Guilty as Sin?

Last updated

"Guilty as Sin?"
Song by Taylor Swift
from the album The Tortured Poets Department
ReleasedApril 19, 2024 (2024-04-19)
Studio
Genre
Length4:14
Label Republic
Songwriter(s)
Producer(s)
  • Taylor Swift
  • Jack Antonoff
Lyric video
"Guilty as Sin?" on YouTube

"Guilty as Sin?" is a song by the American singer-songwriter Taylor Swift from her eleventh studio album, The Tortured Poets Department (2024). She wrote and produced the song with Jack Antonoff. It is a 1990s-tinged pop rock and soft rock track combining rock, country, and folk styles, accentuated by guitars and live drums. The lyrics see Swift's character sexually fantasizing about a man while being in a relationship.

Contents

In reviews of The Tortured Poets Department, critics generally praised the lyrics, production, and vocals of "Guilty to Sin?", with some picking it as an album highlight. The track peaked at number 11 on the Billboard Global 200 and charted within the top 10 in Australia, Singapore, and the United States and the top 20 in several other countries.

Background and release

Swift started working on The Tortured Poets Department immediately after she submitted her tenth studio album, Midnights , to Republic Records for release in 2022. She continued working on it in secrecy throughout the US leg of the Eras Tour in 2023. [1] The album's conception took place when Swift's personal life continued to be a widely covered topic in the press. [2] She described The Tortured Poets Department as her "lifeline" album which she "really needed" to make. [3] Republic Records released it on April 19, 2024; "Guilty as Sin?" is ninth on the track list. [4] [5]

Music and lyrics

"Guilty as Sin?" is a 1990s-tinged soft rock [6] and pop rock track [7] [8] combining stylings of rock, country, and folk, [9] accentuated by guitar [10] and live drums. [11] In the chorus, Swift sings using melisma. [7] Lyrically, the song is about desire [7] where Swift's character, while still in a relationship, longs for intimacy with another man. [12] The relationship in question has her feeling trapped ("My boredom’s bone deep/ This cage was once just fine/ Am I allowed to cry?/ I dream of crackin' locks"). [13] She questions whether she should be guilty about her sexual thoughts ("What if he's written 'mine' on my upper thigh / Only in my mind?") [14] and rationalizes them ("Without ever touching his skin, how can I be guilty as sin?"). [9] [14]

The track features extensive religious imagery, [15] with Swift singing, "What if I roll the stone away?/ They're gonna crucify me anyway", [11] [16] showing that the narrator is aware of how the public perceives her for this fling. [13] The lyrics, "These fatal fantasies/ Giving way to labored breath/ Taking all of me/ We've already done it in my head", were interpreted as an allusion to masturbation by journalists including The Guardian's Laura Snapes [17] and the BBC's Clare Thorp. [18] Mehera Bonner of Cosmopolitan commented that "Guilty as Sin?" is lyrically connected with Swift's 2022 song "Carolina", a track that features the phrase "guilty as sin" to describe "[sleeping] in a liar's bed". [19] Meanwhile, The Tennessean's Bryan West compared the theme of infidelity to "Gorgeous", a track from Swift's 2017 album Reputation. [20]

The song features a reference to the Scottish band the Blue Nile and their 1989 single "The Downtown Lights". [21] Streams of "The Downtown Lights" rose by 1,400% within four days of the release of The Tortured Poets Department. [22] Within ten days of the album's release, the vinyl stock of all four of the Blue Nile's albums were sold out on their website. [23]

Critical reception

Ken Tucker of NPR appreciated "Guilty as Sin?" for showcasing Swift's vulnerable and weak sides compared to contemporary pop culture's saturation of "kick-butt, tough, perfect, independent women" and found the track to have "a cleverly retrograde image". [24] Reviewing the album for Vanity Fair, Erin Vanderhoff described the song as "charming and beguiling" and considered it the album's "emotional apex". [25] In a staff review of the album for The Spinoff, Alex Casey and Isaiah Tour picked the track as one of their favorites. [26] SLUG Magazine's Palak Jayswal named it one of the album's best songs. [27] Similarly, Ross Horton off MusicOMH attributed its success to the ambivalent lyrical sentiments and saying that the track "would be a highlight on any of her records". [28]

