I Can Fix Him (No Really I Can)

Last updated

"I Can Fix Him (No Really I Can)"
Song by Taylor Swift
from the album The Tortured Poets Department
ReleasedApril 19, 2024 (2024-04-19)
Studio
Genre
Length2:36
Label Republic
Songwriter(s)
Producer(s)
  • Taylor Swift
  • Jack Antonoff
Lyric video
"I Can Fix Him (No Really I Can)" on YouTube

"I Can Fix Him (No Really I Can)" is a song by the American singer-songwriter Taylor Swift from her eleventh studio album, The Tortured Poets Department (2024). Written and produced by Swift and Jack Antonoff, it is a Western, Americana, and country pop song with a sparse arrangement featuring twangy tremolo guitars backed by drum machine and keyboards. Its lyrics use outlaw imagery and sexual innuendos to describe the narrator's intentions to "fix" her problematic romantic partner before realizing she cannot.

Contents

Some critics praised the song's production and sultry vibe, deeming it a sonic highlight of the album. One critic felt that its concept fell flat. "I Can Fix Him (No Really I Can)" peaked at number 20 on the Billboard Global 200 chart and peaked within the top 40 in Australia, Canada, Greece, New Zealand, Portugal, Singapore, and the United States. Swift performed the song live twice during the Eras Tour in 2024, during the stops in Madrid and Warsaw.

Background and release

At the 66th Annual Grammy Awards on February 4, 2024, Taylor Swift won the award for Best Pop Vocal Album for Midnights (2022). During her acceptance speech, she announced that her eleventh studio album The Tortured Poets Department would be released on April 19. [1] She had developed the album over the previous two years, since she finished Midnights, and continued working on it through the US leg of the Eras Tour amidst publicized reports on her breakup with English actor Joe Alwyn and a brief romance with English musician Matty Healy. [2] [3] She described the album as a "lifeline" and something she "really needed" to make. [4] Swift posted the album's tracklist on February 5, with "I Can Fix Him (No Really I Can)" revealed as the eleventh track on the album. [5] The song was released alongside the album on April 19, 2024 via Republic Records. [6] Swift performed the song live twice during the Eras Tour; the first time on guitar as a mashup with "Sparks Fly" during the May 29 show in Madrid, then again on guitar as a mashup with "I Can See You" during the August 2 show in Warsaw. [7]

Composition and lyrics

"I Can Fix Him (No Really I Can)" is a Western, [8] Americana, [9] and country pop [10] track that experiments with Southern Gothic [11] and country elements. [12] In it, Swift sings in the lower register of her vocals. [13] The track's arrangement is minimal [14] and features sparse, tremolo twangy guitars, [15] [16] a backdrop of drum machines and keyboards, [17] and reverbed percussion slaps to accentuate the lyrics. [18] Swift's vocal harmonies are backed by synths. [19] Rob Sheffield of Rolling Stone described the arrangement as "moody coffee-house", [20] while Nate Jones of Vulture wrote that the production sounds "like it comes straight out of an Old West saloon". [15]

The lyrics depict a narrator being confident in her abilities to "fix" her problematic man, until she realizes at the end that she cannot do so. [21] [22] [23] Although other people in the bar wonder why the couple is together, the narrator is determined to bring out the sweet nature of her lover. [9] The song contains sexual innuendos and outlaw imagery. [14] [24] It also uses imagery of God and heaven to describe the narrator falling for a bad boy ("They shake their heads sayin', 'God, help her'/ When I tell 'em he's my man"). [25] [26]

Critical reception

The song received generally positive reviews from music critics. Slant Magazine selected "I Can Fix Him (No Really I Can)" as one of the 20 best collaborations of Swift and Antonoff. [18] Annie Zaleski regarded the song as a sonic highlight on The Tortured Poets Department and wrote that it is best listened to using "very good headphones". [9] In The New York Times , Jon Pareles thought that the track contained some of the best musical moments on the album, and Lindsay Zoladz picked the ending line ("Woah, maybe I can't") as one of her favorite moments. [19] Mary Kate Carr of The A.V. Club wrote that "I Can Fix Him (No Really I Can)" is one of the album's more interesting tracks sonically with its "sultry" vibe. [27] Consequence's Mary Siroky praised its "lonesome, moody instrumentals" that made it one of "a few wonderful moments of personality". [28]

