Jan Havickszoon Steen was a Dutch Golden Age painter, one of the leading genre painters of the 17th century. His works are known for their psychological insight, sense of humour and abundance of colour.
Nicolaes Maes was a Dutch painter known for his genre scenes, portraits, religious compositions and the occasional still life. A pupil of Rembrandt in Amsterdam, he returned to work in his native city of Dordrecht for 20 years. In the latter part of his career he returned to Amsterdam where he became the leading portrait painter of his time. Maes contributed to the development of genre painting in the Netherlands and was the most prominent portrait painter working in Amsterdam in the final three decades of the 17th century.
Frans van Mieris the Elder, was a Dutch Golden Age genre and portrait painter. The leading member of a Leiden family of painters, his sons Jan (1660–1690) and Willem (1662–1747) and his grandson Frans van Mieris the Younger (1689–1763) were also accomplished genre painters.
Willem van Mieris was an 18th-century painter from the Northern Netherlands.
Gabriël Metsu (1629–1667) was a Dutch painter of history paintings, still lifes, portraits, and genre works. He was "a highly eclectic artist, who did not adhere to a consistent style, technique, or one type of subject for long periods". Only 14 of his 133 works are dated.
The Milkmaid, sometimes called The Kitchen Maid, is an oil-on-canvas painting of a "milkmaid", in fact, a domestic kitchen maid, by the Dutch artist Johannes Vermeer. It is in the Rijksmuseum in Amsterdam, the Netherlands, which regards it as "unquestionably one of the museum's finest attractions".
Dutch Golden Age painting is the painting of the Dutch Golden Age, a period in Dutch history roughly spanning the 17th century, during and after the later part of the Eighty Years' War (1568–1648) for Dutch independence.
Genre painting, a form of genre art, depicts aspects of everyday life by portraying ordinary people engaged in common activities. One common definition of a genre scene is that it shows figures to whom no identity can be attached either individually or collectively, thus distinguishing it from history paintings and portraits. A work would often be considered as a genre work even if it could be shown that the artist had used a known person—a member of his family, say—as a model. In this case it would depend on whether the work was likely to have been intended by the artist to be perceived as a portrait—sometimes a subjective question. The depictions can be realistic, imagined, or romanticized by the artist. Because of their familiar and frequently sentimental subject matter, genre paintings have often proven popular with the bourgeoisie, or middle class.
The Feast of Saint Nicholas is an oil-on-canvas painting executed c. 1665–1668 by Dutch master Jan Steen, which is now in the Rijksmuseum in Amsterdam. It measures 82 x 70.5 cm. The picture, painted in the chaotic Jan Steen style, depicts a family at home on December 5, the night celebrated in the Netherlands as the Feast of Saint Nicholas, or Sinterklaas.
Peeckelhaeringh, or Pekelharing, refers to an old Dutch word for pickled herring. Today it is best known as the name of a comic theatrical character who was the subject of a painting by Frans Hals.
The Garden of Love is a painting by Rubens, produced in around 1633 and now in the Prado Museum in Madrid. The work was first listed in 1666, when it was hung in the Royal Palace of Madrid, in the Spanish king's bedroom. In early inventories, the painting was called The Garden Party.
Merry company is the term in art history for a painting, usually from the 17th century, showing a small group of people enjoying themselves, usually seated with drinks, and often music-making. These scenes are a very common type of genre painting of the Dutch Golden Age and Flemish Baroque; it is estimated that nearly two thirds of Dutch genre scenes show people drinking.
The Dancing Couple is an oil-on-canvas painting that was created by Jan Steen in 1663. It depicts a boisterous party with a dancing couple in the center. This painting is part of the Widener Collection, which currently resides in the National Gallery of Art in Washington, D.C. The setting of the painting is a kermis, which is a local village fair that several Dutch artworks referenced. Kermises were extremely popular in the Bruegel tradition. The Dancing Couple was one of the few paintings which started a new era in Dutch art. Paintings like these depicts a setting which was inspired by the rural working class of the Dutch people. This was a significant change for Dutch art as these settings highlighted a thriving period in their history. A new perspective was shown which changed the way traditional Dutch art was looked at as they focused more on the realistic rural working lifestyle and values of the Dutch people.
The Quack Doctor is an oil-on-panel painting by the Dutch artist Gerrit Dou from 1652. It is held at the Museum Boijmans Van Beuningen, in Rotterdam.
The Oyster Eater or Girl Offering Oysters is a small oil-on-panel painting by Jan Steen dating to c.1658–1660. Since 1936, it has been in the collection of the Mauritshuis in the Hague. It is a genre painting that demonstrates Steen's intricate style and use of domestic settings. It also shows Steen's use of symbolism with oysters to create a theme of earthly lust.
"As the Old Sing, So Pipe the Young", in Dutch, Soo voer gesongen, soo na gepepen, is an oil-on-canvas painting executed c. 1668–1670 by Dutch artist Jan Steen. It is in the collection of the Mauritshuis in The Hague. The painting is a celebratory holiday scene that depicts three generations of a Dutch family and serves as an allegory about parental examples, vice, and influence. This subject was painted thirteen times by Jan Steen and has also been known as The Cat Family, or Jan Steen's Family. Of the many renditions, the Mauritshuis version is considered to be the exemplar of the series. Its dimensions are 133.7 cm × 162.5 cm.
Beware of Luxury is a 1663 oil painting by the Dutch painter Jan Steen, now in the Kunsthistorisches Museum in Vienna.
The Physician's Visit is an oil-on-canvas genre painting by the Dutch artist Jan Steen, now seen in the Apsley House collection in London. Its subject is similar to his The Lovesick Maiden in the Metropolitan Museum of Art from the same era. The painting is a representation of how women were treated when treated by doctors in the 1600s. The painting features several small details and disguised symbolism that may go unnoticed to the common eye, but nevertheless contribute to the painting's meaning.
A Woman at her Toilet is an oil-on-panel painting by Jan Steen. It was painted in 1663 and is now a part of the Royal Collection, having been acquired by King George IV in 1821. The painting is housed in Buckingham Palace.
The Young Mother is an oil painting by Dutch artist Gerrit Dou, from 1658. The signature of the artist appears subtely in the stained glass window, GDOV.1658. This genre piece has been part of the collection of the Mauritshuis, in The Hague, since 1822.
