Tolerate It

Last updated

"Tolerate It"
Song by Taylor Swift
from the album Evermore
ReleasedDecember 11, 2020 (2020-12-11)
Studio Long Pond (Hudson Valley)
Length4:05
Label Republic
Songwriter(s)
Producer(s) Aaron Dessner
Lyric video
"Tolerate It" on YouTube

"Tolerate It" is a song by the American singer-songwriter Taylor Swift, taken from her ninth studio album, Evermore (2020). She wrote the track with its producer, Aaron Dessner. A slow building piano ballad, "Tolerate It" features a midtempo production and an odd time signature. Inspired by the Daphne du Maurier novel Rebecca (1938), its lyrics are narrated by a young woman who addresses her unstable relationship with an older man who does not seem to like her.

Contents

Critics praised "Tolerate It" for what they deemed vulnerable songwriting from Swift and an engaging production and selected it as a highlight from Evermore. Commercially, the song peaked at number 28 on the Billboard Global 200 and entered the charts of Australia, Canada, Portugal, the United States. It received certifications from Australia, Brazil, and the UK. It was included on the regular set list of the Eras Tour (2023–2024).

Production

On July 24, 2020, the American singer-songwriter Taylor Swift released her eighth studio album, Folklore , to critical and commercial success. [1] On November 25, Swift and the album's co-writers and co-producers, including the first-time collaborator Aaron Dessner, assembled at Long Pond Studio in Hudson Valley to film a concert documentary titled Folklore: The Long Pond Studio Sessions , which was released on Disney+. [2] [3] They continued writing songs at Long Pond, with Swift penning lyrics to Dessner's instrumental tracks, a process that was present on much of the songs they had worked on Folklore. Their sessions resulted in a project that was a natural extension of the album, which became Evermore (2020). [4] [5] [6]

One of the songs both Swift and Dessner wrote was "Tolerate It". [3] Dessner produced the track prior to writing it with Swift. Before sending the instrumental to her, he thought that "she won't be into it" because of its "odd" elements. However, after Dessner sent the instrumental to Swift, she sent it back with finished lyrics. He recalled in a Rolling Stone interview that he cried upon hearing "Tolerate It" for the first time and described it as a "crushingly beautiful song". [4] It was recorded by Dessner and Jonathan Low at Long Pond, where Low also recorded the vocals. The track was mixed by Low at Long Pond and mastered by Greg Calbi and Steve Fallone at Sterling Sound in Edgewater, New Jersey. [3]

Music and lyrics

"Tolerate It" is a slow building [7] piano ballad [8] that runs for four minutes and five seconds. [9] It features an odd time signature; [10] Dessner said the song was set in a 10
8
signature, [4] while Jon Pareles of The New York Times [11] and Nate Jones of Vulture thought it was in a 5
4
signature. [12] The midtempo [10] production contains bass guitar, cello, percussion, violin, [3] and skittering synth beats with recurring keyboard chord patterns. [7] [13] Critics described the piano as "solemn, chilly", [14] "muffled", [7] and "frosty". [15] Ray Finlayson of Beats Per Minute opined that the song could have fit on Folklore because he thought it had similar musical elements. [14]

"Tolerate It" was inspired by the novel Rebecca by Daphne du Maurier (pictured). Young Daphne du Maurier restored bw.jpg
"Tolerate It" was inspired by the novel Rebecca by Daphne du Maurier (pictured).

