The Alchemy

Last updated

"The Alchemy"
Song by Taylor Swift
from the album The Tortured Poets Department
ReleasedApril 19, 2024 (2024-04-19)
Studio
Genre
Length3:16
Label Republic
Songwriter(s)
Producer(s)
  • Taylor Swift
  • Jack Antonoff
Lyric video
"The Alchemy" on YouTube

"The Alchemy" is a song by the American singer-songwriter Taylor Swift from her eleventh studio album, The Tortured Poets Department (2024). Swift wrote and produced the track with Jack Antonoff. A pop rock track, "The Alchemy" uses extensive football imagery to describe a burgeoning romance after going through heartbreak. Some critics deemed the football imagery and metaphors weak, but some others praised the production elements. The track peaked at number 18 on the Billboard Global 200 and reached the top 25 in Australia, Canada, New Zealand, and the United States.

Contents

Background and release

Swift started working on The Tortured Poets Department immediately after she submitted her tenth studio album, Midnights , to Republic Records for release in 2022. She continued working on it in secrecy throughout the US leg of the Eras Tour in 2023. [1] The album's conception took place when Swift's personal life continued to be a widely covered topic in the press. [2] She described The Tortured Poets Department as her "lifeline" album which she "really needed" to make. [3] Republic Records released it on April 19, 2024; "The Alchemy" is 15th on the track list. [4] On May 12, 2024, Swift performed an acoustic guitar version of "The Alchemy" at the fourth Paris show of her Eras Tour. [5]

Music and lyrics

"The Alchemy" is a pop rock song [6] with R&B influences in its instrumentation, [7] composed of echoing drums and layered vocals. [8] Will Hodgkinson of The Times wrote that it has a "dreamy, romantic" production. [6] The lyrics use extensive football imagery to describe starting a new relationship. [9] [10] Time's Shannon Carlin wrote that the track's placement near the end of the standard album shows that Swift's character is willing to "fight again with this new one-of-a-kind guy" after detailing ex-lovers on the preceding tracks ("These blokes warm the benches/ We've been on a winning streak"). [11] Lauren Huff of Entertainment Weekly agreed, saying that "The Alchemy", placed after "songs about heartache so bad that Swift compares it to 'cardiac arrest' in her epilogue", signaled a "good kind" of madness, of falling in love. [12] The song's lyrics also appear to draw a parallel between the chemicals released by the brain when playing a sport and those released when one is in love. [13] Swift's character tells her new lover that she is willing to be all in ("So when I touch down/ Call the amateurs and cut 'em from the team") and admits that she does not have another choice ("Honestly, who are we to fight the alchemy?"). [11] The song also features details of the lover winning a football match ("Shirts off, and your friends lift you up, over their heads"). [14] In the bridge, Swift's character asserts: "Where's the trophy? He just comes, running over to me." [11] Many publications interpreted "The Alchemy" to be about Swift's relationship with the football player Travis Kelce. [11] [12] [15]

Reception

Criticisms of the song mostly took issue with its lyrics. Some critics, such as The Atlantic's Spencer Kornharber, [16] Slate's Carl Wilson, [17] and Beats Per Minute's John Wohlmacher, considered the football imagery in the lyrics weak, "terrible", and "tossed-off". [7] The Daily Telegraph's Neil McCormick said the track contains "cheesy sports puns". [18] Writing for the Financial Times , Ludovic Hunter-Tilney said that the song was one of the "repetitive" tracks and opined that the title was used incorrectly. [19] Lindsay Zoladz of The New York Times described the song as "weightless". [20] Sputnikmusic 's Hugh G. Paddles argued that "The Alchemy" is an "otherwise effervescent and personally charged" track but criticized the "faux-narcotic slurred delivery" mentioning a drug reference near the ending lines. [21] More positive reviews focused on the production. Wohlmacher praised the sound as "[laid] back and elegant" and said that the "mood of the composition" makes up for the lyrics. [7] Hodgkinson gave the song a five-star rating: "It's excellent — epic but intimate, like the final scene in a blockbuster." [6] Ranking all 31 tracks, Jason Lipshutz of Billboard placed "The Alchemy" at 21, calling it a "glittering love song". [22] Alex Hopper of American Songwriter described the track as "sauntering, sexy". [23]

Following its release, "The Alchemy" debuted and peaked at number 13 on the US Billboard Hot 100, where the song and tracks from the album made Swift the first artist to occupy the top 14 of the chart. [24] [25] In Australia, it opened at its peak of number 18 on the ARIA Singles Chart and made her the artist with the most entries in a single week with 29. [26] [27] Elsewhere, "The Alchemy" reached number 19 on the Billboard Global 200 [28] and charted within the countries of New Zealand (19), [29] Canada (21), [30] Portugal (41), [31] Switzerland (46), [32] Sweden (65), [33] and France (157). [34] It also peaked at number 23 on the United Kingdom's Audio Streaming Chart [35] and number 39 on Greece's International Top 100 Digital Singles. [36]

