"Edge of Seventeen" | ||||
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Single by Stevie Nicks | ||||
from the album Bella Donna | ||||
B-side | "Edge of Seventeen" (Previously unreleased live version) | |||
Released | February 4, 1982 | |||
Recorded | 1981 | |||
Genre | Rock | |||
Length | 5:28 (album version) 4:28 (single version) | |||
Label | Modern | |||
Songwriter(s) | Stevie Nicks | |||
Producer(s) | Jimmy Iovine | |||
Stevie Nicks singles chronology | ||||
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"Edge of Seventeen" is a song by the American singer-songwriter Stevie Nicks from her debut solo studio album Bella Donna (1981), released as the third single from the album on February 4, 1982. [1] The lyrics were written by Nicks to express the grief resulting from the death of her uncle Jonathan and the murder of John Lennon during the same week of December 1980. The song features a distinctive, chugging 16th-note guitar riff, drum beat and a simple chord structure typical of Nicks' songs. The song's title for the single release was "Edge of Seventeen (Just Like the White Winged Dove)". In the United States, "Edge of Seventeen" just missed out on the top 10 of the Billboard Hot 100, peaking at No. 11. Despite this, it became one of Nicks' most enduring and recognizable songs and has been covered by several artists. In 2021, it was ranked No. 217 on Rolling Stone's list of the "500 Greatest Songs of All Time". [2]
According to Nicks, the title came from a conversation she had with Tom Petty's first wife, Jane, about the couple's first meeting. Jane said they met "at the age of seventeen", but Jane's strong Southern accent made it sound like "edge of seventeen" to Nicks. She liked the sound of the phrase so much that she told Jane she would write a song for it and give her credit for the inspiration. [3]
Although Nicks had originally planned to use the title for a song about Tom and Jane Petty, [4] the death of her uncle Jonathan and the murder of John Lennon during the same week of December 1980 inspired a new song for which Nicks used the title. [5] Nicks' producer and lover Jimmy Iovine was a close friend of Lennon, and Nicks felt helpless to comfort him. Soon after, Nicks flew home to Phoenix, Arizona, to be with her uncle Jonathan, who was dying of cancer. She remained with her uncle and his family until his death. [6]
Nicks had never actually heard a dove's call before, as she revealed in 2020 when she had only just heard it recently. [7] The opening lyrics were inspired by a menu she was reading at a Phoenix restaurant in 1980, which said, "The white wing dove sings a song that sounds like she’s singing ooh, ooh, ooh. She makes her home here in the great Saguaro cactus that provides shelter and protection for her…". [7]
As is typical of Nicks' songs, the lyrics are highly symbolic. Nicks has said that the white-winged dove represents the spirit leaving the body on death, and some of the verses capture her experience of the days leading up to her uncle Jonathan's death. [8]
Throughout the song, a distinctive 16th note guitar riff is played by Waddy Wachtel, progressing through C, D, and E-minor chords. During the bridge, the chords alternate twice between E-minor and C. Nicks's backing band recommended that they emulate The Police's "Bring On the Night" for the guitar riff, although Wachtel was unfamiliar with the song.
"I had never heard "Bring On the Night," and at that session they told me they were going to do this song based on this feel. I had heard something about the Police, but I didn't know what they were talking about. Then about two years ago, I had the radio on, and on comes what sounds like "Edge of Seventeen" – and all of a sudden, there's Sting's voice! I thought, 'We ripped them off completely!' I called Stevie that night and said, 'Listen to me, don't ever do that again!'" [9]
Record World praised the song for its "powerful lyrics, a percolating rhythm section and Stevie's throaty vocal." [10] Author Zoe Howe [11] has described the song as being about "transforming and elevating the feelings of grief and soaring above them with strength" and being "a perfect combination of tough rock 'n' roll grit, raw emotion and full-beam, strut-about-in-platform-boots rock queen glamour." [12]
The song is a favourite among Nicks' fanbase. [12]
"Edge of Seventeen" peaked at No. 11 on the US Billboard Hot 100 for two weeks in April 1982. [13] The live version on the B-side reached No. 26 on Billboard 's Mainstream Rock chart. The original album version of the song had previously made the top five of Billboard's Mainstream Rock chart in 1981, peaking at No. 4. "Edge of Seventeen" also peaked at No. 11 on the RPM Top 100 Singles chart in Canada.
The song was also covered on season 9 of The Voice by Amanda Ayala and Shelby Brown. Their cover entered the top 100 of the iTunes rock chart.