"Tolerate It" details the difficulties of loving someone who undervalues their relationship; [16] [17] Swift wrote that the track is about "ambivalent toleration" [18] and that it was inspired by the Daphne du Maurier novel Rebecca (1938). [19] In the lyrics, it describes an unstable relationship between two characters with a big age gap, narrated from the young woman's perspective. [17] [20] She delivers "acts of service" to her partner, such as setting the table with "the fancy shit". [15] The woman admits that she has worth and professes about it ("I know my love should be celebrated"), yet is faced with indifference ("but you tolerate it"). [21] [8] Swift employs her upper register as the woman realizes that she has the power to leave the relationship: "You assume I'm fine, but what would you do if I / Break free and leave us in ruins / Gain the weight of you then lose it / Believe me, I could do it". [7] [12]

Some critics drew similarities to other songs and a few highlighted lyrics from the track. In The Guardian , the music journalist Alexis Petridis thought that Swift inhabited the character of a "disenchanted wife" on "Tolerate It" and believed it evoked the one on the Smiths' song "Asleep" (1985). [22] Rolling Stone 's writer Rob Sheffield found the track to be more in line to a 1970s Carole King song. [23] Emily Algar from Atwood Magazine interpreted the lyric, "I made you my temple, my mural, my sky/ Now I'm begging for footnotes in the story of your life", to be the feeling of loving someone who loves you less. [24] For Katherine Rodgers of The Quietus , she thought the lyric, "You're so much older, and wiser, and I", revealed the age difference of the relationship. [20]

Release and live performance

"Tolerate It" was released as the fifth track on Evermore on December 11, 2020, by Republic Records. [25] The song reached number 28 on the Billboard Global 200 [26] and charted in the countries of Canada (18) [27] and Portugal (101). [28] In the United States, it debuted and peaked at number 45 on the Billboard Hot 100 and increased Swift's total entries to 128. [29] [30] Meanwhile, the track opened at number eight on Hot Rock & Alternative Songs, where it lasted for 14 weeks [31] and appeared on the chart's 2021 year-end at number 47. [32] In Australia, "Tolerate It" peaked at number 28 on the ARIA Singles Chart [33] and received a platinum certification from the Australian Recording Industry Association (ARIA). [34] In the United Kingdom, the song reached number 59 on the OCC's Audio Streaming Chart [35] and was certified silver by the British Phonographic Industry (BPI). [36] In Brazil, it received a gold certification from Pro-Música Brasil. [37]

In March 2023, Swift embarked on her sixth concert tour, the Eras Tour, as a tribute to her discography. [38] The show consists of ten acts, including the Evermore set, where it features "Tolerate It". [39] Swift would arrange a long dinner table for two people before performing the track; [38] [40] Ilana Kaplan of i reported that "she crawled and danced" across the table. [41] Chris Willman from Variety believed that the set was inspired by the 1941 film Citizen Kane and that it was done to highlight the track's "domestic drama". [40] Kelsey Barnes of The Independent called the set "sparse and cold" and thought it reflects the song's "stark" sound. [38] For Rolling Stone, Waiss Aramesh found the setting "beautiful" and wrote that Swift delivered a "heart-wrenching rendition" of the track. [42] In May 2024, "Tolerate It" was removed from the tour's set list. [43]

Critical reception

In reviews of Evermore, critics considered "Tolerate It" an album highlight. [lower-alpha 1] They lauded the vulnerability displayed in Swift's songwriting; [lower-alpha 2] a number of them claimed that it contained some of her best writing. [lower-alpha 3] Konstantinos Pappis of Our Culture Mag viewed "Tolerate It" as one of Evermore's "most affecting moments" and thought it felt "strikingly personal" despite being devoid of Swift's autobiographical songwriting. [21] Patrick Ryan from USA Today regarded the song as a lyrical standout from the album. [51] Maura Johnston of Entertainment Weekly thought it was a "masterful portrayal" of a crumbling marriage. [52] Mary Siroky from Consequence wrote that it is where her "narrative storytelling is on full display". [53] Claire Shaffer from Rolling Stone said that "Tolerate It" featured one of "Swift's most damning relationship vignettes to date". [54] Petridis, [22] The Observer 's Kitty Empire, [55] and The Quietus' Katherine Rodgers praised the character studies shown, [20] and Petridis added that the song's bitter lyrics were more edifying than those she wrote for her 2017 album Reputation . [22]

