Fresh Out the Slammer

Last updated

"Fresh Out the Slammer"
Song by Taylor Swift
from the album The Tortured Poets Department
ReleasedApril 19, 2024 (2024-04-19)
Studio
Genre
Length3:30
Label Republic
Songwriter(s)
Producer(s)
  • Taylor Swift
  • Jack Antonoff
Lyric video
"Fresh Out the Slammer" on YouTube

"Fresh Out the Slammer" is a song by the American singer-songwriter Taylor Swift from her eleventh studio album, The Tortured Poets Department (2024). Written and produced by Swift and Jack Antonoff, it has a Western, country pop, and country rock production driven by twangy guitars, looping synths, and a hazy atmosphere. In the lyrics, a narrator contemplates on how her past relationship made her feel trapped and uses another lover as a means to escape immediately after that relationship ends.

Contents

Several critics were fascinated by the production and storytelling lyrics, while some others found the track overwritten. "Fresh Out the Slammer" peaked at number 15 on the Billboard Global 200 and reached the top 20 of charts in Australia, Canada, New Zealand, and the United States. In 2024, Swift performed the song live twice on her sixth concert tour, the Eras Tour.

Background and release

Swift started working on The Tortured Poets Department immediately after she submitted her tenth studio album, Midnights , to Republic Records for release in 2022. She continued working on it in secrecy throughout the US leg of the Eras Tour in 2023. [1] The album's conception took place when Swift's personal life continued to be a widely covered topic in the press: her six-year relationship with Joe Alwyn and short-lived romantic linking with Matty Healy were heavily publicized. [2] She described The Tortured Poets Department as her "lifeline" album which she "really needed" to make. [3] Republic Records released it on April 19, 2024; "Fresh Out the Slammer" is seventh on the track list. [4] [5]

In 2024, Swift performed "Fresh Out the Slammer" twice on her sixth concert tour, the Eras Tour. [6] At the concert in Lisbon, Portugal, on May 24, she performed the song as part of a mashup with "High Infidelity" from Midnights (2022) on piano. [7] She sang the track again as part of a guitar mashup with "You Are in Love" from 1989 (2014) at the concert in Munich, Germany, on July 27. [8]

Music and lyrics

Written and produced by Swift and Jack Antonoff, "Fresh Out the Slammer" has a production that critics categorize into genres such as Western, [9] country rock, [10] and country pop. [11] Its production displays elements of country [12] and old-time music, [9] driven by prominent twangy guitars and a hazy atmosphere [13] that is facilitated by heavy reverberation [14] and looping synths. [15] A few critics thought that the guitars were inspired by Orville Peck. [13] [16] The Times ' Dan Cairns characterized the genre as "pop-noir" reminiscent of the music by Lana Del Rey. [17] Annie Zaleski compared the production of "Fresh Out the Slammer" to that of "Cowboy like Me" from Swift's 2020 album Evermore , citing the similar "desolate, cowboys-duel-at-dawn vibe" with "dusty, twangy riffs" and "a loping tempo". [18]

In the lyrics, a female narrator escapes from an intoxicating relationship. [19] [20] [21] They heavily use clipped phrasings [22] and internal rhymes ("Camera flashes, welcome bashes, get the matches, toss the ashes off the ledge"), which Swift sings with a "bouncy" cadence, according to Lindsay Zoladz of The New York Times . [23] The first verse details the end of a previous relationship before Swift's narrator enters another: "Now, pretty baby, I'm running back home to you/ Fresh out the slammer, I know who my first call will be to." [20] The first refrain relates that past relationship to jail time: the narrator felt that she was stuck in an endless cycle of catering to the ex-lover's needs and keeping her sanity ("Years of labor, locks, and ceilings/ In the shade of how he was feeling/ But it's gonna be alright, I did my time"). [20] In the final lines, Swift's character dreams about being the "girl of his American Dream" to the other man and reminisces about their memories. [20] Rob Sheffield thought that the song contains imagery inspired by the novel The Great Gatsby (1925). [24]

The lyrical imagery of being held in prison is exemplary of the many similar sentiments about mental health throughout other tracks on the album. [23] [25] Several critics interpreted the song to be about a rebound; [20] Beats Per Minute's John Wohlmacher thought that the lyric, "Swirled you into all of my poems", suggested that Swift had written about the same man in some previous songs. [12] For Billboard's Jason Lipshutz, the songwriting in "Fresh Out the Slammer" embodies free association that differs from the more structural songwriting elsewhere in the album. [22] "Fresh Out the Slammer" ends with a coda that has a different tempo than the rest of the song. [26] [27] According to American Songwriter 's Alex Hopper, the track separates the two relationships through both the lyrics and the melodic change, hinting at how "[Swift] feels about them instantly". [20]

