Mary Magdalene was a woman who, according to the four canonical gospels, traveled with Jesus as one of his followers and was a witness to his crucifixion and resurrection. She is mentioned by name twelve times in the canonical gospels, more than most of the apostles and more than any other woman in the gospels, other than Jesus's family. Mary's epithet Magdalene may be a toponymic surname, meaning that she came from the town of Magdala, a fishing town on the western shore of the Sea of Galilee in Roman Judea.
Georges de La Tour was a French Baroque painter, who spent most of his working life in the Duchy of Lorraine, which was temporarily absorbed into France between 1641 and 1648. He painted mostly religious chiaroscuro scenes lit by candlelight.
Martha and Mary Magdalene is a painting by the Italian Baroque master Michelangelo Merisi da Caravaggio. It is in the Detroit Institute of Arts. Alternate titles include Martha Reproving Mary, The Conversion of the Magdalene, and the Alzaga Caravaggio.
Luisa Ignacia Roldán, known also as La Roldana, was a Spanish sculptor of the Baroque Era. She is the earliest woman sculptor documented in Spain. Roldán is recognized in the Hispanic Society Museum for being "one of the few women artists to have maintained a studio outside the convents in Golden Age Spain".
Madame Moitessier is a portrait of Marie-Clotilde-Inès Moitessier begun in 1844 and completed in 1856 by Jean-Auguste-Dominique Ingres. The portrait, which depicts Madame Moitessier seated, is now in the collection of the National Gallery in London, which acquired it in 1936.
Penitent Magdalene is a 16th-century oil on canvas painting by Italian Baroque painter Caravaggio. The painting portrays a repentant Mary Magdalene, bowed over in penitent sorrow as she leaves behind her dissolute life, its trappings abandoned beside her. At the time of its completion, ca. 1594–1595, the painting was unconventional for its contemporary realism and departure from traditional Magdalene iconography. It has invited both criticism and praise, with speculation even into the 21st century as to Caravaggio's intentions. The work hangs in the Doria Pamphilj Gallery in Rome.
Feather tights is the name usually given by art historians to a form of costume seen on Late Medieval depictions of angels, which shows them as if wearing a body suit with large scale-like overlapping downward-pointing elements representing feathers, as well as having large wings. Other sources use feathered angels to describe the style. The style is assumed to derive from actual costumes worn by those playing angels in medieval religious drama, with the "feathered" elements presumably flaps or lappets of cloth or leather sewn onto a body suit. The feathers on angels in art can often to be seen to stop abruptly at the neck, wrists and ankles, sometimes with a visible hemline, reflecting these originals.
Magdalene with the Smoking Flame is a c. 1640 oil-on-canvas depiction of Mary Magdalene by French Baroque painter Georges de La Tour. Two versions of this painting exist, one in the Los Angeles County Museum of Art and the other in the Louvre Museum.
The Vow of Louis XIII is an 1824 painting by Jean-Auguste-Dominique Ingres, now in Montauban Cathedral. The oil painting shows a vow to the Virgin Mary by Louis XIII of France.
The Annunciation is an oil painting by the Early Netherlandish painter Hans Memling. It depicts the Annunciation, the archangel Gabriel's announcement to the Virgin Mary that she would conceive and become the mother of Jesus, described in the Gospel of Luke. The painting was executed in the 1480s and was transferred to canvas from its original oak panel sometime after 1928; it is today held in the Robert Lehman collection of the Metropolitan Museum of Art in New York.
Philip Conisbee was a British-American curator for the American National Gallery of Art.
Portrait of Madame de Senonnes is an 1816 painting by Jean-Auguste-Dominique Ingres. It shows Madame de Senonnes, née Marie-Genevieve-Marguerite Marcoz, viscountess of Senonnes (1783–1828). Marcoz was 31 when the portrait was completed. Ingres had earlier portrayed her in a drawing of 1813.
Pentinent Magdalene is a 1616–1618 painting by the Italian baroque artist Artemisia Gentileschi. This painting hangs in the Pitti Palace in Florence. The subject is the biblical figure Mary Magdalene, but the painting references another biblical woman, Mary, the sister of Lazarus. This painting was likely painted in Florence during Gentileschi's Florentine Period.
Portrait of Madame Aymon, La Belle Zélie is an 1806 oil on canvas painting by the French artist Jean-Auguste-Dominique Ingres. The painting is one of Ingres' early painted portraits, completed just before his first stay in Rome. It first came to public notice during an 1867 Ingres exhibition in Paris, and was acquired by the Musée des Beaux-Arts de Rouen in 1870.
The Portrait of Comtesse d'Haussonville is an 1845 oil-on-canvas painting by the French Neoclassical artist Jean-Auguste-Dominique Ingres.
Portrait of Caroline Murat, Queen of Naples is an 1814 oil on canvas painting by the French Neoclassical artist Jean-Auguste-Dominique Ingres. Caroline Murat, née Bonaparte, was the sister of Napoleon, and married Joachim Murat, a Marshal of France and Admiral of France, and later King of Naples. Caroline commissioned the portrait as part of an effort to convey her standing and worth to reign as Queen of Naples during an unstable political climate.
St Jerome at Prayer is an oil-on-canvas painting executed ca. 1630–1635 by the French artist Georges de La Tour. He produced it for the abbey of Saint Antoine a Viennois, but it was confiscated by the state on the French Revolution and is now in the Museum of Grenoble. An autograph copy with some variations was produced sometime before 1642 and is now in the Nationalmuseum in Stockholm.
The Hurdy-Gurdy Player is an oil-on-canvas painting by Georges de La Tour. The artist neither signed nor dated it, but it was produced in the first phase of his career, probably between 1620 and 1625. It is also known as The Hurdy-Gurdy Player in a Hat or The Hurdy-Gurdy Player with a Fly. It is now in the Musée d'Arts de Nantes.
Magdalene at a Mirror or The Repentant Magdalene is a c.1635-1640 oil-on-canvas painting by the French artist Georges de La Tour. It passed from the Marquise de Caulaincourt to the Comtesse d'Andigné in 1911, before being bought in 1936 by André Fabius – it is sometimes known as The Fabius Magdalene as a result. It was then unattributed but Louvre experts attributed it to de la Tour in 1937. Fabius could not find a buyer in France and so in 1964 sold it to the National Gallery of Art in Washington, where it still hangs, though this caused a legal case since Fabius had not sought an export licence to remove the work from France.
Mary Magdalene is an oil on canvas painting by Belgian painter Alfred Stevens. It is Stevens' revision of the Biblical figure of Mary Magdalene. The work has been in the collection of the Museum of Fine Arts in Ghent since 2001.
