| "Wood" | |
|---|---|
| Song by Taylor Swift | |
| from the album The Life of a Showgirl | |
| Released | October 3, 2025 |
| Studio |
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| Genre | |
| Length | 2:30 |
| Label | Republic |
| Songwriters |
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| Producers |
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| Lyric video | |
| "Wood" on YouTube | |
"Wood" is a song by the American singer-songwriter Taylor Swift from her twelfth studio album, The Life of a Showgirl (2025). She wrote and produced it with Max Martin and Shellback. A 1960s Motown-inspired song, "Wood" incorporates a combination of disco, dance, funk, soul, and synth-pop styles. Its instrumentation features a guitar riff and a prominent horn arrangement. Lyrically, "Wood" contains sexual innuendos to describe a male lover's genitals, and makes references to superstition. The song was criticized for its lyrics.
On August 13, 2025, Taylor Swift announced The Life of a Showgirl as her twelfth studio album during an episode of the podcast New Heights , hosted by NFL player and Swift's now-fiancé Travis Kelce and his brother Jason. [1] "Wood" was revealed on the same day as the album's ninth track. [2]
"Wood" incorporates disco, [3] [4] [5] synth-pop, [6] pop-funk, [7] synth-funk, [8] pop soul, [9] and dance, [10] with a rhythm and blues chorus. [11] The arrangement includes flugelhorn, cor anglais, baritone saxophone, bass clarinet, cello, Clavinet, drums, electric guitar and flute. [12] Some critics compared the song's guitar riff to that of "I Want You Back" by the Jackson 5. [13] [14]
The song centers around two main themes. The first references Western cultural associations of luck, including the practice of "knocking on wood", a tradition to avert misfortune, and the superstition that seeing a black cat is an omen of bad luck. [15] By the chorus, Swift declares that she doesn't need to rely on superstitions to bring her love. The second uses metaphors to allude to a male lover's penis, which she compares to a Redwood tree, a magic wand and a hard rock. [16] The line "new heights of manhood" references Kelce's podcast, New Heights. [17] Appearing on The Tonight Show with Jimmy Fallon , Swift stated that she had originally intended for the song to be a more "innocent", "throwback kind of timeless-sounding song" about superstitions, but acknowledged that the lyrics had become increasingly racier and more sexual during the songwriting process. [18]
"Wood" was criticized for its lyrics. India Block of The Standard felt that it could be confused for a track from "a parody album hallucinated by some porn-addled AI". [19] Alexis Petridis of The Guardian said the song's "laid-back take on disco recalls not the sweaty hedonism of the dancefloor but the late 70s moment where four-to-floor rhythms and chicken-scratch guitar temporarily invaded the oeuvres of west coast singer-songwriters". [16] In Clash , Lauren Hague opined that, while the song fit "the Showgirl aesthetic" and Swift's vocal performance was "gutsy", the lyrics "border on the cringe". [20] Mary Kate Carr of The A.V. Club said the song "feels like an attempt to imitate [Swift's] friend and collaborator Sabrina Carpenter", highlighting how it "borrows heavily from Carpenter's cheeky-sexy shtick, laden with puns and innuendo spun out of superstitions", but felt it was "far less charming and convincing than Carpenter's work". [21] Pitchfork 's Anna Gaca felt the song had the "spiritual energy of bachelorette-party penis décor". [13] The Spectator 's Graeme Thomson criticized the sexual innuendos, saying that they were not Swift's songwriting strengths. [22] Paste listed it as one of the worst songs of 2025. [23]
A more positive review was from Tom Breihan of Stereogum , who opined that the song exemplified Swift's ability of translating "unhinged" sentiments into pop songs. [24]
Credits are adapted from the liner notes of The Life of a Showgirl. [25]
Studios
Personnel
| Chart (2025) | Peak position |
|---|---|
| Argentina Hot 100 ( Billboard ) [26] | 50 |
| Australia (ARIA) [27] | 5 |
| Brazil Hot 100 ( Billboard ) [28] | 44 |
| Canada Hot 100 ( Billboard ) [29] | 5 |
| Czech Republic Singles Digital (ČNS IFPI) [30] | 29 |
| Denmark (Tracklisten) [31] | 12 |
| Finland (Suomen virallinen lista) [32] | 38 |
| France (SNEP) [33] | 59 |
| Global 200 ( Billboard ) [34] | 6 |
| Greece International (IFPI) [35] | 9 |
| Guatemala Anglo Airplay (Monitor Latino) [36] | 13 |
| Hong Kong ( Billboard ) [37] | 24 |
| India International (IMI) [38] | 16 |
| Italy (FIMI) [39] | 75 |
| Latvia Streaming (LaIPA) [40] | 13 |
| Lithuania (AGATA) [41] | 36 |
| Luxembourg ( Billboard ) [42] | 12 |
| Malaysia International (RIM) [43] | 20 |
| New Zealand (Recorded Music NZ) [44] | 6 |
| Norway (IFPI Norge) [45] | 21 |
| Philippines (IFPI) [46] | 9 |
| Philippines (Philippines Hot 100) [47] | 7 |
| Poland (Polish Streaming Top 100) [48] | 45 |
| Portugal (AFP) [49] | 13 |
| Singapore (RIAS) [50] | 11 |
| Slovakia Singles Digital (ČNS IFPI) [51] | 41 |
| Spain (PROMUSICAE) [52] | 36 |
| Sweden (Sverigetopplistan) [53] | 11 |
| United Arab Emirates (IFPI) [54] | 12 |
| UK Streaming (OCC) [55] | 10 |
| UK Video Streaming (OCC) [56] | 67 |
| US Billboard Hot 100 [57] | 5 |
| Region | Certification | Certified units/sales |
|---|---|---|
| Australia (ARIA) [58] | Gold | 35,000‡ |
| Canada (Music Canada) [59] | Platinum | 80,000‡ |
‡ Sales+streaming figures based on certification alone. | ||
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