"Sweeter than Fiction" | |
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Promotional single by Taylor Swift | |
from the album One Chance: The Incredible True Story of Paul Potts: Motion Picture Soundtrack | |
Released | October 21, 2013 |
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Length | 3:54 |
Label | Big Machine |
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Producer(s) |
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Audio | |
"Sweeter than Fiction" on YouTube |
"Sweeter than Fiction (Taylor's Version)" | |
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Song by Taylor Swift | |
from the album 1989 (Taylor's Version) (Tangerine Edition) | |
Released | October 27, 2023 |
Length | 3:54 |
Label | Republic |
Songwriter(s) |
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Producer(s) |
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"Sweeter than Fiction" is a song by the American singer-songwriter Taylor Swift, who wrote and produced it with Jack Antonoff for the soundtrack to the 2013 film One Chance . It was released by Big Machine Records for digital download on October 21, 2013. An incorporation of bubblegum pop, synth-pop, and electropop, "Sweeter than Fiction" features elements of 1980s new wave. The track peaked in the top 40 on the singles charts of Canada, Ireland, Scotland, and the United States.
Critical reception of the song was generally positive, although retrospective opinions have regarded it as a lesser entry in Swift's discography. Some critics opined that "Sweeter than Fiction" was pivotal in shaping the musical collaboration between Swift and Antonoff on subsequent albums. Following the 2019 dispute over the ownership of Swift's back catalog, she re-recorded the song as "Sweeter than Fiction (Taylor's Version)" and included it in the physical Tangerine Edition of 1989 (Taylor's Version) (2023). Swift performed the song live for the first time, in a mash-up with "Holy Ground" at The Eras Tour on July 6, 2024 in Amsterdam. [1]
Taylor Swift was on the Red Tour to support her fourth studio album, Red, in 2013. Swift and her management at Big Machine Records wanted to release no new music in order build up anticipation for her next studio album. Upon watching the 2013 biographical film One Chance about Paul Potts, Swift insisted to the label that she "[had] to be a part of this", despite being told by her label, "No new music until the next album comes out." [2]
She wrote and produced "Sweeter than Fiction" for the soundtrack of One Chance with Jack Antonoff. [3] The song was conceived when she was also writing songs for her next album while on the Red Tour. [4] In an interview with Taste of Country , Swift said that she viewed the film as a chronicling of a man's road to success and a recount of his wife's love for him, which inspired her to "tell a story musically from that perspective". [5] Big Machine released "Sweeter than Fiction" to the iTunes Store on October 21, 2013. [4] [6]
Following a dispute with Big Machine Records in 2019 over the rights to the masters of her first six albums, including 1989, Swift announced her goal to re-record each of these albums. Product images on Target's website confirmed it as a bonus track on the Tangerine Edition LP of 1989 (Taylor's Version) , which was released on October 27, 2023. [7] [8]
"Sweeter than Fiction" is 3 minutes and 54 seconds long. [6] It is a bubblegum pop, [9] synth-pop, [10] and electropop song [11] that contains influences of 1980s pop, [9] [12] rock, [4] and new wave. [13] [12] The song is musically and lyrically upbeat, with Swift singing from the point of view of a longtime friend or fan who has always believed in a performer's talents. "There you'll stand, ten feet tall", Swift sings in the chorus, "and I will say, 'I knew it all along.'" It was written by Swift along with Jack Antonoff and is in the key of B major for its verses, switching to D-flat major for its choruses and the bridge. With Swift's vocal range between the octaves of F♯3 and D♭5. has a tempo of 135 beats per minute. [14]
The song was well received by critics. Entertainment Weekly praised Swift's approach to the subject matter - "The track ... is uplifting without being hokey and sweet without being cloying." - and described the song as "addictive". [9] Rachel Mcrady of US Weekly felt "Sweeter than Fiction" possessed "all the makings of another hit" in Swift's career. [15] MTV blogger Jenna Hally Rubenstein summarised "Sweeter than Fiction" as "a masterfully crafted pop song that should do a killer job of soundtracking any and all uplifting moments in One Chance." [16] Carl Williott of Idolator called the song "pretty great", saying "it's a ... sweet song, but the confident synth-pop/New Wave stylings keep it from being an overly saccharine affair, resultingly in a surprisingly bold offering from Swift." [12] Spin editor Larry Busacca gave a more mixed review. Though deriding the song for being "[not] the least bit groundbreaking", Busacca did admit the song was "too catchy and effortless-sounding to resist." [3] In a retrospective review, music journalist Rob Sheffield of Rolling Stone called it a "warm-up for the synth-pop of 1989 ". [17] In June 2022, Insider ranked "Sweeter than Fiction" as Swift's sixth best soundtrack song, calling it a "pivotal moment in Swiftian history" due to it being the first collaboration between Swift and Antonoff. [18]
"Sweeter than Fiction" was nominated for Best Original Song at the 71st Golden Globe Awards. [19] [20] This was Swift's second consecutive nomination in the category, after "Safe & Sound" the previous year.
