"Mr. Perfectly Fine" | |
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Promotional single by Taylor Swift | |
from the album Fearless (Taylor's Version) | |
Written | 2008 |
Released | April 7, 2021 |
Studio |
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Genre | |
Length | 4:37 |
Label | Republic |
Songwriter(s) | Taylor Swift |
Producer(s) |
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Lyric video | |
"Mr. Perfectly Fine" on YouTube |
"Mr. Perfectly Fine" [lower-alpha 1] is a song by the American singer-songwriter Taylor Swift from her first re-recorded album, Fearless (Taylor's Version) (2021). It is one of the album's "From The Vault" tracks that was intended for but excluded from her second studio album, Fearless (2008). The song was released for limited-time download via Swift's website on April 7, 2021. She wrote "Mr. Perfectly Fine" in 2008, a track that incorporates wordplay and sees the narrator's heartbreak and fallout with a lover she presumed was the ideal figure for her.
Produced by Swift and Jack Antonoff, "Mr. Perfectly Fine" has an upbeat and midtempo production and acoustic instrumental. Critics described its genre as pop rock and country pop. The song received generally positive reviews from them, who deemed it a classic from Swift and an example of her growth as a musician. It has been highly ranked among her best "From the Vault" tracks. Commercially, "Mr. Perfectly Fine" peaked at number 30 on the US Billboard Hot 100 and number 19 on the Billboard Global 200. It reached the top 50 in several countries and received certifications in Australia, Brazil, and the United Kingdom. Swift performed the song during a Pittsburgh concert of her Eras Tour (2023–2024).
After signing a new contract with Republic Records, Taylor Swift began re-recording her first six studio albums in November 2020. [2] The decision followed a public dispute in 2019 between Swift and the talent manager Scooter Braun, who acquired Big Machine Records, including the masters of her albums which the label had released. [3] [4] By re-recording the albums, Swift had full ownership of the new masters, which enabled her to control the licensing of her songs for commercial use and therefore substituted the Big Machine–owned masters. [5]
On February 11, 2021, Swift announced the first of her re-recorded albums, Fearless (Taylor's Version) , a re-recording of her second studio album Fearless (2008). [6] In addition to re-recordings of the original album's tracks, Fearless (Taylor's Version) contained six previously unreleased "From the Vault" tracks, which are songs written for the original album that did not make the cut. [6] [7] Swift explained that these songs were left out of Fearless for various reasons, and that including them on the re-recorded album proved that "the artist is the only one who really knows that body of work". [8] One such song was "Mr. Perfectly Fine", which Swift wrote in 2008, but she ultimately excluded it from the final track-list. [9]
On April 4, 2021, "Mr. Perfectly Fine" was confirmed to be one of the "From the Vault" tracks after Swift teased it in a clip containing the title in scrambled anagram the day before. [10] The song was released for download via Swift's website on April 7. [11] [12] It was the third song issued preceding the release of Fearless (Taylor's Version), following "Love Story (Taylor's Version)" and "You All Over Me". [13] The song is listed as track number 22 on the album, which came out on April 9, 2021. [12] In the following weeks, "Mr. Perfectly Fine" was featured on the Fearless (Taylor's Version)-themed streaming compilations The Halfway Out the Door Chapter [14] and The From the Vault Chapter. [15] On June 16, 2023, Swift performed the song at Acrisure Stadium in Pittsburgh, as part of her Eras Tour (2023–2024). [16]
"Mr. Perfectly Fine" is 4 minutes and 37 seconds long. [12] Swift produced the song with Jack Antonoff, who recorded it with Laura Sisk at Conway Recording Studios in Los Angeles, Electric Lady Studios in New York City, and Rough Customer Studio in Brooklyn. Christopher Rowe recorded Swift's vocals at Kitty Committee Studio in London and Antonoff provided programming and background vocals. Antonoff played acoustic, bass, and electric guitars, keyboards, modular synthesizers, and percussion, Evan Smith played saxophones and synthesizers, Michael Riddleberger played percussion, Mikey Freedom Hart played 12-string, electric, and pedal steel guitars, and Hammond B-3, and Sean Hutchinson played drums. The song was mixed by Serban Ghenea at MixStar Studios in Virginia Beach and mastered by Randy Merrill at Sterling Sound in Edgewater. [1]
