Gothic fashion

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A goth woman at Kensal Green Cemetery open day, 2015 Goth at Kensal Green Cemetery.JPG
A goth woman at Kensal Green Cemetery open day, 2015
Girl dressed in a Victorian costume during the Whitby Gothic Weekend festival in 2013 Portrait, Whitby Gothic Weekend, 2013.jpg
Girl dressed in a Victorian costume during the Whitby Gothic Weekend festival in 2013

Gothic fashion is a clothing style marked by dark, mysterious, antiquated, homogeneous, and often genderless features. It is worn by members of the goth subculture. [1] Typical gothic fashion includes dyed black hair, exotic hairstyles, dark lipstick and dark clothing. [1] Both male and female goths can wear dark eyeliner, dark nail polish and lipstick (often black) for a dramatic effect. [2] Male goths use cosmetics at a higher rate than other men. Styles are often borrowed from the punk fashion (such as spiked wristbands and chokers) and can also draw influence from Victorians and Elizabethan fashion. [1] Goth fashion is sometimes confused with heavy metal fashion and emo fashion.

Contents

Characteristics

A male and female Goth couple Whitby goth couple.jpg
A male and female Goth couple

Cintra Wilson declares that "The origins of contemporary goth style are found in the Victorian cult of mourning." [3] Valerie Steele is an expert in the history of the style. [3]

Goth model Sandi J. Model Sandi J., Goth Subculture in Cleveland, Ohio.jpg
Goth model Sandi J.

Goth subculture is stereotyped as eerie, mysterious, and complex, and the fashion is used as an outlet to express these characteristics. Goth fashion can be recognized by its stark black clothing. Ted Polhemus described goth fashion as a "profusion of black velvets, lace, fishnets and leather tinged with scarlet or purple, accessorized with tightly laced corsets, gloves, precarious stilettos and silver jewelry depicting religious or occult themes". [4]

Nancy Kilpatrick's Goth Bible: A Compendium for the Darkly Inclined defines "poseur" for the goth scene as follows: "goth wannabes, usually young kids going through a goth phase who do not hold to goth sensibilities but want to be part of the goth crowd (...)". Kilpatrick contributor "Daoine O'" denigrates poseur goths as 'Batbabies' whose clothing is bought at [mall store] Hot Topic with their parents' money". [5]

Icons

One female role model is Theda Bara, the 1910s femme fatale known for her dark eyeshadow. [6] [7] Siouxsie Sioux was particularly influential on the dress style of the gothic rock scene; Paul Morley of NME described Siouxsie and the Banshees' 1980 gig at Futurama: "[Siouxsie was] modeling her newest outfit, the one that will influence how all the girls dress over the next few months. About half the girls at Leeds had used Sioux as a basis for their appearance, hair to ankle." [8] Robert Smith, [9] Musidora, Bela Lugosi, [10] Bettie Page, Winona Ryder, Vampira, Morticia Addams, [7] Nico, Rozz Williams, David Bowie, [1] Lux Interior, [1] Dave Vanian, [11] are also style icons. The 1980s established designers such as Drew Bernstein of Lip Service, while the 1990s saw a surge of US-based gothic fashion designers, many of whom continue to evolve the style through the current day. Style magazines such as Gothic Beauty have given repeat features to a select few gothic fashion designers who began their labels in the 1990s, such as Kambriel, Rose Mortem, and Tyler Ondine of Heavy Red. [12] Influential goth models include Wednesday Mourning and Lady Amaranth.

Music

During the emergence of the goth subculture in 1980's London, [13] many genres of music played a large role in establishing the fashion trends - fashion spelled out the music an individual would listen to. Because of its origins, the major music inspirations during the early emergence of the goth subculture were similarly English bands. Some bands who have influence gothic fashion over the years include bands like Bauhaus, the Cure, Sisters of Mercy and Siouxsie and the Banshees. [14] The Batcave was a nightclub in London, between 1982–1986, that hosted live music and paid homage to all things goth. The interior, as described by Kelly Rankin, included cobwebbed ceilings and a real coffin at the entrance. She says that "The Batcave became iconic because it aided the progression of this movement". [13]

