"Lavender Haze" | ||||
---|---|---|---|---|
Single by Taylor Swift | ||||
from the album Midnights | ||||
Released | November 29, 2022 | |||
Studio |
| |||
Genre | ||||
Length | 3:22 | |||
Label | Republic | |||
Songwriter(s) |
| |||
Producer(s) |
| |||
Taylor Swift singles chronology | ||||
| ||||
Music video | ||||
"Lavender Haze" on YouTube |
"Lavender Haze" is a song by the American singer-songwriter Taylor Swift from her tenth studio album, Midnights (2022). The song was written by Swift, Jack Antonoff, Jahaan Sweet, Sounwave, Zoë Kravitz, and Sam Dew, and it was produced by the first four in addition to Braxton Cook. The title references a 1950s-dated common phrase for the state of being in love, inspired by the series Mad Men . Republic Records released the song to US radio on November 29, 2022, as the album's second single.
"Lavender Haze" has an electro-hip-hop-influenced production driven by a thumping bassline, modular synthesizers, and layered falsetto vocals in the refrain. Critics described its genre as pop, ambient house, R&B, and disco. Inspired by the media scrutiny surrounding the romantic relationship between Swift and English actor Joe Alwyn, the lyrics are about a narrator disregarding others' opinions and asserting that she wants to stay in love with her lover. Critics praised the song for what they deemed a sultry mood, a catchy production, and straightforward lyrics.
The single peaked at number two on the singles charts of Australia, Canada, Ireland, New Zealand, the United States, and on the Billboard Global 200. It reached the top 10 in many other countries. The "Lavender Haze" music video, written and directed by Swift, was released on January 27, 2023. It incorporates psychedelic and surrealist visual elements and features the Dominican-American model Laith Ashley as Swift's love interest. She included "Lavender Haze" in the setlist of her sixth headlining concert tour, the Eras Tour (2023–2024).
Taylor Swift announced her tenth studio album, Midnights , at the MTV Video Music Awards on August 28, 2022. She revealed the scheduled release date of October 21, but did not immediately disclose the track list. [1] Beginning on September 21, Swift started to unveil the track list in a randomized order through her 13-episode short-video series Midnights Mayhem with Me on TikTok. [2] [3] In each video, Swift rolls a lottery cage containing 13 ping pong balls numbered from one to thirteen, each representing a track, and when a ball drops out, she discloses the title of the corresponding track through a telephone. [4]
In the ninth episode on October 7, 2022, Swift announced the title of the album's opening track as "Lavender Haze". [5] [6] After disclosing the track title, Swift shared via an Instagram post that she discovered the expression "lavender haze", which describes the state of being in love, when watching the period drama series Mad Men ; the phrase appears in the twelfth episode of the second season. [7] [8] Intrigued by its meaning and supposed origin dating back to the 1950s, she saw parallels between the expression and her relationship with English actor Joe Alwyn. [9] To Swift, the title signified an "all-encompassing love glow": "[When] you're in the 'lavender haze' you'll do anything to stay there and not let people bring you down off of that cloud." [10] [11]
Swift revealed the songwriting credits for Midnights on October 18, 2022. "Lavender Haze" was written by an assembly including Swift, Jack Antonoff, Sounwave, Jahaan Sweet, Sam Dew, and Zoë Kravitz. [12] [13] [14] The first four songwriters also produced it and used a vocal sample from jazz musician Braxton Cook, who is credited as an additional producer. [15] Antonoff and audio engineer Laura Sisk recorded the track at Rough Customer Studio in Brooklyn, Electric Lady Studios in New York, and Henson Recording Studios in Los Angeles. Musicians on "Lavender Haze" include Antonoff, who programmed the song and played drums, modular synthesizers, Juno-6, Mellotron, and Wurlitzer; Sweet, who played bass, bass pad, flute, and Juno; Dominik Rivinus, who played snares that were recorded by Ken Lewis at Neon Wave Studio in Pirmasens, Germany. Serban Ghenea mixed "Lavender Haze" at MixStar Studios in Virginia Beach, Virginia, and Randy Merrill mastered it at Sterling Sound in Edgewater, New Jersey. On the vinyl editions, the track was mastered by Ryan Smith at Sterling Sound in Nashville, Tennessee. [14]
"Lavender Haze" is driven by a thumping bassline generated with a synth bass, [16] downtempo rhythms, [17] and swirling modular synthesizers. [18] In the track, Swift sings with her layered, breathy upper register vocals that lead to falsetto in the refrain, accompanied by high-pitched background vocals from Antonoff. [19] [20] [21] Music critics described the production as dreamy, moody, and sensual. [20] [22]
