"Message in a Bottle" | ||||
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Single by Taylor Swift | ||||
from the album Red (Taylor's Version) | ||||
Released | November 15, 2021 | |||
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Genre | ||||
Length | 3:45 | |||
Label | Republic | |||
Songwriter(s) |
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Producer(s) |
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Taylor Swift singles chronology | ||||
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Lyric video | ||||
"Message in a Bottle" on YouTube |
"Message in a Bottle" [a] is a song by the American singer-songwriter Taylor Swift. It was her first writing collaboration with Max Martin and Shellback. The song was intended for but excluded from her fourth studio album, Red (2012). Shellback and Elvira Anderfjärd produced the track for Swift's re-recorded album, Red (Taylor's Version) (2021). "Message in a Bottle" is a 1980s-influenced dance-pop, synth-pop, and electropop song with lyrics about the anxiety from falling in love.
Republic Records issued the song to the US hot AC and mainstream radio formats as a single following the album's release in November 2021. Music critics generally praised the song's production as catchy, although a few found it underwhelming. The song peaked at number 50 on the Billboard Global 200 and charted in Australia, Canada, and the United States, among other countries. It also peaked in the top 20 on three Billboard airplay charts.
After ending her 13-year contract with Big Machine Records and signing anew with Republic Records in 2018, Taylor Swift began re-recording her first six studio albums in November 2020. [2] The decision followed a public 2019 dispute between Swift and the talent manager Scooter Braun, who acquired Big Machine, including the masters of her albums which the label had released. [3] [4] By re-recording the albums, Swift had full ownership of the new masters, which enabled her to control the licensing of her songs for commercial use and therefore replaced the Big Machine–owned masters. [5]
In April 2021, Swift released her first re-recorded album: that of her 2008 studio album Fearless, subtitled Taylor's Version. In addition to the re-recorded tracks, it contained several unreleased "From the Vault" tracks that she had written but left out of the original album. [6] On November 12, 2021, she released her second re-recorded album: that of her 2012 studio album Red, also subtitled Taylor's Version. [7] As with its predecessor, Red (Taylor's Version) includes "From the Vault" tracks. [8]
"Message in a Bottle" was the first song that Swift wrote with the Swedish producers Max Martin and Shellback. [9] The two produced three songs for the original Red album: "22", "We Are Never Ever Getting Back Together", and "I Knew You Were Trouble". [10] [11] [12]
"Message in a Bottle" is an uptempo dance-pop, [13] synth-pop, [14] and electropop tune [7] [15] [16] produced by Shellback and Elvira Anderfjärd. [17] According to the album's liner notes, both Shellback and Anderfjärd played the keyboards; the former played guitar and the latter played the bass and drums. [17] Some critics commented that "Message in a Bottle" could have fitted into Swift's 2014 album 1989, which she described as her first official pop album. [18] [19] [20] NME 's Hannah Mylrea said the 1980s-influenced production evoked the music of Carly Rae Jepsen's 2015 album Emotion. [21] Meanwhile, Laura Snapes from The Guardian said that the production evoked "tropical house via Coldplay". [22] The lyrics are about the anxiety ensued from falling in love with somebody ("But now/You're so far away and I'm down/Feeling like a face in the crowd/I'm reaching for you, terrified"). [23] [19]
"Message in a Bottle" is one of the vault tracks on Red (Taylor's Version), which Republic Records released on November 12, 2021; it is number 26 on the track listing. [24] [8] Republic released it to US hot adult contemporary radio on November 15, [25] and the following day the song also impacted contemporary hit radio format, making it an official radio single. [26] [27] A remix by Fat Max G was released to digital and streaming services on January 21, 2022. [28] Swift performed "Message in a Bottle" as a "surprise song" outside the regular set list at the Seattle concert on July 23, 2023, as part of her Eras Tour. [29] She sang it again on the tour's Stockholm stop on May 19, 2024, as part of a medley with her songs "New Romantics" and "How You Get the Girl". [30]