"Mr. Perfectly Fine" has an upbeat and midtempo production with an acoustic instrumental. [17] [18] Critics generally categorized the song as a pop rock tune, [19] [20] [21] while Madeline Crone of American Songwriter and Carrie Battan of The New Yorker wrote that it featured a "pop-country" production. [13] [22] Jason Lipshutz of Billboard , Lucy Habron of Clash , and Justin Curto of Vulture believed that the song was pop. [23] [24] [25] Other critics believed it combined or evoked styles of country, pop, and rock. In Rolling Stone , Claire Shaffer wrote that the track mixed country and pop with elements of rock. [26] The Line of Best Fit 's Horton Ross said that it featured a little bit of both country and rock and roll. [27] Lipshutz stated that the song had similarities with Fearless and Speak Now (2010), highlighting the country pop-styled drums. [23] For The Independent , Alexandra Pollard thought it evoked "late-Noughties country-pop". [28] Jordan Moreau from Variety said the song recalled the country pop aesthetic of Fearless. [29]
In the lyrics, a narrator experiences heartbreak after a fallout with a lover she thought was the ideal figure for her. The song uses wordplay with the ex-lover addressed as "mister" while the narrator is labeled as "miss". The first verse recounts the ex-lover's seemingly perfect personality: "Mr. perfect face. Mr. here to stay. Mr. look me in the eye and told me you would never go away". [26] [29] [30] The wordplay is also utilized to describe the contrasting emotions between the two characters. In the chorus, the narrator recalls the tumultuous feelings the former lover gave her ("I've been Miss Misery since your goodbye") and displays him as indifferent of the situation ("And you're Mr. 'Perfectly fine"). [26] [29] [31] Later in the song, she discovers that he has a new lover and tries to ignore it, but she ultimately says that he will miss her and be too late when he realizes. [18] Many critics highlighted the lyric "Mr. casually cruel" to be similar to a line from Swift's song "All Too Well" (2012): "So casually cruel in the name of being honest". [lower-alpha 2]
Many critics considered "Mr. Perfectly Fine" a classic track from Swift and attributed it to the songwriting and production. [lower-alpha 3] A few thought that the song revived the scornful side of Swift. [lower-alpha 4] Zoe Haylock of Vulture wrote that the it was "a 2008 time capsule". [40] Curto said that the song is one of the more "cheekier takes" of Swift's breakup tracks and believed that the "lyrical formula that could be cheesy in someone else's hands" created it well-made catchiness. [25] Lipshutz wrote that the track "pay homage to some of Swift's grandest breakup songs". [23] In less enthusiastic reviews, The Telegraph 's journalist Neil McCormick felt that it was a bit "too aggressive for [Swift's] teenage image", [21] and Jonathan Keefe of Slant Magazine thought the song's use of the "casually cruel" line was inferior compared to how it was utilized on "All Too Well". [41]
Some critics deemed "Mr. Perfectly Fine" reminiscent of the original Fearless but with Swift's growth as a musician. Harbon stated that it was "a perfect collaboration between her old and new self" that blends her early songwriting with the more complex compositions from her indie works. [24] Crone thought the song "reflects [Swift's] roots" with an evolved musicianship. [13] Kitty Empire of The Guardian believed that it had the "brighter, more direct songcraft" of Fearless that complements the "watercolor production" of her album Folklore (2020). [38] Also from The Guardian, Alexis Petridis thought the song took "new resonances" and highlighted the "relish" in Swift's voice expressed a satisfaction that mitigates her anger. [42]
