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Rei Kawakubo is a Japanese fashion designer based in Tokyo and Paris. She is the founder of Comme des Garçons and Dover Street Market. In recognition of the notable design contributions of Kawakubo, an exhibition of her designs entitled Rei Kawakubo/Comme des Garçons, Art of the In-Between opened on 5 May 2017 at the Metropolitan Museum of Art in Manhattan, modeled by Rihanna.
Junya Watanabe is a Japanese fashion designer, a protégé of Comme des Garçons designer Rei Kawakubo. He continues to work for Comme des Garcons: His atelier is located on the second floor of its Tokyo headquarters, and he produces four shows a year in Paris.
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Richard Martin was an American scholar, lecturer, critic and curator, and a leading art and fashion historian. At the time of his death he was curator of the Costume Institute at the Metropolitan Museum of Art, creating many critically acclaimed exhibitions and contributing widely towards publications on the subject. After his death, an award in his name was set up to recognise creative, high quality and innovative costume exhibitions.
A fashion museum is dedicated to or features a significant collection of accessories or clothing. While there may be some overlap with Textile museums, fashion museums focus on what trends in clothing and accessories reveal about the larger cultural, social, and economic values of different historical periods. Although fashion is a broad term that applies to more than just clothing items, these provide tangible examples of trends changing over the years which explains why the term fashion museum is most commonly referring to those featuring clothes.
Comme des Garçons, also CDG for short, is a Japanese fashion label based in Paris, founded by Rei Kawakubo. Its French flagship store is located in Paris, while its other physical retail stores are in London, Berlin, Melbourne, Seoul, Hong Kong, New York City and in the Aoyama district of Tokyo. Other than fashion, the label has expanded to include jewelry and perfume.
The Met Gala, formally called the Costume Institute Benefit, is the annual haute couture fundraising festival held for the benefit of the Metropolitan Museum of Art's Costume Institute in Manhattan. The Met Gala is popularly regarded as the world's most prestigious and glamorous fashion event. Fashion stars and models are able to express themselves by their fit according to the theme and social gathering and is known as "fashion's biggest night"; an invitation is highly sought after. Personalities who are perceived to be culturally relevant to contemporary society amongst various professional spheres, including fashion, film, television, music, theater, business, sports, social media, and politics, are invited to attend the Met Gala, organized by the fashion magazine Vogue. The entry price for one ticket has risen to US$75,000 in 2024, an increase from $50,000 in 2023, to attend the annual gala in the world's principal financial center and fashion capital, New York City.
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PUNK: Chaos to Couture is a 2013 non-fiction book by Andrew Bolton, with an introduction by Andrew Bolton, an introduction by Jon Savage, and prefaces by Richard Hell and John Lydon, the "catalog of the exhibition held at the Metropolitan Museum of Art, New York, May 9 - August 14, 2013'.
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Harold Koda is an American fashion scholar, curator, and the former curator-in-chief of the Anna Wintour Costume Center at the Metropolitan Museum of Art.
Rei Kawakubo/Comme des Garçons Art of the In-Between was an art exhibition about the work of fashion designer Rei Kawakubo and her designs for her fashion house, Comme des Garçons. The exhibition ran from May 4 to September 4, 2017, at the Metropolitan Museum of Art. It was curated by Andrew Bolton, who worked closely with Kawakubo to select works for the exhibition. On display were 140 women's costumes spanning the entirety of her career until 2017. This exhibit represents Kawakubo in an immersive world of Gesamtkunstwerk, "total work of art".
Camp: Notes on Fashion was the 2019 high fashion art exhibition of the Anna Wintour Costume Center, a wing of the Metropolitan Museum of Art in New York that houses the collection of the Costume Institute.
Heavenly Bodies: Fashion and the Catholic Imagination was the 2018 high fashion art exhibition of the Anna Wintour Costume Center, a wing of The Metropolitan Museum of Art (MMA) which houses the collection of the Costume Institute.