After Red (Taylor's Version) was released, "Message in a Bottle" debuted and peaked at number 45 on the US Billboard Hot 100 chart dated November 27, 2021. [31] [32] The single also charted on three Billboard airplay charts. On Adult Pop Songs, it debuted at number 36 on the chart dated November 20, 2021, after three days of tracing, marking Swift's record-extending 36th entry, [33] and peaked at number 10. [34] It peaked at number 11 on Adult Contemporary and number 17 on Pop Songs. [7] The track peaked at number 50 on the Billboard Global 200 [35] and the singles charts of Australia (33) [36] and Canada (32). [37]
"Message in a Bottle" received generally positive reviews. Mylrea called the song a "effervescent nugget of pure-pop". [21] Paul Bridgewater of The Line of Best Fit labeled the track "A-grade Swift", [18] while Beth Kirkbride of Clash thought that the electronic soundscape contributed to the diverse musical styles of Red (Taylor's Version). [38] Ranking "Message in a Bottle" third among the nine vault tracks on the album, Billboard 's Jason Lipshutz described the track as "compact, propulsive" with "the same energy (and crackling charm)" as the songs that pushed Swift's artistry towards the album 1989. [20] Jonathan Keefe of Slant Magazine said that "Message in a Bottle" had a catchy hook as Swift's singles "We Are Never Ever Getting Back Together" and "Shake It Off", but he said that it did not have "the self-conscious repetitions of those hits". [39]
Variety's Chris Willman gave the song a four-star rating; he opined that the "thoroughly infectious" track had "a strong shot for hit single status" but added that "as good as it is, you can imagine almost anyone in pop singing it". [40] Josh Kurp of Uproxx placed "Message in a Bottle" fifth on his ranking of Swift's 26 vault tracks on her Taylor's Version re-recordings; he predicted that it would become one of Swift's most memorable tracks thanks to its earworm quality. [41] Time's critics ranked it 13th out of 25 vault songs; Annabel Gutterman described it as "upbeat, punchy", and "fun". [42]
Pitchfork 's Olivia Horn gave a lukewarm review, complimenting the production but criticizing its "dearth of personality". [43] Snapes deemed "Message in a Bottle" generic and inferior compared to "22", another pop song that was included in the original 2012 album. [22] Rob Sheffield from Rolling Stone agreed that "Message in a Bottle" sounded too similar to "22", which made it understandable that Swift left it out of the original Red. [44]
All tracks are noted as "Taylor's Version".
Digital download and streaming [45]
Digital download and streaming [46]
Credits are adapted from the liner notes of Red (Taylor's Version). [17]
Fat Max G Remix [47]
Weekly charts
| Year-end charts
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Region | Certification | Certified units/sales |
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Australia (ARIA) [58] | Platinum | 70,000‡ |
‡ Sales+streaming figures based on certification alone. |
Region | Date | Format(s) | Version | Label | Ref. |
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United States | November 15, 2021 | Hot adult contemporary radio | Original | Republic | [25] |
November 16, 2021 | Contemporary hit radio | [26] | |||
Various | January 21, 2022 | Fat Max G remix | [28] | ||
Italy | Radio airplay | Original | Universal | [59] |
"New Romantics" is a song by the American singer-songwriter Taylor Swift, who wrote it with the producers Max Martin and Shellback. The title is a reference to a cultural movement of the 1970s and 1980s, whose new wave musical style influenced the song's synth-pop production and pulsating synthesizers. The lyrics are about reigniting one's hopes and energy after emotional hardships.
Karl Martin Sandberg, known professionally as Max Martin, is a Swedish record producer and songwriter. He rose to prominence in the late 1990s with songwriting credits on a string of hit singles, such as Britney Spears's "...Baby One More Time" (1998), the Backstreet Boys' "I Want It That Way" (1999), Celine Dion's "That's the Way It Is" (1999) and NSYNC's "It's Gonna Be Me" (2000).
