Florida!!!

Last updated

"Florida!!!"
Song by Taylor Swift featuring Florence and the Machine
from the album The Tortured Poets Department
ReleasedApril 19, 2024 (2024-04-19)
Studio
Genre
Length3:35
Label Republic
Songwriter(s)
Producer(s)
Lyric video
"Florida!!!" on YouTube

"Florida!!!" is a song by the American singer-songwriter Taylor Swift featuring the English band Florence and the Machine, and is the eighth track on Swift's eleventh studio album, The Tortured Poets Department (2024). Swift wrote the track with the band's frontwoman Florence Welch, who also sang lead vocals, and produced it with Jack Antonoff. An Americana and Southern Gothic-influenced power ballad with indie rock guitars and drums, its lyrical content revolves around seeking relief through escapism and alcohol, using Florida as a geographical metaphor.

Contents

Critics generally praised the duo's vocal performance and song's production, but some others deemed the lyrics lackluster. The song peaked at number eight on the Billboard Global 200 and reached the top 10 in Australia, Canada, New Zealand, and the United States.

Background

Taylor Swift started working on The Tortured Poets Department immediately after she submitted her tenth studio album, Midnights , to Republic Records for release in 2022. She continued working on it in secrecy throughout the US leg of the Eras Tour in 2023. [1] Conceived amidst heightened fame brought by touring and publicized personal relationships, The Tortured Poets Department was a "lifeline" to Swift, who described it as an album she "really needed" to make. [2] [3] Republic Records released The Tortured Poets Department on April 19, 2024. [4]

"Florida!!!" is track eight on the album. [5] It features vocals from Florence Welch, the frontwoman of the English band Florence and the Machine. [2] Swift shared with iHeartRadio that the inspiration behind "Florida!!!" came from the series Dateline NBC . In the interview, she drew a parallel between people who flee to Florida after committing crimes and those dealing with heartbreak: "They try to reinvent themselves, have a new identity, blend in." [6] Welch told British Vogue that Swift approached her with "a concept and a story", which was her "favourite way to start songwriting". [7]

Swift performed "Florida!!!" for the first time alongside Welch during the Eras Tour eighth show at London's Wembley Stadium on August 20, 2024. [8] The song was added to the setlist between renditions of "So High School" and "Who's Afraid of Little Old Me?". The performance was also accompanied by a new choreography. [9] The song was additionally performed with Florence as a guest during the three Miami shows of the tour. [10]

Music and lyrics

"Florida!!!" is a power ballad [11] with an uptempo pop production [12] accompanied by jarring drums and guitars reminiscent of indie rock. [13] [14] Welch sings two complete verses and later in the track, intertwines lines with Swift. [15] Laura Snapes of The Guardian thought that "Florida!!!" has a melodramatic Southern Gothic direction similar to "No Body, No Crime" on Swift's 2020 album Evermore and the "desolate Americana" influenced by Lana Del Rey. [16] Erica Gonzales of Elle added that the sound brought an "anthemic and at times euphoric feel", may be largely influenced by Welch's music. [17]

The lyrics of "Florida!!!" tells of Swift and Welch embarking on a therapeutic journey after a failed relationship. [18] While Swift pipes about a town that drives her insane, Welch dreams of indulging in alcohol and burying her past lovers in a swamp, similar to Swift's character in "No Body, No Crime". [19] Howard Cohen of the Miami Herald says the lyrics of "Florida!!!" paint the state as a peak leisure destination for a getaway, but add elements of mystery to it. During Welch's first line in the feature, she makes a reference to Hurricane Florence which came close to Florida in September 2018 ("The hurricane with my name when it came"). [20] Swift references the Florida panhandle city of Destin and describes her friends as either smelling like "weed or little babies". [21] During the chorus Swift metaphorically compares the state to "one hell of a drug" she wants to use up. [22]

Reception

The song received generally positive reviews from critics. Samantha Olson of Cosmopolitan ranked it the best song from the album, complimenting Welch's vocals and the production. In her ranking, she says the song encapsulates the "essence of Florida." [12] In a positive review by Melissa Ruggieri of USA Today , Swift and Welch's vocals against stomping instrumentals made the song "cinematic and purposeful." [23] The Independent 's Helen Brown praised Welch's vocals. [24] Jason Lipshutz of Billboard ranked the song third against the album's sixteen tracks, commending Swift's emotional vocals and the brash sound. [25] Gonzales also said the song brought an "infectious energy" with its blasting drums during the chorus. [18] Alex Gonzalez of Uproxx gave the song a positive review, saying: the collaboration sounds so fresh, yet feels so timeless. [18] Pitchfork 's Shaad D’Souza said it was the boldest and most energetic song from the album's mostly subdued, contemplative tones. [15]