Some critics commended the production. Pareles viewed "Tolerate It" as one of Evermore's "countless musicianly flourishes" [11] and Johnston picked it as one of the album's songs she thought their musical risks succeeded. [52] Helen Brown from The Independent called the track "excellent" and appreciated the "pretty" piano. [7] Saloni Gajjar of The A.V. Club wrote that her "partnership with Dessner resulted in some beautiful renditions" on Evermore and picked "Tolerate It" as an example. [56] Jason Lipshutz of Billboard regarded it as one of the album's tracks that serves their production as the emotional hook. [57] Nora Princiotti of The Ringer thought the "odd" time signature brought "really cool effects". [10] Ellen Johnson from Paste said the song was "full of Swift's hard-won wisdom" and viewed it as one of the tracks to represent Evermore as a peaceful, intimate album. [58]

On less positive reviews, the Slate writer Carl Wilson found "Tolerate It" to have one of the "draggiest [Dessner] compositions" on the album and thought it resulted in "numbing and disappointing music". [13] Cory McConnell of The Ringer deemed the song melodrama and "a bit of a drag" on Evermore, [10] and Sputnikmusic criticized Swift for using the same hook that was shared with the album's several tracks. [59] "Tolerate It" was featured in the rankings of Swift's discography by Rolling Stone (94) [23] and Vulture (138). [12]

Personnel

Credits are adapted from the liner notes of Evermore. [25]

Charts

Certifications

Certifications for "Tolerate It"
RegionCertification Certified units/sales
Australia (ARIA) [34] Platinum70,000
Brazil (Pro-Música Brasil) [37] Gold20,000
United Kingdom (BPI) [36] Silver200,000

Sales+streaming figures based on certification alone.

Notes

  1. Attributed to The Atlantic , [15] Atwood Magazine, [24] Beats Per Minute , [14] Esquire [44] and the Los Angeles Times [45]
  2. Attributed to The Atlantic, [15] The A.V. Club , [46] Clash , [47] Esquire, [44] the Los Angeles Times, [45] No Ripcord, [48] PopMatters , [49] and Vulture [18]
  3. Attributed to The Atlantic [15] and Exclaim! [50]

Related Research Articles

<i>Folklore</i> (Taylor Swift album) 2020 studio album by Taylor Swift

Folklore is the eighth studio album by the American singer-songwriter Taylor Swift. It was surprise-released on July 24, 2020, via Republic Records. Swift recorded her vocals in her Los Angeles home studio and worked virtually with the producers Aaron Dessner and Jack Antonoff, who operated from their studios in the Hudson Valley and New York City.

"Peace" is a song by the American singer-songwriter Taylor Swift from her eighth studio album, Folklore (2020). Swift wrote the song with its producer, Aaron Dessner. According to Swift, "Peace" is her most personal song on Folklore. It has a minimal composition of a soft piano and harmonized guitars over an electric pulse, combining elements of R&B, funk, and jazz. In the lyrics, Swift's character pledges her commitment to a lover while acknowledging the downsides she might bring to their relationship.

<span class="mw-page-title-main">Betty (Taylor Swift song)</span> 2020 single by Taylor Swift

"Betty" is a song by the American singer-songwriter Taylor Swift from her eighth studio album, Folklore (2020). It was written by Swift and Joe Alwyn, and the former produced the track with Aaron Dessner and Jack Antonoff. MCA Nashville and Republic Records released the song to US country radio on August 17, 2020. "Betty" is an Americana-inspired song combining country, folk rock, and guitar pop. Its production consists of a harmonica, a pedal steel, guitars, and a key change after the bridge.

"August" is a song by the American singer-songwriter Taylor Swift from her eighth studio album, Folklore (2020). Swift wrote and produced "August" with Jack Antonoff; Joe Alwyn was credited as a co-producer. A dream pop, guitar pop, and soft rock ballad, "August" features elements of soft rock in its guitars, strings, and vocal reverberation. In the lyrics, an unnamed female narrator expresses her sorrow over James, a 17-year-old boy who reconciles with Betty after a fleeting summer romance with her. She is a character involved in a love triangle depicted in three Folklore tracks, the other two being "Cardigan" and "Betty".

