"...Ready for It?" | ||||
---|---|---|---|---|
Single by Taylor Swift | ||||
from the album Reputation | ||||
Released | September 17, 2017 | |||
Studio | MXM (Stockholm) | |||
Genre | ||||
Length | 3:28 | |||
Label | Big Machine | |||
Songwriter(s) |
| |||
Producer(s) |
| |||
Taylor Swift singles chronology | ||||
| ||||
Music video | ||||
"...Ready for It?" on YouTube |
"...Ready for It?" is a song by the American singer-songwriter Taylor Swift from her sixth studio album, Reputation (2017). She wrote the song with its producers: Max Martin, Shellback, and Ali Payami. An electropop, industrial pop, and tropical house song, "...Ready for It?" incorporates elements of dancehall and trap. It features Swift rapping over heavy synthesizers, bass drops, and programmed drums. Lyrically, the track uses criminal imagery such as a bank heist and ransom to depict a newfound romance.
The song premiered in a college football match by ESPN on September 2, 2017, before being released for digital download the following day. On September 17, 2017, Big Machine Records released the track to US radio as the second single from Reputation. Music critics generally described the production of "...Ready for It?" as anthemic and found Swift's rapping interesting, but some reviews found the track generic and indiscernible from other popular songs on contemporary radio.
The single peaked within the top ten on charts and received multi-platinum certifications in Australia, Canada, and the United States. The accompanying music video, directed by Joseph Kahn, features a dark, futuristic aesthetic and references sci-fi franchises. Swift performed "...Ready for It?" live as the opener on the Reputation Stadium Tour (2018) and the first song of the Reputation act on the Eras Tour (2023–2024).
Taylor Swift released her fifth studio album, 1989 , in October 2014. 1989's synth-pop production transformed Swift's sound and image from country-oriented to mainstream pop. [1] Although the album propelled Swift's status to a global pop star, [2] she was a target of tabloid gossip. [3] Publicized celebrity disputes and short-lived relationships blemished her "America's Sweetheart" reputation, [4] [5] making her seclude from interactions with the press. [6] During a self-imposed hiatus, she conceived her sixth studio album, Reputation , as an answer to the media commotion surrounding her celebrity. [7]
On September 2, 2017, Swift premiered a snippet of "...Ready for It?" during ABC's Saturday Night Football broadcast of ESPN's Florida State vs. Alabama college football game. [8] A day after the snippet premiere, the track was released for digital download. [9] It was the second song released from Reputation, after the lead single "Look What You Made Me Do". [10] [11] In the United States, "...Ready for It?" impacted contemporary hit radio on September 17, [12] and rhythmic contemporary radio on October 24, 2017. [13] A remix by BloodPop was released on December 10, 2017. [14]
Swift wrote "...Ready for It?" with its producers: Max Martin, Shellback, and Ali Payami. Martin and Shellback recorded the track at MXM Studios in Stockholm, Sweden. All three producers programmed the song and played keyboards on it. "...Ready for It?" was mixed by Serban Ghenea at MixStar Studios in Virginia Beach, Virginia, and mastered by Randy Merrill at Sterling Sound Studios in New York. [15]
In the 2024 documentary Taylor Swift vs Scooter Braun: Bad Blood , Heather Wirth, Swift's former personal assistant for the 1989 World Tour, revealed that Swift wrote the song on a plane during the tour. [16]
"...Ready for It?" is an electropop, [17] [18] industrial pop, and tropical house song. [17] [19] It incorporates influences of dancehall [20] and trap music. [21] The song features deep synths, a tropical house chorus, [22] [20] a dubstep bass drop, [20] [23] drum machines and rapping. [17] [24] The atmosphere of the song drew comparisons to Kanye West [17] [19] [25] and Rihanna. [26] [27] The song is performed in the key of E minor with a tempo of 80 beats per minute, with Swift's vocals spanning from G3 to E5. [28]
The song lyrically revolves around Swift's fantasies about an individual whom she describes as a "killer" who has had multiple relationships and is "younger than her exes" but "acts like such a man". These fantasies include "holding him for ransom", committing a bank heist together, moving to a secret offshore location and being held in jail. Swift uses images of Hollywood romance, islands and going undercover so that "no one has to know". She also addresses the perception of her own romantic history by comparing herself to Elizabeth Taylor and her lover to Richard Burton. [29] [30] [20] [31]
