"All You Had to Do Was Stay" | |
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Song by Taylor Swift | |
from the album 1989 | |
Released | October 27, 2014 |
Studio | Conway Recording (Los Angeles) |
Genre | Synth-pop |
Length | 3:13 |
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Producer(s) |
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"All You Had to Do Was Stay (Taylor's Version)" | |
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Song by Taylor Swift | |
from the album 1989 (Taylor's Version) | |
Released | October 27, 2023 |
Studio | Prime Recording (Nashville) |
Length | 3:13 |
Songwriter(s) |
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Producer(s) |
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Lyric video | |
"All You Had to Do Was Stay (Taylor's Version)" on YouTube |
"All You Had to Do Was Stay" is a song by the American singer-songwriter Taylor Swift from her fifth studio album, 1989 (2014). Swift wrote the song with Max Martin, who produced it with Shellback and Mattman & Robin. The lyrics were inspired by a dream where Swift asked an ex-lover to stay when he was leaving, and the track's refrain incorporates her high-pitched voice shouting "stay". Musically, the synth-pop song incorporates an electronic groove consisting of dense synths, drum pads, and processed backing vocals.
In reviews of 1989, some critics praised the production of "All You Had to Do Was Stay" as catchy, but some others found the track weak and generic. Billboard included the song in their 2017 list of the "100 Best Deep Cuts by 21st Century Pop Stars". Commercially, the track charted in Australia and Canada, and it received certifications in both countries and the United States. Following a 2019 dispute over the ownership of her master recordings, Swift re-recorded the song as "All You Had to Do Was Stay (Taylor's Version)" for the re-recorded album 1989 (Taylor's Version) (2023).
Taylor Swift had identified as a country musician until her fourth studio album, Red , which was released on October 22, 2012. [1] Red incorporates eclectic pop and rock styles beyond the country stylings of Swift's past albums, which led to critics questioning her country-music identity. [2] Swift began writing songs for her fifth studio album in mid-2013 while touring on the Red Tour. [3] Inspired by 1980s synth-pop, she named the album 1989 after her birth year to signify an artistic reinvention: she described it as her first "official pop album". [4] [5]
On 1989, Swift worked with Max Martin as executive producers. Martin and Shellback produced seven out of 13 tracks for 1989's standard edition. [6] [7] The track "All You Had to Do Was Stay" was additionally produced by Mattman & Robin. [6] Speaking about the song's inspiration, Swift told GQ that it originated from a dream where she asked an ex-lover not to leave when he "showed up at [her] door, [and] knocked on the door". [8] [9] She said how the idea translated into the song's refrain: "I opened it up and I was about ready to launch into the perfect thing to say. [...] Instead, all that would come out of my mouth was that high-pitch chorus of people singing 'Stay!'" [10] She recalled that the multiple "Stay! Stay! Stay!" was "mortifying" but "kind of a cool vocal part". [9]
"All You Had to Do Was Stay" was written by Swift and Martin, who programmed and produced it with Shellback and Mattman & Robin. All three producers played keyboards, Shellback and Mattman & Robin played guitars, and the latter played bass and drums. The track was recorded by Sam Holland, assisted by Cory Bice, at Conway Recording Studios in Los Angeles. John Hanes engineered the song, and Serban Ghenea mixed it at MixStar Studios in Virginia Beach, Virginia. [6]
"All You Had to Do Was Stay" is a synth-pop track. [11] [12] It begins with what the musicologist James E. Perone described as a "1967-era backward tape manipulation" that recalls psychedelic music. The song's production is aligned with 1980s musical stylings, [13] such as an electronic groove [14] consisting of dense synths, drum pads, and processed backing vocals. [15] Lyrically, "All You Had to Do Was Stay" is a breakup song [16] that samples Swift singing the word, "stay", in a high pitch throughout, [17] which is blended into the instrumental. [18] Swift's character tells an ex-lover that she will not let him back into her life. [19] Her vocals on the track are heavily processed; The New York Times' Jon Caramanica thought that the "bratty background chorus chants" exemplified this. [20]
"All You Had to Do Was Stay" was released as the fifth track on 1989 on October 27, 2014, by Big Machine Records. [21] It charted at number 99 in Australia, [22] number 92 in Canada, [23] and number 14 on the United States Bubbling Under Hot 100. [24] The song received a platinum certification by the Australian Recording Industry Association (ARIA), [25] a silver certification by the British Phonographic Industry (BPI), [26] and a gold certification by the Recording Industry Association of America (RIAA). [27] A fan-made remix of "All You Had to Do Was Stay" containing sounds of a screaming goat became viral on the internet. [28] [29] Swift performed the song on most dates of the 1989 World Tour in 2015 but left it out of the set list of a few dates. [30] [31] [32]