"Seven" is a song by the American singer-songwriter Taylor Swift from her eighth studio album, Folklore (2020). Swift co-wrote the song with its producer, Aaron Dessner. "Seven" is a folk song with nostalgic lyricism. It blends present and past perspectives: a 30-year-old narrator introspecting on her childhood in Pennsylvania while recalling the purity of her relationship with an old friend and the then 7-year-old narrator incapable of understanding the domestic violence her friend had experienced but realizing it years later. The song is led by Swift's upper register over a swirling piano line, complemented by acoustic guitars, drums, and strings.

"Invisible String" is a song by the American singer-songwriter Taylor Swift from her eighth studio album, Folklore (2020). She wrote the song with its producer, Aaron Dessner. The lyrics are about how fate brings two soulmates together and refer to specific moments from their lives, containing references to the literature classics Jane Eyre and The Sun Also Rises. Musically, "Invisible String" is a folk tune with elements of blues, pop, and country. Its spare acoustic arrangement is driven by acoustic guitar strums on a rubber bridge and vocal backbeats.

"Hoax" is a song by the American singer-songwriter Taylor Swift from her eighth studio album, Folklore (2020). Swift wrote the track with its producer, Aaron Dessner; it was the last track she wrote for the album. A slow-paced piano ballad, "Hoax" is about a flawed but everlasting relationship; Swift describes the details using motifs and imagery.

"The 1" is a song by the American singer-songwriter Taylor Swift and the opening track from her eighth studio album, Folklore (2020). She wrote the song with its producer, Aaron Dessner. A folk and soft rock tune with elements of indie folk, "The 1" sets Swift's conversational vocals over a production consisting of piano and percussion. In its lyrics, the narrator fondly introspects a failed romance and details the time when she found "the one" who never came to be. Republic Records released the song for download in Germany on October 9, 2020.

<i>Folklore: The Long Pond Studio Sessions</i> 2020 American documentary concert film and live album

Folklore: The Long Pond Studio Sessions is a 2020 American documentary concert film directed and produced by the American singer-songwriter Taylor Swift, released on Disney+ on November 25, 2020. The documentary is set at Long Pond Studio, an isolated recording studio in a forested area in the Hudson Valley, New York; Swift performs all of the 17 tracks of her eighth studio album, Folklore (2020), whilst discussing the creative process behind the songs with her collaborators Aaron Dessner and Jack Antonoff. Swift made her debut as a film director with the documentary, which is her fourth film to be released on a streaming service, following the releases of The 1989 World Tour Live (2015), Taylor Swift: Reputation Stadium Tour (2018), and Miss Americana (2020).

<i>Evermore</i> 2020 studio album by Taylor Swift

Evermore is the ninth studio album by the American singer-songwriter Taylor Swift. It was a surprise album released on December 11, 2020, via Republic Records, less than five months after her previous studio album Folklore. Evermore was a spontaneous product of Swift's extended collaboration with her Folklore collaborator Aaron Dessner, mainly recorded at his Long Pond Studio in the Hudson Valley.

<span class="mw-page-title-main">Willow (song)</span> 2020 single by Taylor Swift

"Willow" is a song by the American singer-songwriter Taylor Swift from her ninth studio album, Evermore (2020). It was released on December 11, 2020, by Republic Records as the lead single from the album. "Willow" is a chamber folk love song making use of several metaphors to convey the singer's romantic state of mind, such as portraying her life as a willow tree, over picked guitars, glockenspiel, flute, strings, and percussion.

"No Body, No Crime" is a song by the American singer-songwriter Taylor Swift, featuring the American band Haim, from her ninth studio album, Evermore (2020). She wrote the track as a result of her fixation with crime documentaries and podcasts, and co-produced it with Aaron Dessner. A tune featuring styles of country, country rock, and Americana, "No Body, No Crime" is a murder ballad about the murder of a woman named Este, narrated by her friend who avenges her. Republic Records in partnership with MCA Nashville sent the song to US country radio on January 11, 2021, as a single from Evermore.