Critical reception

There were mixed critical opinions about "Fresh Out the Slammer". In a positive review, Wohlmacher thought that the lyrics were "emotionally revealing" and the sound was "breezy and a nice listen, all sensual anticipation". [12] Maria Sherman of the Associated Press praised the tone of the guitars and called the production "wind-blown". [28] SLUG's Palak Jayswal and The Arts Desk 's Ellie Roberts contended that the track was one of the album highlights; [9] the latter considered "Fresh Out the Slammer" a thematic transition between the gradual end of a relationship in "So Long, London" and the sudden, violent occurrence of a new romantic fling in "The Smallest Man Who Ever Lived". [11] Commenting on the lyrics and theme, Callie Ahlgrim of Business Insider summed up the song as "a fascinating tale of freedom and lust". [16] Sheffield wrote that although the track was "easy to overlook at first" because of its "understated" and "[not] hyperdramatic" qualities, it turned out to be a "sneakily durable gauze-rocker with heist-flick guitar twang". [24]

On a less enthusiastic side, Konstantinos Pappis of Our Culture Mag called the track "slumbering" that could not keep his attention. [29] Zoladz thought that the lyrical imagery of prison was too much and the tight internal rhymes were suffocating. [23] Paste's Grace Byron described the melodic change in the song as "bizarre" and described the track as one of the album's "snoozers". [14] Lipshutz ranked the song 23th out of the entire 31 tracks of The Tortured Poets Department: The Anthology, saying that it serves "more as connective tissue" in-between the album's more "towering moments". [22]

Commercial performance

Upon the release of The Tortured Poets Department, "Fresh Out the Slammer" peaked at number 15 on the Billboard Global 200. [30] In the United States, "Fresh Out the Slammer" debuted at its peak of number 11 on the Billboard Hot 100. The song alongside 13 tracks from the album made Swift the first artist to monopolize the top 14 of the Hot 100. [31] [32] In Australia, the track peaked at number 14 on the ARIA Singles Chart [33] and was certified gold by the Australian Recording Industry Association. [34] The song peaked within the top 40 of singles charts in New Zealand (15), [35] Canada (16), [36] the Philippines (22), [37] and Portugal (33). [38]

Personnel

Credits adapted from the liner notes of The Tortured Poets Department [5]

Charts

Chart performance for "Fresh Out the Slammer"
Chart (2024)Peak
position
Australia (ARIA) [33] 14
Canada (Canadian Hot 100) [36] 16
Czech Republic (Singles Digitál Top 100) [39] 80
France (SNEP) [40] 115
Global 200 ( Billboard ) [30] 15
Greece International (IFPI) [41] 35
Ireland ( Billboard ) [42] 23
Lithuania (AGATA) [43] 79
New Zealand (Recorded Music NZ) [35] 15
Slovakia (Singles Digitál Top 100) [44] 93
Philippines ( Billboard ) [37] 22
Portugal (AFP) [38] 33
Sweden (Sverigetopplistan) [45] 51
Swiss Streaming (Schweizer Hitparade) [46] 35
UK Streaming (OCC) [47] 18
US Billboard Hot 100 [32] 11

Certification

Certification for "Fresh Out the Slammer"
RegionCertification Certified units/sales
Australia (ARIA) [34] Gold35,000

Sales+streaming figures based on certification alone.

Related Research Articles

<span class="mw-page-title-main">Taylor Swift albums discography</span>

The American singer-songwriter Taylor Swift has released 11 original studio albums, 4 re-recorded albums, 5 extended plays (EPs), and 4 live albums. She has sold 114 million album-equivalent units worldwide, 57 million of which are certified in the United States. In terms of pure sales, she has tallied 46.6 million albums in the United States and 7 million albums in the United Kingdom. On the US Billboard 200, as of August 2024, she has accumulated 14 number-one albums—seven of which sold one million first-week copies, and 85 weeks at number one—more than any other solo act.