After signing a new contract with Republic Records, Swift began re-recording her first six studio albums in November 2020. [33] The decision followed a public 2019 dispute between Swift and the talent manager Scooter Braun, who acquired Big Machine Records, including the masters of Swift's albums released under the label. [34] [35] By re-recording the albums, Swift would have full ownership of the new masters, enabling her to control the licensing of her songs for commercial use in hopes of substituting the Big Machine–owned masters. [36]
The re-recording of "All You Had to Do Was Stay", subtitled "Taylor's Version", was released as part of 1989's re-recording, 1989 (Taylor's Version) , on October 27, 2023. [37] Swift produced "All You Had to Do Was Stay (Taylor's Version)" with Christopher Rowe, who engineered her vocals. [38] The re-recorded track reached the Billboard Global 200 (20) [39] and individual charts for the countries of Canada (23) [23] and New Zealand (30). [40] In the United States, "All You Had to Do Was Stay (Taylor's Version)" debuted and peaked at number 20 on the Billboard Hot 100, where it extended Swift's record for the most top-40 chart entries by a female artist. [41]
Rachel Sonis, writing for Time , called "All You Had to Do Was Stay" a "criminally underrated" song, applauding the story behind the song for being "vulnerable, relatable, and cutting", further elaborating that the song is "unmistakably Swiftian". [15] Rob Sheffield of Rolling Stone called the song a "1989 banger that could have made an excellent single". He said that the track sounded quite like "Out of the Woods" but had a "livelier chorus and a stormier range of electro-Tay sound effects". [42] Erin Browne of Vulture ranked the song as eight out of ten among Taylor's "track fives", saying that it is "definitely the most upbeat of all the track fives", and it "shows Taylor's growth from her first album to her fifth". [43] Leanne Bayley of Glamour UK listed the song as one of 1989's highlights. [44]
Alex Hopper of American Songwriter ranked "All You Had to Do Was Stay" sixth out of the album's 15 tracks, calling it "as fun and blithe as one could make a breakup song" and complimenting the contrast between emotional lyrics and "dance-inducing" sounds. [45] Billboard placed the track at number 77 on its list of the 100 best songs by Swift published in 2023, saying that it had the most potentials of becoming a single out of the deep cuts on 1989. [46] The magazine ranked it third on its 2017 list of the "100 Best Deep Cuts by 21st Century Pop Stars"; its editor Chris Payne highlighted the high-pitched "Stay!" that "captures the manic desperation of a sudden split" and "the way the chorus sprawls out and lets its hook run wild". [11] Reviewing the re-recorded version, The Line of Best Fit's Kelsey Barnes praised Swift's vocals as having improved and said that it was one of the best tracks on 1989 (Taylor's Version). [47]
Mixed reviews were from Slant Magazine's Annie Galvin, who described it as one of the "repetitive diary entries that have been churned through the Swedish pop-hit-making factory"; [48] and PopMatters 's Corey Baesley, who considered its sound "saccharine". [49] Mikael Wood of the Los Angeles Times deemed "All You Had to Do Was Stay" a generic song that could have been mistaken for one sung by "Kelly Clarkson or Pink or Demi Lovato". [14] The New Zealand Herald described the song as a "tiresome" depiction of early-20s "innocence, and sweet-natured wholesome fun" that left the impression of Swift being a "sweet 16 year old". [50]
"All You Had to Do Was Stay" (2014)
"All You Had to Do Was Stay (Taylor's Version)" (2023)
Chart (2014) | Peak position |
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Australia (ARIA) [22] | 99 |
Canada (Canadian Hot 100) [23] | 92 |
US Bubbling Under Hot 100 Singles ( Billboard ) [24] | 14 |
Chart (2023) | Peak position |
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Canada (Canadian Hot 100) [23] | 23 |
Global 200 ( Billboard ) [39] | 20 |
Greece International (IFPI) [51] | 38 |
New Zealand (Recorded Music NZ) [52] | 22 |
Philippines Songs ( Billboard ) [53] | 20 |
Sweden Heatseeker (Sverigetopplistan) [54] | 5 |
UK Streaming (OCC) [55] | 24 |
US Billboard Hot 100 [56] | 20 |
Region | Certification | Certified units/sales |
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Australia (ARIA) [25] | Platinum | 70,000‡ |
United Kingdom (BPI) [26] | Silver | 200,000‡ |
United States (RIAA) [27] | Gold | 500,000‡ |
‡ Sales+streaming figures based on certification alone. |
"New Romantics" is a song by the American singer-songwriter Taylor Swift, who wrote it with the producers Max Martin and Shellback. The title is a reference to a cultural movement of the 1970s and 1980s, whose new wave musical style influenced the song's synth-pop production and pulsating synthesizers. The lyrics are about reigniting one's hopes and energy after emotional hardships.