There is a mixed reaction noted in different news outlets about this song. Some were very positive, noting it was better than previous singles. Whereas, some were stating that it lacked lyrically, specifically that the lyrics do not match the music video that was produced. "...Ready for It?" received positive reviews from music critics, calling it an improvement from Swift's previous single, "Look What You Made Me Do". [22] [20] [24] Tom Breihan of Stereogum said the songwriters "made something ungainly and goofy, something that was probably a terrible idea, and they still made it sound like towering, colossal pop music". [20] Patrick Ryan of USA Today expressed some skepticism concerning Swift's rapping, but noted the contrast between the "anthemic chorus" and "dark", intense verses made for a "promising second glance on her reputation era". [24] Richard He wrote for Billboard that "Swift has never sung more expressively, nor sounded more in tune with the way modern pop production uses the voice as an instrument" and that the song's chorus has "one of the prettiest melodies of her career". [27]
However, Craig Jenkins of Vulture gave it a lukewarm review, stating that the song "doesn't reinvent pop or Taylor, but it does get her name out on a product built to keep pace with current trends". [22] Mike Wass for Idolator dismissed the song as "not good" and called it "equally underwhelming" as "Look What You Made Me Do". He concluded by saying "If you can get past the cringeworthy lyrics and jarring production, a cute chorus awaits. But that's a lot of work for a minor payoff". [32]
In the United States, "...Ready for It?" debuted and peaked at number four on the Billboard Hot 100, becoming Swift's 22nd top 10 song and her fourteenth top 10 debut on the chart, the most among female artists and second most overall behind rapper Drake. It also became her thirteenth number one song on the Billboard Digital Song Sales chart with opening sales of 135,000 copies, entered the Billboard Streaming Songs chart with 19 million streams in its first week of availability, and opened at 35 on the Billboard Pop Songs chart with a radio audience of 13 million. [33] On other Billboard charts, "...Ready for It?" peaked at number 12 on the Mainstream Top 40 chart, number 10 on the Billboard Adult Top 40 chart, and number 26 on the Adult Contemporary chart.
In Canada, the song peaked at number seven. It opened atop the digital sales chart, dethroning another single from Reputation , "Look What You Made Me Do". Likewise in the UK, it also peaked at number seven, while in Scotland and New Zealand, it peaked at numbers three and number nine, respectively. In Australia, "...Ready for It?" entered at its peak position of number three on the ARIA Singles Chart, becoming her twelfth top five entry in the nation. [34]
The music video was directed by Joseph Kahn. [35] On October 23, 2017, Swift released a teaser of the music video for the song. [36] The teaser was met with controversy, with many online commentators and media outlets claiming that Swift is physically naked in the music video; many social media users criticized Swift's alleged nudity in the teaser. Subsequently, Swift posted an Instagram story denouncing the nudity claims alongside a selfie of her wearing a bodysuit, captioned "It truly warms my heart that ppl had so much to say about this bodysuit." [37] [38] [39] [40] The full video premiered on October 26. The video features homage references to sci-fi and anime, such as Blade Runner , Tron and Ghost in the Shell . [41] [42] [35] [43]
The video starts with Swift dressed in a black cloak walking through an alley, making her way past several guards and typing in a code to access a room where a cyborg clone of Swift in a white bodysuit is being held inside a small cell. Graffiti seen on the walls are lyrics from the Reputation album. The cloaked Swift walks up to the cell walls and watches as the cyborg Swift transforms into several iterations - she wears futuristic armor, rides a white horse, manipulates various flickers of energy, and shoots lightning bolts from her fingertips. Eventually, the cyborg Swift breaks through the cell walls, with shards of glass cutting the cloaked Swift across the face, revealing she is a cyborg as well. The cyborg guards try to contain both of them to no avail, and the video ends with the white cyborg Swift walking away from her demolished cell and moving up an escalator. The video features two different versions of Swift. [44] This is interpreted as the battle between the Swifts; her true self and the media's perception of her.
