Tropical house | |
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Stylistic origins | |
Cultural origins | 2010s, Northwestern Europe |
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Tropical house, also known as trop house, [1] is a subgenre of house music, and a derivation of tropical music, [2] [3] with elements of dancehall and Balearic house. [4] Artists of the genre are often featured at various summer festivals such as Tomorrowland. [5] The genre was popularized by artists including Thomas Jack, Klangkarussell, Kygo, Klingande, Robin Schulz, Bakermat, Matoma, Lost Frequencies, Felix Jaehn, Seeb and Gryffin. [6] Tropical house hits include Kygo's "Firestone", Klingande's "Jubel", Felix Jaehn's remix of "Cheerleader", Robin Schulz's remixes of "Waves" and "Prayer in C", and Lost Frequencies's remix of "Are You With Me".
The term "Tropical House" began as a joke by Australian producer Thomas Jack, but has since gone on to gain popularity among listeners. [2] [7] The term "trouse" should not be confused with tropical house, as "trouse" is a genre that instead combines the feeling of trance and the beats of progressive house, using electro synths. [8]
Tropical house is a derivation of deep house music characterized by its relaxed and island-inspired melodies which give off a "Caribbean, beach-party vibe.” [1] Like deep house, it features synthesized instrumentation and a four-on-the-floor beat at a tempo of 100 to 120 bpm, slower than average electronic music. [1] [9] The subgenre distinguishes itself through its use of airy synths, melodic rhythms, and tropical instruments, such as steel percussions, trumpets, saxophones, flutes, marimbas, or bongos. [10] Tropical house does not rely heavily on the build-ups and drops seen in EDM, instead featuring calming melodies and soft vocals that are easy to listen to in any setting. [1] [11] It aims to create a laid-back atmosphere evoking the paradisical imagery of an island holiday, typically associated with the tropics. [10] Producers frequently follow up the vocal delivery of the hook with an instrumental break highlighting the melody. Lyrically, songs often talk about happiness, love, relationships, break-ups, and sadness.
While EDM happens mainly in clubs, tropical house is more associated with online platforms as well as outdoor festivals, beach parties and boat raves. Successful producers typically break through on SoundCloud or YouTube where their remixes of mainstream tracks in the tropical style can gather tens of millions of views before they are signed to a commercial label and start producing original singles in the genre. [10]
In the mid and late 2000s, Bob Sinclar and Yves Larock created international hits which had many characteristics of tropical house, drawing inspiration from 1980's Hi-NRG music and in contrast with other sub-types of Electronic ("EDM") music of the time. The style was further popularized by Stereo Love, an international hit by Edward Maya, a music producer from the Romanian house scene. [7] In 2012, Unicorn Kid had created tropical rave, a faster form of the genre which would become known as tropical house. However, it was not until 2013 with Klangkarussell's "Sun Don't Shine" and the emergence of producers such as Kygo and Robin Schulz that tropical house became a dance music trend. During 2014 and 2015, producers such as Lost Frequencies, Felix Jaehn, Alex Adair, Sam Feldt, Bakermat, Klingande, Jonas Blue and Faul & Wad Ad would join them with big tropical house hits. [1] [12] During the mid-2010s, certain tropical house producers would team up with artists such as Justin Bieber and Little Mix. This helped the genre achieve massive commercial success and gave rise to the playlist term of 'tropical pop', [13] [14] this success best articulated through the tropical pop hit "Shape of You" by Ed Sheeran, [15] which to this day is the second highest streamed song on Spotify. [16]
Reggae fusion is a fusion genre of reggae that mixes reggae and/or dancehall with other genres, such as pop, rock, hip-hop/rap, R&B, jazz, funk, soul, disco, electronic, and Latin music, amongst others.
Kyrre Gørvell-Dahll, known professionally as Kygo, is a Norwegian DJ, songwriter, and record producer born to Norwegian parents in Singapore. He garnered international attention with his December 2013 remix of the track "I See Fire" by Ed Sheeran and his December 2014 single "Firestone". In late 2015, he reached one billion streams on Spotify faster than any other artist, and by June 2016, he had reached two billion streams.
Lodewijk Fluttert, best known by his stage name Bakermat, is a Dutch DJ and music producer. His music is characterised by a mix of dance, soul, jazz, funk and pop.
Cédric Steinmyller, better known by his stage name Klingande, is a French DJ and tropical house record producer with a prominent use of the piano and the saxophone. Klingande was originally a duo, until 2014, consisting of Steinmyller and fellow Frenchman Edgar Catry.