The production and Swift's vocals also received praise. West described the song as a "catchy song with elongated, ethereal harmonies". [20] In the Irish Independent, John Meagher complimented the lyrics and Swift's singing for featuring "one of the loveliest vocals Swift has ever committed to tape". [29] John Wohlmacher from Beats Per Minute said that the track was one of the album's better songs, highlighting the "sensual" guitar alongside "seductive" and "lush" vocals. [10] In The Atlantic, Spencer Kornhaber opined that "Guilty as Sin?" is one of the album's best moments for its "perfect" combination of live drums, rock/country elements, and Swift's "keening" voice. [11] Jason Lipshutz of Billboard ranked "Guilty as Sin?" ninth out of the 31 tracks on the double album edition of The Tortured Poets Department, writing: "the real fireworks come from Swift’s vocal nuances." [7]

Mary Siroky in Consequence selected "Guilty as Sin?" as one of the album's "essential tracks" for showcasing a "personality", [30] and Anna Leszkiewicz similarly picked it as a "couple of bright pop tracks shine through the fog". [31] Lindsay Zoladz of The New York Times appreciated the track for its 1990s soft rock production and Swift's vocals. [6] Giving the track four stars out of five, Will Hodgkinson of The Times wrote, "The earnest, thoroughly American delivery mars the eroticism somewhat, but it comes straight from the Fleetwood Mac school of pop-rock inspired by disastrous romance." [8] Maria Sherman from the Associated Press gave a negative review, saying that "Guilty as Sin?" is one of the album's "missteps" for its "mawkish" lyrics. [32]

Commercial performance

When The Tortured Poets Department was released, tracks from the album occupied the top 14 of the US Billboard Hot 100; "Guilty as Sin?" opened at its peak of number 10 on the chart, where Swift became the first artist to monopolize the top 14. [33] [34] In Australia, the song reached number 10 on the ARIA Singles Chart and made her the artist with the most entries in a single week with 29. [35] [36] Elsewhere, "Guilty as Sin?" peaked at number eight in Singapore [37] and charted within the top 20 on the Billboard Global 200 (11), [38] New Zealand (11), [39] the Philippines (12), [40] Canada (13), [41] Malaysia (17), [42] and Ireland (18). [43]

Personnel

Charts

Chart performance for "Guilty as Sin?"
Chart (2024)Peak
position
Argentina (Argentina Hot 100) [44] 96
Australia (ARIA) [35] 10
Brazil (Brasil Hot 100) [45] 75
Canada (Canadian Hot 100) [41] 13
Czech Republic (Singles Digitál Top 100) [46] 67
France (SNEP) [47] 103
Global 200 ( Billboard ) [38] 11
Greece International (IFPI) [48] 24
Ireland ( Billboard ) [43] 18
Lithuania (AGATA) [49] 66
Malaysia ( Billboard ) [50] 23
Malaysia International (RIM) [42] 17
New Zealand (Recorded Music NZ) [39] 11
Slovakia (Singles Digitál Top 100) [51] 73
Philippines ( Billboard ) [40] 12
Portugal (AFP) [52] 28
Singapore (RIAS) [37] 8
Spain (PROMUSICAE) [53] 84
Sweden (Sverigetopplistan) [54] 49
Swiss Streaming (Schweizer Hitparade) [55] 32
UK Streaming (OCC) [56] 16
US Billboard Hot 100 [33] 10

Related Research Articles

<span class="mw-page-title-main">Rebecca De Mornay</span> American actress (born 1958/1959)

Rebecca De Mornay is an American actress. Her breakthrough film role came in 1983, when she starred as Lana in Risky Business. De Mornay is also known for her roles in The Slugger's Wife (1985), Runaway Train (1985), The Trip to Bountiful (1985), Backdraft (1991), and The Hand That Rocks the Cradle (1992).

<i>Legally Blonde 2: Red, White & Blonde</i> 2003 film by Charles Herman-Wurmfeld

Legally Blonde 2: Red, White & Blonde is a 2003 American comedy film directed by Charles Herman-Wurmfeld and written by Kate Kondell. It is a sequel to the 2001 film Legally Blonde and the second film in the Legally Blonde series. It stars Reese Witherspoon alongside an ensemble cast featuring Sally Field, Regina King, Jennifer Coolidge, Bruce McGill, Dana Ivey, Mary Lynn Rajskub, Bob Newhart, Luke Wilson, and Bruce Thomas, with Coolidge, Wilson, and Thomas reprising their roles from the first film.

<i>Risky Business</i> 1983 film by Paul Brickman

Risky Business is a 1983 American film written and directed by Paul Brickman and starring Tom Cruise and Rebecca De Mornay. It follows the sexual exploits of a high school senior during his parents' vacation trip. The film is considered to be Cruise's breakout role.