P. Claire Dodson from Teen Vogue said the drums and percussive instrumentals were exciting. She added that "Florida!!!" resuscitates the latter half of the original set of 16 songs when previous moments of the album seem to diminish. [26] Vogue Australia's Nina Miyashita and Jonah Waterhouse called it a "fun, tongue-in-cheek track". [27] Writing for The Hollywood Reporter , Mesfin Fedaku praised the song and performance by Florence and the Machine, calling it a "winning track," [28] Ludovic Hunter-Tilney of the Financial Times called the song "punchy". [29] Writing for The Nightly, Jay Hanna said the collaboration lives up to all expectations. [30] The Associated Press's Maria Sherman said the song was reminiscent of the indie rock sounds of the 2010s such as Sufjan Stevens's Illinois . [13] Chris Willman of Variety called it the "funniest track" from the album, [31] referring to the lines "My friends all smell like weed or little babies" and "Fuck me up, Florida". [32]

In less enthusiastic reviews, John Wohlmacher of Beats Per Minute wrote that the track's blasting drums during its chorus disguise its substance-lacking verses and deemed it "more plodding than memorable." [33] The Line of Best Fit 's Paul Bridgewater said "Florida!!!" comes close to being a standout track, especially with the collaboration with Welch. However, he said that Welch's voice "jars a little" with Swift's. [34] Stereogum 's Tom Breihan said the track had "lot of half-baked Bible-belt imagery" undeserving of the exclamation points in its title. [35] Paste criticized the lyrical content, saying Welch's verse was "grossly watery" and the chorus was the worst of 2024. [36] Paste's post-review article by Grace Byron says while the song does not live up to the artistry or impact of a song by Welch, it is "more sonically interesting". [37]

Commercial performance

Upon the album's release, its tracks occupied the top 14 of the US Billboard Hot 100; "Florida!!!" opened at its peak of number eight on the chart, where Swift became the first artist to monopolize the top 14. The song also became Florence and the Machine's first top-10 entry and Welch's second following "Sweet Nothing" (2012) with Calvin Harris. [38] [39] In Canada, it peaked at number nine on the Canadian Hot 100. [40]

Outside of North America, "Florida!!!" along with tracks from the album occupied the top nine of the Billboard Global 200; the song debuted and peaked at number seven on the chart, where it became Swift's 33rd top-10 entry and Florence and the Machine's first. [41] [42] In Australia and New Zealand, the song reached number seven on the ARIA Singles Chart [43] and number nine on the Official New Zealand Music Chart. [44] On the former chart, it made Swift the artist with the most entries in a single week with 29 and marked Florence and the Machine's second top-10 entry after "Spectrum (Say My Name)" (2012). [45] [46] Elsewhere, "Florida!!!" charted within the top 25 in Singapore (12), [47] Ireland (13), [48] Luxembourg (18), [49] Portugal (18), [50] Malaysia (20), [51] South Africa (22), [52] and the Philippines (23). [53]

Personnel

Credits are adapted from the liner notes of The Tortured Poets Department. [54]

Charts

Chart performance for "Florida!!!"
Chart (2024)Peak
position
Argentina (Argentina Hot 100) [55] 91
Australia (ARIA) [43] 8
Belgium (Ultratop 50 Flanders) [56] 36
Brazil (Brasil Hot 100) [57] 62
Canada (Canadian Hot 100) [40] 9
Czech Republic (Singles Digitál Top 100) [58] 49
Denmark (Tracklisten) [59] 33
France (SNEP) [60] 80
Global 200 ( Billboard ) [41] 8
Greece International (IFPI) [61] 17
Ireland ( Billboard ) [48] 13
Lithuania (AGATA) [62] 50
Luxembourg ( Billboard ) [49] 18
Malaysia International (RIM) [51] 20
New Zealand (Recorded Music NZ) [44] 9
Philippines ( Billboard ) [53] 23
Poland (Polish Streaming Top 100) [63] 73
Portugal (AFP) [50] 18
Singapore (RIAS) [47] 12
Slovakia (Singles Digitál Top 100) [64] 61
South Africa ( Billboard ) [52] 22
South Korea Download (Circle) [65] 169
Spain (PROMUSICAE) [66] 60
Sweden (Sverigetopplistan) [67] 33
Swiss Streaming (Schweizer Hitparade) [68] 19
UAE (IFPI) [69] 19
UK Singles Sales (OCC) [70] 73
UK Streaming (OCC) [71] 12
US Billboard Hot 100 [38] 8