In America: A Lexicon of Fashion was a 2021–2022 high fashion art exhibition of the Anna Wintour Costume Center, a wing of the Metropolitan Museum of Art (MMA), which houses the collection of the Costume Institute. Approximately 100 men’s and women’s ensembles by a diverse range of designers from the 1940s to the present are featured. Along with ensembles, various dresses, sweaters, jackets, jumpsuits, bodysuits, coats, smocks, capes, quilts, and a flag were showcased as part of the exhibit. Enclosed in scrimmed cases that represent three-dimensional "patches" of a quilt, they are organized into 12 sections that explore defining emotional qualities: Nostalgia, Belonging, Delight, Joy, Wonder, Affinity, Confidence, Strength, Desire, Assurance, Comfort, and Consciousness.
Deconstruction is a fashion phenomenon of the 1980s and 1990s. It involves the use of costume forms that are based on identifying the structure of clothing - they are used as an external element of the costume. This phenomenon is associated with designers Martin Margiela, Yohji Yamamoto, Rei Kawakubo, Karl Lagerfeld, Ann Demeulemeester and Dries van Noten. Deconstructivism in fashion is considered as part of a philosophical system formed under the influence of the works of Jacques Derrida.
Sleeping Beauties: Reawakening Fashion is the 2024 high fashion art exhibition of the Anna Wintour Costume Center, a wing of the Metropolitan Museum of Art (MMA) which houses the collection of the Costume Institute. The exhibition was announced on November 8, 2023. The exhibition is held at the museum from May 10 to September 2, 2024. It featured approximately 250 items from the permanent collection of the Costume Institute that were displayed using AI and CGI with themes of sea, land, and sky as a metaphor for the fragility and ephemerality of fashion and a vehicle to examine the cyclical themes of rebirth and renewal.
References
- 1 2 "Anarchy Unleashed". The New Yorker. 2013-03-18. Retrieved 2022-09-27.
- 1 2 3 4 Trebay, Guy (29 April 2015). "At the Met, Andrew Bolton Is the Storyteller in Chief". New York Times. Retrieved 13 August 2015.
- ↑ Tomkins, Calvin (25 March 2013). "Anarchy Unleashed". The New Yorker. Retrieved 13 August 2015.
- ↑ Pogrebin, Robin (8 September 2015). "Andrew Bolton Chosen to Lead the Met's Costume Institute". New York Times. Retrieved 9 September 2015.
- ↑ Chilton, Nancy. "Andrew Bolton Wins 2015 Vilcek Prize in Fashion". Metropolitan Museum of Art. Retrieved 10 February 2015.
- ↑ Time magazine. Kawakubo announcement of 2017 exhibit
- ↑ Lynn Yaeger. "On the Eve of the Comme des Garçons Retrospective, the Notoriously Reclusive Rei Kawakubo Speaks Out", APRIL 13, 2017, Vogue Magazine.
- ↑ Bolton, Andrew (April 23, 2018). "The Metaphorical Nature of Creation: Fashion and the Catholic Imagination". The Metropolitan Museum of Art. Retrieved May 11, 2018.
- ↑ "Heavenly Bodies: Fashion and the Catholic Imagination". The Metropolitan Museum of Art, i.e. The Met Museum. Retrieved 2018-04-30.
- ↑ "New Zealand International Film Festival: The First Monday in May".
- ↑ "No. 64082". The London Gazette (Supplement). 17 June 2023. p. B26.
- ↑ Posted December 6, 2016 (2016-12-06). "Fashion Designer Thom Browne's 1930s Manhattan Apartment". Architectural Digest. Retrieved 2018-05-11.
{{cite web}}: CS1 maint: numeric names: authors list (link) - ↑ Leland, John (29 April 2016). "How Andrew Bolton of Met Costume Institute Spends His Sundays - The New York Times". The New York Times . Retrieved 2018-05-11.
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