Simon Morrison is a scholar and writer specializing in 20th-century music, particularly Russian, Soviet, and French music, with special interests in dance, cinema, aesthetics, and historically informed performance based on primary sources.
He has conducted archival research in St. Petersburg, Stockholm, Paris, London, New York, Washington D.C., Copenhagen, and (most extensively) in Moscow. He has traveled to Tel Aviv, Beijing, Hong Kong, Montreal, Moscow, Copenhagen, and Bangkok to give invited lectures and graduate seminars and divides his time between Princeton and Los Angeles.
Morrison is the author of Mirror in the Sky: The Life and Music of Stevie Nicks (California, 2022), Roxy Music's Avalon (Bloomsbury, 2021), Russian Opera and the Symbolist Movement (California, 2002, 2019), Bolshoi Confidential: Secrets of the Russian Ballet from the Tsars to Today (W.W. Norton, 2016), The Love and Wars of Lina Prokofiev (Houghton, 2013), and The People’s Artist: Prokofiev’s Soviet Years (Oxford, 2009) as well as editor of Prokofiev and His World (Princeton, 2008) and, with Klara Moricz, Funeral Games: In Honor of Arthur Vincent Lourié (Oxford, 2014).
His study of Tchaikovsky, titled Tchaikovsky's Empire, is forthcoming from Yale University Press, and he is at work on a history of Moscow (tentatively titled Moskva) for Random House.
He maintains a profile as a public intellectual by continuing to write books and feature articles, giving interviews and lectures in his areas of expertise as well as assisting in ballet and theatre productions.
Morrison received his B.Mus. from the University of Toronto (1987), a Master's in Musicology from McGill University (1993), and Ph.D. from Princeton University (1997), where he is Professor of Music. His distinctions include the Alfred Einstein Award of the American Musicological Society (1999), [1] an American Council of Learned Societies Fellowship (2001), a Phi Beta Kappa Society Teacher Award (2006), a Guggenheim Fellowship (2011), and the Howard T. Behrman Award for Distinguished Achievement in the Humanities (2022). [2] He is a leading authority on composer Sergey Prokofiev and has received unprecedented access to the composer's papers, housed in Moscow at RGALI.
Morrison's most recent book, Mirror in the Sky: The Life and Music of Stevie Nicks was published in October 2022 by the University of California Press.
Morrison's book Roxy Music's Avalon, about the eighth and final studio album by the English rock band Roxy Music, was published by Bloomsbury press in 2021 as part of its popular music series 33 1/3.
Morrison's book Bolshoi Confidential: Secrets of the Russian Ballet from the Tsars to Today, was published by Liveright (W.W. Norton) in 2016, with additional translations and editions from Random House (Canada), Fourth Estate (UK), and Belfond (France). It was widely reviewed in major news outlets and shortlisted for the Book Prize of Pushkin House, London. [3]
His biography of Lina Prokofiev, the composer's first wife, was published by Houghton Mifflin Harcourt in 2013. [4] Lina and Serge: The Love and Wars of Lina Prokofiev was featured on BBC Radio 4 (as "Book of the Week"), BBC World News (TV), and WYNC. Reviews appeared in The Guardian , [5] The Boston Globe , [6] The New Yorker , [7] The Daily Beast , [8] and The American Spectator . [9]
Morrison is also author of The People's Artist: Prokofiev's Soviet Years (Oxford University Press, 2009) [10] as well as Russian Opera and the Symbolist Movement (University of California Press, 2002). As Scholar-in-Residence for the 2008 Bard Music Festival, he edited the essay collection Sergey Prokofiev and His World (Princeton University Press, 2008). Among his other publications are essays on Ravel's ballet Daphnis et Chloé , Rimsky-Korsakov, Scriabin, Shostakovich's ballet The Bolt , numerous reviews and shorter articles, including pieces for the New York Times, The New York Review of Books, and London Review of Books.
Morrison is actively engaged in the performing arts, most notably ballet, and has translated his archival findings into new productions.