<i>Blind Date</i> (1987 film) 1987 film by Blake Edwards

Blind Date is a 1987 American romantic comedy film directed by Blake Edwards and starring Bruce Willis and Kim Basinger. Blind Date earned mostly negative reviews from critics, but was a financial success and opened at number one at the box office.

<i>The Winner</i> (1996 film) 1997 American film

The Winner is a 1996 film directed by Alex Cox and written by Wendy Riss based on her play A Darker Purpose. Most noted for its quirky cast and art department, including production designer Cecilia Montiel.

<i>The Gift</i> (2000 film) 2000 American supernatural thriller film

The Gift is a 2000 American paranormal thriller film directed by Sam Raimi, with a screenplay written by Billy Bob Thornton and Tom Epperson based on the alleged psychic experiences of Thornton's mother.

<i>Find Me Guilty</i> 2006 American film

Find Me Guilty is a 2006 American courtroom comedy-drama film co-written and directed by Sidney Lumet. The film is based on the true story of the longest Mafia trial in American history. Much of the courtroom testimony was taken from the original court transcripts. Vin Diesel stars as Jackie DiNorscio, a New Jersey mobster who is on trial with 19 of his colleagues for racketeering. A wrench is thrown into the system when DiNorscio fires his lawyer and decides to represent himself. The film also stars Peter Dinklage, Linus Roache, Alex Rocco, and Ron Silver.

<i>They Wont Believe Me</i> 1947 film by Irving Pichel

They Won't Believe Me is a 1947 American film noir directed by Irving Pichel and starring Robert Young, Susan Hayward and Jane Greer. It was produced by Alfred Hitchcock's longtime assistant and collaborator, Joan Harrison. The film was made and distributed by Hollywood major studio RKO Pictures.

<i>Ramrod</i> (film) 1947 film by André de Toth

Ramrod is a 1947 American Western film directed by Andre de Toth and starring Joel McCrea, Veronica Lake, Preston Foster and Don DeFore. This cowboy drama from Hungarian director de Toth was the first of several films based on the stories of Western author Luke Short. De Toth's first Western is often compared to films noir released around the same time. Leading lady Veronica Lake was then married to director de Toth. The supporting cast features Donald Crisp, Charles Ruggles, Lloyd Bridges and Ray Teal.

<i>Feds</i> (film) 1988 American comedy film by Daniel Goldberg

Feds is a 1988 American comedy film written and directed by Dan Goldberg, and starring Rebecca De Mornay and Mary Gross. The plot follows two women, the ex-Marine Ellie and Bryn Mawr graduate Janis, who aim to become FBI agents and enroll at the training center in Quantico. The ending credits stated the real FBI did not support the film or assist the production in any way.

<i>Never Talk to Strangers</i> 1995 film

Never Talk to Strangers is a 1995 psychological erotic thriller film directed by Peter Hall and starring Antonio Banderas and Rebecca De Mornay.

Gerald Phillip Garson was an American lawyer and New York Supreme Court Justice who heard matrimonial divorce and child custody cases in Brooklyn. He was convicted in 2007 of accepting bribes to manipulate the outcomes of divorce proceedings. Garson was imprisoned from June 2007 until December 2009.

<i>And God Created Woman</i> (1988 film) 1988 film by Roger Vadim

And God Created Woman is a 1988 American comedy-drama film directed by Roger Vadim in his final theatrical release and starring Rebecca De Mornay, Vincent Spano and Frank Langella. It has the same title as the 1956 French film Et Dieu… créa la femme starring Brigitte Bardot, also directed by Vadim, but has a completely different story.

<i>The Three Stooges</i> (2012 film) Film by Bobby and Peter Farrelly

The Three Stooges is a 2012 American slapstick comedy film based on the 1934–59 film shorts starring the comedy trio of the same name. It was produced, written and directed by the Farrelly brothers and co-written by Mike Cerrone. It stars Chris Diamantopoulos, Sean Hayes, and Will Sasso, re-creating the eponymous characters played by Moe Howard, Larry Fine and Curly Howard.

<i>Washington Square</i> (film) 1997 film by Agnieszka Holland

Washington Square is a 1997 American romantic drama film directed by Agnieszka Holland, and starring Jennifer Jason Leigh, Albert Finney, Ben Chaplin, Maggie Smith and Judith Ivey. The screenplay by Carol Doyle is based on Henry James' novel of the same name, which was filmed as The Heiress in 1949. The film was a critical success, but a commercial failure.