Red is the fourth studio album by the American singer-songwriter Taylor Swift, released on October 22, 2012, by Big Machine Records. Swift designated Red as a breakup album that portrays the complex and conflicting feelings ensuing from lost love.
"Red" is a song written and recorded by the American singer-songwriter Taylor Swift and the title track of her fourth studio album (2012). The song was produced by Swift, Dann Huff, and Nathan Chapman. Big Machine Records released the song onto the iTunes Store on October 2, 2012, as Red's second promotional single, and to U.S. country radio on June 24, 2013, as an official single. Musically, "Red" combines country, roots rock, pop rock, soft rock over acoustic banjo, guitars, and electronic vocal manipulation. Lyrically about a tumultuous relationship, the refrain likens the conflicting emotions to a spectrum of colors, including the color red which symbolizes the ensuing intense feelings.
"I Knew You Were Trouble" is a song by the American singer-songwriter Taylor Swift from her fourth studio album, Red (2012). She wrote the song with its producers, Max Martin and Shellback. Instrumented by electric guitars and synthesizers, "I Knew You Were Trouble" has a production that incorporates pop subgenres. Its refrain is accentuated by a dubstep wobble and Swift's distorted vocals; music critics found the dubstep production a radical departure from her previous country pop sounds. The lyrics are about a narrator's self-blame after a toxic relationship upon recognizing the warning signs in hindsight.
"22" is a song by the American singer-songwriter Taylor Swift from her fourth studio album, Red (2012). It was released as the album's fourth single on March 12, 2013, by Big Machine Records. Written and produced by Swift, Max Martin, and Shellback, "22" combines pop styles such as dance-pop and bubblegum with disco and 1990s rock. The track begins with an acoustic guitar riff and progresses into an upbeat refrain which incorporates pulsing synthesizers and syncopated bass drums. The lyrics celebrate being 22 years old while acknowledging the heartache that the narrator experienced in the past.
"All Too Well" is a song by the American singer-songwriter Taylor Swift. Written by Swift and Liz Rose, the song was first produced by Swift and Nathan Chapman for her fourth studio album, Red (2012). After a 2019 dispute regarding the ownership of Swift's masters, she re-recorded the song as "All Too Well (Taylor's Version)" and released an unabridged "10 Minute Version" as part of the re-recorded album Red (Taylor's Version) in November 2021.
"Shake It Off" is a song by the American singer-songwriter Taylor Swift and the lead single from her fifth studio album, 1989. She wrote the song with its producers, Max Martin and Shellback. Inspired by the media scrutiny on Swift's public image, the lyrics are about her indifference to detractors and their negative remarks. An uptempo dance-pop song, it features a looping drum beat, a saxophone line, and a handclap–based bridge. Big Machine Records released "Shake It Off" on August 19, 2014, to market 1989 as Swift's first pop album after her previous country–styled sound.
"Style" is a song by the American singer-songwriter Taylor Swift and the third single from her fifth studio album, 1989 (2014). She wrote the track with its producers Max Martin, Shellback, and Ali Payami. An incorporation of pop, funk, disco, and electronic styles, "Style" is built on an electric guitar riff, pulsing synthesizers, and dense vocal reverb. The lyrics are about a couple who could not escape from an unhealthy relationship because they are never "out of style". Big Machine in partnership with Republic Records released the song to US radio on February 9, 2015.
"Bad Blood" is a song by the American singer-songwriter Taylor Swift from her fifth studio album, 1989 (2014). She wrote the song with the Swedish producers Max Martin and Shellback. It is a pop song using keyboards and hip hop–inspired drum beats, and the lyrics are about betrayal by a close friend. A remix featuring the American rapper Kendrick Lamar, with additional lyrics by Lamar and production by the Swedish musician Ilya, was released to radio as 1989's fourth single on May 17, 2015, by Big Machine and Republic Records.