Variations

Deathrock

Deathrock fashion, much like goth music, is closely related to goth fashion. The influences of the style come from a blend of glam rock, punk rock, gothic horror literature, and undead characters of classic horror films. The aesthetic was born from the early Los Angeles punk rock scene, and gained influences from fashion worn by patrons of the Batcave club in the UK as the two regional scenes had met. Many deathrockers have a dark DIY punk approach on their attire. The common theme of the aesthetic is dominantly black clothing: shirts featuring deathrock bands or horror themes, torn fishnets as a shirt and/or hosiery, pale fleshtone or pale white foundation and powder makeup on the face, black or darkly colored eye makeup, combat boots or Doc Martens, and skirts, leggings, slim fit pants or shorts. Iconic hairstyles of this style are the "Deathhawk", mohawks or variants of mohawks, and spiky or teased hair. The horror punk and deathrock fashion section of the punk fashion article has more details.

Haute goth

In 1977, Karl Lagerfeld hosted the Soirée Moratoire Noir party, specifying "tenue tragique noire absolument obligatoire" (black tragic dress absolutely required). [15] The event included elements associated with leatherman style. [15]

Goth fashion has a reciprocal relationship with the fashion world. In the later part of the first decade of the 21st century, designers such as Alexander McQueen, [3] [16] [17] Anna Sui, [18] Rick Owens, [17] Gareth Pugh, Ann Demeulemeester, Philipp Plein, Hedi Slimane, John Richmond, John Galliano, [3] [16] [17] Olivier Theyskens [17] [19] and Yohji Yamamoto [17] brought elements of goth to runways. [3] This was described as "Haute Goth" by Cintra Wilson in the New York Times. [3] Thierry Mugler, Claude Montana, Jean Paul Gaultier and Christian Lacroix have also been associated with a gothic style. [16] In Spring 2004, Riccardo Tisci, Jean Paul Gaultier, Raf Simons and Stefano Pilati dressed their models as "glamorous ghouls dressed in form-fitting suits and coal-tinted cocktail dresses". [19] Swedish designer Helena Hörstedt and jewelry artist Hanna Hedman also practice a goth aesthetic. [20]

Gothic Lolita

Gothic Lolita, sometimes shortened to gosu rori (ゴスロリ) in Japanese (or "goth loli" in roman characters), is a combination of gothic and lolita fashions. The fashion originated in the late 1990s in Harajuku. [21]

Gothic Lolita fashion is characterized by darker make-up and clothing. [22] Red lipstick and smoky or neatly defined eyes, created using black eyeliner, are typical styles, although as with all lolita sub-styles the look remains fairly natural. [23] Though Gothic make-up has been associated with a white-powdered face, this is usually considered poor taste within the (largely Japanese) lolita fashion scene. [24]

Brands which exemplify the Gothic Lolita style include Atelier-Pierrot, Atelier Boz, Black Peace Now, H. Naoto Blood and Moi-même-Moitié. Author and TV Host La Carmina is a popular model of Gothic Lolita fashion.

Aristocrat

Aristocrat is a type of Japanese street fashion, championed by the visual kei rock musician Mana with his fashion label Moi-même-Moitié, [25] and influenced by gothic and Neo-Victorian fashions. A typical outfit will combine elements of fetish wear with Victorian and sometimes steampunk fashions, including tight pants, velvet sportcoats, top hats, cravats, corsets, ankle length skirts, lace petticoats, and the frilly pirate shirts previously popularised by the New Romantics of the 1980s.

Cybergoth

Two cybergoths Green ^ Lights - Flickr - SoulStealer.co.uk.jpg
Two cybergoths

The Cybergoth and rivethead subcultures emerged in America during the late 1990s, and combined classic gothic fashions such as leather duster coats, tripp pants or Demonia brand platform boots with the clothing worn by fans of industrial metal and rave music to create a dystopian, futuristic science fiction look. [26] [27] Shaved heads, synthetic neon dreadlocks, camouflage, tight leather pants, chains, platform boots, [28] stretched body piercings, sleeve tattoos, goggles, corsets, PVC or leather skirts, and black trenchcoats decorated with metal studs are frequently seen on members of this subculture. [29]

Traditional goth

Traditional goth (or trad goth) is a term defining the aesthetic that reflects the classic and original aesthetics of Goth from the 1980s. The examples are from the attire worn by Bauhaus, Siouxsie Sioux and the Cure. Dominantly black clothing, creepers, winklepickers, and backcombed, disheveled hair are common. Patrons of the Batcave club in the UK had an impact on the fashion with the attire they wore. This also has close relation to the deathrock revival and fashion, as the 1980s goth and Batcave fashion influenced the aesthetic over the decades into the 2010s.

