| "High Infidelity" | |
|---|---|
| Song by Taylor Swift | |
| from the album Midnights (3am Edition) | |
| Released | October 21, 2022 |
| Length | 3:51 |
| Label | Republic |
| Songwriters | |
| Producers |
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| Lyric video | |
| "High Infidelity" on YouTube | |
"High Infidelity" is a song by the American singer-songwriter Taylor Swift from the 3am Edition of her tenth studio album, Midnights (2022). Written and produced by Swift and Aaron Dessner, "High Infidelity" describes a narrator who leaves a broken relationship and moves on with another man. Its lyrics mentioning the date of April 29 led to Swift's fandom, the Swifties, to name it "High Infidelity Day". The track reached number 31 on the Billboard Global 200 and the top 40 on the national charts of Canada and the United States. Swift performed the song twice on the Eras Tour (2023–2024).
Taylor Swift framed her tenth studio album, Midnights , as a concept album about her nocturnal ruminations inspired by her sleepless nights. [1] Three hours after the standard edition of the album was released, an extended version titled the 3am Edition was surprise-released, on October 21, 2022. [2] "High Infidelity" is one of seven bonus tracks, being the 17th song out of 20 in the album's track listing. [3] The song debuted and peaked at numbers 31 on the Billboard Global 200, [4] 33 on the US Billboard Hot 100, [5] and 28 on the Canadian Hot 100. [6] On April 29, 2023, Swift performed "High Infidelity" live for the first time, as a "surprise song" on acoustic guitar, at the Eras Tour concert in Atlanta. [7] [8] Before the performance, she strummed the guitar and improvised the lyric, "Do you really wanna know where I was April 29th? Atlanta, Georgia", before singing the full track. [9] Swift performed "High Infidelity" on piano on May 24, 2024, in Lisbon, as a mashup with her 2024 song "Fresh Out the Slammer". [7] [10]
"High Infidelity" is 3 minutes and 51 seconds long. Swift wrote and produced it with Aaron Dessner, who played the percussion, keyboards, piano, synthesizers, and acoustic guitar. [11] The production is accompanied by blipping keyboards. [12]
"High Infidelity" chronicles the end of a relationship. [13] [14] In the lyrics, the narrator leaves her partner after feeling unloved and constantly judged, and asks whether he wanted to know how she had already moved on with another man ("Do you really want to know where I was April 29th?/ Do I really have to tell you how he brought me back to life?"). [13] [14] [15] Swift's fandom, the Swifties, named April 29 as "High Infidelity Day" due to the lyrics mentioning the date. [16] Business Insider 's Callie Ahlgrim deemed "High Infidelity" an "embittered counterpart" to Swift's single "Renegade": "Both songs ask harsh questions, investigating the corrosion caused by a half-hearted kind of love". [15] [17] Courteney Larocca from the same publication similarly compared it to her song "Illicit Affairs", stating that "both the relationship and the affair are ill-fated, destined to falter in their own ways" in each song. [15]
Variety's Chris Willman wrote that the track "will be essential for anyone looking for a window into [Swift's] past ... relationships". He also stated that the track would "suck up all the oxygen in the room for the time being" for re-calling back to her previous celebrity relationship. [18] Ahlgrim wrote that the song "shows off Swift's wit and sensitivity", considering it a "nuanced and insightful probe into Swift's guilt, sensitivity, and self-righteousness". [15] Rob Sheffield of Rolling Stone ranked "High Infidelity" at number 143 out of 286 songs that Swift had released by October 2025; he called it a highlight off the 3am Edition of Midnights, comparing the metaphor of audio distortion for a bad romantic relationship to that used in Elvis Costello's "High Fidelity" (1980). [19] In a lukewarm review, Vulture's Nate Jones placed the track at number 204 out of 245 songs of Swift as of May 2024. He said that the line mentioning April 29 was intriguing, but the songwriting was inferior to Swift's works on her 2020 albums Folklore and Evermore . [20]
Credits adapted from Apple Music [11]
| Chart (2022) | Peak position |
|---|---|
| Canada (Canadian Hot 100) [6] | 28 |
| Global 200 ( Billboard ) [4] | 31 |
| Greece International (IFPI) [21] | 90 |
| Portugal (AFP) [22] | 91 |
| UK Audio Streaming (OCC) [23] | 53 |
| UK Singles Downloads (OCC) [24] | 17 |
| UK Singles Sales (OCC) [25] | 21 |
| US Billboard Hot 100 [5] | 33 |
| Region | Certification | Certified units/sales |
|---|---|---|
| Australia (ARIA) [26] | Gold | 35,000‡ |
‡ Sales+streaming figures based on certification alone. | ||