| Mountain with Red House | |
|---|---|
 | |
| Artist | Charles Demuth  |
| Year | c. 1913 |
| Dimensions | 24.1 cm (9.5 in) × 32.1 cm (12.6 in) |
| Location | Metropolitan Museum of Art |
| Accession No. | 49.70.70a, b |
| Identifiers | The Met object ID: 488517 |
Mountain with Red House is a watercolor landscape painting created ca. 1913 by the American artist Charles Demuth. It is in the collection of the Metropolitan Museum of Art, in the New York. [1]
Charles Demuth painted this work around 1913, perhaps while he developed his craft in Paris traveled across France. [2] [3] He likely held onto this painting until he gave it to his friend Georgia O'Keeffe in 1931. [4]
The work depicts two small houses in the foreground with a mountain range in the background. On the reverse side, there is a watercolor draft of a bridge over the Seine in Paris. [1]
Georgia Totto O'Keeffe was an American modernist painter and draftswoman whose career spanned seven decades and whose work remained largely independent of major art movements. Called the "Mother of American modernism", O'Keeffe gained international recognition for her meticulous paintings of natural forms, particularly flowers and desert-inspired landscapes, which were often drawn from and related to places and environments in which she lived.
Charles Henry Buckius Demuth was an American painter who specialized in watercolors and turned to oils late in his career, developing a style of painting known as Precisionism.
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Precisionism was a modernist art movement that emerged in the United States after World War I. Influenced by Cubism, Purism, and Futurism, Precisionist artists reduced subjects to their essential geometric shapes, eliminated detail, and often used planes of light to create a sense of crisp focus and suggest the sleekness and sheen of machine forms. At the height of its popularity during the 1920s and early 1930s, Precisionism celebrated the new American landscape of skyscrapers, bridges, and factories in a form that has also been called "Cubist-Realism." The term "Precisionism" was first coined in the mid-1920s, possibly by Museum of Modern Art director Alfred H. Barr although according to Amy Dempsey the term "Precisionism" was coined by Charles Sheeler. Painters working in this style were also known as the "Immaculates", which was the more commonly used term at the time. The stiffness of both art-historical labels suggests the difficulties contemporary critics had in attempting to characterize these artists.
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Arnold Rönnebeck was a German-born American modernist artist and museum administrator. He was a vital member of both the European and American avant-garde movements of the early twentieth century before settling in Denver, Colorado. Rönnebeck was a sculptor and painter, but is best known for his lithographs that featured a range of subjects including New York cityscapes, New Mexico and Colorado landscapes and Native American dances.
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I Saw the Figure 5 in Gold, also known as The Figure 5 in Gold, is a 1928 painting by American artist Charles Demuth. It has been described as influenced by Futurism and Cubism.
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Marion Hasbrouck Beckett was an American painter.
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