Victorian goth

Victorian Goth inspired fashion Goth weekends (63615643).jpg
Victorian Goth inspired fashion

Victorian goth is a modern fashion movement that interprets and redefines certain aspects regarding fashion of the Victorian Era. [30] The Victorian Era is notable for having big dresses and elegant hair, and these elements have made subsequent integration into modern day main stream gothic fashion. With early inspiration taken from medieval settings that were used by Edgar Allen Poe, in addition to late-Victorian examples of gothic fashion that are used in Bram Stoker's Dracula . [31]

Social media influence

Social media has increased the level of awareness surrounding gothic fashion trends, but this has also modified the dynamic and expectations within the community itself. [14] Bianca Wooden describes the emergence of a new wave of goth fad fashion and says that "goth has become less of an organic movement and more of a calculated brand". [14]

Performative gothic fashion

Goth YouTuber Angela Benedict describes in this video, some of the negative impacts that social media has had on gothic fashion. Some of these include the increased emergence of "elitist goths" [14] who shame others for not being "goth" enough. This has led to many online goths who portray their gloomy attire and dramatic makeup looks only to take pictures or film videos. [14]

See also

Fashion accessories

Related Research Articles

<span class="mw-page-title-main">Goth subculture</span> Contemporary subculture

Goth is a music-based subculture that began in the United Kingdom during the early 1980s. It was developed by fans of gothic rock, an offshoot of the post-punk music genre. Post-punk artists who presaged the gothic rock genre and helped develop and shape the subculture include Siouxsie and the Banshees, Bauhaus, the Cure, and Joy Division.

Gothic rock is a style of rock music that emerged from post-punk in the United Kingdom in the late 1970s. The first post-punk bands which shifted toward dark music with gothic overtones include Siouxsie and the Banshees, Joy Division, Bauhaus, and the Cure.

Death rock is a rock music subgenre incorporating horror elements and gothic theatrics. It emerged from punk rock on the West Coast of the United States in the early 1980s and overlaps with the gothic rock and horror punk genres. Notable death rock acts include Christian Death, Kommunity FK, 45 Grave, and Super Heroines.

<span class="mw-page-title-main">Punk fashion</span> Fashion of punk subculture

Punk fashion is the clothing, hairstyles, cosmetics, jewellery, and body modifications of the punk counterculture. Punk fashion varies widely, ranging from Vivienne Westwood designs to styles modeled on bands like The Exploited to the dressed-down look of North American hardcore. The distinct social dress of other subcultures and art movements, including glam rock, skinheads, greasers, and mods have influenced punk fashion. Punk fashion has likewise influenced the styles of these groups, as well as those of popular culture. Many punks use clothing as a way of making a statement.

A rivethead or rivet head is a person associated with the industrial dance music scene. In stark contrast to the original industrial culture, whose performers and heterogeneous audience were sometimes referred to as "industrialists", the rivethead scene is a coherent youth culture closely linked to a discernible fashion style. The scene emerged in the late 1980s on the basis of electro-industrial, EBM, and industrial rock music. The associated dress style draws on military fashion and punk aesthetics with hints of fetish wear, mainly inspired by the scene's musical protagonists.

<span class="mw-page-title-main">Cybergoth</span> Subculture

Cybergoth is a subculture that derives from elements of goth, raver, rivethead and cyberpunk fashion.

<span class="mw-page-title-main">Specimen (band)</span> British band

Specimen are a British band founded in the 1980s. Their music has been described as spanning many different genres of music, including glam, goth, punk and post-punk, and the band is widely credited as one of the pioneers of the goth subculture, both musically and stylistically.