In a ranking of the album's tracks, Jason Lipshutz of Billboard ranked the song 18th out of 31, saying that Swift "nicely operates in her lower register" and conveys the "half-convinced feeling" through lilted syllables. [13] However, Paste provided a negative review, saying that while the track showed Swift venturing to musical directions that evoked the "country renegades" before her like Tammy Wynette and Loretta Lynn, it fell flat due to her "self-aggrandizing inflation of importance, glinting through via a seismically-bland bridge". [17]

Personnel

Credits adapted from the liner notes of The Tortured Poets Department [29]

Charts

Chart performance for "I Can Fix Him (No Really I Can)"
Chart (2024)Peak
position
Australia (ARIA) [30] 19
Canada (Canadian Hot 100) [31] 22
Czech Republic (Singles Digitál Top 100) [32] 91
France (SNEP) [33] 151
Global 200 ( Billboard ) [34] 20
Greece International (IFPI) [35] 40
New Zealand (Recorded Music NZ) [36] 21
Portugal (AFP) [37] 40
Singapore (RIAS) [38] 19
Sweden (Sverigetopplistan) [39] 62
Swiss Streaming (Schweizer Hitparade) [40] 44
UK Streaming (OCC) [41] 22
US Billboard Hot 100 [42] 20

Certification

Certification for "I Can Fix Him (No Really I Can)"
RegionCertification Certified units/sales
Australia (ARIA) [43] Gold35,000

Sales+streaming figures based on certification alone.

Related Research Articles

<span class="mw-page-title-main">Taylor Swift albums discography</span>

The American singer-songwriter Taylor Swift has released 11 original studio albums, 4 re-recorded albums, 5 extended plays (EPs), and 4 live albums. She has sold 114 million album-equivalent units worldwide, 57 million of which are certified in the United States. In terms of pure sales, she has tallied 46.6 million albums in the United States and 7 million albums in the United Kingdom. On the US Billboard 200, as of August 2024, she has accumulated 14 number-one albums—seven of which sold one million first-week copies, and 86 weeks at number one—more than any other solo act.

<span class="mw-page-title-main">Jack Antonoff</span> American musician (born 1984)

Jack Michael Antonoff is an American singer, songwriter, and record producer. He is the lead vocalist of the rock band Bleachers, and previously the guitarist and drummer for the pop band Fun and the lead vocalist of the indie rock band Steel Train. Antonoff has produced and co-written songs with other music acts such as Taylor Swift, Lorde, Lana Del Rey, St. Vincent, Kendrick Lamar and Sabrina Carpenter.

"New Year's Day" is a song by the American singer-songwriter Taylor Swift from her sixth studio album, Reputation (2017). Swift wrote and produced the song with Jack Antonoff. "New Year's Day" is an acoustic ballad with a sparse arrangement incorporating recurring piano riffs and subdued guitar and synth notes. In the lyrics, the narrator spends the morning after a New Year's Eve party with a lover, and they together clean up their shared house and care for each other. Swift performed "New Year's Day" live on The Tonight Show Starring Jimmy Fallon on November 13, 2017, and Big Machine Records released the song to US country radio as a single on November 27, 2017.

<span class="mw-page-title-main">Bejeweled (song)</span> 2022 song by Taylor Swift

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<i>The Tortured Poets Department</i> 2024 studio album by Taylor Swift

The Tortured Poets Department is the eleventh studio album by the American singer-songwriter Taylor Swift. It was released on April 19, 2024, by Republic Records. Two hours after its release, it was expanded into a double album subtitled The Anthology, containing a second volume of songs. It was written and produced by Swift, Jack Antonoff, and Aaron Dessner.

"My Boy Only Breaks His Favorite Toys" is a song written and recorded by the American singer-songwriter Taylor Swift for her eleventh studio album, The Tortured Poets Department (2024). Produced by Swift and Jack Antonoff, it is a synth-pop song featuring marching drums and elements of new wave. The lyrics describe romantic abandonment by an avoidant partner through the metaphor of a broken toy.