Personnel

Charts

Chart performance for "The Alchemy"
Chart (2024)Peak
position
Australia (ARIA) [26] 18
Canada (Canadian Hot 100) [30] 21
France (SNEP) [34] 157
Global 200 ( Billboard ) [28] 19
Greece International (IFPI) [36] 39
New Zealand (Recorded Music NZ) [29] 19
Portugal (AFP) [31] 41
Sweden (Sverigetopplistan) [33] 65
Swiss Streaming (Schweizer Hitparade) [32] 46
UK Streaming (OCC) [35] 23
US Billboard Hot 100 [24] 13

Related Research Articles

The Billboard 200 is a record chart ranking the 200 most popular music albums and EPs in the United States. It is published weekly by Billboard magazine to convey the popularity of an artist or groups of artists. Sometimes, a recording act is remembered for its "number ones" that outperformed all other albums during at least one week. The chart grew from a weekly top 10 list in 1956 to become a top 200 list in May 1967, acquiring its existing name in March 1992. Its previous names include the Billboard Top LPs (1961–1972), Billboard Top LPs & Tape (1972–1984), Billboard Top 200 Albums (1984–1985) and Billboard Top Pop Albums (1985–1992).

<span class="mw-page-title-main">Taylor Swift</span> American singer-songwriter (born 1989)

Taylor Alison Swift is an American singer-songwriter. A subject of widespread public interest with a vast fanbase, she has influenced the music industry, popular culture, and politics through her songwriting, artistry, entrepreneurship, and advocacy.

<span class="mw-page-title-main">Taylor Swift albums discography</span>

The American singer-songwriter Taylor Swift has released 11 original studio albums, 4 re-recorded albums, 5 extended plays (EPs), and 4 live albums. Her albums discography has accumulated 114 million units worldwide, 51 million of which are certified in the United States. In terms of pure sales, she has tallied 46.6 million albums in the United States and 7 million albums in the United Kingdom. On the US Billboard 200, as of May 2024, she has accumulated 14 number-one albums—seven of which sold one million first-week copies—and spent 72 weeks at number one, more than any other solo act.

<span class="mw-page-title-main">Travis Kelce</span> American football player (born 1989)

Travis Michael Kelce is an American football tight end for the Kansas City Chiefs of the National Football League (NFL). He was selected by the Chiefs in the third round of the 2013 NFL draft and later won Super Bowls LIV, LVII, and LVIII with the team. He played college football for the Cincinnati Bearcats.

"The 1" is a song by the American singer-songwriter Taylor Swift and the opening track from her eighth studio album, Folklore (2020). She wrote the song with its producer, Aaron Dessner. A folk and soft rock tune with elements of indie folk, "The 1" sets Swift's conversational vocals over a production consisting of piano and percussion. In its lyrics, the narrator fondly introspects a failed romance and details the time when she found "the one" who never came to be. Republic Records released the song for download in Germany on October 9, 2020.

"Maroon" is a song by the American singer-songwriter Taylor Swift from her tenth original studio album, Midnights (2022). Written and produced by Swift and Jack Antonoff, the lyrics contain references to different shades of red such as maroon, burgundy, and scarlet in order to describe the haunting memories of a long-gone relationship set in New York. Musically, "Maroon" is a ballad combining dream pop, synth-pop, electropop, and trip hop. Its ambient production consists of reverbed layered vocals, trap beats, and an oscillating electric guitar creating a sustained note throughout the track.

<span class="mw-page-title-main">Karma (Taylor Swift song)</span> 2023 single by Taylor Swift

"Karma" is a song by the American singer-songwriter Taylor Swift from her tenth studio album, Midnights (2022). Swift wrote and produced the song with Jack Antonoff, Sounwave, and Keanu Beats, while Jahaan Sweet co-produced it. Republic Records released the song to US radio on May 1, 2023, as the third single from Midnights. A remix featuring the American rapper Ice Spice was released on May 26, 2023, as part of an extended Midnights edition.

"Snow on the Beach" is a song by the American singer-songwriter Taylor Swift from her tenth studio album, Midnights (2022). It features the American singer-songwriter Lana Del Rey. The two wrote the track with Jack Antonoff, who also produced it with Swift. "Snow on the Beach" is a dream pop tune featuring a midtempo production consisting of synths, plucked violin, a reverbed bass, and background vocals from Del Rey. Lyrically, it is a love song about two people falling in love with each other simultaneously.

<i>The Tortured Poets Department</i> 2024 studio album by Taylor Swift

The Tortured Poets Department is the eleventh studio album by the American singer-songwriter Taylor Swift, released on April 19, 2024, through Republic Records. It was expanded into a double album two hours after its release, subtitled The Anthology, containing a second volume of songs.

"Down Bad" is a song by the American singer-songwriter Taylor Swift from her eleventh studio album, The Tortured Poets Department (2024). She wrote and produced the track with Jack Antonoff, who also contributed much of the song's instrumentation along with several other members of the American rock band Bleachers. A synth-pop song with R&B inflections, "Down Bad" is about a momentary infatuation. It is the fourth song on the album.