Critical consensus was that the track's music links to a variety of genres. Reviews such as those published in The Times and The Sydney Morning Herald called it a song rooted in synth-pop [23] [24] and dream pop [25] genres, while also evoking ambient house [26] and elements of rhythmic genres like R&B [20] [27] and hip hop. [28] [29] Alex Blimes of Esquire described the song as "slow disco". [30] In Vulture, musicologist Nate Sloan and journalists Charlie Harding and Reanna Cruz said the prominent synth-bass sound evokes an ensemble of dance and club styles of techno, UK garage, and jungle. Harding said the bassline used in "Lavender Haze" is the Reese bass, a synth-bass sound that characterizes a very low bass patch. [17] Some reviewers likened the track's sound to that of Swift's 2017 album Reputation. [20] [28] Ann Powers of NPR thought the layered vocals and synth drums are reminiscent of the music by Whitney Houston, [31] and Neil McCormick of The Telegraph said the falsetto "funkiness" evokes the styles of Prince. [32]
The lyrics are about the tabloid scrutiny and online rumors that Swift and Alwyn had faced, [33] and wanting to stay away from the press with her lover. [34] In the lyrics, a narrator disregards others' opinions on her relationship: "All they keep asking me / Is if I'm gonna be your bride / The only kinda girl they see / Is a one-night or a wife." [35] She disregards the scrutiny on her romantic life as bigoted and outdated ("the 1950s shit they want from me"). [35] [36] She refers to questions surrounding the relationship as "dizzying" and compliments Alwyn's disregard to public inquiries about their relationship. [37] She ultimately shakes off the judgement, "Talk your talk and go viral / I just need this love to spiral." [16] Media publications wrote that the lyrics feature a feminist viewpoint and call out the misogynistic conceptions about gender roles. [16] [24] [34]
"Lavender Haze" received widespread acclaim from music critics. Rolling Stone 's Brittany Spanos described the song as the most explicit on the album about Swift's "forcefield of protection", and compared it to "Cruel Summer" (2019) thematically, both being about "love glow breaking through all the negativity, criticism, and expectations." Sonically, Spanos praised the track's restrained, "subtle and shimmering sound" setting the mood for Midnights as the opening track. [38] Chris Willman of Variety opined that the song harkens Swift "back in autobiographical territory as a lyricist". [20] Paul Bridgewater from The Line of Best Fit picked "Lavender Haze" as one of the album's stronger tracks, [39] and Mary Siroky from Consequence selected it as one of the album's three essential tracks, alongside "Anti-Hero" and "Karma". [36] For Our Culture Mag's Konstantinos Pappis, its "stunning" production sets the tone for the "radiant, almost muted glow" of Midnights. [40] Rick Quinn, writing for PopMatters, dubbed the song an "infectiously danceable tune". [41] Paste critic Ellen Johnson said the song has a "sultry" melody with the lyrics expressing "feminist discontent". [42] In congruence, Slate 's Carl Wilson wrote that "Lavender Haze" references the Madonna–whore complex. [34] Billboard ranked "Lavender Haze" as the 69th best song of 2022. [19]
Released on October 21, 2022, as the opening track of Midnights, [43] [44] "Lavender Haze" was released to US contemporary hit radio as the album's second single on November 29, 2022. [45] A tropical house remix of "Lavender Haze" by German DJ Felix Jaehn was released on February 10, 2023. [46] [47] Three more remixes by Tensnake, Snakehips and Jungle, respectively, followed on March 3, 2023, were released. [48] [49] [50] All three, along with the remix by Felix Jaehn, were also released together that same day to streaming services in a remix EP. [51] An acoustic version was made available for digital download and on streaming services on March 31, 2023. [52] [53]
"Lavender Haze" received over 16.4 million plays in its first 24 hours on Spotify globally, becoming the second biggest opening day for a song in the platform's history, behind the album's lead single "Anti-Hero". [54] [55] It debuted at its peak of number two on the Billboard Global 200, behind "Anti-Hero". [56] [57]
In the United States, tracks from Midnights occupied the entire top 10 of the Billboard Hot 100; "Lavender Haze" debuted and peaked [58] at number two (behind "Anti-Hero") with 41.4 million streams, 2,800 digital downloads sold, and 2.4 million airplay audience. With this, Swift received the most number-two entries for a female artist in the chart's history. She became the first artist to occupy the top 10 spots of the Hot 100 simultaneously; and the first act to occupy the entire top 10 of the Hot 100, Streaming Songs, and Digital Songs charts simultaneously. Midnights also became the first album in history to contain ten top-10 songs. [59] "Lavender Haze" spent a second consecutive week inside the top 10 of the Hot 100, alongside "Anti-Hero", "Bejeweled" and "Midnight Rain". [60]
