| Cannon Rock | |
|---|---|
 | |
| Artist | Winslow Homer |
| Year | 1895 |
| Location | Metropolitan Museum of Art, New York City, New York, United States |
Cannon Rock is an 1895 oil painting by Winslow Homer. It is part of the Metropolitan Museum of Art's collection.
| Cannon Rock | |
|---|---|
| | |
| Artist | Winslow Homer |
| Year | 1895 |
| Location | Metropolitan Museum of Art, New York City, New York, United States |
Cannon Rock is an 1895 oil painting by Winslow Homer. It is part of the Metropolitan Museum of Art's collection.
Cannon Rock is an 1895 oil painting depicting an offshore wave breaking over a submerged shelf, with water surging into an inlet created by rocks in the foreground. The work is part of the Metropolitan Museum of Art's collection. [1]
The New York Times 's Geraldine Fabricant said the painting is not a literal representation and "bears little resemblance to the actual place". She writes, "In reality, the offshore wave would break only at low tide, but the wave fills the inlet only at high tide." In his Winslow Homer in the 1890s: Prout's Neck Observed, Homer expert Philip Beam noted the artist's rearranging of the horizontal ledges of rock into a triangular shape so that "it rivets attention on his main motive". [1]
Albert Bierstadt was a German American painter best known for his lavish, sweeping landscapes of the American West. He joined several journeys of the Westward Expansion to paint the scenes. He was not the first artist to record the sites, but he was the foremost painter of them for the remainder of the 19th century.
Winslow Homer was an American landscape painter and illustrator, best known for his marine subjects. He is considered one of the foremost painters in 19th-century America and a preeminent figure in American art.
Dong Yuan was a Chinese painter.
Albert Pinkham Ryder was an American painter best known for his poetic and moody allegorical works and seascapes, as well as his eccentric personality. While his art shared an emphasis on subtle variations of color with tonalist works of the time, it was unique for accentuating form in a way that some art historians regard as modernist.
William Merritt Chase was an American painter, known as an exponent of Impressionism and as a teacher. He is also responsible for establishing the Chase School, which later became the Parsons School of Design.
William James Glackens was an American realist painter and one of the founders of the Ashcan School, which rejected the formal boundaries of artistic beauty laid-down by the conservative National Academy of Design. He is also known for his work in helping Albert C. Barnes to acquire the European paintings that form the nucleus of the famed Barnes Foundation in Philadelphia. His dark-hued, vibrantly painted street scenes and depictions of daily life in pre-WW I New York and Paris first established his reputation as a major artist. His later work was brighter in tone and showed the strong influence of Renoir. During much of his career as a painter, Glackens also worked as an illustrator for newspapers and magazines in Philadelphia and New York City.
Flaming June is a painting by Sir Frederic Leighton, produced in 1895. Painted with oil paints on a 47-by-47-inch square canvas, it is widely considered to be Leighton's best-known work in the 21st century, much reproduced in posters and the like. It shows a sensuous version of his classicist Academic style. It is thought that the woman portrayed alludes to the figures of sleeping nymphs and naiads the Greeks often sculpted.
Robert Feke was an American portrait painter born in Oyster Bay, New York. According to art historian Richard Saunders, "Feke’s impact on the development of Colonial painting was substantial, and his pictures set a new standard by which the work of the next generation of aspiring Colonial artists was judged." In total, about 60 paintings by Feke survive, twelve of which are signed and dated.
Ellsworth Kelly was an American painter, sculptor, and printmaker associated with hard-edge painting, Color Field painting and minimalism. His works demonstrate unassuming techniques emphasizing line, color and form, similar to the work of John McLaughlin and Kenneth Noland. Kelly often employed bright colors. He lived and worked in Spencertown, New York.
Stephen Carlton Clark was an American art collector, businessman, newspaper publisher and philanthropist. He founded the Baseball Hall of Fame in Cooperstown, New York.
The Gulf Stream is an 1899 oil painting by Winslow Homer. It shows a man in a small dismasted rudderless fishing boat struggling against the waves of the sea, and was the artist's statement on a theme that had interested him for more than a decade. Homer vacationed often in Florida, Cuba, and the Caribbean.
Water Lilies is a series of approximately 250 oil paintings by French Impressionist Claude Monet (1840–1926). The paintings depict his flower garden at his home in Giverny, and were the main focus of his artistic production during the last thirty years of his life. Many of the works were painted while Monet suffered from cataracts.
Paul Hampden Dougherty was an American marine painter. Dougherty was recognized for his American Impressionism paintings of the coasts of Maine and Cornwall in the years after the turn of the 20th century. His work has been described as bold and masculine, and he was best known for his many paintings of breakers crashing against rocky coasts and mountain landscapes. Dougherty also painted still lifes, created prints and sculpted.
The Boat Builders is an oil painting on panel executed in 1873 by American landscape painter Winslow Homer. It is held in the collection of the Indianapolis Museum of Art (IMA), in Indianapolis, Indiana, United States.
Snap the Whip is an 1872 oil painting by Winslow Homer. It depicts a group of children playing crack the whip in a field in front of a small red schoolhouse. With more of America's population moving to cities, the portrait depicts the simplicity of rural agrarian life that Americans were beginning to leave behind in the post-Civil War era, evoking a mood of nostalgia.
The Fog Warning is one of several paintings on marine subjects by the late-19th-century American painter Winslow Homer (1836–1910). Together with The Herring Net and Breezing Up, painted the same year and also depicting the hard lives of fishermen in Maine, it is considered among his best works on such topics.
Northeaster is one of several paintings on marine subjects by the late-19th-century American painter Winslow Homer. Like The Fog Warning and Breezing Up, he created it during his time in Maine. It is on display in the Metropolitan Museum of Art in New York. Viewers are presented a struggle of elements between the sea and the rocky shore. Winslow Homer excelled in painting landscape paintings that depicted seascapes and mountain scenery.
Searchlight on Harbor Entrance, Santiago de Cuba is an early 20th century painting by American artist Winslow Homer. It is currently (2018) in the collection of the Metropolitan Museum of Art.
Maine Coast is an 1896 painting by American artist Winslow Homer. It is part of the collection of the Metropolitan Museum of Art in New York.
Moonlight, Wood Island Light is a late 19th-century oil painting by American artist Winslow Homer. The painting is currently in the collection of the Metropolitan Museum of Art in New York.