<span class="mw-page-title-main">Cruel Summer (Taylor Swift song)</span> 2023 single by Taylor Swift

"Cruel Summer" is a song by the American singer-songwriter Taylor Swift from her seventh studio album, Lover (2019). Swift and Jack Antonoff produced the song, and they wrote it with St. Vincent. "Cruel Summer" is a synth-pop, industrial pop, and electropop song composed of synths, wobbling beats, and vocoder-manipulated vocals. The lyrics are about an intense romance during a painful summer.

<i>The Tortured Poets Department</i> 2024 studio album by Taylor Swift

The Tortured Poets Department is the eleventh studio album by the American singer-songwriter Taylor Swift, released on April 19, 2024, via Republic Records. Two hours after its release, it was expanded into a double album subtitled The Anthology, containing a second volume of songs. It was written and produced by Swift, Jack Antonoff, and Aaron Dessner.

"My Boy Only Breaks His Favorite Toys" is a song written and recorded by the American singer-songwriter Taylor Swift for her eleventh studio album, The Tortured Poets Department (2024). Produced by Swift and Jack Antonoff, it is a synth-pop song featuring marching drums and elements of new wave. The lyrics are about romantic abandonment by an avoidant partner, using metaphors of a toy being no longer of use.

"The Tortured Poets Department" is a song by the American singer-songwriter Taylor Swift and the title track of her eleventh studio album (2024). Swift wrote and produced the song with Jack Antonoff. A synth-pop and jangle pop song, "The Tortured Poets Department" incorporates hushed drums, sparkling synths arpeggios, and electronic sounds. Its lyrics satirize a relationship between two pretentious artists, referencing the poets Dylan Thomas and Patti Smith and the musician Charlie Puth.

"Down Bad" is a song by the American singer-songwriter Taylor Swift from her eleventh studio album, The Tortured Poets Department (2024). She wrote and produced the track with Jack Antonoff, who played the song's instruments with members of his band Bleachers. "Down Bad" is about a momentary infatuation, comparing falling in love with being abducted by an extraterrestrial being. Musically, it is a synth-pop song with R&B elements in its groove and vocal cadence.

"So Long, London" is a song by the American singer-songwriter Taylor Swift from her eleventh studio album, The Tortured Poets Department (2024). She wrote and produced the track with Aaron Dessner. A downtempo chamber pop and synth-pop tune, "So Long, London" is set over to 4/4 house beats and has a piano and synthesizer instrumentation. Its lyrical content concerns a failed romance and explores a narrator processing the fallout and its aftermath.

"But Daddy I Love Him" is a song by the American singer-songwriter Taylor Swift from her eleventh studio album, The Tortured Poets Department (2024). Swift and Aaron Dessner wrote the track, and they produced it with Jack Antonoff. "But Daddy I Love Him" has a balladic production consisting of fingerpicked guitars, live drums, and dynamic shifts in the refrain. Critics categorize its genre as country, country pop, electronica, and folk rock. In its lyrics, the narrator affirms her love for a seemingly troublesome romantic interest and condemns the detractors of her love life, telling them she is its only authority and calling out their self-righteousness.

"Florida!!!" is a song by the American singer-songwriter Taylor Swift featuring the English band Florence and the Machine, from Swift's eleventh studio album, The Tortured Poets Department (2024). She wrote the track with the band's frontwoman Florence Welch, who also sang lead vocals, and produced it with Jack Antonoff. "Florida!!!" is a Southern Gothic power ballad with elements of Americana and indie rock, showcased through the guitars and drums. Its lyrics are about escaping from unpleasant circumstances, rejecting one's own wrongdoings, and indulging in negative thoughts, using Florida as a geographical metaphor.

"Guilty as Sin?" is a song by the American singer-songwriter Taylor Swift from her eleventh studio album, The Tortured Poets Department (2024). She wrote and produced the song with Jack Antonoff. It is a 1990s-tinged pop rock and soft rock track combining rock, country, and folk styles, accentuated by guitars and live drums. The lyrics see Swift's character sexually fantasizing about a man while being in a relationship.

"Loml" is a song by the American singer-songwriter Taylor Swift from her eleventh studio album, The Tortured Poets Department (2024). Written and produced by Swift and Aaron Dessner, it is a soft, melancholic piano-led ballad. The song's lyrics mourn the loss of a short-lived relationship that leaves a long-lasting mark, using extensive imagery related to death such as phantoms, graveyards, and "Holy Ghost". Whereas "Loml" is a popular colloquialism for "love of my life", the conclusion of the song denotes it as "loss of my life".