After its release as the second single from Midnights, "Lavender Haze" peaked at number five on the Pop Airplay and number four on the Adult Pop Airplay charts, becoming Swift's milestone twentieth top-10 entry on the former and her twenty-seventh one on the latter; it additionally served as her fourteenth top five entry on the former and her record-tying fifteenth one on the latter. [61] It became her seventeenth song to enter the top 10 of the overall Radio Songs chart, tying Jay-Z, Ludacris, P!nk, T-Pain and Usher for the tenth most top 10 radio singles in history. [62]
Elsewhere, "Lavender Haze" has charted in 21 other countries. It peaked within the top-five in Australia, [63] Canada, [64] Ireland, [65] New Zealand, [66] the Philippines [67] the United Kingdom, [68] Malaysia, [69] Singapore; [70] the top-10 in India, [71] Portugal, [72] Vietnam, [73] Iceland, [74] and South Africa; [75] and the top-20 in Luxembourg, [76] Norway, [77] Lithuania, [78] Austria, [79] Croatia, [80] Hong Kong, [81] the Czech Republic, [82] [ dead link ] and Sweden. [83]
The music video for "Lavender Haze" was teased along with the music videos for "Anti-Hero" and "Bejeweled" during the Midnights album trailer on Amazon Prime Video on October 20, 2022. It premiered on Swift's Vevo channel on YouTube at midnight EST on January 27, 2023. [86]
In the psychedelic video, [87] [88] Swift rises from her bed, where her lover, portrayed by Laith Ashley, lies asleep. A lavender-hued mist appears from underneath the bed and engulfs the room. The video cuts to Swift on a couch watching a weather channel on television, wearing a purple faux-fur coat. She crawls towards the television through patches of lavender flowers and parts the screen like curtains, revealing koi fish swimming through an outer space featuring stars and bright purple clouds. In the next scene, Swift lies seemingly disrobed in a purple-hued pool. The video intercuts between Swift in the pool and the lavender before cutting to her at a party with her lover, where they are dancing, engulfed in the lavender mist. The video ends with Swift back in her bedroom. The walls suddenly fall, revealing the house to be afloat in space and then leaving her on a cloud surrounded by the floating koi fish. [89] The video contains numerous Easter eggs that link to other Midnights tracks. [88] [90] [91]
Organization | Year | Category | Result | Ref. |
---|---|---|---|---|
Nickelodeon Mexico Kids' Choice Awards | 2023 | Global Hit of the Year | Nominated | [92] |
Digital download [93]
Digital download and streaming – Acoustic [52] [53]
Digital download and streaming – Remixes [51]
Credits are adapted from the liner notes of Midnights. [14]
Weekly charts | Year-end charts
|
Region | Certification | Certified units/sales |
---|---|---|
Australia (ARIA) [125] | 3× Platinum | 210,000‡ |
Canada (Music Canada) [126] | Platinum | 80,000‡ |
Mexico (AMPROFON) [127] | Platinum | 140,000‡ |
New Zealand (RMNZ) [128] | Gold | 15,000‡ |
Poland (ZPAV) [129] | Gold | 25,000‡ |
Portugal (AFP) [130] | Gold | 5,000‡ |
Spain (PROMUSICAE) [131] | Gold | 30,000‡ |
United Kingdom (BPI) [132] | Platinum | 654,000 [133] |
‡ Sales+streaming figures based on certification alone. |
Region | Date | Format | Version | Label(s) | Ref. |
---|---|---|---|---|---|
United States | November 29, 2022 | Contemporary hit radio | Original | Republic | [45] |
January 10, 2023 | Hot adult contemporary radio | [134] | |||
January 27, 2023 | Digital download | [93] | |||
Various | February 10, 2023 |
| Felix Jaehn remix | [135] | |
United States | March 3, 2023 | Digital download | Tensnake remix | [48] | |
Snakehips remix | [49] | ||||
Jungle remix | [50] | ||||
Various |
| Remixes | [51] | ||
Italy | March 17, 2023 | Radio airplay | Original | Universal | [136] |
Various | March 31, 2023 |
| Acoustic | Republic | [52] [53] |
"Bad Blood" is a song by the American singer-songwriter Taylor Swift from her fifth studio album, 1989 (2014). Swift wrote the song with the producers Max Martin and Shellback, and it is a pop song with prominent drums and keyboards. The lyrics are about betrayal by a close friend; many media publications interpreted that the American singer Katy Perry was the subject. A remix featuring the American rapper Kendrick Lamar, with additional lyrics by Lamar and production by Ilya, was released to radio as the fourth single to promote 1989 on May 17, 2015, by Big Machine and Republic Records.