"I Knew You Were Trouble" is a song by the American singer-songwriter Taylor Swift from her fourth studio album, Red (2012). Swift wrote the song with its producers, Max Martin and Shellback. A dance-pop, pop rock, and teen pop song with a dubstep refrain, "I Knew You Were Trouble" features electric guitars and synthesizers, with lyrics that talk about self-blame after a toxic relationship. The dubstep production divided music critics, who noted it as a radical move from Swift's previous country pop songs.
"22" is a song by the American singer-songwriter Taylor Swift from her fourth studio album, Red (2012). It was released as the album's fourth single on March 12, 2013, by Big Machine Records. Written and produced by Swift, Max Martin, and Shellback, "22" combines pop styles such as dance-pop and bubblegum with disco and 1990s rock. The track begins with an acoustic guitar riff and progresses into an upbeat refrain which incorporates pulsing synthesizers and syncopated bass drums. The lyrics celebrate being 22 years old while acknowledging the heartache that the narrator experienced in the past.
1989 is the fifth studio album by the American singer-songwriter Taylor Swift, released on October 27, 2014, by Big Machine Records. Inspired by 1980s synth-pop, Swift conceived 1989 to recalibrate her artistry to pop after critics disputed her status as a country musician when she released the cross-genre Red (2012) to country radio. She titled 1989 after her birth year as a symbolic artistic rebirth and enlisted Max Martin, who produced Red's electronic-influenced pop tracks, as co-executive producer.
"Shake It Off" is a song by the American singer-songwriter Taylor Swift and the lead single from her fifth studio album, 1989. She wrote the lyrics and composed the melody with its producers Max Martin and Shellback. Inspired by the media scrutiny on Swift's public image, the lyrics are about her indifference to detractors and their negative remarks. An uptempo dance-pop song, it features a looping drum beat, a saxophone line, and a handclap-based bridge. Big Machine Records released "Shake It Off" on August 19, 2014, to market 1989 as Swift's first pop album after her previous country-styled releases.
"Out of the Woods" is a song by the American singer-songwriter Taylor Swift from her fifth studio album, 1989 (2014). Swift wrote and produced the song with Jack Antonoff. With lyrics inspired by a failed relationship and the ensuing anxieties that Swift experienced, "Out of the Woods" is a synth-pop song with elements of Eurodance and indietronica and features heavy synthesizers, looping drums, and layered background vocals.
"Welcome to New York" is a song by the American singer-songwriter Taylor Swift from her fifth studio album, 1989 (2014). Written by Swift and Ryan Tedder, the song was inspired by Swift's relocation to New York City in April 2014. Its lyrics explore a newfound freedom in the city and a lighthearted attitude towards past heartbreaks.
"Blank Space" is a song by the American singer-songwriter Taylor Swift and the second single from her fifth studio album, 1989 (2014). Swift wrote the song with its producers, Max Martin and Shellback. Inspired by the media scrutiny on Swift's love life that affected her girl-next-door reputation, "Blank Space" portrays a flirtatious woman with multiple romantic attachments. It is an electropop track with a minimal arrangement consisting of synthesizers, hip hop-influenced beats, and layered vocals.
"Style" is a song by the American singer-songwriter Taylor Swift and the third single from her fifth studio album, 1989 (2014). She wrote the track with its producers Max Martin, Shellback, and Ali Payami. An incorporation of pop, funk, disco, and electronic styles, "Style" is built on an electric guitar riff, pulsing synthesizers, and dense vocal reverb. The lyrics are about a couple who could not escape from an unhealthy relationship because they are never "out of style". Big Machine in partnership with Republic Records released the song to US radio on February 9, 2015.
"Bad Blood" is a song by the American singer-songwriter Taylor Swift from her fifth studio album, 1989 (2014). She wrote the song with the producers Max Martin and Shellback. A pop song with hip hop beats and keyboards, the lyrics are about betrayal by a close friend. A remix featuring the American rapper Kendrick Lamar, with additional lyrics by Lamar and production by Ilya, was released to radio as the fourth single to promote 1989 on May 17, 2015, by Big Machine and Republic Records.
