"Better than Revenge" | |
---|---|
Song by Taylor Swift | |
from the album Speak Now | |
Released | October 25, 2010 |
Genre | |
Length | 3:37 |
Label | Big Machine |
Songwriter(s) | Taylor Swift |
Producer(s) |
|
Audio video | |
"Better than Revenge" on YouTube |
"Better than Revenge" is a song written and recorded by the American singer-songwriter Taylor Swift for her third studio album, Speak Now (2010). Swift and Nathan Chapman produced the track, which is an electric guitar-driven pop-punk song. In the lyrics, Swift's character addresses a romantic rival that stole her boyfriend, lambasting the sexual habits, tastes, and life choices of the other girl. "Better than Revenge" charted in Canada and the United States in 2010, and it was included in the set list of Swift's Speak Now World Tour (2011–2012).
When the track was first released, some music critics found it entertaining, but feminist writers and journalists took issue with its lyrics as slut-shaming and misogynistic. Swift has since identified as a feminist, although critical commentary on her public image persisted. In the 2023 re-recorded version of the song titled "Better than Revenge (Taylor's Version)", which Swift released after a 2019 dispute regarding the ownership of her albums, she altered a lyric in the chorus—a move that received a mixed reaction. "Better than Revenge (Taylor's Version)" peaked at number 25 on the Billboard Global 200, and Swift performed the altered version at a November 2023 concert in Buenos Aires as part of the Eras Tour.
Taylor Swift released her third studio album, Speak Now , on October 25, 2010. [1] She wrote all 14 album tracks by herself and conceived Speak Now as a loose concept album about the confessions she wanted but never had the chance to make to people she had met. [2] [3] The album's lyrics depart from the high school perspectives of her previous records, certain songs containing vengeful messages towards those who had wronged her. [4] [5] One of such songs, "Better than Revenge", [6] was directed at a romantic rival. [7] Swift did not reveal the subject of the song. [8] "Better than Revenge" is track number 10 on Speak Now, produced by Swift and Nathan Chapman. [9]
Swift included the song on the set list of her Speak Now World Tour (2011–2012). [10] During the shows, she sang the song on top of a bridge, dressed in a red sequined mini-dress and boots, and play-fought with one of her dancers. [11] [12] [13] While on the Eras Tour in Buenos Aires, on November 12, 2023, Swift surprised observers by performing the song. [14]
"Better than Revenge" is an electric guitar-driven pop punk song. [15] [16] According to Ann Powers of the Los Angeles Times , Swift's vocals on the song expanded considerably. [17] The lyrics are about Swift's plea for vengeance against a romantic rival. [8] Compared to her previous songs about romantic fantasy, "Better than Revenge" features a more real-life perspective on love. [18] In the refrain, Swift describes the rival as an "actress" who is "known for the things that she does on the mattress". [19] [20] [21] Maura Johnston writing for Vulture cited this part as one of a few instances of Speak Now where Swift writes about sexual experiences, a new theme for her at the time. [22]
In an American Songwriter review of Speak Now, Rick Moore contended that "Better than Revenge" is the one song that "shows Swift isn't the naïve young role model that so many parents perceive her to be", citing the "on the mattress" lyrics. [23] Allison Stewart of The Washington Post considered the said lyrics immature, but acknowledged that the song, among others such as "Dear John" or "Innocent", moves Swift's image from the "unearthly sweetness" of her previous songs. [19] In BBC Music, Matthew Horton deemed it one of Speak Now's weaker songs. [24]
Slant Magazine writer Jonathan Keefe was critical of "Better than Revenge", deeming the track overall shallow and shortsighted because it indulged in self-righteousness: "Her narrators often seem to lack insight because Swift writes with the point of view that hers is the only story to be told." [6] John J. Moser of The Morning Call remarked that the immature "Better than Revenge", among other songs, backfired Swift's self-proclaimed maturity on Speak Now: "Instead of conveying mature emotions, the songs convey a teen-age girl's concepts of mature emotions ... If Swift is so mature, why is she so bent on revenge, anyway?" [25]
In a more positive vein, Mikael Wood from Spin deemed "Better than Revenge" entertaining. [20] Leah Greenbalt of Entertainment Weekly considered the "surprisingly sharp-toothed" song a step forward from Swift's previous "twitterpated heart of teendom", [26] and Steve Hyden of The A.V. Club considered the track, among others about vengeance, one of Speak Now's strongest: "Swift's niftiest trick is being at her most likeable when she’s indulging in such overt nastiness." [27] Rolling Stone featured the song on their 2015 list of "Country's 20 Best Revenge Songs": "Taylor Swift has made a multi-million dollar career out of getting lyrical revenge, with ["Better than Revenge"] perhaps packing the strongest punch." [28]