<span class="mw-page-title-main">I Can Do It with a Broken Heart</span> 2024 single by Taylor Swift

"I Can Do It with a Broken Heart" is a song by the American singer-songwriter Taylor Swift from her eleventh studio album, The Tortured Poets Department (2024). Written and produced by Swift and Jack Antonoff, "I Can Do It with a Broken Heart" is about Swift's perseverance and professionalism while going through personal hardships during the early days of the Eras Tour. Its music contrasts the lyrics, characterized by an upbeat electropop, dance-pop, and new wave production, incorporating house and bubblegum beats, and salient synth arpeggios.

"The Smallest Man Who Ever Lived" is a song by the American singer-songwriter Taylor Swift from her eleventh studio album, The Tortured Poets Department (2024). She wrote and produced the song with longtime collaborator Aaron Dessner. A breakup song about an ex-lover, "The Smallest Man Who Ever Lived" begins as a piano ballad with blinking programming before transitioning into a vitriolic bridge.

"Clara Bow" is a song by the American singer-songwriter Taylor Swift from her eleventh studio album, The Tortured Poets Department (2024). The track was named after the silent-film actress Clara Bow. Swift and Aaron Dessner wrote and produced the track, which was inspired by Swift's conversations with record label executives. A folk-leaning pop rock track, it comments on Swift's fame.

"The Alchemy" is a song by the American singer-songwriter Taylor Swift from her eleventh studio album, The Tortured Poets Department (2024). Swift wrote and produced the track with Jack Antonoff. A pop rock and electropop track with R&B influences, "The Alchemy" is a love song about a burgeoning romance where two people cannot resist their chemistry. The lyrics use extensive football imagery to depict a sense of triumph.

<span class="mw-page-title-main">Fortnight (song)</span> 2024 single by Taylor Swift featuring Post Malone

"Fortnight" is a song by the American singer-songwriter Taylor Swift, featuring fellow American singer-songwriter Post Malone. The two artists wrote the track with Jack Antonoff. It was released by Republic Records as the lead single from Swift's eleventh studio album, The Tortured Poets Department, on April 19, 2024. Produced by Swift and Antonoff, "Fortnight" is a 1980s-inspired downtempo electropop, synth-pop, and new wave ballad instrumented by a pulsing synth bassline. Its lyrics portray an impactful two-week romance: Swift's narrator—a woman in an unhappy marriage—rekindles with an ex-lover who is also married, and the two vow to escape to Florida.

"Thank You Aimee" is a song by the American singer-songwriter Taylor Swift, from the double album edition of her eleventh studio album, The Tortured Poets Department: The Anthology (2024). Swift and Aaron Dessner wrote the track, and the two produced it with Jack Antonoff. A country and folk track instrumented by guitar strums, its lyrics are about dealing with a high-school bully.

"So High School" is a song by the American singer-songwriter Taylor Swift from the double album edition of her eleventh studio album, The Tortured Poets Department: The Anthology (2024). Written and produced by Swift and Aaron Dessner, "So High School" has a 1990s-tinged production incorporating various rock styles like alternative rock, indie rock, and pop rock. The lyrics are about how a romantic relationship makes Swift relive the feeling of young love.

"Who's Afraid of Little Old Me?" is a song written and recorded by the American singer-songwriter Taylor Swift for her eleventh studio album, The Tortured Poets Department (2024). Produced by Swift and Jack Antonoff, the track is a Southern Gothic-inspired chamber pop song that incorporates dense echo and strings. The lyrics were inspired by Swift's bitter feelings while reflecting on her teenage rise to stardom: they compare a narrator to a wicked witch and a trapped circus animal, detailing how her upbringing in an asylum contributes to her callous and viscous nature.

"The Black Dog" is a song written and recorded by the American singer-songwriter Taylor Swift for her eleventh studio album, The Tortured Poets Department (2024). She and Jack Antonoff produced the song, which is a slow-building post-industrial ballad instrumented by sparse piano. Its chorus contains a dynamic shift, crescendoing with multitracked vocal harmonies and thumping synth beats towards its conclusion. In the lyrics, Swift's character is heartbroken and resents an ex-partner after finding him with another woman at a bar called "the Black Dog".

