The Fate of Ophelia

Last updated

"The Fate of Ophelia"
Taylor Swift - The Fate of Ophelia (CD single cover).png
Single by Taylor Swift
from the album The Life of a Showgirl
ReleasedOctober 3, 2025 (2025-10-03)
Studio
Genre
Length3:46
Label Republic
Songwriters
Producers
  • Taylor Swift
  • Max Martin
  • Shellback
Taylor Swift singles chronology
"I Can Do It with a Broken Heart"
(2024)		"The Fate of Ophelia"
(2025)
Music video
"The Fate of Ophelia" on YouTube

"The Fate of Ophelia" is a song by the American singer-songwriter Taylor Swift. It was released as the lead single from her twelfth studio album, The Life of a Showgirl , on October 3, 2025, through Republic Records. Swift wrote and produced "The Fate of Ophelia" with Max Martin and Shellback. It is a dance-pop, funk, and synth-pop song with a new wave groove. The track opens with a drum roll and minor piano chords, progressing into an upbeat arrangement of steel guitars, synthesizers, and Omnichord, over a driving bassline.

Contents

The song is partially inspired by Ophelia, a character who drowns due to madness from grief and romantic rejection in William Shakespeare's play Hamlet . It addresses an honorable soulmate who redeems Swift from a destiny of death like that of Ophelia. Music critics generally selected "The Fate of Ophelia" as one of the strongest songs on The Life of a Showgirl, praising its composition, hook, and vocal performance. Commercially, the track broke the global records for the most streamed song in a day and a week on the streaming platform Spotify. It peaked atop the Billboard Global 200 and the charts of over 30 countries, becoming Swift's first number-one single in Austria, Denmark, Germany, Spain, and the Netherlands. In the US, "The Fate of Ophelia" spent eight weeks atop the Billboard Hot 100.

Swift wrote and directed the song's music video, which premiered as part of the promotional film The Official Release Party of a Showgirl . The video draws on various historical, cultural, and artistic inspirations of female performers, portraying Swift as showgirls throughout different periods of time and incorporating hints at other songs of The Life of a Showgirl. She worked with the cinematographer Rodrigo Prieto, the choreographer Mandy Moore, and the production designer Ethan Tobman on the video, and cast her band and dance crew from the Eras Tour—the tour that inspired the album. Both the song's lyrics and video feature references to Swift's fiancé, the football player Travis Kelce.

Background and release

The American singer-songwriter Taylor Swift created her twelfth studio album, The Life of a Showgirl , to reflect her triumphant state of mind amidst the success of the Eras Tour and her romantic relationship with the American football player Travis Kelce throughout 2024. [1] She announced the album during the August 13, 2025, episode of Travis and Jason Kelce's podcast New Heights ; "The Fate of Ophelia" was revealed as the opening track. [2] During the episode, Swift discussed William Shakespeare's play Hamlet , specifically the descent into madness and death by drowning of the character Ophelia, which influenced the album's cover artwork. [3] [4] [5]

"The Fate of Ophelia" was released as the lead single from The Life of a Showgirl. On October 3, 2025, concurrently with the album's release, Universal Music Group released the song to radio airplay in Italy, [6] and its music video premiered as part of the film Taylor Swift: The Official Release Party of a Showgirl, before being released onto YouTube two days later. [7] In the US, Republic Records released the song to hot adult contemporary radio on October 6 and to contemporary hit radio on October 7. [8] Throughout October, "The Fate of Ophelia" was released on limited-time CD singles and download (including the original, acoustic, and instrumental versions). [9] [10] [11] [12] Three alternate versions were released: an acoustic "Alone in My Tower" version, [13] a remix by Loud Luxury (including an extended one), [14] [15] and a remix by the Chainsmokers. [16]