Swift performed "...Ready for It?" for the first time during an episode of the 43rd season of Saturday Night Live on November 11, 2017, alongside an acoustic version of "Call It What You Want". [45] Swift also performed "...Ready for It?" as part of the KIIS-FM's Jingle Ball 2017 on December 1, 2017, in Inglewood, California. [46] Two days later, Swift returned onstage to perform the song again as part of 99.7 Now!'s Poptopia in San Jose, California with the same setlist. [47] The following week, Swift performed the song again on three other occasions, such as the B96 Chicago and Pepsi Jingle Bash 2017 in Chicago, the Z100 Jingle Ball 2017 in New York City and Jingle Bell Ball 2017 in London. [48] [49] [50]
The song was the opening number of Swift's Reputation Stadium Tour [51] and included on the set list of the Eras Tour (2023–2024) where it was the first song in the Reputation segment. [52] On May 27, 2018, Swift opened her set as part of BBC Radio 1's Biggest Weekend in Singleton Park in Swansea, Wales with the song. [53]
|
|
Weekly charts
| Year-end charts
|
Region | Certification | Certified units/sales |
---|---|---|
Australia (ARIA) [100] | 6× Platinum | 420,000‡ |
Brazil (Pro-Música Brasil) [101] | 2× Platinum | 120,000‡ |
Canada (Music Canada) [102] | 2× Platinum | 160,000‡ |
Denmark (IFPI Danmark) [103] | Gold | 45,000‡ |
France (SNEP) [104] | Gold | 100,000‡ |
Italy (FIMI) [105] | Gold | 50,000‡ |
Norway (IFPI Norway) [106] | Gold | 30,000‡ |
Poland (ZPAV) [107] | Gold | 10,000‡ |
Spain (PROMUSICAE) [108] | Gold | 20,000‡ |
Sweden (GLF) [109] | Gold | 20,000‡ |
United Kingdom (BPI) [110] | Platinum | 600,000‡ |
United States (RIAA) [111] | 2× Platinum | 2,000,000‡ |
‡ Sales+streaming figures based on certification alone. |
Region | Date | Format(s) | Version | Label | Ref. |
---|---|---|---|---|---|
Various | September 3, 2017 [a] | Original | Big Machine | [112] | |
United States | September 17, 2017 | Contemporary hit radio | [12] | ||
October 24, 2017 | Rhythmic radio | [13] | |||
Various | December 1, 2017 |
| BloodPop remix | [113] |
"We Are Never Ever Getting Back Together" is a song by the American singer-songwriter Taylor Swift and the lead single from her fourth studio album, Red (2012). Big Machine Records released the song for download and to US pop radio on August 13, 2012. Written and produced by Swift, Max Martin, and Shellback, "We Are Never Ever Getting Back Together" is an upbeat incorporation of many pop styles. Its production contains pulsing synthesizers, processed guitar riffs, bass drums, and a spoken-word bridge. Its lyrics express Swift's frustration with an ex-lover who wants to rekindle their relationship. An alternate version was released to US country radio on August 21, 2012.
"I Knew You Were Trouble" is a song by the American singer-songwriter Taylor Swift from her fourth studio album, Red (2012). Swift wrote the song with its producers, Max Martin and Shellback. A dance-pop, pop rock, and teen pop song with a dubstep refrain, "I Knew You Were Trouble" features electric guitars and synthesizers, with lyrics that talk about self-blame after a toxic relationship. The dubstep production divided music critics, who noted it as a radical move from Swift's previous country pop songs.
"22" is a song by the American singer-songwriter Taylor Swift from her fourth studio album, Red (2012). It was released as the album's fourth single on March 12, 2013, by Big Machine Records. Written and produced by Swift, Max Martin, and Shellback, "22" combines pop styles such as dance-pop and bubblegum with disco and 1990s rock. The track begins with an acoustic guitar riff and progresses into an upbeat refrain which incorporates pulsing synthesizers and syncopated bass drums. The lyrics celebrate being 22 years old while acknowledging the heartache that the narrator experienced in the past.
"Shake It Off" is a song by the American singer-songwriter Taylor Swift and the lead single from her fifth studio album, 1989. She wrote the song with its producers, Max Martin and Shellback. Inspired by the media scrutiny on Swift's public image, the lyrics are about her indifference to detractors and their negative remarks. An uptempo dance-pop song, it features a looping drum beat, a saxophone line, and a handclap–based bridge. Big Machine Records released "Shake It Off" on August 19, 2014, to market 1989 as Swift's first pop album after her previous country–styled sound.