"So Long, London" is a song by the American singer-songwriter Taylor Swift from her eleventh studio album, The Tortured Poets Department (2024). She wrote and produced the track with Aaron Dessner. A chamber pop and synth-pop tune, "So Long, London" is set over to 4/4 house beats and has a piano and synthesizer instrumentation. Its lyrical content concerns a failed romance and explores a narrator processing the fallout and its aftermath.

"But Daddy I Love Him" is a song by the American singer-songwriter Taylor Swift from her eleventh studio album, The Tortured Poets Department (2024). Swift and Aaron Dessner wrote the track, and they produced it with Jack Antonoff. Musically, "But Daddy I Love Him" is an electronica and folk rock ballad with elements of country and rock. Its lyrics target detractors of Swift's love life.

"Florida!!!" is a song by the American singer-songwriter Taylor Swift featuring the English band Florence and the Machine, taken from Swift's eleventh studio album, The Tortured Poets Department (2024). Swift wrote the track with the band's frontwoman Florence Welch, who also sang lead vocals, and produced it with Jack Antonoff. An Americana and Southern Gothic-influenced power ballad with indie rock guitars and drums, its lyrical content revolves around seeking relief through escapism and alcohol, using Florida as a geographical metaphor.

"Guilty as Sin?" is a song by the American singer-songwriter Taylor Swift from her eleventh studio album, The Tortured Poets Department (2024). She wrote and produced the song with Jack Antonoff. It is a 1990s-tinged pop rock and soft rock track combining rock, country, and folk styles, accentuated by guitars and live drums. The lyrics see Swift's character sexually fantasizing about a man while being in a relationship.

"I Can Do It with a Broken Heart" is a song by the American singer-songwriter Taylor Swift from her eleventh studio album, The Tortured Poets Department (2024). Swift wrote and produced the song with Jack Antonoff. An upbeat electropop and dance-pop track, "I Can Do It with a Broken Heart" incorporates house elements, percolating synth arpeggios, and a dance-friendly bubblegum beat. The song's lyrics reflect her tumultuous state of mind while on the early run of her Eras Tour in 2023, claiming that she was going through a heartbreak while having to show up professionally to perform.

"The Smallest Man Who Ever Lived" is a song by the American singer-songwriter Taylor Swift from her eleventh studio album, The Tortured Poets Department (2024). The song was written and produced by Swift and longtime collaborator Aaron Dessner. It peaked at number 18 on the Billboard Global 200 and charted within the top 20 in Australia, Canada, Ireland, New Zealand, and the United States.

"Clara Bow" is a song by the American singer-songwriter Taylor Swift from her eleventh studio album, The Tortured Poets Department (2024). The track was named after the silent-film actress Clara Bow. Swift and Aaron Dessner wrote and produced the track, which was inspired by Swift's conversations with record label executives. A folk-leaning pop rock track, it comments on Swift's fame. Critics, as well as Bow's family, applauded the track for Swift's vulnerability, lyricism, and depiction of fame and beauty. The song peaked at number 22 of the Billboard Global 200 and reached the top 25 in Australia, Canada, New Zealand, Singapore, and the United States.

<span class="mw-page-title-main">Fortnight (song)</span> 2024 single by Taylor Swift featuring Post Malone

"Fortnight" is a song by the American singer-songwriter Taylor Swift featuring the American rapper and singer Post Malone, taken from Swift's eleventh studio album, The Tortured Poets Department. The two artists wrote the track with Jack Antonoff, who produced it with Swift. Republic Records released the song as the lead single concurrently with its parent album on April 19, 2024. A 1980s-inspired downtempo electropop and synth-pop ballad, "Fortnight" is instrumented by a pulsing synth bassline. Its lyrics see Swift's character in an unhappy marriage and becoming next-door neighbors with an ex-lover who is also married, and the two vow to escape to Florida.

"Thank You Aimee" is a song by the American singer-songwriter Taylor Swift, from the double album edition of her eleventh studio album, The Tortured Poets Department: The Anthology (2024). Swift and Aaron Dessner wrote the track, and the two produced it with Jack Antonoff. A country and folk track, its lyrics talk about dealing with a high-school bully. Due to the lyrical content and the stylization of the title, some media publications interpreted "Thank You Aimee" as a diss track towards Kim Kardashian. It peaked at number 29 on the Billboard Global 200 and reached the national charts of Australia, Canada, New Zealand, Portugal, and the United States.

"So High School" is a song by the American singer-songwriter Taylor Swift from the double album edition of her eleventh studio album, The Tortured Poets Department: The Anthology (2024). Written and produced by Swift and Aaron Dessner, "So High School" has a 1990s-tinged production incorporating various rock styles like alternative rock, indie rock, and pop rock. The lyrics are about how a romantic relationship makes Swift relive the feeling of young love.

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