Other reviewers only focused on the track's content. Hannah Mylrea of NME deemed it a "bop" laden with "swooning melodies and typically Swiftian lyrics". [19] Bobby Olivier from Spin wrote that the song is "deviously addictive" and believed that the music evoked "the best of Kelly Clarkson and Shania Twain" and the subject matter refreshing. [20] Mikael Wood of the Los Angeles Times considered the song to have sharp-witted lyrics. [43] Variety 's Chris Willman thought it contained a "sheer zipiness" in its theme of "teen heartbreak". [30] Dani Blum of Pitchfork called the song a "delightful, strumming takedown" [44] and Jess Cohen from E! News opined that the lyrics "don't disappoint". [32]
Critics have included "Mr. Perfectly Fine" in their lists of Swift's "From the Vault" tracks. It was ranked among her ten best vault tracks by Lipshutz, [45] Jack Viswanath of Bustle , [46] Nylon , [47] Time , [35] and Josh Kurp of Uproxx . [48] Viswanath lauded the song as one of the "most clever, witty, and catchy songs Swift has ever written". [46] Time wrote that it was "Swift at her best, enraged, snarky, and not for a moment taking herself too seriously". [35] Kurp along with Rolling Stone's Rob Sheffield believed that the song proved that they were not excluded from the original's track-list because they were not good enough. [48] [49] "Mr. Perfectly Fine" was featured in a mid-year list of the 50 best songs of 2021 by Billboard; the publication commended the sharp lyrics and catchy production and viewed the song as "vintage Taylor Swift that still feels fresh in 2021." [50]
Year | Organization | Award | Result | Ref. |
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2022 | RTHK International Pop Poll Awards | Top Ten International Gold Songs | Won | [51] |
With 14.2 million streams, "Mr. Perfectly Fine" reached atop the US Billboard Country Streaming Songs and marked Swift's fifth number-one entry. [52] [53] The song rose to its peak of number two on Hot Country Songs from its opening week at number 30 and became her 26th top-10 chart entry. The song along with 18 tracks from Fearless (Taylor's Version) extended her record of the most entries in one week, surpassing her own 12 with the album Red (2012). [54] [53] On the overall Billboard Hot 100, "Mr. Perfectly Fine" climbed and peaked at number 30, when it begun at number 90. The song became Swift's 80th top-40 entry on the chart and extended her record for the most top-40 entries among women. [55] [53] It peaked at number 11 on the Rolling Stone Top 100 when it garnered 12.7 million streams and sold 106,800 units. [56]
Elsewhere, "Mr. Perfectly Fine" peaked within the top 50 of the Billboard Global 200 (19), [57] Singapore (11), [58] Ireland (15), [59] Canada (23), [60] New Zealand (25), [61] and Venezuela (49). [62] In Australia, the song debuted and peaked at number 19 on the ARIA Singles Chart upon the album's release. [63] [64] It received a platinum certification from the Australian Recording Industry Association (ARIA). [65] In the United Kingdom, the song reached within the top 30 of the UK Singles Chart [66] and was certified silver by the British Phonographic Industry (BPI). [67] In Brazil, it was certified gold by Pro-Música Brasil (PMB). [68] "Mr. Perfectly Fine" was the most streamed track from Fearless (Taylor's Version) in 2021 with 98.8 million streams. [69]
Credits are adapted from the liner notes of Fearless (Taylor's Version). [1]
Weekly charts
| Year-end charts
|
Region | Certification | Certified units/sales |
---|---|---|
Australia (ARIA) [65] | Platinum | 70,000‡ |
Brazil (Pro-Música Brasil) [68] | Gold | 20,000‡ |
United Kingdom (BPI) [67] | Silver | 200,000‡ |
‡ Sales+streaming figures based on certification alone. |
Region | Date | Format | Label | Ref. |
---|---|---|---|---|
Various | April 7, 2021 | Republic | [11] |
Fearless is the second studio album by the American singer-songwriter Taylor Swift. Under Big Machine Records imprint, it was released in the U.S. and Canada on November 11, 2008, and elsewhere on March 9, 2009. Written predominantly by Swift while she was promoting her 2006 self-titled debut album in 2007–2008, Fearless features additional songwriting credits from Liz Rose, Hillary Lindsey, Colbie Caillat, and John Rich. Swift wrote seven of the standard edition's 13 tracks by herself and, in her debut as a record producer, co-produced the album with Nathan Chapman.