Production and music

Swift wrote and produced "The Fate of Ophelia" with Max Martin and Shellback. The track was recorded at Shellback Studios and produced at MXM Studios, both in Stockholm, Sweden. [17] At 3 minutes and 46 seconds, [17] the song is a dance-pop, [18] [19] funk, [20] and synth-pop track, [21] with a new wave groove. [22] The production begins with a drum roll and minor-key piano chords [23] [24] and progresses into an upbeat production driven by synthesizers, steel guitars, Omnichord tones, and a driving bassline. [23] [25] Swift's singing, mostly in her lower register in the verses, [26] is assisted by reverb effects. [25]

Critics compared the song to the music of other artists and Swift's past works. Several reviews likened "The Fate of Ophelia" to the music of Fleetwood Mac; [23] [27] [28] Slate's Chris Molanphy wrote that the opening drum roll evoked their song "Dreams" (1977). [29] According to Clash 's Lauren Hague, the song is a modern take on 2000s funk-pop, reminiscent of Duffy's "Mercy" (2008) and Adele's "Rumour Has It" (2011). [26] Mikael Wood of the Los Angeles Times wrote that the song evoked the British new wave duo Eurythmics, [22] and Ann Powers of NPR compared some production elements to those in Stevie Nicks's "Stand Back" (1983), Gorillaz's "Clint Eastwood" (2001), and Swift's "Wildest Dreams" (2014). [25] Giselle Au-Nhien Nguyen of The Sydney Morning Herald opined that the track has a "darker tone" that recalls Swift's 2017 album Reputation . [30]

Lyrics

The lyrics of "The Fate of Ophelia" were influenced by Swift and Kelce's relationship. [31] According to Swift, the idea for the track came when she was in the studio with Martin and Shellback while scrolling through her list of song ideas on her smartphone. As Shellback was playing a "really cool chord progression", Swift came across the word "Ophelia" in her list and imagined a scenario where Ophelia did not go insane and die, but instead met someone who treated her well. From there, she conceived the hook, "You saved my heart from the fate of Ophelia." [32]

In the song, Swift's narrator pledges loyalty to an honorable and deserving man for saving her from a fate of "insanity", "drowning", "deception", "purgatory", and ultimately a death, similar to that Ophelia. [31] [33] [34] The tragedy of Ophelia is referenced in the verse: "The eldest daughter of a nobleman/ Ophelia lived in fantasy/ But love was a cold bed full of scorpions/ The venom stole her sanity." [5] The refrain depicts Swift's narrator as "alone in the tower", waiting for her suitor to come. [5] He then "dug her out of [her] grave", which rescued her from the tragic death. [32] The bridge ("'Tis locked inside my memory/ And only you possess the key") references Act 1, scene iii of Hamlet, where Ophelia tells her brother Laertes: "Tis in my memory locked, and you yourself shall keep the key of it." [35]

According to several publications, the song contains real-life references to Kelce, including his career as a footballer, his public declaration of affection for Swift, and his frequent use of the phrase "keep it one hundred". [34] [36] [37] Several interpretations of "The Fate of Ophelia" likened its narrative to that of Swift's "Love Story" (2008), which was inspired by another Shakespearen tragedy, Romeo and Juliet. Both songs depict happy romantic endings, contrary to Shakespeare's original tragic conclusions; [38] [39] [40] Swift herself acknowledged that this was the second time, after "Love Story", that she attempted to rewrite a Shakespearean tragedy. [33] According to Serena Trowbridge, a scholar in Victorian literature, "The Fate of Ophelia" was also possibly inspired by the Pre-Raphaelite model and poet Elizabeth Siddal, who was the muse for John Everett Millais's Ophelia , which influenced The Life of a Showgirl's cover artwork. [5] [41]