"Lover" is a song by the American singer-songwriter Taylor Swift and the title track of her seventh studio album (2019). Swift conceived it as a timeless love song that could be played at a wedding reception; the lyrics are about an intimate and committed relationship, and the bridge draws on the bridal rhyme "Something old". Produced by Swift and Jack Antonoff, "Lover" combines country and indie folk over a waltz tempo. It has an acoustic-guitar-driven balladic production consisting of snare drums, piano, pizzicato strings, and dense reverb. Republic Records released "Lover" for download and streaming on August 16, 2019, and to US radio the next month.
"Cruel Summer" is a song by the American singer-songwriter Taylor Swift from her seventh studio album, Lover (2019). The song was written by Swift, Jack Antonoff, and St. Vincent, and was produced by Swift and Antonoff. "Cruel Summer" is a synth-pop, industrial pop, and electropop song composed of synths, wobbling beats, and vocoder-manipulated vocals. The lyrics are about an intense romance during a painful summer.
"Message in a Bottle" is a song by the American singer-songwriter Taylor Swift. It was her first writing collaboration with Max Martin and Shellback. The song was intended for but excluded from her fourth studio album, Red (2012). Shellback and Elvira Anderfjärd produced the track for Swift's re-recorded album, Red (2021). "Message in a Bottle" is a 1980s-influenced dance-pop and electropop song with lyrics about the anxiety from falling in love.
Midnights is the tenth studio album by the American singer-songwriter Taylor Swift, released on October 21, 2022, by Republic Records. Swift conceived it as a concept album about nocturnal ruminations inspired by her sleepless nights. The autobiographical songwriting explores broad emotions such as regrets, self-criticism, fantasies, heartbreak, and infatuation, using confessional yet cryptic lyrics that allude to her personal life and public image.
"Mastermind" is a song by the American singer-songwriter Taylor Swift, taken from her tenth original studio album, Midnights (2022). She was inspired to write it after watching the 2017 film Phantom Thread. Produced with co-writer Jack Antonoff, "Mastermind" is an electropop song featuring synth arpeggiators, layered vocal harmonies, and an expansive bass. Its lyrics are about a narrator confessing to a lover that they were the one who initiated and planned their romantic relationship.
"Vigilante Shit" is a song written and recorded by the American singer-songwriter Taylor Swift for her tenth studio album Midnights (2022). Produced by Swift and Jack Antonoff, the track is a dark pop tune with elements of industrial and hip hop. Its minimalistic production is driven by trap beats composed of pulsing snare drums and light bass and electronic tones. The lyrics are about a noirish vengeance declaration, taking aim at an enemy and encouraging other women to do the same.
"Question...?" is a song by the American singer-songwriter Taylor Swift from her tenth original studio album, Midnights (2022). Swift wrote and produced the song with Jack Antonoff. A synth-pop track, "Question...?" has lyrics where a narrator ponders on a broken relationship and confronts the ex-lover with a series of rhetorical questions. It samples Swift's own 2016 single "Out of the Woods". The song was released as a limited-time digital download from Midnights on October 25, 2022, by Republic Records.
"Maroon" is a song by the American singer-songwriter Taylor Swift from her tenth original studio album, Midnights (2022). Written and produced by Swift and Jack Antonoff, the lyrics contain references to different shades of red such as maroon, burgundy, and scarlet in order to describe the haunting memories of a long-gone relationship set in New York. Musically, "Maroon" is a ballad combining dream pop, synth-pop, and trip hop. Its ambient production consists of reverbed layered vocals, trap beats, and an oscillating electric guitar creating a sustained note throughout the track.
"Bejeweled" is a song by the American singer-songwriter Taylor Swift from her tenth original studio album, Midnights (2022). She wrote and produced the song with Jack Antonoff. It is a synth-laden synth-pop and bubblegum pop track with ringing synth arpeggios and elements of disco and electronica. The lyrics are about self-worth; Swift said the lyrics were also a statement of her return to pop music with Midnights after the 2020 folk-oriented albums Folklore and Evermore. The song was released for limited-time download via Swift's website on October 25, 2022.