<span class="mw-page-title-main">Lolita fashion</span> Fashion subculture originating in Japan

Lolita fashion is a subculture from Japan that is highly influenced by Victorian clothing and styles from the Rococo period. A very distinctive property of Lolita fashion is the aesthetic of cuteness. This clothing subculture can be categorized into three main substyles: 'Gothic', 'Classic', and 'Sweet'. Many other substyles such as 'Sailor', 'Country', 'Hime' (princess), 'Guro' (grotesque), 'Qi' and 'Wa', 'Punk', 'Shiro' (white), 'Kuro' (black), and 'Steampunk' Lolita also exist. This style evolved into a widely followed subculture in Japan and other countries in the 1990s and 2000s and may have waned in Japan as of the 2010s as the fashion became more mainstream.

The Batcave was a weekly club-night launched at 69 Dean Street in central London in 1982. It is considered to be the birthplace of the Southern English goth subculture. It lent its name to the term Batcaver, used to describe fans of the original gothic rock music, who would adorn themselves in Batwing coffin necklaces to distinguish themselves from other goth clubs.

<span class="mw-page-title-main">1990s in fashion</span> Costume and fashion of the 1990s

Fashion in the 1990s was defined by a return to minimalist fashion, in contrast to the more elaborate and flashy trends of the 1980s. One notable shift was the mainstream adoption of tattoos, body piercings aside from ear piercing and, to a much lesser extent, other forms of body modification such as branding.

Japanese street fashion refers to a number of styles of contemporary modern clothing in Japan. Created from a mix of both local and foreign fashion brands, Japanese street fashions tend to have their own distinctive style, with some considered to be extreme and avant-garde, with similarities to the haute couture styles seen on European catwalks.

<span class="mw-page-title-main">Dark culture</span> Subculture

Dark culture, also called dark alternative scene, includes goth and dark wave culture, the dark neoclassical/dark ambient scene, parts of the post-industrial scene parts of neofolk and the early gothic metal scene. Dark culture's origin lies in followers of dark wave and independent music, but over the decades it has developed to a social network held together by a common concept of aesthetics, self-representation, and individualism. The musical preferences of the dark scene are characterized by a mix of styles ranging from futurism, electropop, early music, (neo-) classical, and folk music to punk rock, rock, techno and ambient music.

<span class="mw-page-title-main">2000s in fashion</span> Fashion in the decade 2000–2009

2000s fashion is often described as a global mash up, where trends saw the fusion of vintage styles, global and ethnic clothing, as well as the fashions of numerous music-based subcultures. Hip-hop fashion generally was the most popular among young people of all sexes, followed by the retro inspired indie look later in the decade.

Alternative fashion or alt fashion is fashion that stands apart from mainstream, commercial fashion. It includes both styles which do not conform to the mainstream fashion of their time and the styles of specific subcultures. Some alternative fashion styles are attention-grabbing and more artistic than practical, while some develop from anti-fashion sentiments that focus on simplicity and utilitarianism.

The Toronto goth scene, the cultural locus of the goth subculture in Toronto, Ontario, Canada and the associated music and fashion scene, has distinct origins from goth scenes of other goth subcultural centres, such as the UK or Germany. Originally known as the "Batcavers", the term "goth" appeared only after 1988, when it was applied to the pre-existent subculture. Distinctive features included internationally recognized gothic and vampiric fashion store 'Siren', a goth-industrial bar named 'Sanctuary: The Vampire Sex Bar', and Forever Knight, a television series about an 800-year-old vampire living in Toronto. In Toronto, the goths did not seek to reject mainstream status, and achieved partial acceptance throughout the mid to late 1990s.

Bats Day in the Fun Park, also known as Bats Day, Goth Day, Goth Day at Disneyland, The Spooky Trip to Disneyland Resort, CA., Bats Day in the Park and Bats Day Out, started in August 1999 as a joint effort between the promoters of the goth, industrial, and deathrock clubs Absynthe and Release the Bats. It has become an annual three-day event taking place in Anaheim, CA, United States near Disneyland. In previous years, the events commenced on the weekend before Labor Day. Since about 2008, Bats Day event weekends have usually happened on the first or third weekend in May.

New Gothic or Neo-Gothic is a contemporary art movement that emphasizes darkness and horror.

Natasha Scharf is an author, disc jockey, presenter and journalist best known for her work publicising gothic, rock, metal and progressive metal music and subcultures. Since 2019, she has been the Deputy Editor of Prog.