References

  1. Blistein, Jon (February 7, 2024). "Taylor Swift Reveals Tortured Poets Department Back Up Plan In Case She Didn't Win a Grammy" . Rolling Stone . Archived from the original on February 7, 2024. Retrieved October 16, 2024.
  2. Sisario, Ben (April 19, 2024). "Taylor Swift's Tortured Poets Arrives With a Promotional Blitz" . The New York Times . Archived from the original on April 22, 2024. Retrieved October 16, 2024.
  3. Bonner, Mehera (February 16, 2024). "Taylor Swift Reveals Bonus Track Title and New Album Cover for The Tortured Poets Department". Cosmopolitan . Archived from the original on February 16, 2024. Retrieved October 16, 2024.
  4. "As The Tortured Poets Department drops, here's all Taylor Swift's albums ranked by sales". Music Week . April 19, 2024. Archived from the original on April 19, 2024. Retrieved October 16, 2024.
  5. 1 2 Swift, Taylor (2024). The Tortured Poets Department (liner notes). Republic Records.
  6. Smith, Katie Louise (November 4, 2024). "Here's every surprise song performed on Taylor Swift's Eras Tour". Capital. Archived from the original on September 9, 2024. Retrieved November 6, 2024.
  7. West, Bryan (May 25, 2024). "Taylor Swift performs several mashups during acoustic set in Lisbon". USA Today . Retrieved October 18, 2024.
  8. Phillipp, Charlotte (July 29, 2024). "Taylor Swift Is Amazed by Massive Crowds Tailgating at Munich Eras Tour Show: 'I Feel So Incredibly Welcomed'". People . Archived from the original on September 16, 2024. Retrieved October 18, 2024.
  9. 1 2 3 Jayswal, Palak (May 5, 2024). "Review: Taylor Swift – The Tortured Poets Department". SLUG . Archived from the original on May 10, 2024. Retrieved October 16, 2024.
  10. Ahlgrim, Callie (April 26, 2024). "Taylor Swift new album The Tortured Poets Department is getting mixed reviews — here's what critics are saying" . Business Insider . Archived from the original on April 26, 2024. Retrieved October 16, 2024.
  11. 1 2 Roberts, Ellie (April 20, 2024). "Album: Taylor Swift - The Tortured Poets Department: The Anthology". The Arts Desk . Archived from the original on April 21, 2024. Retrieved October 16, 2024.
  12. 1 2 3 Wohlmacher, John (April 23, 2024). "Album Review: Taylor Swift – The Tortured Poets Department". Beats Per Minute . Archived from the original on April 23, 2024. Retrieved October 16, 2024.
  13. 1 2 Rosenbloom, Alli (April 20, 2024). "The Tortured Poets Department: A track-by-track listener's guide to Taylor Swift's 31-song double album". CNN . Retrieved October 16, 2024.
  14. 1 2 Byron, Grace (April 23, 2024). "The Masochistic Acrobatics of Taylor Swift". Paste . Archived from the original on April 30, 2024. Retrieved October 16, 2024.
  15. "The Taylor Swift The Tortured Poets Department Exit Survey". The Ringer . April 19, 2024. Archived from the original on April 19, 2024. Retrieved October 16, 2024.
  16. 1 2 Ahlgrim, Callie (April 19, 2024). "Taylor Swift's The Tortured Poets Department is the messiest, horniest, and funniest album she's ever made". Business Insider . Archived from the original on April 19, 2024. Retrieved October 17, 2024.
  17. Cairns, Dan (April 19, 2024). "Tortured Poets Department by Taylor Swift review — a five-star pleasure" . The Times . Archived from the original on April 19, 2024. Retrieved October 16, 2024.
  18. Zaleski 2024.
  19. Hunter-Tilney, Ludovic (April 19, 2024). "Taylor Swift: The Tortured Poets Department review — heartbreak inspires anguish, anger and a career highlight" . Financial Times . Archived from the original on April 20, 2024. Retrieved October 16, 2024.
  20. 1 2 3 4 5 6 Hopper, Alex (June 11, 2024). "Behind the Meaning of 'Fresh Out The Slammer' by Taylor Swift". American Songwriter . Archived from the original on June 15, 2024. Retrieved October 16, 2024.
