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The Gibson Girl was the personification of the feminine ideal of physical attractiveness as portrayed by the pen-and-ink illustrations of artist Charles Dana Gibson during a 20-year period that spanned the late 19th and early 20th centuries in the United States. The artist saw his creation as representing the composite of "thousands of American girls".
Charles Frederick Worth was an English fashion designer who founded the House of Worth, one of the foremost fashion houses of the 19th and early 20th centuries. He is considered by many fashion historians to be the father of haute couture. Worth is also credited with revolutionising the business of fashion.
1860s fashion in European and European-influenced countries is characterized by extremely full-skirted women's fashions relying on crinolines and hoops and the emergence of "alternative fashions" under the influence of the Artistic Dress movement.
Fashion in the 1890s in European and European-influenced countries is characterized by long elegant lines, tall collars, and the rise of sportswear. It was an era of great dress reforms led by the invention of the drop-frame safety bicycle, which allowed women the opportunity to ride bicycles more comfortably, and therefore, created the need for appropriate clothing.
1870s fashion in European and European-influenced clothing is characterized by a gradual return to a narrow silhouette after the full-skirted fashions of the 1850s and 1860s.
Victorian dress reform was an objective of the Victorian dress reform movement of the middle and late Victorian era, led by various reformers who proposed, designed, and wore clothing considered more practical and comfortable than the fashions of the time.
Charles Wilson Brega James was an English-American fashion designer. He is best known for his ballgowns and highly structured aesthetic. James is one of the most influential fashion designers of the 20th century and continues to influence new generations of designers.
A ball gown, ballgown or gown is a type of evening gown worn to a ball or a formal event. Most versions are cut off the shoulder with a low décolletage, exposed arms, and long bouffant styled skirts. Such gowns are typically worn with an opera-length white gloves, vintage jewelry or couture, and a stole, cape, or cloak in lieu of a coat. Where "state decorations" are to be worn, they are on a bow pinned to the chest, and married women wear a tiara if they have one. Although synthetic fabrics are now sometimes used, the most common fabrics are satin, silk, taffeta and velvet with trimmings of lace, pearls, sequins, embroidery, ruffles, ribbons, rosettes and ruching.
Mainbocher is a fashion label founded by the American couturier Main Rousseau Bocher, also known as Mainbocher. Established in 1929, the house of Mainbocher successfully operated in Paris (1929–1939), and then in New York (1940–1971).
Claire McCardell was an American fashion designer of ready-to-wear clothing in the twentieth century. She is credited with the creation of American sportswear.
Fashion in the period 1900–1909 in the Western world continued the severe, long and elegant lines of the late 1890s. Tall, stiff collars characterize the period, as do women's broad hats and full "Gibson Girl" hairstyles. A new, columnar silhouette introduced by the couturiers of Paris late in the decade signaled the approaching abandonment of the corset as an indispensable garment.
A dress is a garment traditionally worn by women or girls consisting of a skirt with an attached bodice. It consists of a top piece that covers the torso and hangs down over the legs. A dress can be any one-piece garment containing a skirt of any length, and can be formal or casual.
The Met Gala or Met Ball, formally called the Costume Institute Gala or the Costume Institute Benefit, is an annual fundraising gala held for the benefit of the Metropolitan Museum of Art's Costume Institute in New York City. The Met Gala is popularly regarded as the world's most prestigious and glamorous fashion event and social gathering and is known as "fashion's biggest night"; an invitation is highly sought after. Personalities who are perceived to be culturally relevant to contemporary society amongst various professional spheres, including fashion, film, television, music, theater, business, sports, social media, and politics, are invited to attend the Met Gala, organized by the fashion magazine Vogue.
The Anna Wintour Costume Center is a wing of the Metropolitan Museum of Art's main building in Manhattan that houses the collection of the Costume Institute, a branch of the museum focused on fashion and costume design. The center is named after Anna Wintour, the longtime and current editor-in-chief of Vogue, Chief Content Officer of Condé Nast, and chair of the museum's annual Met Gala since 1995. It was endowed by Lizzie and Jonathan Tisch. As of August 2017, the chief curator is Andrew Bolton.
A sailor dress is a child's or woman's dress that follows the styling of the sailor suit, particularly the bodice and collar treatment. A sailor-collared blouse is called a middy blouse. In early 20th-century America, sailor dresses were very popularly known as Peter Thomson dresses after the former naval tailor credited with creating the style.
The First Monday in May is a 2016 documentary film directed by Andrew Rossi. The film follows the creation of the Metropolitan Museum of Art's most attended fashion exhibit in history: the 2015 art exhibition China: Through the Looking Glass by curator Andrew Bolton at New York's Metropolitan Museum of Art.
Camp: Notes on Fashion was the 2019 high fashion art exhibition of the Anna Wintour Costume Center, a wing of the Metropolitan Museum of Art in New York that houses the collection of the Costume Institute.
Jacqueline Kennedy: The White House Years was a 2001 exhibition that was presented by the Costume Institute at the Metropolitan Museum of Art. The event was timed to mark the 40th anniversary of her "emergence as America’s first lady." Organized by The Metropolitan Museum of Art and the John F. Kennedy Library and Museum, the exhibition was devoted to exploring the former First Lady's iconic style and impact on the fashion world.
The Model as Muse: Embodying Fashion was a fashion exhibition at the Metropolitan Museum of Art that ran from May 6 to August 9, 2009. It focused on iconic fashion models of the twentieth century who inspired fashion in their respective eras. Organized by historical period from 1947 to 1997, the exhibition was made possible by Marc Jacobs with additional funding from Condé Nast. It was curated by Harold Koda and Kohle Yohannan.
AngloMania: Tradition and Transgression in British Fashion was an exhibition curated by Andrew Bolton at the Metropolitan Museum of Art that ran from May 3 to September 4, 2006. The exhibition featured fashion from throughout Europe in the eighteenth-century that was influenced directly by British attitudes, ideas, and trends. However, these were not accurate depictions of British fashion, but idealized depictions of "a nation's notorious vanity, a romance with itself, and the eccentric desire of English designers to re-establish the establishment." The exhibit is composed of nine "theatrical installations containing clothed mannequins and paintings" that contrasted historical and modern aspects of fashion.
References
- ↑ Palmer, Caroline (8 September 2009). "The Met Costume Institute Gala and Exhibition: American Women". Vogue. Retrieved 2021-05-17.
- ↑ "'American Woman': The Costume Institute exhibition 2010 at the Metropolitan Museum - Telegraph". fashion.telegraph.co.uk. Retrieved 2021-05-17.
- ↑ "American Woman: Fashioning a National Identity". www.metmuseum.org. Archived from the original on 2016-03-06. Retrieved 2019-09-30.
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