In 2005, he oversaw the recreation of the Prokofiev ballet Le Pas d'Acier at Princeton University [11] and in 2007 co-produced a world premiere staging of Alexander Pushkin's drama Boris Godunov featuring Prokofiev's incidental music and Vsevolod Meyerhold's directorial concepts. In 2008, Morrison restored the scenario and score of the original (1935) version of Prokofiev's Romeo and Juliet for the Mark Morris Dance Group. The project [12] involved orchestrating act IV (featuring a happy ending) from Prokofiev's annotations and rearranging the order and adjusting the content of acts I-III. This version of the ballet was premiered on July 4, 2008, and began an international tour in September. Morrison also brought to light Prokofiev's score Music for athletes/Fizkul’turnaya muzyka (1939), which Morrison describes as "cheerful, sardonic music composed for a scary political cause: a Stalinist (totalitarian) display of the physical prowess of Soviet youth." [13]
In the spring of 2010, he staged Claude Debussy's final masterpiece, the ballet The Toy-Box (La boîte à joujoux), using a version of the score premiered in 1918 by the Moscow Chamber Theater that features a previously unknown "jazz overture." Also newly staged was the original version of John Alden Carpenter's jazz ballet, Krazy Kat (1921), based on the iconic comic strip. [14]
In February 2012, Morrison oversaw a world-premiere performance of Prokofiev's incidental music for Eugene Onegin, set to a playscript by Sigizmund Krzhizhanovsky. [15] A concert version was performed by the Princeton Symphony Orchestra, [16] and the play staged by Princeton faculty and students. Both performances were part of a conference Morrison co-organized at Princeton, "After the End of Music History," [17] celebrating the career of musicologist Richard Taruskin.
In 2017, Morrison collaborated with the Penguin Cafe Orchestra to present a revival of Within the Quota (1923), a ballet with music by Cole Porter. The production was featured on NPR, the BBC World News America, and in a news story by the AP. [18]
Morrison is an acclaimed public speaker equally in demand by academic and general audiences. Among his subjects of expertise are the history of ballet in France, Russia, and the United States; the music of Tchaikovsky, Prokofiev, and Shostakovich; politics and culture in the Soviet Union, France, Russia, and the United States; Russian culture under Putin; cultural exchange between the Soviet Union and the United States; imperial culture under the Russian tsars; and current trends in Russian music and dance.
He is sought after as a pre-concert lecturer, having been lauded at the Lincoln Center, Carnegie Hall, and the Metropolitan Opera in particular. He has spoken extensively on the music of Tchaikovsky, Prokofiev, Shostakovich, Debussy, Musorgsky, Beethoven, Poulenc, and many other beloved composers. [19]
Morrison is a favored guest on radio and television programs worldwide, including broadcasts in Canada, Australia, New Zealand, Scotland, the UK, and United States. [20]
Sergei Sergeyevich Prokofiev was a Russian composer, pianist, and conductor who later worked in the Soviet Union. As the creator of acknowledged masterpieces across numerous music genres, he is regarded as one of the major composers of the 20th century. His works include such widely heard pieces as the March from The Love for Three Oranges, the suite Lieutenant Kijé, the ballet Romeo and Juliet—from which "Dance of the Knights" is taken—and Peter and the Wolf. Of the established forms and genres in which he worked, he created—excluding juvenilia—seven completed operas, seven symphonies, eight ballets, five piano concertos, two violin concertos, a cello concerto, a symphony-concerto for cello and orchestra, and nine completed piano sonatas.
The Bolshoi Ballet is an internationally renowned classical ballet company based at the Bolshoi Theatre in Moscow, Russia. Founded in 1776, the Bolshoi is among the world's oldest ballet companies. In the early 20th century, it came to international prominence as Moscow became the capital of Soviet Russia. The Bolshoi has been recognised as one of the foremost ballet companies in the world. It has a branch at the Bolshoi Ballet Theater School in Joinville, Brazil.
Valery Abisalovich Gergiev is a Russian conductor and opera company director. He is currently general director and artistic director of the Mariinsky Theatre and of the Bolshoi Theatre and artistic director of the White Nights Festival in St. Petersburg. He was formerly chief conductor of the Rotterdam Philharmonic Orchestra and of the Munich Philharmonic.