Contemporary media reacted negatively to "Better than Revenge", complaining its narrative was slut-shaming. [29] [30] [31] As observed by Nate Jones for Vulture , the song solidified Swift's image as anti-feminist; some media had previously accused Swift of being hostile to feminism through lyrics of certain songs such as "Fifteen", which critics deemed sex-negative, and "You Belong with Me", which is about her competing with another girl for a boy's love. [32] Some feminist writers alleged that Swift was capitalizing on female-female rivalries. [32] In 2014, Swift told The Guardian that she identified as a feminist and spoke about the song: "I was 18 when I wrote that. That's the age you are when you think someone can actually take your boyfriend. Then you grow up and realize no one can take someone from you if they don't want to leave." [33] [34]
Even after Swift claimed to be a feminist, critics continued to take issue with her "calculated" image, deeming her feminist ideology self-interested. [32] As Swift's success grew with her subsequent pop albums, the media focused on the lyrics of "Better than Revenge" to question Swift's feminist identity. [16] In a commentary for New Statesman in 2017, Annie Leszkiewicz considered "Better than Revenge" a misstep for Swift's artistry, on the grounds that it indulged in celebrity and tarnished her wholesome public image that she had curated. [16] Journalists indicated that "Better than Revenge" was the precedent to many of Swift's subsequent songs about celebrity and vengeance, such as "Bad Blood" (2015) and "Look What You Made Me Do" (2017), as her personal life became sensationalized in the press. [16] [30] As a result, Swift changed a lyric on the re-recorded version of the song in 2023. [35]
After Speak Now was released, "Better than Revenge" entered and peaked at number 73 on the Canadian Hot 100. [36] In the United States, the song peaked at number 56 on the Billboard Hot 100 [37] and number six on the Country Digital Song Sales chart. [38] In 2014, the Recording Industry Association of America (RIAA) certified the track gold for surpassing 500,000 units based on sales and streaming. [39]
Chart (2010) | Peak position |
---|---|
Canada (Canadian Hot 100) [36] | 73 |
US Billboard Hot 100 [37] | 56 |
US Country Digital Song Sales ( Billboard ) [38] | 6 |
Region | Certification | Certified units/sales |
---|---|---|
Australia (ARIA) [40] | Platinum | 70,000‡ |
United Kingdom (BPI) [41] | Silver | 200,000‡ |
United States (RIAA) [39] | Gold | 500,000‡ |
‡ Sales+streaming figures based on certification alone. |
"Better than Revenge (Taylor's Version)" | |
---|---|
Song by Taylor Swift | |
from the album Speak Now (Taylor's Version) | |
Released | July 7, 2023 |
Genre | Pop-punk |
Length | 3:40 |
Label | Republic |
Songwriter(s) | Taylor Swift |
Producer(s) |
|
Lyric video | |
"Better than Revenge (Taylor's Version)" on YouTube |
After signing a new contract with Republic Records, Swift began re-recording her first six studio albums in November 2020. [42] The decision came after a 2019 dispute between Swift and talent manager Scooter Braun, who acquired Big Machine Records, including the masters of Swift's albums the label had released. [43] [44] By re-recording her catalog, Swift had full ownership of the new masters, including the copyright licensing of her songs, devaluing the Big Machine-owned masters. [45] The re-recorded version of "Better than Revenge" titled "Better than Revenge (Taylor's Version)", was released on July 7, 2023, via Republic Records as part of Speak Now (Taylor's Version) , Swift's third re-recorded album. [46]
Swift was accused of slut-shaming in the original version of the song with the lyric "she's better known for the things that she does on the mattress". On "Better than Revenge (Taylor's Version)", the lyric was ultimately replaced, with Swift singing "he was a moth to the flame, she was holding the matches" instead. [35] Many critics took issue with the lyrical change and deemed it unnecessary because it downplayed the original's confrontational attitude from a teenage perspective, [47] [48] [49] but some others appreciated it because they thought it showcased Swift's maturity as an artist and a woman. [50] [51]
Adapted from Speak Now (Taylor's Version) digital album inline notes [52]
Chart (2023) | Peak position |
---|---|
Australia (ARIA) [53] | 14 |
Canada (Canadian Hot 100) [54] | 29 |
Global 200 ( Billboard ) [55] | 25 |
Greece (IFPI) [56] | 42 |
Ireland ( Billboard ) [57] | 18 |
New Zealand (Recorded Music NZ) [58] | 22 |
Philippines ( Billboard ) [59] | 12 |
Singapore (RIAS) [60] | 12 |
UK Streaming (OCC) [61] | 32 |
US Billboard Hot 100 [62] | 28 |
US Hot Country Songs ( Billboard ) [63] | 10 |
Region | Certification | Certified units/sales |
---|---|---|
Brazil (Pro-Música Brasil) [64] | Gold | 20,000‡ |
‡ Sales+streaming figures based on certification alone. |
Taylor Alison Swift is an American singer-songwriter. Known for her autobiographical songwriting, artistic reinventions, and cultural impact, Swift is a leading figure in popular music and the subject of widespread public interest.