Critical reception

"The Fate of Ophelia" received a positive critical response, with plaudits for its melodic and catchy composition across reviews. Maya Georgi of Rolling Stone commended the song's "tantalizing" melody and "wondrous" mix. [23] The BBC's Mark Savage called it a "crisp" pop song with clever production details. [31] Variety 's Chris Willman hailed the throbbing, "gleeful" production delivered by Martin and Shellback. [42] Calling it a "glittering single", Ed Power of The Irish Times said the song exemplifies the "classic Swiftian manoeuvre of cramming in not one chorus but two against a cascading synth groove". [43] Wood and Nicole Fell of The Hollywood Reporter also praised the groove; Wood found it "irresistible", [22] while Fell described it as "mellow but catchy". [44] PopMatters 's Mathew Dwyer described it as a dynamic and slow-burning tune with a "glamorous tension". [45]

Maria Sherman of the Associated Press, [21] Anna Gaca of Pitchfork , [46] and Carl Wilson of Slate named it a standout track from The Life of a Showgirl. [47] In his list ranking the album's songs, Billboard editor Jason Lipshutz ranked "The Fate of Ophelia" second, calling it a masterclass in pop composition, featuring a "star-crossed" chorus and "a pensive piano line that builds into squelched drums, chewy keys, siren-cry harmonies, and plenty of clap-along opportunities". [48] Powers praised the "commanding" drums, the "dreamy" keyboard, and the "buoyant" bass. [25] Ludovic Hunter-Tilney of the Financial Times admired the smooth transition from the piano to the upbeat bassline. [18]

Swift's vocals were also a subject of praise. Savage appreciated Swift's "lingering" vocal delivery in the song, as though she were "too swept up in her feelings to continue". [31] Hague remarked that Swift's "purring lower-register vocal" enhanced the song. [26] Hunter-Tilney characterized her vocals as committed and charismatic. [18] Powers opined that Swift had never sounded better than she does on "The Fate of Ophelia". [25] Critics also praised the lyricism. The Independent 's Roisin O'Connor dubbed it a sublime song, appreciating its "literary flair". [49] According to Barsha Dutta of The Times of India , the song acknowledges Ophelia's archetype but subverts the narrative for Swift, who has "been candid about her struggles with heartbreak and isolation". [50] Rolling Stone ranked "The Fate of Ophelia" eighth on their list of the 100 best songs of 2025. [51]

There were less complimentary reviews. Spencer Kornhaber of The Atlantic commented that the song is "relatively strong, if unexpectedly downcast." [52] Will Hodgkinson of The Times claimed that while the production is catchy and the lyrics poetic, the analogy comparing Swift to Ophelia "doesn't really work". [53] Similarly, Hunter-Tilney thought the lyrics conflating "doomed Ophelia with a Rapunzel-style figure waiting in a tower for a heroic lover" feel misplaced. [18] Tom Breihan of Stereogum disagreed, finding the lyrics effective. He argued that Swift is not changing the plot of Hamlet in the song, as Swift and Ophelia are two different characters: "Ophelia still loses her mind and drowns herself. There but for the grace of Travis Kelce, apparently, goes Taylor Swift. She sings that she didn't go out like Ophelia because you saved her." [38]

There were analyses and debates over the progressive nature of the lyrics. Trowbridge opined that the narrative of a female waiting for someone to rescue her is not progressive, but in the overall narrative of the album, the song helps explore "the public face of women" and their painful experiences. [5] In The New York Times, Lindsay Zoladz commented that it was dispiriting that Swift reduced Ophelia, one of literature's most alluring and evocative female figures, to "just another princess waiting for her Prince Charming". [33] On Psychology Today , the psychotherapist Whitney Coulson wrote that "The Fate of Ophelia" captures the "emotional alchemy" of female pain in the context of the patriarchy and popular culture, providing psychological insight on "how easily a woman's pain is rewritten as instability" with the help of literary archetypes. [54]

Commercial performance

On the streaming platform Spotify, "The Fate of Ophelia" broke the records for the highest single-day streaming figure, becoming the first song to accumulate 30 million streams in a single day, [55] and the highest single-week streaming figure. [56] The single topped the Billboard Global 200 chart for two weeks [57] and peaked atop the record charts of over 30 territories, [58] including Belgian Flanders, [59] Canada, [60] Iceland, [61] Ireland, [62] Singapore, [63] Portugal, [64] New Zealand, [65] the Philippines, [66] and the UAE. [67]