"Champagne Problems" is a song by the American singer-songwriter Taylor Swift from her ninth studio album, Evermore (2020). She wrote the song with Joe Alwyn, who is credited under the pseudonym William Bowery, and produced it with Aaron Dessner. "Champagne Problems" is a lo-fi tune driven by a rhythmic composition of piano and guitar riff.

"Dorothea" is a song by the American singer-songwriter Taylor Swift from her ninth studio album, Evermore (2020). Swift wrote the song with its producer, Aaron Dessner. The lyrics are from the perspective of an unnamed character reminiscing an old friendship with the titular fictional character, when they were in their adolescence. It tells the story of how the two reconcile when Dorothea returns from Hollywood to their hometown Tupelo for the holiday season. The narrator confesses to Dorothea that they still love her despite the change and hope to reconcile the long lost friendship. The narrator later convinces her to abandon an acting career for a simplistic life in their hometown.

"Coney Island" is a song by Taylor Swift featuring the National, taken from Swift's ninth studio album, Evermore (2020). Swift, Joe Alwyn, and the National's Aaron and Bryce Dessner wrote the song, with the latter two producing it. Matt Berninger contributed guest vocals. Republic Records sent "Coney Island" to US adult album alternative radio as a single on January 18, 2021.

"Long Story Short" is a song by the American singer-songwriter Taylor Swift from her ninth studio album, Evermore (2020). She wrote the song with its producer, Aaron Dessner. "Long Story Short" is an upbeat song that consists of dynamic programmed and live drums, synths, strings, and guitars; music critics characterize the genre as synth-pop, electropop, folk-pop, and indie rock. The lyrics see Swift reminiscing about a dark part of her past and her contentment with a current state of mind.

"Marjorie" is a song by the American singer-songwriter Taylor Swift from her ninth studio album, Evermore (2020). A tribute to Swift's late maternal grandmother, the opera singer Marjorie Finlay, the song features bits of advice that Finlay offered to Swift and touches on her guilt over not knowing Finlay to the fullest. It incorporates slow-burning synthesizers, strings, and samples of Finlay's operatic vocals.

"'Tis the Damn Season" is a song by the American singer-songwriter Taylor Swift from her ninth studio album, Evermore (2020). She wrote the song with Aaron Dessner, who produced it using an instrumental track he had written prior. "'Tis the Damn Season" is a folk song instrumented by a finger-picked electric guitar and programmed drums. Narrated from the perspective of a female character named Dorothea, the lyrics detail her returning to her hometown during the holiday season and engaging in a quickly-faded rekindled relationship.

"Would've, Could've, Should've" is a song by the American singer-songwriter Taylor Swift. It is a bonus track originally released as part of the 3am Edition of her tenth studio album, Midnights (2022). Written and produced by Swift and Aaron Dessner, it is a new wave-leaning soft rock song about a narrator's rumination of a flawed, age-inappropriate romantic relationship in the past.

"Happiness" is a song by the American singer-songwriter Taylor Swift, taken from her ninth studio album, Evermore (2020). She wrote the song with Aaron Dessner, who produced it using an instrumental track he had written in 2019. A midtempo ambient ballad, "Happiness" has piano, guitar and synthesizer instrumentation generated by a slow drone that build up. Its lyrics are about a narrator finding happiness after a divorce.

