No Body, No Crime

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"No Body, No Crime"
"No Body, No Crime" begins with police sirens and whispers of "He did it" before proceeding with its country production.
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"No Body, No Crime" is three minutes and thirty-five seconds long. [13] Music journalists identified it as a murder ballad and a breakup song that features a midtempo rhythm; they categorized the track as Americana, country, country rock, and country pop. [a] Madeline Crone of American Songwriter thought Haim brought elements of pop rock to the song. [21] "No Body, No Crime" features twang in Swift's voice [18] and on the guitars [22] —Justin Curto of Vulture opined that her performance is the "twangiest [she] has sounded" since her fourth studio album, Red (2012). [14] The song starts with police sirens and whispers of "He did it". [15] Some publications compared the composition of "No Body, No Crime" to the work of other country musicians, including Martina McBride's "Independence Day" (1994), the Dixie Chicks' "Goodbye Earl" (2000), Carrie Underwood's "Before He Cheats" (2006), and the music of Miranda Lambert. [14] [17] [23]

"No Body, No Crime" tells a macabre story that incorporates themes of infidelity, vengeance, and unsolved murders. [24] [23] The narrative revolves around a woman named Este, who confronts her cheating husband and is subsequently murdered. [12] The narrator, Este's friend, kills the husband and frames the mistress who took out a large life insurance policy; Este's sister becomes an alibi who testifies they were together. [17] [25] [26] The refrain consists of the repeated phrase: "I think he did it but I just can't prove it". [15] NME 's Hannah Mylrea compared the lyrical imagery to the films of David Fincher. [27]

Release and promotion

"No Body, No Crime" is the sixth track on Evermore, which was surprise-released by Republic Records on December 11, 2020. [7] [21] The label partnered with MCA Nashville and promoted the song to US country radio stations on January 11, 2021, as a single from the album. [28] [29] "No Body, No Crime" reached number 16 on the Billboard Global 200 chart dated December 26, 2020. [30] It peaked within the top 30 on charts of Canada (11), [31] Ireland (11), [32] Australia (16), [33] the United Kingdom (19), [34] Singapore (28), [35] and New Zealand (29). [36] In the United States, it reached number 2 on the Billboard Hot Country Songs chart, [37] number 12 on the Rolling Stone Top 100 chart, [38] and number 34 on the Billboard Hot 100 chart. [39] It entered the Billboard Country Airplay chart at number 60 and peaked at number 54. [28] [40] The track additionally charted at number 70 in Slovakia and number 83 in Portugal. [41] [42] It was certified platinum in Australia, [43] gold in Brazil and New Zealand, [44] [45] and silver in the United Kingdom. [46]

Swift after performing "No Body, No Crime" with Haim at the Eras Tour on August 9, 2023 Taylor Swift The Eras Tour Evermore Era Set (53109915048) (cropped).jpg
Swift after performing "No Body, No Crime" with Haim at the Eras Tour on August 9, 2023

After the album's release, Swift embarked on the Eras Tour in March 2023, which featured various opening acts at certain shows, one of which was Haim. [47] [48] At shows opened by the band, "No Body, No Crime" replaced "'Tis the Damn Season" on the set list as the opening number for the Evermore act. [49] [50] It contained an alternative country edge compared to the studio version. [51] Each Haim member performed with either an acoustic guitar, a bass guitar, or an electric guitar and sang with Swift. [50] On June 15, 2024, Swift performed the track on acoustic guitar in a mashup with her song "Carolina" (2022) at the third Liverpool show of the tour. [52]

When "No Body, No Crime" was released, the CEO of the American casual dining restaurant chain Olive Garden, Gene Lee, credited Swift for creating newfound buzz with the brand after she referenced it in the song. [53] In 2021, the true crime podcast Crime Junkie ran an April Fools' Day episode depicting the case of a murder victim named Esther Hollis, a reinvention of the fictional victim in "No Body, No Crime". Swift reacted with delight, giving the episode "13 stars" and commenting that she changed Este Haim's name in her phone to "Esther Hollis". [54]