"The Fate of Ophelia" marked Swift's first number-one single in Austria, [68] Denmark, [69] Germany, [70] Spain, [71] and the Netherlands. [72] In France, it debuted at number four and became her highest-charting solo single since "Shake It Off" (2014). [73] It spent nine weeks at number one in Canada and Ireland; [74] [75] eight weeks at number one in Germany, Switzerland, and Norway; [70] [76] [77] seven weeks at number one in Austria and the Netherlands; [68] [72] six weeks at number one in Australia; [78] and five weeks at number one in Sweden. [79] In the UK, "The Fate of Ophelia" debuted atop the UK singles chart with 132,000 first-week units, registering the largest first-week sales of the year and of Swift's career. [80] It spent seven non-consecutive weeks atop the chart, surpassing "Anti-Hero" (2022) as her longest-running number-one song. [81]

In the US, "The Fate of Ophelia" became Swift's 13th number-one single on the Billboard Hot 100, debuting atop the chart with 92.5 million official on-demand streams. [82] It spent eight consecutive weeks at number one on the Hot 100, tying with "Anti-Hero" (2022) as her longest-running number-one song. [83] After being made available for digital downloads, the single became Swift's record-extending 13th number-one song on the Digital Song Sales. [84] On the US airplay charts, "The Fate of Ophelia" debuted in the top 10 of Pop Airplay, Adult Pop Airplay, and Adult Contemporary. On Pop Airplay, it became the first song in history to debut in the top 10 region and subsequently became Swift's record-extending 14th number-one single. [85] [86] It also reached number one on Adult Pop Airplay. [87]

Music video

Swift as a showgirl in the music video for "The Fate of Ophelia" Taylor Swift -- The Fate of Ophelia (music video screenshot).png
Swift as a showgirl in the music video for "The Fate of Ophelia"

Swift wrote and directed the music video for "The Fate of Ophelia", which features dancers from the Eras Tour. On the video, she worked with the choreographer Mandy Moore and the production designer Ethan Tobman, both of whom had collaborated on the tour, and the cinematographer Rodrigo Prieto. [88] [89] The music video is played twice during The Official Release Party of a Showgirl, which also features behind-the-scenes footage from the production process. [90] Rehearsals took place within over three weeks, [91] and filming for the opening scene and the dressing room scenes took place at the Los Angeles Theatre. [92]

The music video opens inside the foyer of the Los Angeles Theatre before panning to a painting on the wall, the first of many depictions of various showgirls from different historical times. [93] Swift starts as a model for a pre-Raphaelite portrait of Ophelia, in a similar vein to the Ophelia , an Art Nouveau painting by Friedrich Heyser. [94] Swift is then portrayed as a blonde burlesque performer in the style of Marilyn Monroe, a 1960s Ronnie Spector-like go-go dancer, a stage actress similar to Sarah Bernhardt, and an Esther Williams-type actress in a musical number in the style of Busby Berkeley. [88] [89] [90] [91]

Later on, Swift wears a dress made of rope and resembles Elizabeth Taylor before the scene transitions to a Bob Mackie-style showgirl routine, and finally a pop star at an afterparty in a hotel room. [91] [93] The end of the video features Swift half-submerged in a bathtub, an image which is featured on the album cover for The Life of a Showgirl. [89] The video features Easter eggs referencing other tracks from The Life of a Showgirl [93] [95] and moments from the Eras Tour, as well as Kelce. [91] Vancouver's Science World makes a brief appearance near the end of the video. [96]

