Background and composition
Nicks has often told the story of how she wrote "Stand Back". She wrote it on the day of her marriage to Kim Anderson on January 29, 1983. The newlyweds were driving up to San Ysidro Ranch in Santa Barbara when Prince's song "Little Red Corvette" came on the radio. Nicks started humming along to the melody, especially inspired by the lush synthesizers on the song. The couple retrieved a tape recorder and Nicks recorded the demo in the honeymoon suite that night. Later, when Nicks went into the studio to record the song, she called Prince and told him the story of how she wrote the song to his melody. On the night of February 8, 1983, Prince came to the studio [1] and played synthesizers on it, although his contribution is uncredited on the album. He and Nicks did agree however to split the publishing royalties on the song 50-50. Then, she says, "he just got up and left as if the whole thing happened in a dream." [6] [7] [8]
Synth player Dave Bluefield (who also programmed the song's rhythm on a drum machine) said that he played the main chords on the song using an Oberheim OB-Xa synthesizer and Prince did the "8th note up beats" in the upper octaves during the choruses (first heard at the 0:54 mark - supposedly played with just two fingers). [9] It's possible that Prince played other synth parts that didn't make the final mix. [1]
Prince, however, remarked a different story in regards to the song's drum programming and creation: "When I got there, her and Jimmy Iovine couldn't figure out how to work the drum machine...because people were using live drums at that point...so I went down there and programmed it for them and pretty much played most of the song there in about twenty or thirty minutes". [10]
There were two mixes made of the song: the generally more well-known album version (4:48) and the edited single version (4:18). Differences between the two are somewhat subtle, but the single version tends to have more of a "collapsed" or "mono" sound to it and the electronic drum programs are mixed rather dry and flattened, especially in the song's intro bars; whereas the drum tracks on the album version are accentuated by a generous amount of reverb effect and harder compression. Acoustic drums were given a more backseat role on "Stand Back". There is a further "polished" version of the track, with crisper percussion and louder foreground synth, featured on Nicks' 1991 compilation album Timespace: The Best of Stevie Nicks , remixed by Chris Lord-Alge with a run time of 4:59.
“Stand Back” is performed in the key of B minor with a tempo of 116 beats per minute in common time. The song follows a chord progression of A/G – G – D/A – A – D/A – G/B – Bm – A/B – D/A – G/A – A, and Nicks’ vocals span from A3 to B4. [11] [12]
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