<i>The Outsider</i> (2002 film) 2002 film

The Outsider is a 2002 Western television film starring Tim Daly and Naomi Watts. The film is based on Penelope Williamson's novel. It was first aired on Showtime on November 10, 2002.

<i>The Sluggers Wife</i> 1985 film by Hal Ashby

The Slugger's Wife is a 1985 romantic comedy film about a baseball star who falls for a singer. Written by Neil Simon, directed by Hal Ashby and produced by Ray Stark, the film stars Michael O'Keefe, Rebecca De Mornay, and Randy Quaid. It was distributed by Columbia Pictures and released on March 29, 1985.

<i>Beauty and the Beast</i> (1987 film) 1987 American film

Beauty and the Beast is a 1987 American/Israeli musical film, part of the 1980s film series Cannon Movie Tales. It is a contemporary adaptation of the classic tale of Beauty and the Beast by Jeanne-Marie Leprince de Beaumont, borrowing elements from Villeneuve's version, such as the dream sequences. The film was shot entirely in Israel, and the taglines were: "The monster they feared was the prince she loved" and "The classic fairy tale about seeing with your heart".

<i>Apartment 1303 3D</i> 2012 film

Apartment 1303 3D is a 2012 supernatural horror film directed by Michael Taverna. The US-Canadian co-production is an English-language remake of the 2007 Japanese film Apartment 1303, which in turn is an adaptation of the novel Apartment 1303 by Japanese author Kei Ôishi. The film stars Mischa Barton, Rebecca De Mornay and Julianne Michelle. The film officially went into production in Montreal in early November 2011. The film was released theatrically in Russia on December 6, 2012. In the United States, the film was released on the VOD platform on June 17, 2013, followed by a theatrical release on July 25, 2013.