Ceremony | Year | Category | Result | Ref. |
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Golden Globe Awards | 2014 | Best Original Song | Nominated | [19] |
"Sweeter than Fiction" debuted at number 34 on Billboard Hot 100, her forty-third top forty hit, thus tying with Aretha Franklin for the second-most Top Forty entries among women in the chart's history. It also Swift's fifth movie song to crack the Top Forty, following "Crazier" from Hannah Montana: The Movie which reached number 17 in 2009, "Today Was a Fairytale" from Valentine's Day which reached number 2 in 2010 and two songs from The Hunger Games : "Safe & Sound" with The Civil Wars which reached number 30 in 2012, and "Eyes Open" which reached number 19 in 2012. [21] On Hot Digital Songs, "Sweeter than Fiction" entered at number 6 with 114,000 downloads sold. It is Swift's twenty-eighth song to reach the Top Ten of the Digital Songs chart, thus tying with Rihanna for the most Top Ten hits among all acts. [22]
Chart (2013) | Peak position |
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Australia (ARIA) [23] | 44 |
Canada (Canadian Hot 100) [24] | 17 |
Ireland (IRMA) [25] | 38 |
Italy (FIMI) [26] | 83 |
New Zealand (Recorded Music NZ) [27] | 26 |
Scotland (OCC) [28] | 39 |
South Korea International (Gaon) [29] | 3 |
UK Singles (OCC) [30] | 45 |
US Billboard Hot 100 [31] | 34 |
Jack Michael Antonoff is an American singer, songwriter, and record producer. Antonoff is the lead vocalist of rock band Bleachers. He was previously the guitarist and drummer for the pop rock band Fun and the lead vocalist for the indie rock band Steel Train. Aside from his work with the three groups, Antonoff has been prolific in songwriting and production for various music industry acts, including Taylor Swift, Kendrick Lamar, Sara Bareilles, the 1975, Lorde, St. Vincent, Florence and the Machine, Lana Del Rey, Sabrina Carpenter, Fifth Harmony, Kevin Abstract, Carly Rae Jepsen, the Chicks, Tegan and Sara, and Clairo. Antonoff is credited with impacting the sound of contemporary popular music throughout the 2010s and 2020s.
1989 is the fifth studio album by the American singer-songwriter Taylor Swift, released on October 27, 2014, by Big Machine Records. Inspired by 1980s synth-pop, Swift conceived 1989 to recalibrate her artistry to pop after critics disputed her status as a country musician when she released the cross-genre Red (2012) to country radio. She titled 1989 after her birth year as a symbolic artistic rebirth and enlisted Max Martin, who produced Red's electronic-influenced pop tracks, as co-executive producer.
"Out of the Woods" is a song by the American singer-songwriter Taylor Swift from her fifth studio album, 1989 (2014). Swift wrote and produced the song with Jack Antonoff. With lyrics inspired by a failed relationship and the ensuing anxieties that Swift experienced, "Out of the Woods" is a synth-pop song with elements of Eurodance and indietronica and features heavy synthesizers, looping drums, and layered background vocals.
"Call It What You Want" is a song by the American singer-songwriter Taylor Swift from her sixth studio album, Reputation (2017). Big Machine Records released the song for download and streaming on November 3, 2017. Swift wrote and produced "Call It What You Want" with Jack Antonoff, and the track is a mid-tempo electropop and synth-pop song with R&B-trap crossover elements. Its lyrics are about the transformative power of a romantic relationship that helps Swift cope with the tumultuous outer world.
"The Archer" is a song by the American singer-songwriter Taylor Swift from her seventh studio album, Lover (2019). She wrote and produced the track with Jack Antonoff, and Republic Records released it as a promotional single on July 23, 2019. The song has a 1980s-influenced minimalist, midtempo production and is a synth-pop ballad incorporating dense, echoing synthesizers and insistent kick drums. Music critics also identified elements of synthwave and dream pop. The lyrics are about Swift's acknowledgement of her past mistakes and contemplation of her identity.
