Suzuki Omnichord | |
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![]() Omnichord OM-150 front panel | |
Manufacturer | Suzuki Musical Instrument Corporation |
Dates | 1981–1996, 1999, 2024 |
Technical specifications | |
Polyphony | Full polyphony |
Synthesis type | OM-27/36/84 – Analog, OM-100/150/300 – Sample-based |
Filter | None |
Aftertouch expression | No |
Input/output | |
Keyboard | Strum plate, chord buttons |
External control | OM-200M/250M/300 – MIDI out Qchord – MIDI in & out |
The Omnichord is an electronic musical instrument introduced in 1981 by the Suzuki Musical Instrument Corporation. [1] It allows users to play harp-like arpeggios produced through an electronic strum plate, simulating the experience of playing a stringed instrument. Conceived as an electronic autoharp, the Omnichord found popularity due to its portability, unique timbre, and kitsch value.
The various Omnichord models feature a touch plate that the user strums, organ-like chords, preset drum rhythms and auto-bass line functionality. A grid of buttons allow the user to select major, minor, and 7th chords to be triggered by the strum plate, chord buttons and bassline accompaniment.
Production ceased with the OM-300 model in 1996. In later years, it underwent a resurgence in popularity due to renewed interest in vintage electronic instruments. [2] A new model, the OM-108, was released in 2024.
The Suzuki Musical Instrument Corporation released the first Omnichord, the OM-27, in 1981, alongside another instrument, the Tronichord (also known as the Portachord). [2] It was aimed at people without musical experience who might be intimidated by traditional keyboard instruments. [3]
The OM-27 featured 27 chord buttons, a strum plate, preset drum machine rhythms, controls for volume, tempo and sustain. [2] It featured only one sound, "harp". [2] In 1984, Suzuki released the OM-36, with 36 chord shapes, and the OM-84, with 84 chord shapes, both with an improved strum plate. [2]
The next model, OM-100, repositioned the strum plate to make it more comfortable to play, and added guitar, piano, banjo, jazz organ, flute, organ, chime, brass, vibraphone and synthesizer sounds. [2] The OM-250, introduced in 1989, added a MIDI out port to enable connectivity with other electronic instruments. [2] The OM-300, released in the early 1990s, added a MIDI in port, a chord sequencer, and different sounds. In 1999, the Suzuki rereleased the Omnichord as the Q-Chord, with a redesigned body, additional sounds, an improved speaker, and an expansion slot for song storage. [2]
Around the 2020s, interest in the Omnichord grew with the rise in experimental music genres and interest in older electronic instruments. [4] In 2024, Suzuki announced a new model, the OM-108, with analoge circuitry, emulations of previous models, new sounds and drum presets, and the ability to play the chord buttons like a keyboard or drum pad. [5]
Omnichords feature preset rhythm patterns with tempo and volume control, as well as an auto-bass line feature, which the player can combine to use as a musical accompaniment. The Omnichord's most unique feature is the Sonic Strings strum plate, that allows the player to 'strum' arpeggios like a guitar. [6] Several later models of the Omnichord added MIDI compatibility, a greater selection of sounds for the Sonic Strings, vibrato, and chord memory, called Chord Computer.
The Omnichord was primarily designed as an accompaniment instrument instead of a melody instrument, [6] an ideal way to accompany a singer with basic rhythms and the ability to easily play chords [7] with little music theory knowledge.
The Omnichord has three main sound generators: [3]
Later models feature a chord sequencer in a Chord Memory section that would allow the user to record up to 51 chords in sequence and play them back automatically or via a footswitch. [6] In 2023, Pitchfork wrote that the Omnichord "feels like a toy", with "cheap" sounds. [9]
The Omnichord's ease of use regardless of musical ability or music theory knowledge of made it popular with a range of users. [2] It was particularly popular in Japan, where it was used in pop and electronic music, advertisements for products such as Coca-Cola and the Walkman, and in music education to create backing tracks for students to play to. [2]
The Omnichord was used by 1980s and 1990s pop acts including the Human League, Talking Heads and Devo. [2] Eurythmics used the Omnichord harp sound on their 1982 single "Love Is a Stranger". [4] Brian Eno and Daniel Lanois used a slowed-down recording of an Omnichord on "Deep Blue Day" from the 1983 album Apollo: Atmospheres and Soundtracks to create a "beautiful, deep, jukebox sound". [10] Lanois also used an Omnichord on the U2 song "Trip Through Your Wires" from the 1987 album The Joshua Tree , processed with delay effects and guitar amplifiers. [11]
David Bowie used an Omnichord in his performance of the 1968 Simon & Garfunkel song "America" at the 2001 Concert for New York City. [2] Damon Albarn used the Omnichord OM-300's "Rock 1" preset for the 2001 Gorillaz single "Clint Eastwood". [12] Meshell Ndegeocello used an Omnichord to compose her 2023 album The Omnichord Real Book . [9] At the 66th Annual Grammy Awards, it became the first winner of the Grammy Award for Best Alternative Jazz Album. [13] Other users include Jim James, Nick Rhodes and Joni Mitchell. [4]