Critical reception

Some music critics praised "No Body, No Crime" for its airy country production. Stereogum 's Tom Breihan considered it "the most country thing that Swift has done in years", [55] and USA Today 's Patrick Ryan dubbed it a "scorching" song that marks her "mischievous return" to her country roots. [56] Variety 's Chris Willman described it as the album's "pure spirit of fun" moment, away from the ruminating themes of other tracks. [57] Billboard 's Jason Lipshutz similarly viewed it as a delightful song that offers optimism and lightness in contrast to the emotional turmoil of Evermore; he considered it the second best track on the album. [23] [58] Mylrea commended the song for blending various genres, [27] and Spin 's Bobby Olivier praised the refrain as catchy. [59]

Other critics commented on the concept and the minimal utilization of Haim's vocals. Robert Christgau, in his Substack-published Consumer Guide column, wrote although "No Body, No Crime" was the first track he paid attention to on Evermore, it became his least favorite after repeated listens; he described it as "super-hooky but pat police procedural". [60] Curto complimented Haim's performance for livening up Evermore's "static pacing", but considered the narrative rather dull and Swift's songwriting not as strong as on her past songs about revenge. [14] New Statesman 's Ellen Peirson-Hagger viewed it as one of the few missteps on the album; he thought the overall sound seemed forced due to the repeated refrain and the lack of vibrant energy that Haim showcase in their music. [15] Slate 's Carl Wilson similarly criticized the underutilization of Haim solely as background vocalists. [17] The track appeared in rankings of Swift's discography by Rolling Stone 's Rob Sheffield (181 out of 274) [61] and Vulture's Nate Jones (202 out of 245). [62]

Personnel

Credits are adapted from the liner notes of Evermore. [7]

  • Taylor Swift − lead vocals, songwriter, producer
  • Haim – featured artist
  • Aaron Dessner − producer, recording engineer, field recording, piano, bass guitar, acoustic guitar, electric guitar, mandolin, synthesizers
  • Jonathan Low − recording engineer, Swift's vocal recording engineer, mixing engineer
  • Ariel Rechtshaid − Haim's vocal recording engineer
  • Matt DiMona − Haim's vocal recording engineer
  • Greg Calbi − mastering engineer
  • Steve Fallone − mastering engineer
  • Josh Kaufman − lap steel guitar, electric guitar, organ, harmonica
  • J.T. Bates − drums

Charts

"No Body, No Crime"
Taylor Swift Feat. Haim - No Body, No Crime.png
Single by Taylor Swift featuring Haim
from the album Evermore
ReleasedJanuary 11, 2021 (2021-01-11)
Genre
Length3:35
Label
Songwriter(s) Taylor Swift
Producer(s)
Taylor Swift singles chronology
"Willow"
(2020)		"No Body, No Crime"
(2021)		"Coney Island"
(2021)
Haim singles chronology
"Don't Wanna"
(2020)		"No Body, No Crime"
(2021)		"Gasoline"
(2021)
Chart performance for "No Body, No Crime"
Chart (2020–2021)Peak
position
Australia (ARIA) [33] 16
Canada (Canadian Hot 100) [31] 11
Global 200 ( Billboard ) [30] 16
Ireland (IRMA) [32] 11
New Zealand (Recorded Music NZ) [36] 29
Portugal (AFP) [42] 83
Singapore (RIAS) [35] 28
Slovakia (Rádio Top 100) [41] 70
UK Singles (OCC) [34] 19
US Billboard Hot 100 [39] 34
US Country Airplay ( Billboard ) [40] 54
US Hot Country Songs ( Billboard ) [37] 2
US Rolling Stone Top 100 [38] 12

Certifications

Certifications for "No Body, No Crime"
RegionCertification Certified units/sales
Australia (ARIA) [43] Platinum70,000‡
Brazil (Pro-Música Brasil) [44] Gold20,000‡
New Zealand (RMNZ) [45] Gold15,000‡
United Kingdom (BPI) [46] Silver200,000‡

‡ Sales+streaming figures based on certification alone.

Footnote

  1. ↑ Attributed to Rolling Stone 's Claire Shaffer, [10] Vulture 's Justin Curto, [14] New Statesman 's Ellen Peirson-Hagger, [15] The Guardian 's Alexis Petridis, [16] Slate 's Carl Wilson, [17] The Ringer 's Rob Harvilla, [18] Taste of Country 's Carena Liptak, [19] and Slant Magazine 's Jonathan Keefe. [20]

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