"Blank Space" is a song by the American singer-songwriter Taylor Swift and the second single from her fifth studio album, 1989 (2014). Swift wrote the song with its producers, Max Martin and Shellback. Inspired by the media scrutiny on Swift's love life that affected her girl-next-door reputation, "Blank Space" portrays a flirtatious woman with multiple romantic attachments. It is an electropop track with a minimal arrangement consisting of synthesizers, hip hop–influenced beats, and layered vocals.
"Style" is a song by the American singer-songwriter Taylor Swift and the third single from her fifth studio album, 1989 (2014). She wrote the track with its producers Max Martin, Shellback, and Ali Payami. An incorporation of pop, funk, disco, and electronic styles, "Style" is built on an electric guitar riff, pulsing synthesizers, and dense vocal reverb. The lyrics are about a couple who could not escape from an unhealthy relationship because they are never "out of style". Big Machine in partnership with Republic Records released the song to US radio on February 9, 2015.
"Bad Blood" is a song by the American singer-songwriter Taylor Swift from her fifth studio album, 1989 (2014). She wrote the song with the Swedish producers Max Martin and Shellback. It is a pop song using keyboards and hip hop–inspired drum beats, and the lyrics are about betrayal by a close friend. A remix featuring the American rapper Kendrick Lamar, with additional lyrics by Lamar and production by the Swedish musician Ilya, was released to radio as 1989's fourth single on May 17, 2015, by Big Machine and Republic Records.
"I Don't Wanna Live Forever" is a song by the English singer Zayn and the American singer-songwriter Taylor Swift from the soundtrack to the 2017 film Fifty Shades Darker. It was written by Swift, Sam Dew, and Jack Antonoff, who also produced the song. The single was released on December 9, 2016, by Republic Records to international commercial success. "I Don't Wanna Live Forever" is a sultry electro-R&B and electropop ballad that sees Zayn and Swift exchange romantic overtures. Its accompanying music video was released on January 27, 2017.
Reputation is the sixth studio album by the American singer-songwriter Taylor Swift. It was released on November 10, 2017, as her last album with Big Machine Records. She conceived Reputation as a response to the media scrutiny on her private life and public image after her previous album, 1989 (2014), propelled her toward global stardom.
"Look What You Made Me Do" is a song by the American singer-songwriter Taylor Swift and the lead single from her sixth studio album, Reputation (2017). Big Machine Records released the song on August 24, 2017, after approximately one year of Swift's hiatus due to the controversies that affected her "America's Sweetheart" public image throughout 2016. While secluding from public appearances, she wrote and produced the track with Jack Antonoff.
"Gorgeous" is a song by the American singer-songwriter Taylor Swift from her sixth studio album, Reputation. She wrote the song with the Swedish producers Max Martin and Shellback. A bubblegum, electropop, and synth-pop song, "Gorgeous" features a loop instrumented by minimal hip hop–inspired drum machine beats and synthesizers, occasional acoustic guitars, and a triangle ding before the refrain. Inspired by Swift's relationship with the English actor Joe Alwyn, the lyrics are flirtatious confessions to a newfound romantic interest: the narrator jokingly tells this man that his striking beauty makes her miserable and yearning for more.
"Delicate" is a song by the American singer-songwriter Taylor Swift from her sixth studio album, Reputation (2017). She wrote the song with the producers Max Martin and Shellback. Inspired by events surrounding Swift's celebrity and personal life, the lyrics depict a narrator's vulnerability when she ponders if her reputation would affect the blossoming romance. "Delicate" is an electropop and synth-pop ballad that features vocals manipulated with a vocoder. Its production incorporates dense synthesizers and beats that evoke tropical house and dancehall.
"End Game" is a song by the American singer-songwriter Taylor Swift featuring the English singer-songwriter Ed Sheeran and the American rapper Future. Written alongside producers Max Martin and Shellback, it was released on November 14, 2017 as the third single from her sixth studio album, Reputation. "End Game" is an incorporation of pop rap and R&B. It features loose vocal cadences and hip-hop-influenced drums that create trap beats. The lyrics are about finding true love amidst the gossip on ones' perceived reputations.