References

  1. McGrath 2023, p. 74–79.
  2. Aswad, Jem (December 10, 2020). "Taylor Swift to Release New Album, Evermore, Tonight". Variety . Archived from the original on December 10, 2020. Retrieved December 10, 2020.
  3. 1 2 3 4 Minsker, Evan (December 11, 2020). "Taylor Swift Releases New Album Evermore: Listen and Read the Full Credits". Pitchfork . Archived from the original on December 13, 2020. Retrieved July 20, 2023.
  4. 1 2 3 Shaffer, Claire (December 18, 2020). "Aaron Dessner on How His Collaborative Chemistry With Taylor Swift Led to Evermore". Rolling Stone . Archived from the original on December 22, 2020. Retrieved December 6, 2023.
  5. Havens, Lyndsey (December 18, 2020). "Aaron Dessner on the 'Weird Avalanche' That Resulted in Taylor Swift's Evermore". Billboard . Archived from the original on December 22, 2020. Retrieved July 21, 2023.
  6. Doyle, Patrick (November 13, 2020). "Musicians on Musicians: Taylor Swift & Paul McCartney". Rolling Stone . Archived from the original on November 30, 2020. Retrieved November 19, 2023.
  7. 1 2 3 4 5 Brown, Helen (December 11, 2020). "Taylor Swift's New Album Evermore Is Full of Haunting Tales – Review". The Independent . Archived from the original on December 12, 2020. Retrieved December 5, 2023.
  8. 1 2 Bream, Jon (December 14, 2020). "Review: Taylor Swift's surprise new album is ever-good". Star Tribune . Archived from the original on April 5, 2023. Retrieved December 5, 2023.
  9. Swift, Taylor (December 11, 2020). "Evermore". Apple Music (US). Archived from the original on December 11, 2020. Retrieved December 14, 2023.
  10. 1 2 3 4 "The Taylor Swift Evermore Exit Survey". The Ringer . December 11, 2020. Archived from the original on June 2, 2023. Retrieved December 16, 2023.
  11. 1 2 Pareles, Jon (December 11, 2020). "Evermore, Taylor Swift's Folklore Sequel, Is a Journey Deeper Inward" . The New York Times . Archived from the original on December 11, 2020. Retrieved December 5, 2023.
  12. 1 2 3 Jones, Nate (November 8, 2023). "All 214 Taylor Swift Songs, Ranked". Vulture . Archived from the original on September 13, 2019. Retrieved December 24, 2023.
  13. 1 2 Wilson, Carl (December 11, 2020). "Taylor Swift's Evermore: A Track-by-Track Review". Slate . ISSN   1091-2339. Archived from the original on May 5, 2021. Retrieved December 16, 2023.
  14. 1 2 3 Finlayson, Ray (December 15, 2020). "Album Review: Taylor Swift – Evermore". Beats Per Minute . Archived from the original on December 5, 2023. Retrieved December 5, 2023.
  15. 1 2 3 4 5 Kornhaber, Spencer (December 15, 2020). "Taylor Swift Could Use an Editor" . The Atlantic . Archived from the original on April 14, 2021. Retrieved December 6, 2023.
  16. Crone, Madeline (December 11, 2020). "Taylor Swift Evermore Is Ready for Your Record Player, Radio Play Be Damned". American Songwriter . Archived from the original on December 11, 2020. Retrieved December 19, 2023.
  17. 1 2 Breihan, Tom (December 11, 2020). "Review: Taylor Swift Burrows Deeper into Sepia-Toned Mood Music on Evermore". Stereogum . Archived from the original on December 11, 2020. Retrieved December 19, 2023.
  18. 1 2 Gutowitz, Jill (December 11, 2020). "So, What the Hell Folk Tales Is Taylor Swift Telling Now on Evermore?". Vulture . Archived from the original on December 14, 2020. Retrieved December 23, 2023.
  19. Savage, Mark (October 19, 2022). "Midnights: What We Know About Taylor Swift's Songwriting". BBC. Archived from the original on October 19, 2022. Retrieved December 6, 2023.