"Love Story" is a song by the American singer-songwriter Taylor Swift. It was released as the lead single from her second studio album, Fearless, on September 15, 2008, by Big Machine Records. Inspired by a boy who was unpopular with her family and friends, Swift wrote the song using William Shakespeare's tragedy Romeo and Juliet as a reference point. The lyrics narrate a troubled romance that ends with a marriage proposal, contrary to Shakespeare's tragic conclusion. Produced by Swift and Nathan Chapman, the midtempo country pop song includes a key change after the bridge and uses acoustic instruments including banjo, fiddle, mandolin, and guitar.
"Fearless" is a song by the American singer-songwriter Taylor Swift and the title track of her 2008 second studio album. Swift wrote the song with Liz Rose and Hillary Lindsey while promoting her 2006 self-titled debut album, and she produced it with Nathan Chapman. She placed it first on Fearless's track listing because she thought it encompassed the album's overarching theme; the song's lyrics are about a perfect first date despite its uncertainties. The production is country pop and pop rock and incorporates dynamic guitars. Big Machine Records released "Fearless" to US country radio as the album's fifth and final single on January 4, 2010.
"You Belong with Me" is a song by the American singer-songwriter Taylor Swift and is the third single from her second studio album Fearless (2008). Big Machine Records released the song to radio on April 20, 2009. Swift was inspired to write "You Belong with Me" after overhearing a telephone call between a touring band member and his girlfriend; she and Liz Rose wrote the lyrics, which discuss an unrequited love. Swift and Nathan Chapman produced the track, which has a banjo-led country pop production and incorporates fiddle, mandolin, and rock-influenced bass and electric guitars. Although the single was promoted on country radio, some critics categorized it into 1980s pop subgenres such as pop rock and power pop.
"White Horse" is a song by the American singer-songwriter Taylor Swift and the second single from her second studio album, Fearless (2008). Big Machine Records released the track to US country radio on December 8, 2008. Swift wrote "White Horse" with Liz Rose and produced it with Nathan Chapman. An understated country pop ballad, the song is driven by a finger-picked guitar and includes piano and cello accents. The lyrics incorporate fairy-tale imagery of princesses and white horses: the narrator is heartbroken upon realizing that her boyfriend is not an ideal figure like she thought, and in the end she leaves her town with hopes of finding somebody more worthy.
"Hey Stephen" is a song written and recorded by the American singer-songwriter Taylor Swift for her second studio album, Fearless (2008). It is a country pop and teen pop song about an unrequited love, inspired by a real-life infatuation. Produced by Swift and Nathan Chapman, "Hey Stephen" features drums inspired by girl-group records, an upright bass that propels its groove, and a subdued Hammond B-3 organ. In reviews of Fearless, critics who picked "Hey Stephen" as an album highlight praised what they deemed a catchy melody and earnest lyrics about adolescent feelings. The song peaked at number 94 on the US Billboard Hot 100 and was certified gold by the Recording Industry Association of America (RIAA).
"Breathe" is a song by Taylor Swift featuring Colbie Caillat from Swift's second studio album, Fearless (2008). Swift wrote the song with Caillat and produced it with Nathan Chapman. A pop rock ballad, "Breathe" incorporates strummed acoustic instruments and a string section. The lyrics are about heartbreak from losing a close friend. Big Machine Records released the track onto Rhapsody on October 21, 2008. Music critics found "Breathe" a sentimental song with resonant lyrics, but some deemed it insubstantial. The song was nominated for Best Pop Collaboration with Vocals at the 52nd Annual Grammy Awards in 2010.
Speak Now is the third studio album by the American singer-songwriter Taylor Swift, released on October 25, 2010, through Big Machine Records. Swift wrote the album entirely herself within two years while touring to promote her second studio album, Fearless (2008).
"Eyes Open" is a song written and recorded by the American singer-songwriter Taylor Swift for The Hunger Games movie soundtrack, The Hunger Games: Songs from District 12 and Beyond, though the song is not included in the film itself. Produced by Swift and Nathan Chapman, it was released as the second single from the album and was sent to mainstream radio on March 27, 2012. A lyric video consisting of animation was released on Vevo in May 2012.