The Mariinsky Theatre is a historic opera house in Saint Petersburg, Russia. Opened in 1860, it became the preeminent music theatre of late 19th-century Russia, where many of the stage masterpieces of Tchaikovsky, Mussorgsky, and Rimsky-Korsakov received their premieres. Through most of the Soviet era, it was known as the Kirov Theatre. Today, the Mariinsky Theatre is home to the Mariinsky Ballet, Mariinsky Opera and Mariinsky Orchestra. Since Yuri Temirkanov's retirement in 1988, the conductor Valery Gergiev has served as the theatre's general director.
Gennady Nikolayevich Rozhdestvensky, CBE was a Soviet and Russian conductor, pianist, composer and pedagogue.
Romeo and Juliet, Op. 64, is a ballet by Sergei Prokofiev based on William Shakespeare's play Romeo and Juliet. First composed in 1935, it was substantially revised for its Soviet premiere in early 1940. Prokofiev made from the ballet three orchestral suites and a suite for solo piano.
Ekaterina Sergeyevna Maximova was a Soviet and Russian ballerina of the second part of the 20th century who was internationally recognised. She was a prima ballerina of the Bolshoi Theatre for 30 years, a ballet pedagogue, winner of international ballet competitions, Laureate of many prestigious International and Russian awards, a professor in GITIS, Honorary professor at the Moscow State University, Academician of the Russian Academy of Arts, and an Executive Committee member of the Russian Center of Counseil International De La Danse, UNESCO.
Adrian Ivanovich Piotrovsky was a Russian Soviet dramaturge, responsible for creating the synopsis for Sergei Prokofiev's ballet Romeo and Juliet. He was the "acknowledged godfather" of the Workers' Youth Theatre.
Alexei Osipovich Ratmansky is a Russian-Ukrainian-American choreographer and former ballet dancer. From 2004 to 2008 he was the director of the Moscow Bolshoi Ballet. He left Russia in 2008. In 2009 he was appointed the artist in residence at the American Ballet Theatre, and as artist in residence at the New York City Ballet from August 2023.
Alexander Alexandrovich Vedernikov was a Russian conductor. He held major posts with the Bolshoi Theatre the Odense Symphony Orchestra, the Royal Danish Opera, and the Mikhailovsky Theatre.
Dmitri Tcherniakov is a Russian theatre director, and winner of numerous national Golden Mask theatre awards, who works with many European opera houses.
Ekaterina Valerievna Krysanova is a Russian principal dancer of Bolshoi Ballet.
Yuri Fyodorovich Fayer, was a Soviet conductor specializing in ballet. He was the chief ballet conductor at the Bolshoi Theatre from 1923 to 1963.
Nina Aleksandrovna Kaptsova is a Russian prima ballerina of the Bolshoi Ballet.
Boris Yevseyevich Gusman (1892–1944) was a Soviet author, screenplay writer, theater director, and columnist for Pravda. As deputy director for the Bolshoi Theatre and later director of the Soviet Radio Committee Arts Division, Gusman played an important role in promoting Sergei Prokofiev's music in the USSR and internationally. Gusman was arrested during the Great Purges of the late 1930s, and died in a labor camp in 1944. His son Israel Borisovich Gusman would later become a prominent musical conductor.
Lina Ivanovna Prokofieva, born Carolina Codina Nemísskaia, was a Spanish singer and the first wife of Russian composer Sergei Prokofiev. They married in 1923. Despite misgivings about her husband's decision to move to the Soviet Union, she settled there with him in 1936. They separated in 1941. In 1948, their marriage was ruled null and void, a verdict that was upheld in 1958 by the Supreme Court of the USSR. Her stage name was Lina Llubera.
Valentin Nikolayevich Elizariev is a Belarusian Soviet balletmaster, choreographer, and pedagogue. He was awarded the title of People's Artist of the USSR in 1985.
Leonid Mikhailovich Lavrovsky was a Soviet and Russian ballet dancer and choreographer, most famous for choreographing the first full version of Sergei Prokofiev's Romeo and Juliet.
Larisa Ivanovna Avdeyeva or Avdeeva was a Soviet and Russian mezzo-soprano, who starred with the Bolshoi Opera for thirty years. People’s Artist of the RSFSR (1964).
Lyudmila Iosifovna Vlasova is a Russian ballet dancer. She was a soloist of the Bolshoi Theatre (1961–1982), an actress, and at the present time is a choreographer of dance on ice.