"I Did Something Bad" is a song by the American singer-songwriter Taylor Swift, taken from her sixth studio album, Reputation (2017). Swift wrote the song with its producers, Max Martin and Shellback. It features a heavy electronic production that combines electro-trap, grunge and EDM elements, incorporating manipulated vocals and electronic instruments. The lyrics are about Swift's lack of remorse after acknowledging her allegedly wrongful behaviors that caused a sensation, inspired by the female characters Sansa and Arya Stark of the fantasy series Game of Thrones.
"Don't Blame Me" is a song by the American singer-songwriter Taylor Swift from her sixth studio album, Reputation (2017). Written by Swift and the song's producers, Max Martin and Shellback, "Don't Blame Me" combines electropop, EDM, and gospel pop. Its production is driven by heavy bass, pulsing synthesizers, and manipulated vocals. The lyrics are about Swift's declaration of an unapologetic love, using imagery of drug addiction and religion.
"Mr. Perfectly Fine" is a song written and recorded by the American singer-songwriter Taylor Swift from her first re-recorded album, Fearless (2021). It is one of the album's "From the Vault" tracks that was intended for but excluded from her second studio album, Fearless (2008). The song was released for limited-time download via Swift's website on April 7, 2021. She wrote "Mr. Perfectly Fine" in 2008, a track that incorporates wordplay and sees the narrator's heartbreak and fallout with a lover she presumed was the ideal figure for her.
Fearless (Taylor's Version) is a re-recording by the American singer-songwriter Taylor Swift. A re-recording of Swifts’s second studio album, Fearless (2008), it was released on April 9, 2021, by Republic Records. It is part of Swift's re-recording project following the 2019 dispute over the master recordings of her back catalog.
Red (Taylor's Version) is a re-recording by the American singer-songwriter Taylor Swift. It was released on November 12, 2021, by Republic Records. A re-recording of Swift's fourth studio album, Red (2012), it is part of her re-recording projects following the 2019 dispute over the ownership of her back catalog.
"Nothing New" is a song by the American singer-songwriters Taylor Swift featuring Phoebe Bridgers. Swift wrote the song in March 2012 and produced it with Aaron Dessner for her second re-recorded studio album, Red , which was released in 2021 through Republic Records. The track is a guitar-led folk and alternative rock tune about anxieties over romance and growing up.
"I Bet You Think About Me" is a song by the American singer-songwriter Taylor Swift featuring harmony vocals from the American singer-songwriter Chris Stapleton. Swift wrote it with Lori McKenna in June 2011 and intended to include it on her fourth studio album, Red (2012). Although it did not make the cut, it was produced by Swift and Aaron Dessner for Red's re-recorded version, Red (2021). Republic Records and MCA Nashville released the song to US country radio on November 15, 2021.
Elvira Anderfjärd, also known mononymously as Elvira, is a Swedish record producer and songwriter. She achieved prominence after remixing the singles "Willow" (2020), "Love Story " (2021), and produced "Message in a Bottle" (2021) and "Girl At Home " (2021) by Taylor Swift.
"All You Had to Do Was Stay" is a song by the American singer-songwriter Taylor Swift from her fifth studio album, 1989 (2014). Swift wrote the song with Max Martin, who produced it with Shellback and Mattman & Robin. The lyrics were inspired by a dream where Swift asked an ex-lover to stay when he was leaving, and the track's refrain incorporates her high-pitched voice shouting "stay". Musically, the synth-pop song incorporates an electronic groove consisting of dense synths, drum pads, and processed backing vocals.
"How You Get the Girl" is a song by the American singer-songwriter Taylor Swift from her fifth studio album, 1989 (2014). She wrote the song with the Swedish producers Max Martin and Shellback. An electropop and bubblegum pop song, "How You Get the Girl" is a ballad that features acoustic guitar strums and a heavy disco beat. The lyrics find Swift telling a man how to win his ex-girlfriend back after their breakup.