"State of Grace" is a song written and recorded by the American singer-songwriter Taylor Swift from her fourth studio album, Red. To promote the album before its release, Big Machine Records released the song for download on October 16, 2012. Produced by Swift and Nathan Chapman, "State of Grace" is an arena rock song that uses chiming, feedback-drenched guitars and pounding drums. An acoustic version features as a deluxe-edition bonus track. The lyrics are about the tumultuous feelings evoked by the first signs of love.
"Forever & Always" is a song written and recorded by the American singer-songwriter Taylor Swift for her second studio album, Fearless (2008). Swift was inspired to write the song by her short-lived relationship with Joe Jonas in 2008. Produced by Swift and Nathan Chapman, "Forever & Always" is a country pop and pop rock song whose lyrics are about a troubled relationship with an ex-boyfriend. Music critics found the song catchy but generic, and they commented that it set the precedent to Swift's songwriting about her highly publicized personal life on subsequent albums.
"You All Over Me" is a song by the American singer-songwriter Taylor Swift featuring harmony vocals from the American singer Maren Morris. Swift wrote the track with Scooter Carusoe in 2005 for her second studio album, Fearless (2008), but excluded it from the track-listing. She produced the song with Aaron Dessner for the album's 2021 re-recording, Fearless . "You All Over Me" was released for download via Swift's website on March 26, 2021.
"That's When" is a song by Taylor Swift featuring Keith Urban. Swift wrote the track with the Warren Brothers when she was 14 and intended to include it on her second studio album, Fearless (2008), but left it out of the track list. She and Jack Antonoff produced "That's When" for the Fearless's 2021 re-recording, Fearless .
Fearless (Taylor's Version) is the first re-recorded album by the American singer-songwriter Taylor Swift, released on April 9, 2021, by Republic Records. It is part of Swift's re-recording projects following the 2019 dispute over the ownership of her back catalog released by Big Machine Records. Fearless (Taylor's Version) comprises re-recordings of the tracks on Swift's second studio album, Fearless (2008), the soundtrack single "Today Was a Fairytale" for the 2010 film Valentine's Day, and six previously unreleased "From the Vault" tracks.
Red (Taylor's Version) is the second re-recorded album by the American singer-songwriter Taylor Swift, released on November 12, 2021, by Republic Records. It is part of Swift's re-recording projects following the 2019 dispute over the ownership of her back catalog.
"Nothing New" is a song by the American singer-songwriters Taylor Swift featuring Phoebe Bridgers. Swift wrote the song in March 2012 and produced it with Aaron Dessner for her second re-recorded studio album, Red , which was released in 2021 through Republic Records. The track is a guitar-led folk and alternative rock tune about anxieties over romance and growing up.
"I Bet You Think About Me" is a song by the American singer-songwriter Taylor Swift featuring harmony vocals from the American singer-songwriter Chris Stapleton. Swift wrote it with Lori McKenna in June 2011 and intended to include it on her fourth studio album, Red (2012). Although it did not make the cut, it was produced by Swift and Aaron Dessner for Red's re-recorded version, Red (2021). Republic Records and MCA Nashville released the song to US country radio on November 15, 2021.
"Message in a Bottle" is a song by the American singer-songwriter Taylor Swift. It was her first writing collaboration with Max Martin and Shellback. The song was intended for but excluded from her fourth studio album, Red (2012). Shellback and Elvira Anderfjärd produced the track for Swift's re-recorded album, Red (2021). "Message in a Bottle" is a 1980s-influenced dance-pop and electropop song with lyrics about the anxiety from falling in love.
"Electric Touch" is a song by the American singer-songwriter Taylor Swift featuring the American band Fall Out Boy. Swift wrote the song and intended it for her 2010 studio album, Speak Now, but left it out of the track-list. She produced it with Aaron Dessner for her 2023 re-recorded album, Speak Now.
"Is It Over Now?" is a song by the American singer-songwriter Taylor Swift. Written by Swift and Jack Antonoff, the song was intended for but ultimately left out of Swift's fifth studio album, 1989 (2014), but was released as part of the 2023 re-recording, 1989 . "Is It Over Now?" is an electropop power ballad composed of dense reverb, synthesizers, and an echoing drum machine. Republic Records released the song to US contemporary hit radio on October 31, 2023.
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