"Karma" is a song by the American singer-songwriter Taylor Swift from her tenth studio album, Midnights (2022). Swift wrote and produced the song with Jack Antonoff, Sounwave, and Keanu Beats, while Jahaan Sweet co-produced it. Republic Records released the song to US radio on May 1, 2023, as the third single from Midnights. A remix featuring the American rapper Ice Spice was released on May 26, 2023, as part of an extended Midnights edition.
"You're on Your Own, Kid" is a song by the American singer-songwriter Taylor Swift, taken from her tenth studio album, Midnights (2022). Swift wrote and produced the song with Jack Antonoff. With a production combining alternative rock, pop rock, and synth-pop sounds, "You're on Your Own, Kid" is an upbeat song with muted guitars and synthesizers that gradually build up. In the lyrics, a narrator reflects on her coming of age, on how she dealt with an unrequited love and her career ambitions.
"Sweet Nothing" is a song by the American singer-songwriter Taylor Swift from her tenth studio album, Midnights (2022). Swift wrote the song with Joe Alwyn, who is credited under the pseudonym William Bowery, and produced it with Jack Antonoff. An electric piano-led ballad, "Sweet Nothing" features a bedroom pop production that is reminiscent of 1970s ballads. It is accompanied by saxophone and clarinet accents. The lyrics are about a narrator's appreciation of her lover for his calming presence and simple gestures amidst the chaos of the outer world.
"Snow on the Beach" is a song by the American singer-songwriter Taylor Swift from her tenth studio album, Midnights (2022). It features the American singer-songwriter Lana Del Rey. The two wrote the track with Jack Antonoff, who also produced it with Swift. "Snow on the Beach" is a dream pop tune featuring a midtempo production consisting of synths, plucked violin, a reverbed bass, and background vocals from Del Rey. Lyrically, it is a love song about two people falling in love with each other simultaneously.
"Hits Different" is a song by the American singer-songwriter Taylor Swift. It was first released as a bonus track on the CD-only Lavender Edition of her tenth studio album, Midnights, on October 21, 2022. The track was released for download and streaming as part of the Til Dawn Edition on May 26, 2023. Written and produced by Swift, Jack Antonoff, and Aaron Dessner, its lyrics reflect on a past relationship and contain references to some of Swift's other songs. Critics complimented the humorous tone of its lyrics and found the production catchy.
"Anti-Hero" is a song by the American singer-songwriter Taylor Swift and the lead single from her tenth studio album, Midnights (2022). Swift wrote and produced the song with Jack Antonoff. It is a pop rock and synth-pop song driven by a 1980s-inspired drum loop generated with a LinnDrum and retro synthesizers such as the Juno 6 and the Prophet 5. Inspired by Swift's insecurities, the lyrics focus on self-loathing and the impact of fame on her wellbeing; the bridge narrates a nightmare where her daughter-in-law murders her for her last will. Republic Records released the song for download and streaming on October 21, 2022.
"Would've, Could've, Should've" is a song by the American singer-songwriter Taylor Swift. It is a bonus track originally released as part of the 3am Edition of her tenth studio album, Midnights (2022). Written and produced by Swift and Aaron Dessner, it is a new wave-leaning soft rock song about a narrator's rumination of a flawed, age-inappropriate romantic relationship in the past.
"Bigger Than the Whole Sky" is a song written and recorded by the American singer-songwriter Taylor Swift as a bonus track for the 3am Edition of her tenth original studio album, Midnights (2022). Produced by Swift and Jack Antonoff, "Bigger Than the Whole Sky" is a country-influenced ambient ballad with ambiguous lyrics expressing grief and heartache over a person the narrator has never met.
"Midnight Rain" is a song by the American singer-songwriter Taylor Swift, taken from her tenth original studio album, Midnights (2022). Written and produced by Swift and Jack Antonoff, the song has a slow pace, R&B-tinged electropop production. The track is driven by a distorted Moog synthesizer and features Swift's format-shifted vocals at some parts. In the lyrics, the narrator contemplates on a lost love and how she chose her career and fame over a domestic life with an ex-lover.
"Labyrinth" is a song by the American singer-songwriter Taylor Swift, taken from her tenth studio album, Midnights (2022). Swift wrote and produced the track with Jack Antonoff. It is a muted dance-pop and synth-pop song with prominent electronic and alternative elements, and has a production that consists of dense synthesizers, subtle guitars, and trap/house beats. Swift sings with a soft timbre and uses her upper-register vocals throughout most of the verses, until the end of the song where her vocals are manipulated to a lower pitch. Lyrically, the narrator expresses anxiety towards newfound romance.