References

  1. ↑ Blistein, Jon (February 7, 2024). "Taylor Swift Reveals Tortured Poets Department Back Up Plan In Case She Didn't Win a Grammy" . Rolling Stone . Archived from the original on February 7, 2024. Retrieved April 19, 2024.
  2. ↑ Sisario, Ben (April 19, 2024). "Taylor Swift's Tortured Poets Arrives With a Promotional Blitz" . The New York Times . Archived from the original on April 22, 2024. Retrieved April 19, 2024.
  3. ↑ Bonner, Mehera (February 16, 2024). "Taylor Swift Reveals Bonus Track Title and New Album Cover for The Tortured Poets Department". Cosmopolitan . Archived from the original on February 16, 2024. Retrieved April 19, 2024.
  4. ↑ "As The Tortured Poets Department drops, here's all Taylor Swift's albums ranked by sales". Music Week . April 19, 2024. Archived from the original on April 19, 2024. Retrieved April 19, 2024.
  5. ↑ Corcoron, Nina (February 6, 2024). "Taylor Swift Unveils Tracklist for The Tortured Poets Department". Pitchfork . Retrieved May 14, 2024.
  6. 1 2 Zoladz, Lindsay (April 19, 2024). "Taylor Swift's New Album, The Tortured Poets Department, Could Use an Editor: Review" . The New York Times . Archived from the original on April 20, 2024. Retrieved April 29, 2024.
  7. 1 2 3 4 Lipshutz, Jason (April 19, 2024). "Taylor Swift's The Tortured Poets Department: All 31 Tracks Ranked". Billboard . Archived from the original on April 20, 2024. Retrieved April 29, 2024.
  8. 1 2 Hodgkinson, Will (April 19, 2024). "Love, Men and the Story Behind Each Song on Taylor Swift's New Album" . The Times . ISSN   0140-0460. Archived from the original on April 19, 2024. Retrieved April 29, 2024.
  9. 1 2 Fish, Ryan (April 22, 2024). "Every Song on Taylor Swift's The Tortured Poets Department, Ranked". The Hollywood Reporter . Archived from the original on April 23, 2024. Retrieved April 29, 2024.
  10. 1 2 Wohlmacher, John (April 23, 2024). "Album Review: Taylor Swift – The Tortured Poets Department". Beats Per Minute . Archived from the original on April 23, 2024. Retrieved May 1, 2024.
  11. 1 2 3 Kornhaber, Spencer (April 19, 2024). "Taylor Swift Is Having Quality-Control Issues" . The Atlantic . Archived from the original on April 22, 2024. Retrieved April 23, 2024.
  12. ↑ Ahlgrim, Callie (April 19, 2024). "Taylor Swift's new album The Tortured Poets Department is packed with references and Easter eggs. Here are the key details you may have missed". Business Insider . Archived from the original on April 29, 2024. Retrieved April 29, 2024.
  13. 1 2 Gonzales, Erica (April 19, 2024). "Taylor Swift's 'Guilty as Sin?' Is Full of Matty Healy References". Elle . Archived from the original on May 1, 2024. Retrieved April 29, 2024.
  14. 1 2 "Taylor Swift Fans Left Shocked Over Meaning Behind Spicy 'Guilty As Sin?' Lyrics". Capital . April 28, 2024. Archived from the original on April 28, 2024. Retrieved April 29, 2024.
  15. ↑ Sager, Jessica (April 20, 2024). "Taylor Swift 'Guilty as Sin' Lyrics". Parade . Archived from the original on April 29, 2024. Retrieved April 29, 2024.
  16. ↑ Jenkins, Craig (April 23, 2024). "The Performative Poets Department" . Vulture . Archived from the original on April 23, 2024. Retrieved April 24, 2024.
  17. ↑ Snapes, Laura (April 19, 2024). "Breakups, fantasies and her most cutting lyrics: inside Taylor Swift's The Tortured Poets Department". The Guardian . Archived from the original on April 22, 2024. Retrieved April 29, 2024.
  18. ↑ Thorp, Clare (April 20, 2024). "But Daddy I Love Him: Taylor Swift takes aim at critics with new track". BBC. Archived from the original on April 21, 2024. Retrieved April 29, 2024.
  19. ↑ Bonner, Mehera (April 11, 2024). "Wait, Whoa, Fans Think Taylor Swift's 'Guilty as Sin?' Lyrics Are About Sleeping With a 'Liar'". Cosmopolitan . Archived from the original on April 29, 2024. Retrieved April 29, 2024.
  20. 1 2 West, Bryan (April 19, 2024). "Filing Tortured Poets into Taylor Swift's card catalog, track by track". The Tennessean . Archived from the original on May 9, 2024. Retrieved April 29, 2024.
  21. ↑ Pilley, Max (April 19, 2024). "Taylor Swift namedrops The Blue Nile on Tortured Poets Department track 'Guilty As Sin?'". NME . Archived from the original on May 2, 2024. Retrieved May 2, 2024.
  22. ↑ Lipshutz, Jason (April 24, 2024). "New Taylor Swift Album Boosts Streams for The Starting Line, The Blue Nile & Other Honorary Tortured Poets". Billboard . Archived from the original on May 3, 2024. Retrieved April 28, 2024.
  23. ↑ Franklin, Beth (April 29, 2024). "The Blue Nile sell out of vinyl records after Taylor Swift name-drop". STV News . Archived from the original on May 2, 2024. Retrieved May 2, 2024.
  24. ↑ Tucker, Ken (April 24, 2024). "Taylor Swift's confessional Tortured Poets would have benefitted from an edit". NPR . Archived from the original on April 29, 2024. Retrieved April 29, 2024.