"Cheerleader" is a song recorded by Jamaican singer Omi. The track was written and produced by OMI and Clifton Dillon, Mark Bradford, and Ryan Dillon. OMI first began developing the song in 2008, when he created its melody. It was refined over several years alongside famed Jamaican producer Clifton Dillon. It was first recorded with veteran session musicians Sly and Robbie and Dean Fraser. Released as a single on independent label Oufah, the song saw success in Jamaica, where it topped the charts, and also attracted airplay in Hawaii and Dubai. Ultra contacted two disc jockeys to produce remixed versions of the original song. The label and song's producers preferred one remix, produced by a young German DJ, Felix Jaehn, that eschewed much of the song's original instrumentation for a tropical-flavored deep house rendition, prominently featuring a trumpet, a conga beat, and piano. A remix extended play was released in May 2015 by Ultra, which began to first see commercial success that fall.
Omar Samuel Pasley, better known by his stage name Omi, is a Jamaican singer. He is best known for his 2012 single "Cheerleader", the remixed version of which was a worldwide hit. He is currently signed to Ultra Music, a part of Sony Music, and released his debut album Me 4 U in 2015.
Fee Jähn, known professionally as Felix Jaehn, is a German DJ and record producer. Jaehn achieved international success with their remix of OMI's song "Cheerleader", which topped the charts in multiple countries and reached number-one on the Billboard Hot 100 in 2015.
Future house is a house music genre that emerged in the 2010s in the United Kingdom, described as a fusion of deep house, UK garage and incorporating other elements and techniques of other EDM genres. It is high in energy, generally consisting of big drops, 4/4 beats and is sonically bass heavy.
"Where Are Ü Now" is a song produced by American EDM artists Skrillex and Diplo under their collaborative effort Jack Ü, with vocals from Canadian singer Justin Bieber. The song was released as the second single from the duo's debut studio album, Skrillex and Diplo Present Jack Ü (2015), on their respective labels Owsla and Mad Decent, and is also included on Bieber's fourth studio album Purpose (2015). It was released simultaneously with the album on February 27, 2015, later sent to mainstream radio on April 21, 2015.
"ID" (alternatively ID (Ultra Music Festival Anthem)) is a song by Norwegian DJ and record producer Kygo. The song was released on 10 February 2015 and reached number 31 on the Norwegian Singles Chart. "ID" was also included on the FIFA 16 soundtrack. It was the official anthem of the 2015 Ultra Music Festival.
Tom Jack Johnston, is an Australian DJ, record producer and musician. He is noted for the "tropical house" subgenre, and first coined the term in 2013.
The WDM Radio Awards is an award ceremony created in 2017 by Los 40 under their World Dance Music brand, billed as "the first radio awards to electronic music". It is meant to be a global event, promoted by the twelve Los 40 stations in Spain and Latin America.
Alex Schulz is a German DJ and record producer based in Stuttgart. He gained recognition for his song "In the Morning Light" which featured on Robin Schulz's album Prayer. The song gained over 10 million plays on music-streaming website Spotify.
Hitimpulse is an international production team based in Berlin, Germany. They are best known for producing and writing songs for artists such as Ellie Goulding, AJ Mitchell, Ava Max, Kygo, Becky Hill, Zara Larsson, Trevor Daniel, Alma, Tove Lo.
EDM trap is a fusion genre of trap, rave music and EDM, that originated in the early 2010s on peaking popularity of big room house and trap music genres. It blends elements of trap, which is an offshoot of Southern hip hop, with elements of electronic dance music like build-ups, drops, dense production with rave music synthesizers, sound designs and breakdowns. As it was popularized, it increasingly began incorporating more pop elements.
HARBER, born Harry Berman, is an American DJ, producer, songwriter, and musician based in New York, New York. The two-time Billboard charting & U.S. Dance Radio top 10 artist from the United States is best known for his originals, collaborations, and remixes. HARBER is an electronic dance music (EDM) musician, who most notably incorporates various electronic sub-genres, elements, and tones, within his music and live performances and DJ sets.
Riddim is a subgenre of dubstep known for its heavy use of repetitive and minimalist sub-bass and triplet percussion arrangements. It shares the same name as the Jamaican genre that influenced both it and dubstep, which originally derived from dub, reggae, and dancehall. Originating in the United Kingdom, specifically Croydon, in the early 2010s as a resurgence of the style used by early dubstep works, riddim started to gain mainstream presence in the electronic music scene around 2015.
Dancehall pop is a sub-genre of the Jamaican genre dancehall that originated in the early 2000s. Developing from the sounds of reggae, dancehall pop is characteristically different in its fusion with western pop music and digital music production. Dancehall pop is also different from dancehall in that most songs use lesser Jamaican Patois in lyrics––allowing it to be globally understood and consumed. It also incorporates the key pop music elements of having melodies, hooks, and the verse-chorus format. Additionally, the genre moves away from the reggae and roots reggae music origins in social and political protest, now lyrically centering on partying, dancing, and sexuality.