In America: An Anthology of Fashion is the 2022 high fashion art exhibition of the Anna Wintour Costume Center, a wing of the Metropolitan Museum of Art (MMA) which houses the collection of the Costume Institute. It is the piece of a two-part exhibit that explores fashion in the United States. This exhibit highlights stylistic narratives and histories of the American Wing Period. Each immersive period rooms reflect America from the 1700s to the 1970s and captures men's and women's fashion. The rooms also display America's domestic life and the influences of cultures, politics, and style at each period. [1] [2] [3] [4] [5] [6] [7] [8] [9] [10]
Within the rooms are a series of focused narratives that reflect larger developments, such as the emergence of an identifiable American style and the rise of the named designer as an individual recognized for their distinct creative vision. In this way, Anthology also provides a historical grounding for the companion exhibition, In America: A Lexicon of Fashion—currently on view in the Anna Wintour Costume Center (Galleries 980 and 981)—which offers an expansive reflection on defining qualities of fashion in the United States. The installations take the form of cinematic vignettes that enliven the stories and highlight the intimate and immersive aspects of the rooms. These fictional tableaux were created by nine film directors: Radha Blank, Janicza Bravo, Sofia Coppola, Julie Dash, Tom Ford, Regina King, Martin Scorsese, Autumn de Wilde, and Chloe Zhao. Seven “case studies” offer in-depth, forensic analyses of individual costumes that function as connecting threads. Together, they comprise an anthology that challenges and complicates received histories, offering a more nuanced and less monolithic reading of American fashion, and American culture more broadly.
Dame Anna Wintour is a British and American media executive based in New York City who has served as editor-in-chief of Vogue since 1988 and Global Chief Content Officer for Condé Nast since 2020; she is also the artistic director of Condé Nast and the Global Editorial Director of Vogue. With her trademark pageboy bob haircut and dark sunglasses, Wintour has become an important figure in much of the fashion world, praised for her eye for emerging fashion trends. Her reportedly aloof and demanding personality has earned her the nickname "Nuclear Wintour".
Charles Wilson Brega James was an English-American fashion designer. He is best known for his ballgowns and highly structured aesthetic. James is one of the most influential fashion designers of the 20th century and continues to influence new generations of designers.
Jeffrey L. Daly is an American designer, specialising in museum gallery and exhibition design.
Thomas Patrick Campbell is the director and CEO of the Fine Arts Museums of San Francisco, overseeing the de Young and Legion of Honor museums. He served as the director and CEO of the Metropolitan Museum of Art between 2009 and 2017. On 30 June 2017, Campbell stepped down as director and CEO of the Metropolitan Museum of Art under pressure and accepted the Getty Foundation's Rothschild Fellowship for research and study at both the J. Paul Getty Museum in Los Angeles and at Waddesdon Manor, in the UK.
The Met Gala or Met Ball, formally called the Costume Institute Gala or the Costume Institute Benefit, is an annual fundraising gala held for the benefit of the Metropolitan Museum of Art's Costume Institute in New York City. The Met Gala is popularly regarded as the world's most prestigious and glamorous fashion event and social gathering and is known as "fashion's biggest night"; an invitation is highly sought after. Personalities who are perceived to be culturally relevant to contemporary society amongst various professional spheres, including fashion, film, television, music, theater, business, sports, social media, and politics, are invited to attend the Met Gala, organized by the fashion magazine Vogue.
Alexander McQueen: Savage Beauty was an art exhibition held in 2011 at the Metropolitan Museum of Art featuring clothing created by British fashion designer Alexander McQueen, as well as accessories created for his runway shows. The exhibit was extremely popular in New York City and resulted in what was then record attendance for the museum. The curators were Andrew Bolton and Harold Koda.
The Anna Wintour Costume Center is a wing of the Metropolitan Museum of Art's main building in Manhattan that houses the collection of the Costume Institute, a branch of the museum focused on fashion and costume design. The center is named after Anna Wintour, the longtime and current editor-in-chief of Vogue, Chief Content Officer of Condé Nast, and chair of the museum's annual Met Gala since 1995. It was endowed by Lizzie and Jonathan Tisch. As of August 2017, the chief curator is Andrew Bolton.