  21. Bailey, Alyssa (April 19, 2024). "Taylor Swift's 'Fresh Out the Slammer' Lyrics Explain Why She Dated Matty Healy After Joe Alwyn". Elle . Archived from the original on July 27, 2024. Retrieved October 16, 2024.
  22. 1 2 3 Lipshutz, Jason (April 19, 2024). "Taylor Swift's The Tortured Poets Department: All 31 Tracks Ranked". Billboard . Retrieved October 16, 2024.
  23. 1 2 3 Zoladz, Lindsay (April 19, 2024). "On The Tortured Poets Department, Taylor Swift Could Use an Editor" . The New York Times . Archived from the original on April 20, 2024. Retrieved October 16, 2024.
  24. 1 2 Sheffield, Rob (April 25, 2024). "All 274 of Taylor Swift's Songs, Ranked". Rolling Stone . Retrieved October 18, 2024.
  25. D’Souza, Shaad (April 19, 2024). "8 Takeaways From Taylor Swift's New Album The Tortured Poets Department". Pitchfork . Archived from the original on April 20, 2024. Retrieved October 16, 2024.
  26. Willman, Chris (April 29, 2024). "Taylor Swift's 75 Best Songs, Ranked". Variety . Archived from the original on January 8, 2023. Retrieved October 16, 2024.
  27. Jones, Nate (May 20, 2024). "All 245 Taylor Swift Songs, Ranked" . Vulture . Archived from the original on September 13, 2019. Retrieved October 16, 2024.
  28. Sherman, Maria (April 19, 2024). "Music Review: Taylor Swift's The Tortured Poets Department is great sad pop, meditative theater". Associated Press. Archived from the original on April 22, 2024. Retrieved October 17, 2024.
  29. Pappis, Konstantinos (April 22, 2024). "Album Review: Taylor Swift, The Tortured Poets Department". Our Culture Mag . Archived from the original on May 13, 2024. Retrieved October 16, 2024.
  30. 1 2 "Taylor Swift Chart History (Global 200)". Billboard. Retrieved October 16, 2024.
  31. Trust, Gary (April 29, 2024). "Taylor Swift Claims Record Top 14 Spots on Billboard Hot 100, Led by 'Fortnight' with Post Malone". Billboard . Archived from the original on April 29, 2024. Retrieved October 28, 2024.
  32. 1 2 "Taylor Swift Chart History (Hot 100)". Billboard. Retrieved October 16, 2024.
  33. 1 2 "Taylor Swift – Fresh Out the Slammer". ARIA Top 50 Singles. Retrieved October 16, 2024.
  34. 1 2 "ARIA Charts – Accreditations – 2024 Singles" (PDF). Australian Recording Industry Association . Retrieved October 16, 2024.
  35. 1 2 "Taylor Swift – Fresh Out the Slammer". Top 40 Singles. Retrieved October 16, 2024.
  36. 1 2 "Taylor Swift Chart History (Canadian Hot 100)". Billboard. Retrieved October 16, 2024.
  37. 1 2 "Philippines Songs - Week of May 4, 2024". Billboard . Archived from the original on May 2, 2024. Retrieved October 16, 2024.
  38. 1 2 "Taylor Swift – Fresh Out the Slammer". AFP Top 100 Singles. Retrieved October 16, 2024.
  39. "ČNS IFPI" (in Czech). Hitparáda – Digital Top 100 Oficiální. IFPI Czech Republic. Note: Select 17. týden 2024 in the date selector. Retrieved April 29, 2024.
  40. "Taylor Swift – Fresh Out the Slammer" (in French). Les classement single. Retrieved October 16, 2024.
  41. "IFPI Charts". IFPI Greece. Archived from the original on May 1, 2024. Retrieved October 16, 2024.
  42. "Taylor Swift Chart History (Ireland Songs)". Billboard . Archived from the original on November 7, 2023. Retrieved October 16, 2024.
  43. "2024 17-os savaitės klausomiausi (Top 100)" (in Lithuanian). AGATA. Archived from the original on April 26, 2024. Retrieved October 16, 2024.
  44. "ČNS IFPI" (in Slovak). Hitparáda – Singles Digital Top 100 Oficiálna. IFPI Czech Republic. Note: Select 17. týden 2024 in the date selector. Retrieved October 16, 2024.
  45. "Taylor Swift – Fresh Out the Slammer". Singles Top 100. Retrieved October 16, 2024.
  46. "Streaming Top 100". Schweizer Hitparade. Archived from the original on May 15, 2024. Retrieved October 16, 2024.
  47. "Official Streaming Chart Top 100". Official Charts Company. Archived from the original on May 9, 2024. Retrieved October 16, 2024.

Source