Certifications

Certifications for "Florida!!!"
RegionCertification Certified units/sales
Australia (ARIA) [72] Gold35,000‡
United Kingdom (BPI) [73] Silver200,000‡

‡ Sales+streaming figures based on certification alone.

Related Research Articles

The Billboard 200 is a record chart ranking the 200 most popular music albums and EPs in the United States. It is published weekly by Billboard magazine to convey the popularity of an artist or groups of artists. Sometimes, a recording act is remembered for its "number ones" that outperformed all other albums during at least one week. The chart grew from a weekly top 10 list in 1956 to become a top 200 list in May 1967, acquiring its existing name in March 1992. Its previous names include the Billboard Top LPs (1961–1972), Billboard Top LPs & Tape (1972–1984), Billboard Top 200 Albums (1984–1985), Billboard Top Pop Albums (1985–1991), and Billboard 200 Top Albums (1991–1992).

<span class="mw-page-title-main">Taylor Swift</span> American singer-songwriter (born 1989)

Taylor Alison Swift is an American singer-songwriter. Known for her biographical songwriting, artistic reinventions, and cultural impact, Swift is a leading figure in popular music and the subject of widespread public interest.

<span class="mw-page-title-main">Taylor Swift albums discography</span>

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<i>The Tortured Poets Department</i> 2024 studio album by Taylor Swift

The Tortured Poets Department is the eleventh studio album by the American singer-songwriter Taylor Swift, released on April 19, 2024, through Republic Records. It was expanded into a double album two hours after its release, subtitled The Anthology, containing a second volume of songs.

"My Boy Only Breaks His Favorite Toys" is a song written and recorded by the American singer-songwriter Taylor Swift for her eleventh studio album, The Tortured Poets Department (2024). Produced by Swift and Jack Antonoff, it is a synth-pop song featuring pounding drums and elements of new wave. The lyrics are about being abandoned by a love interest, using metaphors and from the perspective of a toy.

"The Tortured Poets Department" is a song by the American singer-songwriter Taylor Swift and the title track of her eleventh studio album (2024). Swift wrote and produced the song with Jack Antonoff. A synth-pop song, "The Tortured Poets Department" incorporates hushed drums, sparkling synths arpeggios, and electronic sounds. Its lyrics satirize a relationship between two pretentious artists, referencing the poets Dylan Thomas and Patti Smith and the musician Charlie Puth.

"Down Bad" is a song by the American singer-songwriter Taylor Swift from her eleventh studio album, The Tortured Poets Department (2024). She wrote and produced the track with Jack Antonoff, who played the song's instruments with members of his band Bleachers. A synth-pop song with R&B inflections, "Down Bad" is about a momentary infatuation, comparing falling in love with being abducted by an extraterrestrial being.

"So Long, London" is a song by the American singer-songwriter Taylor Swift from her eleventh studio album, The Tortured Poets Department (2024). She wrote and produced the track with Aaron Dessner. A downtempo chamber pop and synth-pop tune, "So Long, London" is set over to 4/4 house beats and has a piano and synthesizer instrumentation. Its lyrical content concerns a failed romance and explores a narrator processing the fallout and its aftermath.

"But Daddy I Love Him" is a song by the American singer-songwriter Taylor Swift from her eleventh studio album, The Tortured Poets Department (2024). Swift and Aaron Dessner wrote the track, and they produced it with Jack Antonoff. Musically, "But Daddy I Love Him" is an electronica and folk rock ballad with elements of country and rock. The song is instrumented by fingerpicked guitars, live drums, and dynamic shifts in the chorus. In the lyrics, a narrator condemns the detractors of her love life and calls out their hypocrisy and self-righteousness.

"Guilty as Sin?" is a song by the American singer-songwriter Taylor Swift from her eleventh studio album, The Tortured Poets Department (2024). She wrote and produced the song with Jack Antonoff. It is a 1990s-tinged pop rock and soft rock track combining rock, country, and folk styles, accentuated by guitars and live drums. The lyrics see Swift's character sexually fantasizing about a man while being in a relationship.