The song entered the UK chart in 2021 following its use in a John Lewis commercial. [14]
Musicians
Production
Chart (1981–1983) | Peak position |
---|---|
Canada Top Singles ( RPM ) [15] | 11 |
US Billboard Hot 100 | 11 |
US Mainstream Rock ( Billboard ) | 4 |
US Cash Box Top 100 | 19 |
Chart (2021) | Peak position |
---|---|
UK Singles (OCC) [16] | 86 |
Chart (1982) | Rank |
---|---|
US Billboard Hot 100 [17] | 100 |
Region | Certification | Certified units/sales |
---|---|---|
United Kingdom (BPI) [18] | 2× Platinum | 1,200,000‡ |
‡ Sales+streaming figures based on certification alone. |
Stephanie Lynn Nicks is an American singer-songwriter, known for her work with the band Fleetwood Mac and as a solo artist.
Robert "Waddy" Wachtel is an American musician, composer and record producer, most notable for his guitar work. Wachtel has worked as session musician for other artists such as Linda Ronstadt, Beth Hart, Stevie Nicks, Miranda Lambert, Kim Carnes, Randy Newman, Keith Richards, The Rolling Stones, Jon Bon Jovi, James Taylor, Iggy Pop, Warren Zevon, Bryan Ferry, Michael Sweet, Jackson Browne, Karla Bonoff, The Motels and Andrew Gold, both in the studio and live.
Bella Donna is the debut solo studio album by American singer and songwriter Stevie Nicks. Released on July 27, 1981, the album peaked at number one on the US Billboard 200 in September of that year. Bella Donna was awarded platinum status by the Recording Industry Association of America (RIAA) on October 7, 1981, less than three months after its release, and in 1990 was certified quadruple-platinum for four million copies shipped. Bella Donna spent nearly three years on the Billboard 200, from July 1981 to June 1984.
Buckingham Nicks is the only studio album by the duo of American rock guitarist Lindsey Buckingham and singer Stevie Nicks, both of whom later joined Fleetwood Mac. Produced by Keith Olsen, the album was released in September 1973 by Polydor Records.
Trouble in Shangri-La is the sixth studio album by American singer-songwriter Stevie Nicks. Released in 2001, it was her first new solo album since 1994's Street Angel. The album debuted at number five on the Billboard 200, Nicks' highest peak since 1983's The Wild Heart, with sales of 109,000 copies in its first week. The album remained in the top 10 in its second week holding the #9 spot and sold 76,000 copies. The album spent a total of 20 weeks on the Billboard 200. It achieved Gold status within six weeks of its release for shipping 500,000 copies in the U.S. As of February 2011, the album has sold over 663,000 copies in the US. Three singles were released: "Every Day", "Planets of the Universe", and "Sorcerer".
Rock a Little is the third solo studio album by American singer and songwriter Stevie Nicks, released on November 18, 1985, by Modern Records.
The Other Side of the Mirror is the fourth solo studio album by American singer and songwriter Stevie Nicks. Released on May 30, 1989, through the Modern Records label, the album was recorded in California, New York, and Buckinghamshire in England, and is loosely based around the theme of Lewis Carroll's novel Alice's Adventures in Wonderland (1865).
"Talk to Me" is a song recorded by American singer and songwriter Stevie Nicks for her third solo studio album Rock a Little (1985). Written by Chas Sandford, the song was released as the lead single from the album in October 1985, through Modern Records. The single became a big hit for Nicks, peaking at number four on the Billboard Hot 100 chart for two weeks and peaking at number one on the Billboard Top Mainstream Rock Songs chart for two weeks in 1985.
Street Angel is the fifth studio album by American singer and songwriter Stevie Nicks. Released in 1994, the album peaked at No. 45 on the Billboard 200 albums chart and has been certified Gold by the RIAA for shipments of over 500,000 copies.
"Stand Back" is a song by American singer-songwriter Stevie Nicks from her second solo studio album The Wild Heart (1983). The song was released as the lead single from the album in May 1983 and reached number five on the Billboard Hot 100 and number two on the Top Mainstream Rock Tracks chart in August of that year. "Stand Back" has been a staple in Nicks' live shows since its pre-album debut at the 1983 US Festival, and it has also been included in the Fleetwood Mac tour set lists since 1987.
The Soundstage Sessions is the tenth album released by American singer-songwriter and Fleetwood Mac vocalist Stevie Nicks. Although it is the first live album of Nicks' solo career, it was produced to sound like a studio album.