"Fifteen" is a song written and recorded by the American singer-songwriter Taylor Swift for her second studio album, Fearless (2008). Inspired by Swift's high-school freshman year, the lyrics narrate how she and her friend Abigail Anderson, both at 15, experience teenage heartbreak and realize life aspirations. Swift included the track on the album after Anderson consented to the personal references. She and Nathan Chapman produced "Fifteen", a country pop song with a pop melody. Big Machine Records released "Fifteen" to American country radio on August 31, 2009, as the fourth single from Fearless.
"Ours" is a song written and recorded by the American singer-songwriter Taylor Swift for the deluxe edition of her third studio album, Speak Now (2010). It was released to US country radio as the album's last single on December 5, 2011, by Big Machine Records. Produced by Swift and Nathan Chapman, "Ours" is an understated country pop ballad with a folk-influenced production. The lyrics depict a young couple's resilience to protect their relationship despite others' scrutiny.
Speak Now is the third studio album by the American singer-songwriter Taylor Swift, released on October 25, 2010, by Big Machine Records. Swift wrote the album entirely herself while touring in 2009–2010 to reflect on her transition from adolescence to adulthood.
"Mine" is a song written and recorded by the American singer-songwriter Taylor Swift and the lead single from her third studio album, Speak Now (2010). Big Machine Records released the song for download and to radio on August 4, 2010. Produced by Swift and Nathan Chapman, "Mine" is a country pop and pop rock song. In its lyrics, it discusses the ups and downs of young love, inspired by Swift's tendency to run away from love for fears of heartbreak.
"Back to December" is a song written and recorded by the American singer-songwriter Taylor Swift for her third studio album, Speak Now (2010). Big Machine Records released it as the album's second single on November 15, 2010. Produced by Swift and Nathan Chapman, "Back to December" is a country pop power ballad that incorporates a string section. Inspired by Swift's relationship with the actor Taylor Lautner, the lyrics are about a remorseful plea for forgiveness from a former lover.
"Speak Now" is a song written and recorded by the American singer-songwriter Taylor Swift. It is the title track for her third studio album of the same name (2010), and was released for digital download as a promotional single on October 5, 2010, by Big Machine Records. Produced by Swift and Nathan Chapman, "Speak Now" is an acoustic guitar-driven country pop song with its refrain incorporating the 1950s rock chord progression. Lyrically, the track is about a protagonist interrupting a wedding in an attempt to win her ex-lover back. Swift was inspired to write it after learning that an ex-boyfriend of her friend would marry someone else.
"Mean" is a song written and recorded by the American singer-songwriter Taylor Swift for her third studio album, Speak Now (2010). Big Machine Records released the song to US country radio as the album's third single on March 13, 2011. Produced by Swift and Nathan Chapman, "Mean" is a six-string banjo-led country pop and bluegrass track that incorporates hand claps, fiddles, and multitracked vocals. Inspired by critics of Swift, the lyrics narrate a protagonist's self-awareness of her own shortcomings, efforts to overcome the criticism, and ridicule of a "mean" antagonist.
"Sparks Fly" is a song by the American singer-songwriter Taylor Swift from her third studio album, Speak Now (2010). Swift had written the track in 2006 and occasionally performed it live, and she recorded it for Speak Now after receiving fan requests to release it. Produced by Swift and Nathan Chapman, "Sparks Fly" is a pop rock track combining elements of arena rock and country; its production incorporates dynamic electric guitars and subtle fiddles. The lyrics are about temptations and reluctance caused by a dangerous love affair.