Impact

Journalists described the release and success of "The Fate of Ophelia" as a cultural phenomenon. Sunil Thomas of The Week opined that "The Fate of Ophelia" has become an "unprecedented" global phenomenon, spurred by its "high art" references, inspiration from 1960s stage productions, and its adult contemporary musical composition. He also highlighted its viral dance on Instagram, YouTube, and TikTok. [58] Anthony Palomba, professor of business administration at the University of Virginia Darden School of Business, said that the song's success did not rely on fan-driven pre-coordination or extensive advertisement, suggesting it came from "organic fan behavior, natural curiosity and mainstream media amplification." [97]

The start of the video features Swift depicted in the way of the painting Ophelia by German painter Friedrich Heyser, exhibited at the Museum Wiesbaden in Germany. Friedrich Wilhelm Theodor Heyser - Ophelia.jpg
The start of the video features Swift depicted in the way of the painting Ophelia by German painter Friedrich Heyser, exhibited at the Museum Wiesbaden in Germany.

The music video trended at the number one spot on YouTube, receiving 25 million views within three days. [98] As reported by media outlets, following the release of the video, hundreds of fans flocked to the Museum Wiesbaden in Wiesbaden, Germany, to view the painting Ophelia. [99] [100] [101] Timon Gremmels, the minister of higher education, research and the arts of the German state Hesse, expressed his delight over the attention the painting has received: "When a music video gets people to visit a museum, it shows that culture works - on all levels", and extended an official invitation to Swift to visit Wiesbaden. [102] On November 2, 2025, the museum hosted an event featuring a guided tour of Ophelia, for which tickets sold out in a few hours. [103] [104] Attendees wearing outfits inspired by Swift or Ophelia received free admission. [105]

The October 18, 2025, episode of the American late-night show Saturday Night Live included a sketch featuring a parody of "The Fate of Ophelia", performed by the American singer Sabrina Carpenter, actress Chloe Fineman, and comedians Marcello Hernández and Andrew Dismukes. [106] The November 8 episode of the British dance contest show Strictly Come Dancing series 23 featured a tango performance by the British television personality Vicky Pattison and choreographer Kai Widdrington to "The Fate of Ophelia". [107]

On November 4, the official White House TikTok account posted a patriotic video of the U.S. president Donald Trump's administration with "The Fate of Ophelia", featuring images of the US flag and military, despite Trump's anti-Swift stance. Responding to Variety 's request for comment, a White House official said "We made this video because we knew fake news media brands like Variety would breathlessly amplify them. Congrats, you got played." The video received backlash from social media users and Swifties. [108] [109] The official social media accounts of NATO, [110] the British royal family, and the National FFA Organization [111] also used "The Fate of Ophelia" in their video posts. [112] The Prime Minister of Australia since 2022, Anthony Albanese, attempted the viral dance trend of the song on the Melbourne radio station Nova 100. [113] [114]

Personnel

Credits adapted from the liner notes of The Life of a Showgirl [17]

Studios

Personnel

Charts

Certifications

Certifications
RegionCertification Certified units/sales
Australia (ARIA) [202] Platinum70,000‡
Belgium (BRMA) [203] Gold20,000‡
Canada (Music Canada) [204] 2× Platinum160,000‡
Denmark (IFPI Danmark) [205] Gold45,000‡
France (SNEP) [206] Gold100,000‡
New Zealand (RMNZ) [207] Platinum30,000‡
Portugal (AFP) [208] Gold12,000‡
Spain (PROMUSICAE) [209] Gold50,000‡
United Kingdom (BPI) [210] Platinum600,000‡
Streaming
Greece (IFPI Greece) [211] Gold1,000,000†

‡ Sales+streaming figures based on certification alone.
† Streaming-only figures based on certification alone.