"Wildest Dreams" is a song by the American singer-songwriter Taylor Swift. It is the fifth single from her fifth studio album, 1989 (2014). Swift wrote the song with its producers Max Martin and Shellback. "Wildest Dreams" has an atmospheric, balladic production incorporating programmed drums, Mellotron-generated and live strings, and synthesizers; the rhythm interpolates Swift's heartbeat. Critics described it as synth-pop, dream pop, and electropop. The lyrics feature Swift pleading with a lover to remember her even after their relationship ends. Big Machine Records in partnership with Republic Records released "Wildest Dreams" to radio on August 31, 2015.
"This Love" is a song written and recorded by the American singer-songwriter Taylor Swift for her fifth studio album, 1989 (2014). Swift produced the song with Nathan Chapman. An atmospheric ballad, "This Love" combines soft rock and synth-pop. Its lyrics use oceanic imagery to describe the revival of a faded romance.
"...Ready for It?" is a song by the American singer-songwriter Taylor Swift from her sixth studio album Reputation (2017). She wrote the song with its producers, Max Martin, Shellback, and Ali Payami. An electropop and industrial pop song, "...Ready for It?" incorporates elements of dancehall, tropical house, and trap. It features Swift rapping over heavy synthesizers, bass drops, and programmed drums. Lyrically, the track uses criminal imagery such as bank heist and ransom to depict a newfound romance.
"Delicate" is a song by the American singer-songwriter Taylor Swift from her sixth studio album, Reputation (2017). She wrote the song with the producers Max Martin and Shellback. Inspired by events surrounding Swift's celebrity and personal life, the lyrics depict a narrator's vulnerability when she ponders if her reputation would affect the blossoming romance. "Delicate" is an electropop and synth-pop ballad that features vocals manipulated with a vocoder. Its production incorporates dense synthesizers and beats that evoke tropical house and dancehall.
Lover is the seventh studio album by the American singer-songwriter Taylor Swift, released on August 23, 2019, by Republic Records. It is her first album after her departure from Big Machine Records, which caused a public dispute over the ownership of Swift's past albums.
"The Archer" is a song by the American singer-songwriter Taylor Swift from her seventh studio album, Lover (2019). She wrote and produced the track with Jack Antonoff, and Republic Records released it as a promotional single on July 23, 2019. The song has a 1980s-influenced minimalist, midtempo production and is a synth-pop ballad incorporating dense, echoing synthesizers and insistent kick drums. Music critics also identified elements of synthwave and dream pop. The lyrics are about Swift's acknowledgement of her past mistakes and contemplation of her identity.
"Question...?" is a song by the American singer-songwriter Taylor Swift from her tenth original studio album, Midnights (2022). Swift wrote and produced the song with Jack Antonoff. A synth-pop track, "Question...?" has lyrics where a narrator ponders on a broken relationship and confronts the ex-lover with a series of rhetorical questions. It samples Swift's own 2016 single "Out of the Woods". The song was released as a limited-time digital download from Midnights on October 25, 2022, via Swift's website.
"Say Don't Go" is a song by the American singer-songwriter Taylor Swift. She wrote the track with Diane Warren in 2013 for her fifth studio album, 1989 (2014), but left it out of the final track-list. Swift re-recorded the song and produced it with Jack Antonoff for 1989's re-recording, 1989 (2023). "Say Don't Go" is a new-age and pop rock power ballad with a production featuring 1980s-inspired drum beats, pizzicato arpeggios, and isolated vocal patterns. The lyrics are about a narrator attempting to maintain her unfruitful relationship.
"So It Goes…" is a song by the American singer-songwriter Taylor Swift from her sixth studio album, Reputation (2017). Swift wrote the song with the producers Max Martin, Shellback, and Oscar Görres. A combination of trap, EDM, and synth-pop, "So It Goes…" depicts a narrator's vulnerability to a lover. Some critics highlighted the sexual nature of the lyrics, while several deemed the song insubstantial. Critics have retrospectively considered "So It Goes…" a weaker track in Swift's discography. Swift occasionally performed the track during the acoustic segment of her 2018 Reputation Stadium Tour.
"I Wish You Would" is a song by the American singer-songwriter Taylor Swift from her fifth studio album, 1989 (2014). Swift wrote and produced the song with Jack Antonoff, who helped build it on an initial track sampling the snare drums on Fine Young Cannibals' 1989 song "She Drives Me Crazy". "I Wish You Would" is a bubblegum and synth-pop song instrumented by a staccato disco guitar lick, thick synths, erupting snares, and layered vocals. The lyrics are about the longing between two ex-lovers.
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