Genre art is the pictorial representation in any of various media of scenes or events from everyday life, such as markets, domestic settings, interiors, parties, inn scenes, work, and street scenes. Such representations may be realistic, imagined, or romanticized by the artist. Some variations of the term genre art specify the medium or type of visual work, as in genre painting, genre prints, genre photographs, and so on.
Winslow Homer was an American landscape painter and illustrator, best known for his marine subjects. He is considered one of the foremost painters of 19th-century America and a preeminent figure in American art in general.
The Battle of Fort Pillow, also known as the Fort Pillow massacre was fought on April 12, 1864, at Fort Pillow on the Mississippi River in Henning, Tennessee, during the American Civil War. The battle ended with Confederate soldiers commanded by Major General Nathan Bedford Forrest massacring U.S. Army soldiers attempting to surrender. Military historian David J. Eicher concluded: "Fort Pillow marked one of the bleakest, saddest events of American military history."
Francis Channing Barlow was a lawyer, politician, and Union General during the American Civil War.
Samuel Colman was an American painter, interior designer, and writer, probably best remembered for his paintings of the Hudson River.
{{Infobox military person |name=Julian A. Scott |birth_date= February 14, 1846 |death_date= July 4, 1901 (aged 55) |image=Julian-scott-cdv.JPG |caption= |nickname= |birth_place=Johnson, Vermont, US |death_place=Plainfield, New Jersey, US |allegiance= [[United States
Union |branch= United States Army]]
Union Army |serviceyears= 1861 - 1863 |rank= Drummer |unit= 3rd Vermont Infantry |commands= |battles=American Civil War
*Battle of Lee's Mills |awards=Medal of Honor |relations= |laterwork= }} Julian A. Scott, was born in Johnson, Vermont, and served as a Union Army drummer during the American Civil War, where he received America's highest military decoration the Medal of Honor for his actions at the Battle of Lee's Mills. He was also an American painter and Civil War artist.
American Realism was a style in art, music and literature that depicted contemporary social realities and the lives and everyday activities of ordinary people. The movement began in literature in the mid-19th century, and became an important tendency in visual art in the early 20th century. Whether a cultural portrayal or a scenic view of downtown New York City, American realist works attempted to define what was real.
La rendición de Breda is a painting by the Spanish Golden Age painter Diego Velázquez. It was completed during the years 1634–35, inspired by Velázquez's visit to Italy with Ambrogio Spinola, the Genoese-born Spanish general who conquered Breda on June 5, 1625. The painting depicts the exchange of the key of Breda from the Dutch to the Spanish.
Camp Morton was a military training ground and a Union prisoner-of-war camp in Indianapolis, Indiana, during the American Civil War. It was named for Indiana governor Oliver Morton. Prior to the war, the site served as the fairgrounds for the Indiana State Fair. During the war, Camp Morton was initially used as a military training ground. The first Union troops arrived at the camp in April 1861. After the fall of Fort Donelson and the Battle of Shiloh, the site was converted into a prisoner-of-war camp. The first Confederate prisoners arrived at Camp Morton on February 22, 1862; its last prisoners were paroled on June 12, 1865. At the conclusion of the war, the property resumed its role as the fairgrounds for the Indiana State Fair. In 1891 the property was sold and developed into a residential neighborhood known as Morton Place, a part of the Herron-Morton Place Historic District.
The Battle of Columbus, Georgia, was the last conflict in the Union campaign through Alabama and Georgia, known as Wilson's Raid, in the final full month of the American Civil War.
A Visit from the Old Mistress is an 1876 painting by the American artist Winslow Homer. It was one of several works that Homer is thought to have created during a mid-1870s visit to Virginia, where he had served for a time as a Union war correspondent during the American Civil War. Scholars have noted that the painting's composition is taken from Homer's earlier painting Prisoners from the Front, which depicts a group of captive Confederate soldiers defiantly regarding a Union officer. Put on display in the northern states for a northern audience, A Visit from the Old Mistress, along with Homer's other paintings of black southern life from the Reconstruction era, has been praised as an "invaluable record of an important segment of life in Virginia during the Reconstruction."
Surrender of a Confederate Soldier is an 1873 painting by Julian Scott in the collection of the Smithsonian American Art Museum. The painting depicts an injured soldier of the Confederate States Army in the American Civil War waiving an improvised flag of surrender. The soldier is accompanied by black man and a woman holding an infant: the black man is presumed to be the soldier's slave, and the woman and infant are presumed to be his wife and child.
In Front of Yorktown is an oil painting completed in 1863 by the American artist Winslow Homer. It depicts men from McClellan's Army of the Potomac, before the Siege of Yorktown during the American Civil War. The painting is in the collection of the Yale University Art Gallery.
The Bright Side is an oil painting by the American artist Winslow Homer. Painted in 1865, the concluding year of the American Civil War, the work depicts four African American Union Army teamsters sitting on the sunny side of a Sibley tent. The painting is in the collection of the Fine Arts Museums of San Francisco-(De Young)
Snap the Whip is an 1872 oil painting by the American artist Winslow Homer. It depicts a group of children playing crack the whip in a field in front of a small red schoolhouse. With more of America's population moving to cities, the portrait depicts the simplicity of rural agrarian life that Americans were beginning to leave behind in the post-Civil War era, evoking a mood of nostalgia.
The Fog Warning is one of several paintings on marine subjects by the late-19th-century American painter Winslow Homer (1836–1910). Together with The Herring Net and Breezing Up, painted the same year and also depicting the hard lives of fishermen in Maine, it is considered among his best works on such topics.
Moonlight, Wood Island Light is a late 19th-century oil painting by American artist Winslow Homer. The painting is in the collection of the Metropolitan Museum of Art in New York.
Approaching Thunder Storm is an 1859 painting by American painter Martin Johnson Heade. It was his largest painting to date. The painting is in the collection of the Metropolitan Museum of Art. It is praised for its dramatic depiction of the threatening mood of blackening skies and eerily illuminated terrain prior to the storm itself. The painting has been connected to mounting tensions before the Civil War, which were often expressed in terms of natural imagery.
The Veteran in a New Field is an oil-on-canvas painting by the 19th-century American artist Winslow Homer. It is set in the aftermath of the American Civil War and is often interpreted as an emblem of postwar American society. The painting depicts a farmer harvesting wheat in a field with a scythe. The farmer in the painting is identified as a former Union soldier from his discarded jacket and canteen in the right foreground of the painting. This painting was one of several that Homer did on the American Civil War, including his previous works Home, Sweet Home and Prisoners from the Front. The Veteran in a New Field is a transitional painting in Homer's body of work. It comments on the postwar return of soldiers to daily life and the history of death that they bring along with them. It uses biblical themes to comment on war and nature, while also alluding to stories from classical history.
Grace Hoops is a genre painting by the American artist Winslow Homer. It depicts two young women outdoors playing the game of graces. Scenes of childhood innocence constituted one of Homer's recurring subjects throughout the 1870s. The work is now in the collection of the McMullen Museum of Art at Boston College, having been donated as part of the Carolyn A. and Peter S. Lynch collection.