Live in Chicago is a DVD by the American singer-songwriter and Fleetwood Mac vocalist Stevie Nicks. It was filmed for PBS's Soundstage, on September 25, 2007 at Grainger Studios in Chicago, Illinois and the episode aired on television in July 2008. Its release is also accompanied with the live album, The Soundstage Sessions. The DVD is available in standard and Blu-ray editions. The DVD is certified gold in Australia.
In Your Dreams is the seventh studio album by American singer-songwriter and Fleetwood Mac vocalist Stevie Nicks, released on May 3, 2011 by Reprise Records. It is her first solo studio album since Trouble in Shangri-La (2001) and also coincides with the 30th anniversary of the release of her debut solo album Bella Donna.
"If Anyone Falls" is a song by American singer and songwriter Stevie Nicks. It was the second single from her second solo studio album The Wild Heart (1983). The song peaked at number 14 on the US Billboard Hot 100 and reached number eight on the Billboard Mainstream Rock chart.
"Maybe Love Will Change Your Mind" is a 1994 song by the American singer/songwriter Stevie Nicks. It was the first single from her solo album, Street Angel, although "Blue Denim" was originally slated to be the first single instead. "Maybe Love Will Change Your Mind" peaked at No. 57 on the Billboard Hot 100 and also reached the top ten in Canada. Although it was included on her "Street Angel" tour set list, it was not included on any of Nicks' compilations until Stand Back (2019) and was scarcely mentioned again by the artist.
"Twisted" is a song by Stevie Nicks & Lindsey Buckingham from the soundtrack of the 1996 film Twister. While writing the song, Nicks asked Buckingham to produce the song and later called Mick Fleetwood to play drums. Nicks and Buckingham share lead vocals on the song. The soundtrack version of the song features Federico Pol on bass. The track was mixed by Dan Marnien and engineered by Ken Allardyce.
"Reconsider Me" is a single from Warren Zevon's 1987 album Sentimental Hygiene. The song failed to chart, but became a live staple in Zevon's concert performances. In 2006, a set of love songs were released under the name: Reconsider Me: The Love Songs.
"Sorcerer" is a 1984 song written by American singer/songwriter Stevie Nicks. It was written in 1972 during her time with Buckingham Nicks. The song was produced by Jimmy Iovine and given to Marilyn Martin for her contribution to the 1984 soundtrack album Streets of Fire.
Live at Red Rocks is a concert performance video by the American singer-songwriter and Fleetwood Mac vocalist Stevie Nicks. It was filmed during Nicks' 1986 Rock a Little Tour. It features special guests Peter Frampton on guitar and Mick Fleetwood on percussion. It was nominated for the Grammy Award for Best Performance Music Video in 1987. Originally released on VHS and Laserdisc in 1987, it was also issued on the VCD format, and later reissued on DVD in 2007.
Stevie Nicks supported the release of her third album Rock a Little with a world tour, which included shows in the United States, Canada and Australia. The tour started on April 11, 1986 in Houston, Texas and ended on October 6, 1986, in Sydney, Australia.
She was telling me about Tom, about when she met him, and she has an incredible Southern accent ... and she said that she met him at the age of seventeen, but I thought she said 'edge,' and she said 'no ... age' and I said, 'Jane, forget it, it's got to be "edge." The "Edge of Seventeen" is perfect. I'm gonna write a song, ok? And I'm gonna give you credit.' She didn't believe me, you know? She couldn't believe it when it came out on the album.
So it started out about Tom and Jane basically, who I have no idea what they were at 17, but I made it up. And, uh it went into being written about [her Uncle Jonathan and John Lennon].
Jimmy was absolutely best friends with John Lennon," she says. "So when that happened, a hush came over the house that was so overwhelming that there was nothing that I could do to help. There was nothing I could say, there was no way I could comfort him." Unable to help, Nicks flew home to Phoenix. "I went straight over to my uncle's house, and my uncle died that day. He died right there with me holding his hand, just me and my cousin, who's a little younger than me, sitting there on the bed and on the floor next to him.
The line 'And the days go by like a strand in the wind' – that's how fast those days were going by during my uncle's illness, and it was so upsetting to me. The part that says 'I went today ... maybe I will go again ... tomorrow' refers to seeing him the day before he died. He was home, and my aunt had some music softly playing, and it was a perfect place for the spirit to go away. The 'white-winged dove' in the song is a spirit that is leaving a body, and I felt a great loss at how both Johns were taken. 'I hear the call of the nightbird singing come away ... come away ...'
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