"Loml" is a song by the American singer-songwriter Taylor Swift from her eleventh studio album, The Tortured Poets Department (2024). Written and produced by Swift and Aaron Dessner, it is a soft piano ballad. The song's lyrics mourn the loss of a short-lived relationship that leaves a long-lasting mark. Whereas "Loml" is a popular colloquialism for "love of my life", the song denotes it as "loss of my life".

<span class="mw-page-title-main">I Can Do It with a Broken Heart</span> 2024 single by Taylor Swift

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"The Smallest Man Who Ever Lived" is a song by the American singer-songwriter Taylor Swift from her eleventh studio album, The Tortured Poets Department (2024). She wrote and produced the song with longtime collaborator Aaron Dessner. A breakup song about an ex-lover, "The Smallest Man Who Ever Lived" begins as a piano ballad with blinking programming before transitioning into a vitriolic bridge.

"Clara Bow" is a song by the American singer-songwriter Taylor Swift from her eleventh studio album, The Tortured Poets Department (2024). The track was named after the silent-film actress Clara Bow. Swift and Aaron Dessner wrote and produced the track, which was inspired by Swift's conversations with record label executives. A folk-leaning pop rock track, it comments on Swift's fame.

"The Alchemy" is a song by the American singer-songwriter Taylor Swift from her eleventh studio album, The Tortured Poets Department (2024). Swift wrote and produced the track with Jack Antonoff. A pop rock track with R&B influences, "The Alchemy" uses extensive football imagery to describe a burgeoning romance after going through heartbreak.

<span class="mw-page-title-main">Fortnight (song)</span> 2024 single by Taylor Swift featuring Post Malone

"Fortnight" is a song by the American singer-songwriter Taylor Swift featuring the American singer and rapper Post Malone. The two artists wrote the track with Jack Antonoff, who produced it with Swift. Republic Records released it as the lead single from Swift's eleventh studio album, The Tortured Poets Department, on April 19, 2024. A 1980s-inspired downtempo electropop, synth-pop, and new wave ballad, "Fortnight" is instrumented by a pulsing synth bassline. Its lyrics portray a woman in an unhappy marriage who rekindles with an ex-lover who is also married, and the two vow to escape to Florida.

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"The Black Dog" is a song written and recorded by the American singer-songwriter Taylor Swift from her eleventh studio album, The Tortured Poets Department (2024). It was first included as a bonus track for a physical edition of the album and then released digitally as part of a double album edition subtitled The Anthology. Produced by Swift and Jack Antonoff, "The Black Dog" is a slow-building post-industrial ballad containing a sparse, piano-led production and a momentary shift in dynamics in the chorus. Its lyrics portray Swift tracking an ex-partner at a bar which she addresses by the same name and experiencing heartbreak and resentment after finding him.

References

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  62. ↑ "2024 16-os savaitės klausomiausi (Top 100)" (in Lithuanian). AGATA. April 26, 2024. Archived from the original on April 19, 2024. Retrieved April 26, 2024.
  63. ↑ "OLiS – oficjalna lista sprzedaży – single w streamie" (Select week 19.04.2024–25.04.2024.) (in Polish). OLiS. Archived from the original on February 2, 2023. Retrieved May 2, 2024.
  64. ↑ "ČNS IFPI" (in Slovak). Hitparáda – Singles Digital Top 100 Oficiálna. IFPI Czech Republic. Note: Select 17. týden 2024 in the date selector. Retrieved April 29, 2024.
  65. ↑ "Download Chart – Week 16 of 2024". Circle Chart (in Korean). Archived from the original on April 25, 2024. Retrieved April 25, 2024.
  66. ↑ "Taylor Swift – Florida!!!" Canciones Top 50. Retrieved April 29, 2024.
  67. ↑ "Veckolista Singlar, vecka 17". Sverigetopplistan. Archived from the original on April 26, 2024. Retrieved April 26, 2024.
  68. ↑ "Streaming Top 100". Schweizer Hitparade . Retrieved May 15, 2024.
  69. ↑ "UAE: 2024 - W17 - 04/19 to 04/25". The Official MENA Chart. International Federation of the Phonographic Industry . Retrieved June 8, 2024.
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  72. ↑ "ARIA Charts – Accreditations – 2024 Singles" (PDF). Australian Recording Industry Association . Retrieved September 27, 2024.
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