China: Through the Looking Glass was a fashion and art exhibition held from May 7 through August 16, 2015, at the Metropolitan Museum of Art focusing on the impact of Chinese design on Western fashion over the centuries. It was curated by Andrew Bolton with support from Harold Koda). Nathan Crowley was responsible for production design.
Andrew John Bolton is a British museum curator and current head curator of the Anna Wintour Costume Center at the Metropolitan Museum of Art in New York City.
The First Monday in May is a 2016 documentary film directed by Andrew Rossi. The film follows the creation of the Metropolitan Museum of Art's most attended fashion exhibit in history: the 2015 art exhibition China: Through the Looking Glass by curator Andrew Bolton at New York's Metropolitan Museum of Art.
Harold Koda is an American fashion scholar, curator, and the former curator-in-chief of the Anna Wintour Costume Center at the Metropolitan Museum of Art.
Camp: Notes on Fashion was the 2019 high fashion art exhibition of the Anna Wintour Costume Center, a wing of the Metropolitan Museum of Art in New York that houses the collection of the Costume Institute.
Jacqueline Kennedy: The White House Years was a 2001 exhibition that was presented by the Costume Institute at the Metropolitan Museum of Art. The event was timed to mark the 40th anniversary of her "emergence as America’s first lady." Organized by The Metropolitan Museum of Art and the John F. Kennedy Library and Museum, the exhibition was devoted to exploring the former First Lady's iconic style and impact on the fashion world.
Fashion and History: A Dialogue was a 1992 exhibition of the Costume Institute at the Metropolitan Museum of Art. The exhibit featured European and American clothing and accessories from a variety of time periods. The curator was Katell Le Bourhis. The exhibition ran from December 7, 1992, to March 21, 1993 and had more than 200 pieces, many of them donated. Of that total, 120 mannequins were assembled entirely.
The Model as Muse: Embodying Fashion was a fashion exhibition at the Metropolitan Museum of Art that ran from May 6 to August 9, 2009. It focused on iconic fashion models of the twentieth century who inspired fashion in their respective eras. Organized by historical period from 1947 to 1997, the exhibition was made possible by Marc Jacobs with additional funding from Condé Nast. It was curated by Harold Koda and Kohle Yohannan.
Death Becomes Her: A Century of Mourning Attire was an exhibition at the Metropolitan Museum of Art that ran from October 21, 2014, to February 1, 2015. The exhibition featured mourning attire from 1815 to 1915, primarily from the collection of the Met's Anna Wintour Costume Center and organized by curator Harold Koda with assistance from Jessica Regan.
Heavenly Bodies: Fashion and the Catholic Imagination was the 2018 high fashion art exhibition of the Anna Wintour Costume Center, a wing of the Metropolitan Museum of Art (MMA) which houses the collection of the Costume Institute.
Before Yesterday We Could Fly: An Afrofuturist Period Room is an art exhibition at the Metropolitan Museum of Art in New York City. The exhibit, which opened on November 5, 2021, uses a period room format of installation to envision the past, present, and future home of someone who lived in Seneca Village, a largely African American settlement which was destroyed to make way for the construction of Central Park in the mid-1800s.
In America: A Lexicon of Fashion was a 2021–2022 high fashion art exhibition of the Anna Wintour Costume Center, a wing of the Metropolitan Museum of Art (MMA) which houses the collection of the Costume Institute. Approximately 100 men’s and women’s ensembles by a diverse range of designers from the 1940s to the present are featured. Enclosed in scrimmed cases that represent three-dimensional "patches" of a quilt, they are organized into 12 sections that explore defining emotional qualities: Nostalgia, Belonging, Delight, Joy, Wonder, Affinity, Confidence, Strength, Desire, Assurance, Comfort, and Consciousness.