [67] The track peaked at number two on the chart for the Middle East and North Africa (MENA) region. [68] In Asia-Pacific, "Fortnight" peaked in the top five of Billboard's Hits of the World charts for Taiwan [69] and Indonesia. [70]

Music video

Ethan Hawke BridgetLaudien.jpg
Josh Charles (17272036905).jpg
Dead Poets Society 's co-stars Ethan Hawke (left) and Josh Charles (right) feature in the music video for "Fortnight".

Swift wrote and directed the music video for "Fortnight", with cinematography handled by Rodrigo Prieto. [71] Four hours prior to the album's release, Swift posted a teaser for the music video on social media. [72] The music video was released on April 19, 2024. It has a black-and-white cinematography and features Swift and Malone as ex-lovers, and Dead Poets Society 's co-stars Ethan Hawke and Josh Charles as mad scientists carrying out tests on Swift. [71] [73] [74]

The video starts with Swift seen in a white dress, chained to her bed in a mental facility; [75] the bed is suspended on the wall. [23] After a faceless person comes to give her a "Forget Him" pill, Swift is seen wiping her face to reveal tattoos, before walking into a white room filled with typewriters with her and Malone typing; [75] [76] she is now seen in a black mourning Victorian dress. [44] Ed Power of The Daily Telegraph thought that this part symbolizes Swift's grievance from a broken relationship, demonstrated by the switch from a white wedding dress to a black mourning dress. [44] Slant Magazine 's Alexa Camp wrote that Swift and Malone's typewriting was in "a sort of relationship rehabilitation center where they're tasked with reliving happier memories of each other". [23]

The video then shows scenes of Swift and Malone embracing on a lone highway before being caught up in a tornado that causes loose papers to swirl around them; Brittany Spanos of Rolling Stone thought that this part seemingly tells "the story of star-crossed lovers". [75] [77] Back at the mental facility, Swift is seen strapped to a gurney, in a laboratory. [74] [77] The doctors (Hawke and Charles) perform shock therapy on her as Malone watches from the side. [78] [74] In the final scene, Malone calls from a telephone booth that Swift is on top of in the pouring thunderstorm rain, on an isolated cliff. He ultimately comes out of the booth and grabs Swift's hand. [76] The video ends with silent-film credits. [73]

Swift shared via social media that the video summarizes the aspects of the album, "I wanted to show you the worlds I saw in my head that served as the backdrop for making this music. Pretty much everything in it is a metaphor or a reference to one corner of the album or another." [73] According to many publications, the music video evokes the 2023 movie Poor Things . [a] Megan Thomas of CNN wrote that the video is "strange yet beautiful". [77] Power thought that the video had a haunting quality, saying that "here, she gets under our skin like never before". [44] In the French film magazine Première, Anthéa Claux compared the black-and-white cinematography to that of early-20th century silent films such as Frankenstein (1931), Metropolis (1927), and The Cabinet of Dr. Caligari (1920). [82]

Accolades

"Fortnight"
Taylor Swift - Fortnight.png
Single by Taylor Swift featuring Post Malone
from the album The Tortured Poets Department
ReleasedApril 19, 2024 (2024-04-19)
Studio
Genre
Length3:48
Label Republic
Songwriter(s)
Producer(s)
  • Taylor Swift
  • Jack Antonoff
Taylor Swift singles chronology
"Is It Over Now?"
(2023)		"Fortnight"
(2024)		"I Can Do It with a Broken Heart"
(2024)
Post Malone singles chronology
"Pickup Man"
(2023)		"Fortnight"
(2024)		"I Had Some Help"
(2024)
Awards and nominations for "Fortnight"
OrganizationYearCategoryResultRef.
Guinness World Records 2024Most Streamed Track on Spotify in 24 HoursWon [83]
Most Streamed Track on Spotify in the First 24 HoursWon [84]
Most Streamed Track on Spotify in 24 Hours (Female)Won [85]
Nickelodeon Kids' Choice Awards 2024 Favorite Music CollaborationNominated [86]
Set Decorators Society of America Awards 2024Best Achievement in Decor/Design of a Short Format: Webseries, Music Video or CommercialWon [87]
MTV Video Music Awards 2024 Video of the Year Won [88]
Song of the Year Nominated
Best Collaboration Won
Best Direction Won
Best Cinematography Nominated
Best Editing Won
Best Visual Effects Nominated
Best Art Direction Nominated
Song of the Summer Won
Weibo Music Awards 2024Song of the YearNominated [89]
Music Video of the YearNominated
NRJ Music Awards 2024International Collaboration of the YearNominated [90]
MTV Europe Music Awards 2024 Best Video Won [91]
Best Collaboration Nominated
Camerimage 2024 Golden Frog for Best Music VideoWon [92]
Myx Music Awards 2024 Global Video of the Year Nominated [93]
Musa Awards 2024Anglo International Song of the YearPending [94]
International Collaboration of the YearPending
RTHK International Pop Poll Awards 2024Top Ten International Gold SongsPending [95]
Billboard Music Awards 2024 Top CollaborationPending [96]
Grammy Awards 2025 Best Music Video Pending [97]
Record of the Year Pending
Song of the Year Pending