"The Tortured Poets Department" is a song by the American singer-songwriter Taylor Swift and the title track of her eleventh studio album (2024). Swift wrote and produced the song with Jack Antonoff. A synth-pop and jangle pop song, "The Tortured Poets Department" incorporates hushed drums, sparkling synths arpeggios, and electronic sounds. Its lyrics satirize a relationship between two pretentious artists, referencing the poets Dylan Thomas and Patti Smith and the musician Charlie Puth.

"Down Bad" is a song by the American singer-songwriter Taylor Swift from her eleventh studio album, The Tortured Poets Department (2024). She wrote and produced the track with Jack Antonoff, who played the song's instruments with members of his band Bleachers. "Down Bad" is about a momentary infatuation: the narrator compares falling in love with being abducted by an extraterrestrial being and is then suddenly deserted by her love interest. Musically, "Down Bad" is a synth-pop song with R&B elements in its groove and vocal cadence.

"So Long, London" is a song by the American singer-songwriter Taylor Swift from her eleventh studio album, The Tortured Poets Department (2024). She wrote and produced the track with Aaron Dessner. A downtempo chamber pop and synth-pop tune, "So Long, London" is set over to 4/4 house beats and has a piano and synthesizer instrumentation. Its lyrical content concerns a failed romance and explores a narrator processing the fallout and its aftermath.

"But Daddy I Love Him" is a song by the American singer-songwriter Taylor Swift from her eleventh studio album, The Tortured Poets Department (2024). Swift and Aaron Dessner wrote the track, and they produced it with Jack Antonoff. "But Daddy I Love Him" has a balladic production consisting of fingerpicked guitars, live drums, and dynamic shifts in the refrain. Critics categorize its genre as country, country pop, electronica, and folk rock. In its lyrics, the narrator affirms her love for a seemingly troublesome romantic interest and condemns the detractors of her love life, telling them she is its only authority and calling out their self-righteousness.

"Florida!!!" is a song by the American singer-songwriter Taylor Swift featuring the English band Florence and the Machine, from Swift's eleventh studio album, The Tortured Poets Department (2024). She wrote the track with the band's frontwoman Florence Welch, who also sang lead vocals, and produced it with Jack Antonoff. "Florida!!!" is a power ballad with elements of Americana and indie rock, showcased through the guitars and drums. Its lyrics are about escaping from unpleasant circumstances, rejecting one's own wrongdoings, and indulging in negative thoughts, using Florida as a geographical metaphor.

"Guilty as Sin?" is a song by the American singer-songwriter Taylor Swift from her eleventh studio album, The Tortured Poets Department (2024). She wrote and produced the song with Jack Antonoff. It is a 1990s-tinged pop rock and soft rock track combining rock, country, and folk styles, accentuated by guitars and live drums. The lyrics see Swift's character sexually fantasizing about a man while being in a relationship.

"Loml" is a song by the American singer-songwriter Taylor Swift from her eleventh studio album, The Tortured Poets Department (2024). Written and produced by Swift and Aaron Dessner, it is a soft, melancholic piano-led ballad. The song's lyrics mourn the loss of a short-lived relationship that leaves a long-lasting mark, using extensive imagery related to death such as phantoms, graveyards, and the Holy Ghost. Whereas "Loml" is a popular colloquialism for "love of my life", the conclusion of the song denotes it as "loss of my life".

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"The Black Dog" is a song written and recorded by the American singer-songwriter Taylor Swift for her eleventh studio album, The Tortured Poets Department (2024). Produced by her and Jack Antonoff, the track is post-industrial in the form of a power ballad. It starts slow and builds up with a sparse, piano–led arrangement, which is juxtaposed by a brief dynamic shift during the chorus. Told through Swift's perspective, the lyrics use a place to describe the differences of how she and an ex-partner cope with their grief after a breakup.

"Fresh Out the Slammer" is a song by the American singer-songwriter Taylor Swift from her eleventh studio album, The Tortured Poets Department (2024). Written and produced by Swift and Jack Antonoff, it has a Western, country pop, and country rock production driven by twangy guitars, looping synths, and a hazy atmosphere. In the lyrics, a narrator contemplates on how her past relationship made her feel trapped and uses another lover as a means to escape immediately after that relationship ends.

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