"Don't Blame Me" is a song by the American singer-songwriter Taylor Swift from her sixth studio album, Reputation (2017). Written by Swift and the song's producers, Max Martin and Shellback, "Don't Blame Me" combines electropop, EDM, and gospel pop. Its production is driven by heavy bass, pulsing synthesizers, and manipulated vocals. The lyrics are about Swift's declaration of an unapologetic love, using imagery of drug addiction and religion.
"Me!" is a song by the American singer-songwriter Taylor Swift featuring Brendon Urie of the American band Panic! at the Disco, released on April 26, 2019, as the lead single from Swift's seventh studio album, Lover, by Republic Records. Written by Urie, Swift, and Joel Little, and produced by the latter two, "Me!" is an upbeat bubblegum pop and synth-pop track driven by a marching band drumline. It is about embracing one's individuality, self-affirmation, and self-love.
"Lover" is a song written and recorded by the American singer-songwriter Taylor Swift and the title track of her seventh studio album (2019). Swift conceived it as a timeless love song that could be played at a wedding reception; the lyrics are about an intimate and committed relationship, and the bridge draws on the bridal rhyme "Something old". Produced by Swift and Jack Antonoff, "Lover" combines country and indie folk over a waltz tempo. It has an acoustic-guitar-driven balladic production consisting of snare drums, piano, pizzicato strings, and dense reverb. Republic Records released "Lover" for download and streaming on August 16, 2019, and to US radio the next month.
"Cruel Summer" is a song by the American singer-songwriter Taylor Swift from her seventh studio album, Lover (2019). Swift and Jack Antonoff produced the song, and they wrote it with St. Vincent. "Cruel Summer" is a synth-pop, industrial pop, and electropop song composed of synths, wobbling beats, and vocoder-manipulated vocals. The lyrics are about an intense romance during a painful summer.
"Christmas Tree Farm" is a Christmas song written and recorded by the American singer-songwriter Taylor Swift. She produced it with the English musician Jimmy Napes. Swift wrote the song on December 1, 2019, inspired by her Christmas vacation, and released it five days later, on December 6. Opening with an orchestrated balladic intro, "Christmas Tree Farm" is a cheery uptempo pop song driven by swing drums, lush orchestral arrangements, jingle bells, choir harmonies, and lyrics on childhood memories of Christmas.
"Willow" is a song by the American singer-songwriter Taylor Swift from her ninth studio album, Evermore (2020). It was released on December 11, 2020, by Republic Records as the lead single from the album. "Willow" is a chamber folk love song making use of several metaphors to convey the singer's romantic state of mind, such as portraying her life as a willow tree, over picked guitars, glockenspiel, flute, strings, and percussion.
"Anti-Hero" is a song by the American singer-songwriter Taylor Swift and the lead single from her tenth studio album, Midnights (2022). Swift wrote and produced the song with Jack Antonoff. It is a pop rock and synth-pop song driven by a 1980s-inspired drum loop generated with a LinnDrum and retro synthesizers such as the Juno 6 and the Prophet 5. Inspired by Swift's insecurities, the lyrics focus on self-loathing and the impact of fame on her wellbeing; the bridge narrates a nightmare where her daughter-in-law murders her for her last will. Republic Records released the song for download and streaming on October 21, 2022.
Additional References:
Fogarty, Mary, and Gina Arnold. 2021. “Are You Ready for It? Re-Evaluating Taylor Swift.”Contemporary Music Review 40 (1): 1–10. doi:10.1080/07494467.2021.1976586.
This article helped me process the different personas that Swift has played off (villian vs. victim). This article also speaks on Swifts influence on our nation damaged by racism and misogyny. Swift has openly persuaded the idea of a more feminism nation and chooses to be a voice for women and the injustices women go through. This article has been pivotal in learning more about Taylor and the way she is talked about in the media.
Lang, Cady. 2017. “A List of Hidden References You Might Have Missed in Taylor Swift’s ‘Ready For It’ Video.”Time.Com, October, 13. https://search-ebscohost-com.unk.idm.oclc.org/login.aspx?direct=true&db=aph&AN=125986359&site=ehost-live.
This article was able to provide different 'Easter eggs' that Swift tends to leave in social media messages, music videos, lyrics ect.