Personnel

Charts

Certifications

Certifications for "Fortnight"
RegionCertification Certified units/sales
Australia (ARIA) [164] 2× Platinum140,000‡
Belgium (BEA) [165] Gold20,000‡
Denmark (IFPI Danmark) [166] Gold45,000‡
France (SNEP) [167] Gold100,000‡
Italy (FIMI) [168] Gold50,000‡
New Zealand (RMNZ) [169] Platinum30,000‡
Poland (ZPAV) [170] Gold25,000‡
Portugal (AFP) [171] Platinum10,000‡
Spain (PROMUSICAE) [172] Gold30,000‡
United Kingdom (BPI) [173] Platinum600,000‡

‡ Sales+streaming figures based on certification alone.

Release history

Release dates and formats for "Fortnight"
RegionDateFormatVersionLabel(s)Ref.
CanadaApril 19, 2024 Radio airplay Original [174]
ItalyUniversal [10]
United States Contemporary hit radio Republic [175]
Hot adult contemporary radio [9]
GermanyApril 25, 2024 CD single Universal [13]
France
IrelandMay 3, 2024 [12]
United Kingdom
VariousMay 21, 2024 Blond:ish remixRepublic [14]
United StatesMay 31, 2024CD singleOriginal [176] [11]
VariousJuly 9, 2024
  • Digital download
  • streaming
 [15]

Notes

  1. ↑ Attributed to Cosmopolitan 's Ellis Cochrane, [78] The Daily Telegraph 's Ed Power, [44] Hello! 's Rebecca Lewis, [79] Harper's Bazaar Vietnam 's Nguyen Mai, [80] Entertainment Weekly 's Lauren Huff and Emlyn Travis, [74] and Elle 's Erica Gonzales, Alyssa Bailey, and Lauren Puckett-Pope. [81]

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References

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  2. ↑ Garcia, Thania (February 5, 2024). "Taylor Swift Shares Tracklist for The Tortured Poets Department, Featuring Post Malone and Florence + Machine". Variety . Archived from the original on February 6, 2024. Retrieved February 5, 2024.
  3. ↑ Dailey, Hannah (April 16, 2024). "Everything We Know About Taylor Swift's New Album The Tortured Poets Department So Far". Billboard . Archived from the original on April 19, 2024. Retrieved April 17, 2024.
  4. ↑ Sisario, Ben (April 19, 2024). "Taylor Swift's Tortured Poets Arrives With a Promotional Blitz" . The New York Times . Archived from the original on April 22, 2024. Retrieved July 30, 2024.
  5. ↑ Dresdale, Andrea (February 9, 2024). "Post Malone says it was 'amazing' working with Taylor Swift on her new album". ABC Audio . Archived from the original on April 17, 2024. Retrieved April 17, 2024.
  6. ↑ Mazzeo, Esme (February 9, 2024). "Post Malone Can't Wait to Hear His Tortured Poets Collab with Taylor Swift: 'Pretty Fort Knox About That'". People . Archived from the original on April 17, 2024. Retrieved April 17, 2024.
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  17. ↑ Dailey, Hannah (May 13, 2024). "Taylor Swift Says She's 'So Fired Up' to Play New Tortured Poets Set for the Rest of the Eras Tour". Billboard . Archived from the original on May 17, 2024. Retrieved May 13, 2024.
  18. ↑ Shafer, Ellise (May 10, 2024). "Taylor Swift Masterfully Reinvents the Eras Tour for Its European Version: See All the Changes". Variety . Archived from the original on May 12, 2024. Retrieved May 13, 2024.
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  21. 1 2 3 4 Zaleski 2024.
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  24. ↑ Renaud, Philippe (April 19, 2024). "Avec «The Tortured Poets Department», Taylor Swift n'innove pas, elle se raffine" [With The Tortured Poets Department, Taylor Swift Doesn't Innovate, She Refines Herself]. Le Devoir (in French). Retrieved September 30, 2024.
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