"August" is a song by the American singer-songwriter Taylor Swift from her eighth studio album, Folklore (2020). Swift wrote and produced "August" with Jack Antonoff; Joe Alwyn was credited as a co-producer. A dream pop and guitar pop ballad, "August" features elements of soft rock in its guitars, strings, and vocal reverberation. In the lyrics, an unnamed female narrator expresses her sorrow over James, a 17-year-old boy who reconciles with Betty after a fleeting summer romance with her. She is a character involved in a love triangle depicted in three Folklore tracks, the other two being "Cardigan" and "Betty".
"Long Story Short" is a song by the American singer-songwriter Taylor Swift from her ninth studio album, Evermore (2020). She wrote the song with its producer, Aaron Dessner. "Long Story Short" is an upbeat song that consists of dynamic programmed and live drums, synths, strings, and guitars; music critics characterize the genre as synth-pop, electropop, folk-pop, and indie rock. The lyrics see Swift reminiscing about a dark part of her past and her contentment with a current state of mind.
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"Vigilante Shit" is a song written and recorded by the American singer-songwriter Taylor Swift for her tenth studio album Midnights (2022). Produced by Swift and Jack Antonoff, the track is a dark pop tune with elements of industrial and hip hop. Its minimalistic production is driven by trap beats composed of pulsing snare drums and light bass and electronic tones. The lyrics are about a noirish vengeance declaration, taking aim at an enemy and encouraging other women to do the same.
"Question...?" is a song by the American singer-songwriter Taylor Swift from her tenth original studio album, Midnights (2022). Swift wrote and produced the song with Jack Antonoff. A synth-pop track, "Question...?" has lyrics where a narrator ponders on a broken relationship and confronts the ex-lover with a series of rhetorical questions. It samples Swift's own 2016 single "Out of the Woods". The song was released as a limited-time digital download from Midnights on October 25, 2022, via Swift's website.
"Maroon" is a song by the American singer-songwriter Taylor Swift from her tenth original studio album, Midnights (2022). Written and produced by Swift and Jack Antonoff, the lyrics contain references to different shades of red such as maroon, burgundy, and scarlet in order to describe the haunting memories of a long-gone relationship set in New York. Musically, "Maroon" is a ballad combining dream pop, synth-pop, electropop, and trip hop. Its ambient production consists of reverbed layered vocals, trap beats, and an oscillating electric guitar creating a sustained note throughout the track.
"Bejeweled" is a song by the American singer-songwriter Taylor Swift from her tenth studio album, Midnights (2022). She wrote and produced the song with Jack Antonoff. It is a synth-laden synth-pop and bubblegum pop track with ringing synth arpeggios and elements of disco and electronica. The lyrics are about self-worth; Swift said the lyrics were also a statement of her return to pop music with Midnights after the 2020 folk-oriented albums Folklore and Evermore. The song was released for limited-time download via Swift's website on October 25, 2022.
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"Lavender Haze" is a song by the American singer-songwriter Taylor Swift from her tenth studio album, Midnights (2022). The song was written by Swift, Jack Antonoff, Jahaan Sweet, Sounwave, Zoë Kravitz, and Sam Dew, and it was produced by the first four in addition to Braxton Cook. The title references a 1950s-dated common phrase for the state of being in love, inspired by the series Mad Men. Republic Records released the song to US radio on November 29, 2022, as the album's second single.
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"Sweet Nothing" is a song by the American singer-songwriter Taylor Swift from her tenth studio album, Midnights (2022). Swift wrote the song with Joe Alwyn, who is credited under the pseudonym William Bowery, and produced it with Jack Antonoff. An electric piano-led ballad, "Sweet Nothing" features a bedroom pop production that is reminiscent of 1970s ballads. It is accompanied by saxophone and clarinet accents. The lyrics are about a narrator's appreciation of her lover for his calming presence and simple gestures amidst the chaos of the outer world.
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"Midnight Rain" is a song by the American singer-songwriter Taylor Swift, taken from her tenth original studio album, Midnights (2022). Written and produced by Swift and Jack Antonoff, the song has a slow pace, R&B-tinged electropop production. The track is driven by a distorted Moog synthesizer and features Swift's format-shifted vocals at some parts. In the lyrics, the narrator contemplates on a lost love and how she chose her career and fame over a domestic life with an ex-lover.
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