  20. 1 2 3 Rodgers, Katherine (December 16, 2022). "Taylor Swift | Evermore". The Quietus . Archived from the original on December 22, 2020. Retrieved December 5, 2023.
  21. 1 2 Pappis, Konstantinos (December 13, 2020). "Album Review: Taylor Swift, Evermore". Our Culture Mag . Archived from the original on November 25, 2023. Retrieved December 16, 2023.
  22. 1 2 3 Petridis, Alexis (December 11, 2020). "Taylor Swift: Evermore – Rich Alt-Rock and Richer Character Studies". The Guardian . ISSN   0261-3077. Archived from the original on December 11, 2020. Retrieved December 6, 2023.
  23. 1 2 Sheffield, Rob (October 28, 2023). "'Tolerate It' (2020)". Rolling Stone . Archived from the original on December 24, 2023. Retrieved December 24, 2023.
  24. 1 2 Algar, Emily; Vettorino, Madison Zoey; Rose, Francesca; Weiner, Josh; Commander, Lowndes; Schaarschmidt, Nina; Lane, Lexi (December 21, 2020). "Roundtable Discussion: A Review of Taylor Swift's Evermore". Atwood Magazine. Archived from the original on June 1, 2023. Retrieved December 23, 2023.
  25. 1 2 Evermore (booklet). Taylor Swift. Republic Records. 2020.{{cite AV media notes}}: CS1 maint: others in cite AV media (notes) (link)
  26. 1 2 "Taylor Swift Chart History (Global 200)". Billboard. Retrieved December 22, 2020.
  27. 1 2 "Taylor Swift Chart History (Canadian Hot 100)". Billboard. Retrieved December 22, 2020.
  28. 1 2 "Taylor Swift – Tolerate It". AFP Top 100 Singles. Retrieved June 13, 2021.
  29. "Taylor Swift Sends All 15 Songs from Evermore onto Hot 100". Billboard . December 21, 2020. Archived from the original on December 22, 2020. Retrieved December 14, 2023.
  30. 1 2 "Taylor Swift Chart History (Hot 100)". Billboard. Retrieved December 22, 2020.
  31. 1 2 "Taylor Swift Chart History (Hot Rock & Alternative Songs)". Billboard. Retrieved December 22, 2020.
  32. 1 2 "Hot Rock & Alternative Songs – Year-End 2021". Billboard. Archived from the original on December 2, 2021. Retrieved December 2, 2021.
  33. 1 2 "Taylor Swift – Tolerate It". ARIA Top 50 Singles. Retrieved June 13, 2021.
  34. 1 2 "ARIA Charts – Accreditations – 2024 Singles" (PDF). Australian Recording Industry Association . Retrieved February 14, 2024.
  35. 1 2 "Official Audio Streaming Chart Top 100". Official Charts Company. Retrieved June 13, 2021.
  36. 1 2 "British single certifications – Taylor Swift – Tolerate It". British Phonographic Industry . Retrieved January 22, 2024.
  37. 1 2 "Brazilian single certifications – Taylor Swift – Tolerate It" (in Portuguese). Pro-Música Brasil . Retrieved March 21, 2024.
  38. 1 2 3 Barnes, Kelsey (March 30, 2023). "Taylor Swift's Eras Tour Is a Career-Defining Spectacle Full of Surprises – Review". The Independent . Archived from the original on July 5, 2023. Retrieved December 14, 2023.
  39. Yahr, Emily (March 18, 2023). "Analysis | Taylor Swift's Eras Tour Opener: A Complete Recap of All 44 Songs". The Washington Post . ISSN   0190-8286. Archived from the original on March 18, 2023. Retrieved December 14, 2023.
  40. 1 2 Willman, Chris (August 11, 2023). "Why Taylor Swift's Eras Road Trip Feels like the Career-Capping Beatles Tour That Never Happened". Variety . Archived from the original on August 11, 2023. Retrieved December 14, 2023.
  41. Kaplan, Ilana (March 18, 2023). "Taylor Swift's 'Eras' Tour Is a Thrilling Spectacle from a Pop Mastermind". i . Archived from the original on March 18, 2023. Retrieved December 17, 2023.