"The Story of Us" is a song written and recorded by the American singer-songwriter Taylor Swift for her third studio album, Speak Now (2010). The international mix was released to radio in Europe on April 7, 2011 and the original version was sent to US pop radio on April 19, 2011, as the fourth single from the album. Produced by Swift and Nathan Chapman, the track combines pop-punk, dance-pop, new wave, and power pop, with a production consisting of fast-paced drums and dynamic electric guitars. For the lyrics, which are about the awkwardness between two parted lovers, Swift was inspired by her encounter with an ex-boyfriend at an awards show.
"Long Live" is a song written and recorded by the American singer-songwriter Taylor Swift for her third studio album, Speak Now (2010). Produced by Swift and Nathan Chapman, "Long Live" is a heartland rock song featuring girl group harmonies and chiming rock guitars. The lyrics are about Swift's gratitude for her fans and bandmates, using high-school and royalty imagery to describe the accomplishments in the narrator's life.
Red is the fourth studio album by the American singer-songwriter Taylor Swift, released on October 22, 2012, by Big Machine Records. Swift designated Red as a breakup album that portrays the complex and conflicting feelings ensuing from lost love.
"State of Grace" is a song written and recorded by the American singer-songwriter Taylor Swift from her fourth studio album, Red. To promote the album before its release, Big Machine Records released the song for download on October 16, 2012. Produced by Swift and Nathan Chapman, "State of Grace" is an arena rock song that uses chiming, feedback-drenched guitars and pounding drums. An acoustic version features as a deluxe-edition bonus track. The lyrics are about the tumultuous feelings evoked by the first signs of love.
"Everything Has Changed" is a song by the American singer-songwriter Taylor Swift featuring the English singer-songwriter Ed Sheeran from Swift's fourth studio album, Red (2012). It was released as the sixth single from the album on July 14, 2013, by Big Machine Records. A music video for the song was released earlier on June 6, 2013. Produced by Butch Walker, "Everything Has Changed" is a guitar-led folk-pop ballad. Its lyrics are about wanting to know a new lover better. The song received mixed reviews from critics, who either complimented or criticized the production.
"Holy Ground" is a song written and recorded by the American singer-songwriter Taylor Swift for her fourth studio album, Red (2012). Produced by Jeff Bhasker, "Holy Ground" is an upbeat song combining country rock and heartland rock with insistent drums. In the lyrics, the narrator reminisces about a good moment in a failed relationship; she describes where she and the ex-lover once stood as "holy ground".
"Innocent" is a song written and recorded by the American singer-songwriter Taylor Swift from her third studio album, Speak Now (2010). Produced by Swift and Nathan Chapman, the song was written in response to Kanye West's interruption of her acceptance speech at the 2009 MTV Video Music Awards, feeling the need to sympathize with him after the public outrage he received. A gentle pop and alternative country ballad with tender vocals, its lyrics are about a protagonist's encouragement of someone who has committed wrongdoings, claiming them to hold innocence and believing that they could redeem themself.
"Enchanted" is a song written and recorded by the American singer-songwriter Taylor Swift for her third studio album, Speak Now (2010). Produced by Swift and Nathan Chapman, the song is a power ballad combining pop, rock, and country. The production incorporates gentle acoustic guitars and crescendos after each refrain, leading to dynamic electric guitars, a steady drum beat, and a vocal harmony-layered coda. In the lyrics, a narrator is infatuated with someone after meeting them for the first time, and she worries about whether the initial feeling will be reciprocated.
"Treacherous" is a song by the American singer-songwriter Taylor Swift, taken from her fourth studio album, Red (2012). Swift wrote the track with its producer Dan Wilson. Blending styles of country and pop, "Treacherous" is a slow-burning ballad that builds up into a finale. Its lyrics are about a narrator's attempt to protect a fragile and dangerous relationship. A demo of the song was included in the tracklist of Red's deluxe edition.
"Dear John" is a song written and recorded by the American singer-songwriter Taylor Swift for her third studio album, Speak Now (2010). The title references the Dear John letter, which is a letter written to a man by his romantic partner to inform him that their relationship is over. The lyrics describe a 19-year-old's toxic and inappropriate relationship with an older man. Produced by Swift and Nathan Chapman, "Dear John" is a slow-burning power ballad combining soft rock, electric blues, and country pop; the production incorporates electric guitar licks.
Speak Now (Taylor's Version) is the third re-recorded album by the American singer-songwriter Taylor Swift, released on July 7, 2023, by Republic Records. A re-recording of Swift's third studio album, Speak Now (2010), it is part of her re-recording projects following the 2019 dispute over the ownership of her back catalog. Swift announced the album at the Nashville concert of her sixth headlining tour, the Eras Tour, on May 5, 2023.
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