Release history

Release dates and formats
RegionDateFormatVersionLabelRef.
ItalyOctober 3, 2025 Radio airplay Original Universal [6]
United StatesOctober 6, 2025 Hot adult contemporary radio Republic [8]
October 7, 2025 Contemporary hit radio
VariousOctober 28, 2025 Digital download Acoustic [212]
United StatesOctober 30, 2025 CD
  • Original
  • instrumental
 [9]
  • Acoustic
  • acoustic instrumental
 [10]
VariousOctober 31, 2025 Streaming
  • Acoustic
  • original
 [213] [214]
Digital downloadOriginal [215]
Instrumental [11]
Acoustic instrumental [12]
November 6, 2025 Loud Luxury remix [216]
Streaming
  • Loud Luxury remix
  • original
  • acoustic
 [217]
November 21, 2025Digital downloadLoud Luxury extended remix [15]
November 25, 2025 The Chainsmokers remix [16]
November 28, 2025Streaming
  • The Chainsmokers remix
  • original
  • acoustic
 [218]

References

  1. ↑ Mier, Tomás (August 13, 2025). "Taylor Swift Made The Life of a Showgirl While on the Eras Tour" . Rolling Stone . Archived from the original on August 14, 2025. Retrieved August 14, 2025.
  2. ↑ Dailey, Hannah (August 13, 2025). "Taylor Swift Reveals Life of a Showgirl Release Date, Album Cover & Track List Featuring Sabrina Carpenter". Billboard . Retrieved September 19, 2025.
  3. ↑ Raposas, Rachel (August 14, 2025). "All of the Ways Taylor Swift Channels William Shakespeare in Life of a Showgirl". People . Retrieved September 19, 2025.
  4. ↑ Pontone, Maya (August 20, 2025). "Did This 19th-Century Painting Inspire Taylor Swift's New Album Art?". Hyperallergic . Retrieved September 19, 2025.
  5. 1 2 3 4 5 Trowbridge, Serena (October 3, 2025). "The pre-Raphaelite muse who inspired Taylor Swift's The Fate of Ophelia". The Conversation . Retrieved November 12, 2025.
  6. 1 2 Mompellio, Gabriel (October 3, 2025). "Taylor Swift 'The Fate of Ophelia' | (Radio Date: October 3, 2025)" (Press release) (in Italian). Airplay Control S.R.L. Archived from the original on November 3, 2025. Retrieved October 3, 2025.
  7. ↑ Puckett-Pope, Lauren; Cubit, Brea (October 5, 2025). "Taylor Swift's 'The Fate of Ophelia' Music Video Is Officially Here". Elle . Retrieved December 3, 2025.
  8. 1 2 U.S. Radio Updater [@USRadioUpdater] (October 2, 2025). ".@taylorswift13's 'The Fate Of Ophelia' Will Serve as the Lead Single to The Life Of A Showgirl. It Will Go for Immediate Impact at US Pop & Hot AC Radio, Officially Impacting the Formats on October 6Th & 7th (Via @RepublicRecords)" (Tweet). Archived from the original on October 6, 2025. Retrieved October 6, 2025– via Twitter.
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  10. 1 2 "The Life of a Showgirl: The Fate of Ophelia (Alone In My Tower Acoustic) CD Single with Double-Sided Cover". Taylor Swift Webstore. Archived from the original on October 30, 2025. Retrieved October 30, 2025.
  11. 1 2 "The Fate of Ophelia (Instrumental)". Apple Music. Archived from the original on October 31, 2025. Retrieved November 1, 2025.
  12. 1 2 "The Fate of Ophelia (Alone In My Tower Acoustic Version / Instrumental)". Apple Music. Archived from the original on October 31, 2025. Retrieved November 1, 2025.
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  15. 1 2 "The Fate of Ophelia (Loud Luxury Remix) (Extended Version)". Apple Music. Archived from the original on November 22, 2025. Retrieved November 21, 2025.
  16. 1 2 Dailey, Hannah (November 25, 2025). "Taylor Swift's 'The Fate of Ophelia' Is Now a Club Banger Thanks to New Chainsmokers Remix". Billboard . Retrieved November 26, 2025.
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  36. ↑ Bonner, Mehera (October 3, 2025). "Pretty Sure "The Fate of Ophelia" Is Taylor Swift's Love Song to Travis Kelce". Cosmopolitan . Retrieved October 3, 2025.
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