  42. Aramesh, Waiss (March 18, 2023). "Taylor Swift's The Eras Tour Is a 3-Hour Career-Spanning Victory Lap". Rolling Stone . Archived from the original on March 18, 2023. Retrieved December 17, 2023.
  43. Savage, Mark (May 9, 2024). "Taylor Swift Changes Eras Tour Setlist As European Tour Kicks Off in Paris". BBC News. Archived from the original on May 10, 2024. Retrieved May 10, 2024.
  44. 1 2 Light, Alan (December 11, 2020). "Evermore Isn't About Taylor Swift. It's About Storytelling". Esquire . Archived from the original on December 12, 2020. Retrieved December 5, 2023.
  45. 1 2 Wood, Mikael (December 11, 2020). "Review: Taylor Swift's Surprise LP Evermore Is More — and Less — Folklore". Los Angeles Times . Archived from the original on December 11, 2020. Retrieved December 5, 2023.
  46. Zaleski, Annie (December 14, 2020). "Taylor Swift's Powerful Evermore Returns to Folklore's Rich Universe". The A.V. Club . Archived from the original on July 9, 2021. Retrieved December 18, 2023.
  47. McDonagh, Shannon (December 17, 2020). "Taylor Swift - Evermore". Clash . Archived from the original on March 9, 2023. Retrieved December 23, 2023.
  48. Beck, Ethan (December 31, 2020). "Reviews: Taylor Swift - Evermore". No Ripcord. Archived from the original on December 3, 2022. Retrieved December 23, 2023.
  49. Krieger, Deborah (December 15, 2020). "Taylor Swift Has Written the Best Music of Her Career with Evermore and Folklore". PopMatters . Archived from the original on January 8, 2021. Retrieved December 15, 2023.
  50. Morrison, Angela (December 24, 2020). "Taylor Swift Finds the Sunshine on Evermore". Exclaim! . Archived from the original on October 16, 2023. Retrieved November 25, 2023.
  51. Ryan, Patrick (December 11, 2020). "Taylor Swift's Evermore Review: Pop Star Returns to the Woods for a Spellbinding Folklore Companion". USA Today . Archived from the original on December 12, 2020. Retrieved December 16, 2023.
  52. 1 2 Johnston, Maura (December 11, 2020). "Taylor Swift Levels Up on Evermore". Entertainment Weekly . Archived from the original on December 12, 2020. Retrieved December 23, 2023.
  53. Siroky, Mary (December 11, 2020). "Taylor Swift"s Evermore Continues the Personal Fable Begun on Folklore | Review". Consequence . Archived from the original on December 31, 2021. Retrieved December 16, 2023.
  54. Shaffer, Claire (December 11, 2020). "Taylor Swift Deepens Her Goth-Folk Vision on the Excellent Evermore". Rolling Stone . Archived from the original on December 11, 2020. Retrieved December 16, 2023.
  55. Empire, Kitty (December 20, 2020). "Taylor Swift: Evermore Review – A Songwriter for the Ages". The Observer . ISSN   0029-7712. Archived from the original on August 20, 2022. Retrieved December 23, 2023.
  56. Gajjar, Saloni; Carr, Mary Kate (October 30, 2023). "22 Underrated Taylor Swift Songs That Prove Her Lyrical Prowess". The A.V. Club . Archived from the original on October 24, 2023. Retrieved December 16, 2023.
  57. Lipshutz, Jason (December 11, 2020). "Taylor Swift's Evermore Is a Rewarding Journey Deeper into the Woods". Billboard . Archived from the original on December 11, 2020. Retrieved December 16, 2023.
  58. Johnson, Ellen (December 15, 2020). "Taylor Swift's Evermore Is Folklore's Charismatic Companion". Paste . Archived from the original on December 15, 2020. Retrieved December 16, 2023.
  59. "Review: Taylor Swift - Evermore | Sputnikmusic". Sputnikmusic . December 12, 2020. Archived from the original on December 23, 2023. Retrieved December 23, 2023.


Cited literature