  25. ↑ Vanderhoff, Erin (April 19, 2024). "On The Tortured Poets Department, Taylor Swift Is Still Rejecting Your Judgment". Vanity Fair . Archived from the original on April 19, 2024. Retrieved April 29, 2024.
  26. ↑ "What do we make of The Tortured Poets Department?". The Spinoff . April 22, 2024. Archived from the original on April 29, 2024. Retrieved April 29, 2024.
  27. ↑ Wohlmacher, John (April 23, 2024). "Album review: Taylor Swift – The Tortured Poets Department". Beats Per Minute. Retrieved May 14, 2024.
  28. ↑ Horton, Ross (April 19, 2024). "Taylor Swift – The Tortured Poets Department" . MusicOMH . Archived from the original on April 23, 2024. Retrieved April 29, 2024.
  29. ↑ Meagher, John (April 19, 2024). "Taylor Swift's The Tortured Poets Department review: fans going to Dublin gigs have a new wealth of riches to look forward to". Irish Independent . Archived from the original on April 19, 2024. Retrieved April 29, 2024.
  30. ↑ Siroky, Mary (April 19, 2024). "Taylor Swift Gets Lost in Her Own Shadow on The Tortured Poets Department". Consequence . Archived from the original on April 20, 2024. Retrieved April 29, 2024.
  31. ↑ Leszkiewicz, Anna (April 19, 2024). "The Tortured Taylor Swift". New Statesman . Archived from the original on April 22, 2024. Retrieved April 29, 2024.
  32. ↑ Sherman, Maria (April 19, 2024). "Music Review: Taylor Swift's The Tortured Poets Department is great sad pop, meditative theater". Associated Press News . Retrieved May 14, 2024.
  33. 1 2 "Taylor Swift Chart History (Hot 100)". Billboard. Retrieved April 30, 2024.
  34. ↑ Trust, Gary (April 29, 2024). "Taylor Swift Claims Record Top 14 Spots on Billboard Hot 100, Led by 'Fortnight' with Post Malone". Billboard . Archived from the original on April 29, 2024. Retrieved May 9, 2024.
  35. 1 2 "ARIA Top 50 Singles Chart". Australian Recording Industry Association. April 29, 2024. Archived from the original on May 9, 2024. Retrieved April 26, 2024.
  36. ↑ Gbogbo, Mawunyo (April 29, 2024). "Taylor Swift's New Album The Tortured Poets Department Smashes Chart Records in the US, UK and Australia". ABC News. Archived from the original on May 10, 2024. Retrieved May 10, 2024.
  37. 1 2 "RIAS Top Charts Week 18 (26 Apr - 2 May 2024)". RIAS. Archived from the original on May 7, 2024. Retrieved May 7, 2024.
  38. 1 2 "Taylor Swift Chart History (Global 200)". Billboard. Retrieved April 30, 2024.
  39. 1 2 "NZ Top 40 Singles Chart". Recorded Music NZ. April 29, 2024. Archived from the original on April 26, 2024. Retrieved April 26, 2024.
  40. 1 2 "Taylor Swift Chart History (Philippines Songs)". Billboard . Archived from the original on May 17, 2022. Retrieved April 30, 2024.
  41. 1 2 "Taylor Swift Chart History (Canadian Hot 100)". Billboard. Retrieved April 30, 2024.
  42. 1 2 "TOP 20 Most Streamed International Singles In Malaysia Week 17 (19/04/2024-25/04/2024)". RIM. May 4, 2024. Archived from the original on May 9, 2024. Retrieved May 4, 2024– via Facebook.
  43. 1 2 "Taylor Swift Chart History (Ireland Songs)". Billboard . Archived from the original on November 7, 2023. Retrieved May 6, 2024.
  44. ↑ "Taylor Swift – Chart History (Argentina Hot 100)" Billboard Argentina Hot 100 Singles for Taylor Swift. Retrieved May 2, 2024.
  45. ↑ "Taylor Swift Chart History (Brasil Hot 100)". Billboard . Archived from the original on November 3, 2023. Retrieved May 2, 2024.
  46. ↑ "ČNS IFPI" (in Czech). Hitparáda – Digital Top 100 Oficiální. IFPI Czech Republic. Note: Change the chart to CZ – SINGLES DIGITAL – TOP 100 and insert 202417 into search. Retrieved April 29, 2024.
  47. ↑ "Top Singles (Week 16, 2024)" (in French). Syndicat National de l'Édition Phonographique. Archived from the original on May 31, 2021. Retrieved April 29, 2024.
  48. ↑ "IFPI Charts". www.ifpi.gr. Archived from the original on May 1, 2024. Retrieved May 1, 2024.
  49. ↑ "2024 16-os savaitės klausomiausi (Top 100)" (in Lithuanian). AGATA. April 26, 2024. Archived from the original on April 19, 2024. Retrieved April 26, 2024.
  50. ↑ "Taylor Swift Chart History (Malaysia Songs)". Billboard . Archived from the original on May 17, 2022. Retrieved April 30, 2024.
  51. ↑ "ČNS IFPI" (in Slovak). Hitparáda – Singles Digital Top 100 Oficiálna. IFPI Czech Republic. Note: Select SINGLES DIGITAL - TOP 100 and insert 202417 into search. Retrieved April 29, 2024.
  52. ↑ "Taylor Swift – Guilty as Sin?". AFP Top 100 Singles. Retrieved May 1, 2024.
  53. ↑ "Taylor Swift – Guilty as Sin?" Canciones Top 50. Retrieved April 29, 2024.
  54. ↑ "Veckolista Singlar, vecka 17". Sverigetopplistan. Archived from the original on April 26, 2024. Retrieved April 26, 2024.
  55. ↑ "Streaming Top 100". Schweizer Hitparade . Retrieved May 15, 2024.
  56. ↑ "Official Streaming Chart Top 100". Official Charts Company. Archived from the original on May 9, 2024. Retrieved April 29, 2024.
This page is based on this Wikipedia article
Text is available under the CC BY-SA 4.0 license; additional terms may apply.
Images, videos and audio are available under their respective licenses.