<span class="mw-page-title-main">2020s in fashion</span> Fashion-related events during the 2020s

The fashions of the 2020s represent a departure from 2010s fashion and feature a nostalgia for older aesthetics. They have been largely inspired by styles of the early-to-mid-2000s, late 1990s, 1980s, 1970s, and 1960s. Early in the decade, several publications noted the shortened trend and nostalgia cycle in 2020s fashion.

<span class="mw-page-title-main">Mall goth</span> Goth subculture

Mall goths are a subculture that began in the late-1990s in the United States. Originating as a pejorative to describe people who dressed goth for the fashion rather than culture, it eventually developed its own culture based around nu metal, industrial metal, emo and the Hot Topic store chain. It has variously been described as a part of the goth subculture, as well as a separate subculture simply influenced by goth.

References

Footnotes
  1. 1 2 3 4 5 Grunenberg 1997 , p. 172
  2. Fischer, Rachel K. (22 June 2019). "The Alert Collector: The Gothic Aesthetic: From the Ancient Germanic Tribes to the Contemporary Goth Subculture". Reference & User Services Quarterly. 58 (3): 143–148. doi: 10.5860/rusq.58.3.7040 . ISSN   1094-9054. S2CID   196182083.
  3. 1 2 3 4 5 6 Wilson, Cintra (17 September 2008). "You just can't kill it". New York Times. Retrieved 18 September 2008.
  4. Polhemus 1994 , p. 97
  5. Nancy Kilpatrick. Goth Bible: A Compendium for the Darkly Inclined. St. Martin's Griffin, 2004, p. 24
  6. Hannaham 1997 , p. 93
  7. 1 2 Steele & Park 2008 , p. 26
  8. Reynolds, p. 425.
  9. Hannaham 1997 , p. 113
  10. Steele & Park 2008 , p. 18
  11. Steele & Park 2008 , p. 38
  12. Holiday, Steven (12 December 2014). "Gothic Beauty". Portland, OR: Holiday Media. Retrieved 12 December 2014.{{cite journal}}: Cite journal requires |journal= (help)
  13. 1 2 "The Batcave Club, London: Where the 1980s goth movement began". 7 October 2020. Retrieved 12 December 2021.
  14. 1 2 3 4 5 Wooden, Bianca (13 November 2016). "Goths On Social Media Are Changing the Subculture". Millennial Influx. Retrieved 12 December 2021.
  15. 1 2 Steele & Park 2008 , p. 35
  16. 1 2 3 Grunenberg 1997 , p. 173
  17. 1 2 3 4 5 Steele & Park 2008 , p. 3
  18. Bolton, Andrew (2013). Anna Sui. New York: Chronicle Books. pp. 100–109. ISBN   978-1452128597 via Google Books.
  19. 1 2 La Ferla, Ruth: "Embrace the Darkness". New York Times, 30 October 2005.
  20. Johanna Lenander, "Swede and Sour: Scandinavian Goth," New York Times: T Magazine, 27 March 2009. Access date: 29 March 2009.
  21. Archived 21 March 2012 at the Wayback Machine
  22. Aoki, Deb. "Interview with the Editors of the Gothic and Lolita Bible". About.com . Retrieved 10 May 2010.
  23. Anonymous (2002). "Gothic Lolita Hair and Make Up". Gothic & Lolita Bible . Nuuberuguu. 4: 79.
  24. Anonymous (2002). "Neo Gothic Style". Gothic & Lolita Bible . Nuuberuguu. 4: 81.
  25. Anonymous (2002). "Artist Brands: Part 1, Mana x Moi-mene-Moitie". Gothic & Lolita Bible . Nuuberguu. 4: 23.
  26. Dead fashionable. Theage.com.au (13 September 2002).
  27. [Lauren M. E. Goodlad, Michael Bibby: Goth. Undead subculture, Duke University Press, 2007, ISBN   978-0-8223-3921-2, p. 47]
  28. "Gothic Fashion & clothing : The different variations of this style". Sew Guide. 2 January 2020. Retrieved 2 January 2020.
  29. [Baddeley, Gavin (2002). Goth Chic: A Connoisseur's Guide to Dark Culture. London: Plexus Publishing, p. 204.]
  30. "From Conventions to Curators: Historical Gothic Victorian Fashion". The Pragmatic Costumer. 18 June 2012. Retrieved 12 December 2021.
  31. "British Library". www.bl.uk. Retrieved 12 December 2021.
Bibliography

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